Call for Digital Posters: Scotland’s Community Heritage Conversations 2026

The Scottish Council on Archives is delighted to share that submissions for the digital poster session at this year’s Scotland’s Community Heritage Conversations hybrid event are now open! The  event will take place Thursday 26 November 2026 at the Engine Shed, Stirling and Microsoft Teams.

Digital Poster/Video Session (2026) 

This year’s event will feature a digital poster/video session, designed to let community heritage groups and organisations show off their projects, work and initiatives. This is a fantastic opportunity to showcase your organisation or project to a diverse group of delegates. We will be displaying posters/video clips based on the conference theme Sharing our Strengths, in a constant loop throughout the day on large screens situated in the Open Hall at the Engine Shed. This is the space where delegates will be networking and enjoying refreshments and lunch. You could also use your poster/video as a background slide for your one-minute mayhem talk, a 60-second ‘soap-box’ opportunity to share your news and views on any aspect of Scotland’s community heritage. It’s a great way for people to know about your work and it’s easy to submit a poster by following these simple instructions: 

 To submit a poster:  

  • Create a bold and informative poster that tells the story of your organisation using our Poster-Template-2026. Get inspiration from from last year’s posters
  • Include your group’s name and any other important details, such as a website or social media page – where you want people to reach out to you.  
  • Make sure the submission is on a single widescreen PowerPoint slide and is accessible (see below). 
  • Send it as an email attachment to Marissa Trimble, m.trimble@scottisharchives.org.uk with the subject line POSTER SCHC CONFERENCE 2026 by Monday 9 November. Text within the email must include: 1. Group name; 2. Name of contact person in the group; 3. Email address of contact person.  

Make your poster accessible:   

  • Font size minimum of 24pt   
  • Use contrasting colours, e.g. Black text on a light background. Avoid light fonts on light backgrounds, or dark on dark which are hard to read.   
  • Make images or graphics large and clear    
  • Use a sans serif font which is readable  

To submit a video: 

  • Videos must be no longer than 20 seconds 
  • We cannot play sound when showing these videos so if someone is speaking you will need to have captions 

We’d love to see you at the conference in person, but if you can’t attend, please still send your poster/video so attendees can learn more about your group!  

If you have any questions or want your poster checked for accessibility, feel free to contact m.trimble@scottisharchives.org.uk  

Deadline for submissions: 9 November 2026 

CFP: Critical Digital Archives. Travel, Translation, Transformation.  A Hybrid Symposium on Archives in and from the SWANA Region

British Institute for Libyan and Northern African Studies (BILNAS) 
School of Advanced Studies, University of London (ILCS-ICS) 
21–22 January 2027 

Call for papers: Critical Digital Archives. Travel, Translation, Transformation.  

A Hybrid Symposium on Archives in and from the SWANA Region. 

This symposium aims to provide a forum for scholars, archivists, community and cultural organizations interested in critical approaches to digital archives containing materials from and about the SWANA (Southwest Asia and North Africa) region, understood as a geographic, historical, and cultural space. In this space, archives have been historically imposed, looted, extracted, dispersed, destroyed, but also rescued, rebuilt and reinvented, pioneering practices of resistance, reparation and return that raise compelling ethical, theoretical and practical questions for scholars and stakeholders (Ghaddar, 2025). Building on Itza Carbajal and Michelle Caswell’s framework (2021), our approach seeks to advance a language-sensitive understanding of reparative archival practices that are attentive to and accountable for the technological, social, and environmental impacts of digital archives.  

We are interested in digitisation as a transformative process that reshapes archival practices, knowledge production, and power relations. 

Conceived as a collaborative, interdisciplinary, and horizontal forum, the symposium invites participants, both in person and online, to engage in discussion and exchange around three interconnected themes and interpretative lenses. Two keynote speakers – Sara Salem (LSE) and Amanda Egbe (UWE) – will act as discussants, facilitating collective reflection and dialogue around participants’ contributions. The three themes of the symposium are Travel, Translation and Transformation: 

Travel: Archives in Movement 

This strand explores journeys and movement both as subjects represented in archival collections and as conditions shaping the archive itself, opening up questions of archival looting, dispersal and dispossession as well as care, stewardship, and reparation. Discussions may engage with spatial humanities approaches, including digital mapping and gazetteers; the displacement and mobility of archives; practices and ethics of archival solidarity and return; and questions of heritage, ownership, and identity from indigenous and diasporic perspectives. 

Translation: Languages in the Archive 

This strand will examine issues relating to languages and translation, both in the records and in the archival metadata that make them searchable by and accessible to stakeholders. We will especially welcome contributions reflecting on the role of metadata as descriptive as well as interpretative text, exploring the potential for linguistic, semantic and epistemological translations.  We will also welcome contributions that explore the multilinguality of archival records as enduring representations of human activity and consider the practices and ethics of reparative translation in digital archives. 

