- Radical Love: Documenting Underrepresented Communities Using Principles of Radical Empathy Holly Smith
- Emotional Labor and Archival Practice–Reflection Nicola Laurent, Michaela Hart
- It Takes a Village: Creating the USC Upstate Oral History Pilot Program Ann E. Merryman
- Laying the Groundwork for a Born-Digital Records Management Program Erin Gallagher, Katie Causier Howell
- Reviews
- Anthony Cocciolo. Moving Image and Sound Collections for Archivists. Chicago: The Society of Archivists. 2017. Reviewed by Linda Marie Lashendock.
- Kris Kiesling and Christopher J. Prom (editors). Putting Descriptive Standards to Work. Chicago: Society of American Archivists, 2017. Reviewed by Greta Reisel Browning.
- Alison Mackenzie and Lindsey Martin. Mastering Digital Librarianship: Strategy, Networking and Discovery in Academic Libraries. London: Facet Publishing. 2014. Reviewed by Laurel Rhame
Category: Journals
CFP: The Journal of Interactive Technology and Pedagogy
The Journal of Interactive Technology and Pedagogy
General Issue
Issue Editors:
Shelly Eversley, Baruch College, CUNY
Krystyna Michael, The Graduate Center, CUNY
The Journal of Interactive Technology and Pedagogy (JITP) seeks scholarly work that explores the intersection of technology with teaching, learning, and research. We are interested in contributions that take advantage of the affordances of digital platforms in creative ways. We invite both textual and multimedia submissions employing interdisciplinary and creative approaches in the humanities, sciences, and social sciences. Besides scholarly papers, the submissions can consist of audio or visual presentations and interviews, dialogues, or conversations; creative/artistic works; manifestos; or other scholarly materials, including work that addresses the labor and care considerations of academic technology projects.
All work appearing in the Issues section of JITP is reviewed by the issue editors and independently by two scholars in the field, who provide formative feedback to the author(s) during the review process. We practice signed, as opposed to blind, peer review. We intend that the journal itself—both in our process and in our digital product—serve as an opportunity to reveal, reflect on, and revise academic publication and classroom practices. Additionally, all submissions will be considered for our “Behind the Seams” feature, in which we publish dynamic representations of the revision and editorial processes, including reflections from the authorial and editorial participants.
Research-based submissions should include discussions of approach, method, and analysis. When possible, research data should be made publicly available and accessible via the Web and/or other digital mechanisms, a process that JITP can and will support as necessary. Successes and interesting failures are equally welcome. Submissions that focus on pedagogy should balance theoretical frameworks with practical considerations of how new technologies play out in both formal and informal educational settings. Discipline-specific submissions should be written for non-specialists.
As a courtesy to our reviewers, we will not consider simultaneous submissions, but we will do our best to reply to you within three months of the submission deadline. The expected length for finished manuscripts is under 5,000 words. All work should be original and previously unpublished. Essays or presentations posted on a personal blog may be accepted, provided they are substantially revised; please contact us with any questions at editors@jitpedagogy.org.
For further information on style and formatting, accessibility requirements, and multimedia submissions, consult JITP’s accessibility guidelines, style guide and multimedia submission guidelines.
Important Dates
Submission deadline for full manuscripts is May 15, 2019. Please view our submission guidelines for information about submitting to the Journal.
Themed Issue, The Journal of Interactive Technology & Pedagogy: Teaching & Research with Archives
The Journal of Interactive Technology & Pedagogy: Teaching & Research with Archives, Issue Fourteen
Introduction
Danica Savonick, Jojo Karlin, and Stephen Klein
Possibly Impossible; Or, Teaching Undergraduates to Confront Digital and Archival Research Methodologies, Social Media Networking, and Potential Failure
Rebekah Fitzsimmons and Suzan Alteri
From Page to Screen and Back Again: Archives-Centered Pedagogy in the 21st Century Writing Classroom
Elizabeth Davis, Nancee Reeves, and Teresa Saxton
Crowdsourcing Traumatic History: Understanding the Historial Archive
Kristi Girdharry
Digital Paxton: Collaborative Construction with Eighteenth-Century Manuscript Collections
Will Fenton, Kate Johnson, and Kelly Schmidt
The Space Between Researcher, Object, Institution: Building Collaborative Knowledge with Primary Sources
Mary Catherine Kinniburgh
Narrating Memory through Rhetorical Reflections: CUNY Students and Their Archives
Wendy Hayden, María Hernández-Ojeda, and Iris Finkel
Engaging Women’s History through Collaborative Archival Wikipedia Projects
Ariella Rotramel, Rebecca Parmer, and Rose Oliveira
Collaboration Adventures with Primary Sources: Exploring Creative and Digital Outputs
Jennifer Needham and Jeanann Croft Haas
Realizing the Past: Charting a Course for Sustainable Instruction and Engagement with Archival Materials Using Augmented and Virtual Reality Technologies
Amanda G. Pellerin, Ximin Mi, and Alison Valk
Branching Out: Using Historical Records to Connect with the Environment
Wendy Wasman, Thomas Beatman, Shanon Donnelly, Kathryn Flinn, Jeremy Spencer, and Ryan Trimbath
Views from the Field
Teaching Colonial Translations Through Archives: From Ink and Quill to XML (Or Not)
Allison Margaret Bigelow
Diving into the Wreck: (Re)Creating the Archive in the First Year Writing Classroom
Maxine Krenzel and Daisy Atterbury
Born-Digital Archives in the Undergraduate Classroom
Mackenzie Brooks
How a Digital Collaboration at Oberlin College Between Archivists, Faculty, Students and Librarians Found Its Muse in Mary Church Terrell, Nineteenth-Century Feminist and Civil Rights Icon
Ken Grossi, Alexia Hudson-Ward, Carol Lasser, Sarah Minion, and Natalia Shevin
Issue Fourteen Masthead
Issue Editors
Danica Savonick
Jojo Karlin
Stephen Klein
Managing Editor
Patrick DeDauw
Copyeditors
Anne Donlon
Patrick DeDauw
Jojo Karlin
Benjamin Miller
Nicole Zeftel
Style and Structure Editor
Dominique Zino
Staging Editors
Teresa Ober
Lisa Brundage
Anne Donlon
Krystyna Michael
Benjamin Miller
Danica Savonick
sava saheli singh
Inés Vañó García
Luke Waltzer
New Issue: Archives and Records
Archives and Records, Vol. 39 no. 2 (2018)
(subscription)
Articles
To what lengths the ‘Physical and Moral Defence of the Record’ in times of conflict and exigency?
Anne J. Gilliland
Restor(y)ing community identity through the archive of Ken Saro-Wiwa
Vanessa Louise Platt
‘Civil disobedience’ in the archive: documenting women’s activism and experience through the Sheffield Feminist Archive
Rosa Sadler & Andrew Martin Cox
Heart of the deal: the use of negotiation and advocacy skills to revise national guidance for the NHS in line with professional best practice in the recordkeeping sector
Laura Hynds & Daniel Scott-Davies
Disability provision and policy in local government archives: the contemporary picture in Wales
Clare Victoria Jeremy
Business archives and local communities: corporate heritage in Loughborough, UK
Clare Ravenwood & Tim Zijlstra
The past, present and future of sigillography: towards a new structural standard for seal catalogues
John Alexander McEwan
New light on old illuminations
Andrew Beeby, Richard Gameson & Catherine Nicholson
Book Reviews
Research in the archival multiverse
Valerie Johnson
Displaced archives
Alex Fitzgerald
A history of archival practice
Elizabeth Shepherd
Archival arrangement and description: analog to digital
Jone Garmendia
The handbook of art and design librarianship
Sue Breakell
Government information essentials
Jason King
Open licensing for cultural heritage
Bernard Horrocks
The no-nonsense guide to project management
Adrian Steel
Successful enquiry answering every time: thinking your way from problem to solution
Matti Watton
Chichester archdeaconry depositions 1603–1608
Nell Darby
The account book of the Giles Geast Charity, Tewkesbury 1558–1891
Anthony Smith
Society of Florida Archivists Journal Vol. 1 Issue 1 Now Available
The SFAJ Editorial Board is delighted to announce that Volume 1 Issue 1 of the Society of Florida Archivists Journal is now published online! You can find it under the Current Issue menu on the SFAJ website. Below is a list of the wonderful authors that contributed articles to this issue as well as the folks who provided some insightful book reviews. Congratulations to all for a job well done!