Transformation: Digital Futures and Ethics of Dematerialization 

The third strand will look at digitisation as a transformative process for the archive that involves new materialities and highlights new absences. We aim to discuss the impact of digital projects on key stakeholders (users, subjects of records, source communities). We invite contributions on the fragility of digitised and born-digital heritage, as well as the specific biases and risks that digitalisation processes may introduce, particularly through the reproduction, by digital tools, of historical and ongoing harms to people and the environment.  

We also aim to assess the potential of digital technology, especially non-corporate and low-threshold, to act as vectors of resistance and tools against erasure. 

Keynote speakers:   

Sara Salem is an Associate Professor in Sociology at the London School of Economics. Her first book, published with Cambridge University Press, is entitled Anticolonial Afterlives in Egypt: The Politics of Hegemony (2020). Her second book, co-authored with Mai Taha, is entitled Anticolonial Radios: On the Sonic Lives of Internationalism, forthcoming with Cambridge University Press. Along with Mai Taha, she curates Archive Stories, a platform exploring radical and creative archives. 

Amanda Egbe is a Senior Lecturer in Media Production at the University of the West of England and leads Heritage Futures, a practice-led research programme building infrastructure for heritage at risk through archives, film, and digital systems. Her research focuses on how cultural memory is documented, governed, protected, transformed, or lost in contexts shaped by social change, technological transformation, environmental stress, and historical inequity.  

Convenors:  

Barbara Spadaro, University of Liverpool 

Valeria Vitale, University of Sheffield 

The event is jointly hosted by the Institute of Languages, Cultures and Societies (ILCS) and the Institute of Classical Studies (ICS) at the School of Advanced Studies, University of London, and funded by the British Institute for Libyan and North African Studies (BILNAS).  

Please send via email a 300words abstract and short bio to b.spadaro@liverpool.ac.uk and v.vitale@sheffield.ac.uk  

Deadline: 30 SEPTEMBER 2026 

A limited number of travel bursaries will be offered to participants travelling to the symposium in London. 

URL: https://ics.sas.ac.uk/news-events/events/critical-digital-archives-travel-translation-transformation

Contact Email

b.spadaro@liverpool.ac.uk

URL: https://ics.sas.ac.uk/news-events/events/critical-digital-archives-travel-translation-transformation

CFP: Poster and Demo Submissions for IDCC27

Poster and demo submissions for IDCC27 open until 16 October

There’s still time to submit your Poster or Demonstration proposal. You have until 16 October to secure the opportunity to join other international presenters at the 21st International Digital Curation Conference in Lisbon, Portugal, from 9-12 February 2027.

  • Poster Submissions: Offer a great opportunity to showcase and promote your work through images, interact with others, gather feedback, and exchange ideas.
  • Demonstrations: Showcase a working software tool, hardware prototype, or interactive system.

Submit your proposals now!

CFP: Material Culture Workshop: “Re-Materialising: Navigating Transience and Absence” – University of Cambridge

Deadline: Sept. 11, 2026

The Material Culture Workshop at the University of Cambridge invites submissions for 20 minute papers for our Michaelmas 2026 sessions on the theme “Re-Materialising: Navigating Transience and Absence.”

  • How do we approach object-based studies without the object?
  • How can we use extant archival material to “reconstruct” the material lives of groups and individuals traditionally underrepresented in institutional collections?
  • How does the archive present challenges and opportunities as a material object itself?

This theme invites projects which challenge disciplinary divisions and embrace material culture studies of non-extant objects and understudied groups. Papers may engage with themes of fragmentation, archival absence, loss, transient objects/experiences, unconventional archival practice, and related topics.

The Material Culture Workshop is convened by postgraduate students Cecelia Eure and Robert Hewis and aims to highlight the work of early career researchers and practitioners in history, art history, archaeology, anthropology, cultural studies, and related disciplines. It is hosted in-person at the University of Cambridge and online at 5:30 pm every other Monday.

Submissions must include a title, abstract (250 words), and a brief bio, sent as a Word document to Cecelia Eure (cre48@cam.ac.uk) by 11 September 2026.

Contact Information

Faculty of History, University of Cambridge

Contact Email

cre48@cam.ac.uk

CFP: Star Wars 50 Years: Pasts, Presents, and Futures

The Star Wars 50 Years academic conference will be held by the University of Leicester and the Leverhulme Centre for Humanity and Space at Space Park Leicester on 21-22 May 2027 in anticipation of the 50th anniversary of the original release of the film on 25 May 1977 in the U.S. We are now inviting proposals for conference presentations.

Conference Organisers:

Xiyuan Gao, PhD Candidate – Conference Director
Dr David Christopher – Conference Co-Director
Dr James Aitcheson – Leverhulme Centre Partner
Dr Tara Smith – Leverhulme Centre Partner
Helen Bruce, PhD Candidate – Director, Festival of Media Stories

Overview

Star Wars: A New Hope was first released in the United States on 25 May 1977, inaugurating a screen franchise whose cultural, industrial, and imaginative afterlives now span half a century. The Star Wars 50 Years Conference will mark the anniversary by bringing together scholars, researchers, practitioners, archivists, and fans at the Leverhulme Centre for Humanity and Space in Leicester contiguous with The National Space Centre.