Articles:
Matthew Miguez
Robert Rubero
Sandra Varry
Rory Grennan
Krystal Thomas
Reviews:
Elliot Williams
David Benjamin
The editorial team learned a lot by putting this first issue together and now we’re ready to start creating the next one! A recent Call for Future Papers went out in the Fall 2018 Florida Archivist Newsletter so please consider submitting for a future issue.
If you have an essay, case study, reflective or opinion piece, tool or book review, or any other work-in-progress paper please reach out to the Journal at floridaarchivists.journal@gmail.com. We’d love to know what you’re working on as we consider content for our 2019 issue.
Archives & Manuscripts Promotes Open Access
How to share your Archives and Manuscripts articles
The Archives and Manuscripts team are requesting that all contributors please consider posting the accepted manuscript* version of articles and reviews published from 2012 onwards on their preferred platform.
The accepted manuscript of anything published in Archives and Manuscripts from 2012 onwards can be shared on any platform. Including but not limited to: your personal website, your LinkedIn profile, your institution’s repository.
We only require that you add the following text to your manuscript: “This is an [Accepted Manuscript / Original Manuscript] of an article published by Taylor & Francis in Archives and Manuscripts on [date of publication], available at http://wwww.tandfonline. com/[Article DOI].”
Adding this text will assist anyone who found your article or review to cite you correctly.
Refer to this infographic for further information about ways in which you can share your Archives and Manuscripts article.
If you have any questions or queries about this information, please don’t hesitate to get in touch with the A&M Journal Team.
*The accepted manuscript version of your article is “your paper after peer review, when it has been revised and accepted for publication by the journal editor”. Please note that it is not the final version of your article which has been copyedited and typeset. 
Information & Culture: New Book Reviews
Making IT Work: A History of the Computer Services Industry by Jeffrey R. Yost
Reviewed by Sarah A. Bell
The computer services industry has worldwide annual revenues of nearly a trillion dollars and employs millions of workers, but is often overshadowed by the hardware and software products industries. In this book, Jeffrey Yost shows how computer services, from consulting and programming to data analytics and cloud computing, have played a crucial role in shaping information technology—in making IT work… (MIT Press)
Weaving the Dark Web: Legitimacy on Freenet, Tor, and I2P, by Robert Gehl
Reviewed by Elinor Carmi
The term “Dark Web” conjures up drug markets, unregulated gun sales, stolen credit cards. But, as Robert Gehl points out in Weaving the Dark Web, for each of these illegitimate uses, there are other, legitimate ones: the New York Times‘s anonymous whistleblowing system, for example, and the use of encryption by political dissidents. Defining the Dark Web straightforwardly as websites that can be accessed only with special routing software, and noting the frequent use of “legitimate” and its variations by users, journalists, and law enforcement to describe Dark Web practices (judging them “legit” or “sh!t”), Gehl uses the concept of legitimacy as a window into the Dark Web. He does so by examining the history of three Dark Web systems: Freenet, Tor, and I2P… (MIT Press)
My Life as a Spy: Investigations in a Secret Police File by Katherine Verdery
Reviewed by Kalpana Shankar
As Katherine Verdery observes, “There’s nothing like reading your secret police file to make you wonder who you really are.” In 1973 Verdery began her doctoral fieldwork in the Transylvanian region of Romania, ruled at the time by communist dictator Nicolae Ceausescu. She returned several times over the next twenty-five years, during which time the secret police—the Securitate—compiled a massive surveillance file on her. Reading through its 2,781 pages, she learned that she was “actually” a spy, a CIA agent, a Hungarian agitator, and a friend of dissidents: in short, an enemy of Romania. (Duke University Press)
CFP: 2019 issue of Provenance
Provenance: The Journal of the Society of Georgia Archivists, a peer reviewed academic publication, seeks articles on archival theory and practice for the first issue of 2019. Please note that the content of the journal is not limited to the state of Georgia, and articles of regional or national significance are welcome. First-time authors are especially encouraged to submit articles for consideration. Provenance is also interested in innovative and unique methods for presenting scholarly content. Please contact Heather Oswald if you would like to discuss an article idea or format.
Articles on archival topics outside of theory and practice which meet publication standards will also be considered. Typical papers should be a Word document, 10-20 pages, double spaced, and formatted according to the 17th edition of the Chicago Manual of Style. Please review information for contributors: http://digitalcommons.kennesaw.edu/provenance/policies.html.
Articles are to be submitted utilizing Provenance’s new online system: http://digitalcommons.kennesaw.edu/provenance/.
For additional information contact Editor Heather Oswald at: provenance@soga.org. Deadline for contributions is April 15, 2019.
Gracy Award
Each year the SGA awards the Gracy Award, a $350 prize which recognizes a superior contribution to Provenance. Named for David B. Gracy II, founder and first editor of Georgia Archive, the award began in 1990 and is judged by the editorial board.
*Back issues of Provenance and Georgia Archive available online.*
Best,
Heather Oswald
Manager of Public Services
Baker Library, Harvard Business School
Somerville MA
Recent Issue: The Moving Image
The Moving Image, Vol. 18 no. 1 Spring 2018
Editors’ Foreword
Donald Crafton and Susan Ohmer
Features
Where “Post-Race” Happens: National Basketball Association Branding and the Recontextualization of Archival Sports Footage
Timothy J. Piper
The Hidden History of the American Film Institute: The Cold War, Arts Policy, and American Film Preservation
Brian Real
“Why I am Ashamed of the Movies”: Editorial Policy, Early Hollywood, and the Case of Camera!
Peter Lester
Forum
Under Threat: One Archive’s Tale from the 2017 Napa and Sonoma County Fires
James Mockoski and Courtney Garcia
RKO’s Studio Archive: The Golden Years
Anthony Slide, Richard Jewell and Robert Carringer
Building a Crowdsourcing Platform for the Analysis of Film Colors
Barbara Flueckiger and Gaudenz Halter
Teaching (Like) Hannah Frank (1984–2017): A Tribute
Mihaela Mihailova, Jen Bircher, Robert Bird, Mariana Johnson, Ian Bryce Jones, Ryan Pierson, Alla Gadassik and Tim Palmer
A Deal with the Devil: Bill Morrison on Dawson City: Frozen Time
Donald Crafton and Bill Morrison
Review
Treasures from the Library of Congress
Review by: Richard Lewis Ward
New Issue: International Association of Sound and Audiovisual Archives Journal
Issue 49 of the International Association of Sound and Audiovisual Archives (IASA) Journal
2019 Conference Reminder
IASA Journal Editorial Board
Editorial
President’s Letter
Tribute: Claes Cnattingius
Announcement: First edition of IASA-TC 06 online
Profiles
Musings on the Importance of Harnessing the Power of the Internet to Improve Access to Soundtracks
Sami Meddeb, Tunisia
Louis Fortin, Les Productions Mission Vision, Canada
On the Bright Side of Data Migrations
Reto Kromer, AV Preservation by reto.ch, Switzerland
Articles
Joining Forces in Audiovisual Digitisation, Digital Preservation and Access: The Indian and the Flemish Approach
Irfan Zuberi (NCAA) and Brecht Declercq (VIAA)
Sound Practice: Exploring DACS Compliance in Archival Description of Music Recordings
Elizabeth Surles, Archivist, Institute of Jazz Studies, Rutgers University, USA
Moving Image User-Generated Description: A Matter of Time
Edward A. Benoit, School of Library & Information Studies, Louisiana State University, USA