The Centre hosts numerous Star Wars-themed public events throughout the year, and we will be excited to follow their developing programme with an eye to connecting their events and screenings to the conference.

Leicester and Leicestershire occupy a distinctive place in the history of Star Wars in the UK. Leicestershire was home to Palitoy, the toy company that held the coveted manufacturing contract in the UK during the original trilogy era.

Palitoy’s Star Wars figures, vehicles, packaging, and playsets remain central to British collecting cultures and to the material memory of the franchise, linking Leicestershire to the commercial and affective history of Star Wars childhoods, fandom, and merchandising. Indeed, Matt Holt’s upcoming documentary In a Landfill Far, Far Away (Spoon Jar Films) seeks to discover the so-called ‘lost toys’ from the Palitoy factory putatively buried somewhere in Leicestershire which is sure to create a scholarly buzz: ‘Filmmaker unearths legend of buried Star Wars toys’.

Leicestershire’s connection to the franchise is also embodied in personnel history. The late Jeremy Bulloch, born in Market Harborough, was the first actor to perform Boba Fett in The Empire Strikes Back and Return of the Jedi, helping to create one of the most enduring and enigmatic figures in Star Wars. His association with Boba Fett further situates Leicestershire within the lived and performed history of Star Wars, extending the county’s relevance beyond merchandising and into questions of screen performance, character embodiment, cult stardom, and fan memory. Gareth Edwards, director of Rogue One also calls Nuneaton home.

More broadly, the franchise has launched or fostered the careers of myriad British performers from Sir Alec Guinness and Peter Cushing though to John Boyega, Felicity Jones, and Daisy Ridley. And so much of Lucas’s production efforts were located at various studios and locations across the UK including locations in Leicestershire.

Star Wars 50 Years invites contributors to reflect on the franchise’s pasts, presents, and futures, especially with regard to the participation of UK production inputs or international franchise phenomena, but not necessarily limited by this parameter as such. The conference welcomes papers on Star Wars across film, television, animation, games, publishing, merchandising, fan communities, transmedia storytelling, race, gender, class, politics, technology, nostalgia, and global reception, etc.

By gathering in Leicester, the conference asks not only what Star Wars has meant over the past fifty years, but also how particular places, objects, performances, institutions, and communities have shaped the franchise’s meanings across the UK and beyond.

Topics of Interest

We welcome papers on, but not limited to, the following research topics:

  • Star Wars histories, legacies, and cultural memory.
  • Directors, writers, producers, showrunners, designers, performers, and other creative workers across the franchise.
  • Star Wars and transmedia storytelling across film, television, animation, novels, comics, games, audio, toys, and digital platforms.
  • Expanded universes, canon, continuity, retconning, and the relationship between Legends and Disney-era canon.
  • Star Wars television and Disney+ distribution.
  • Star Wars animation (The Clone Wars, Rebels, and more recent animated projects).
  • Star Wars games, interactive storytelling, virtual worlds, and player agency.
  • Ethnicity, class, disability, age, and embodiment in Star Wars.
  • Feminism, female characters, creators, audiences, and female-led fan practices.
  • Masculinity, fatherhood, family, lineage, inheritance, and dynastic storytelling.
  • Queer readings, slash fandom, transformative works, and alternative affective attachments.
  • Stardom, performance, voice acting, physical performance, puppetry, motion capture, and creature performance.
  • Practical effects, digital effects, CGI, sound design, editing, and the aesthetics of technological change.
  • John Williams, musical themes, soundscapes, voice, and sonic memory.
  • Merchandising, toys, collecting, licensing, branding, and commercial culture.
  • Museums, exhibitions, archives, private collections, fan collections, and the preservation of Star Wars objects.
  • Global Star Wars: international reception, translation, dubbing, subtitling, censorship, distribution, and localisation.
  • Fandom, fanfiction, fan art, cosplay, fan films, podcasts, conventions, online communities, and platform cultures.
  • Fan controversy, anti-fandom, canon disputes, toxicity, moderation, inclusion, and community governance.
  • Nostalgia, childhood, memory, intergenerational spectatorship, collecting, and affect.
  • Science, space travel, astronomy, robotics, artificial intelligence, and the relationship between Star Wars and public science imagination.
  • Theme parks, immersive experiences, live events, exhibitions, tourism, and commercialised fan participation.
  • Archives, lost materials, production histories, oral histories, memory work, and fan-led preservation.
  • The future of Star Wars: franchise fatigue, renewal, legacy, and new audiences.

The conference is scheduled to be on-site and in-person. The submission of remote presentation proposals will be considered only under specific mitigating circumstances.

Submission Details

Individual Papers

The individual proposal shall include the following information, all in the same document:

  • A title.
  • An abstract (maximum 300 words) for a 15-20-minute presentation.
  • Speaker’s short biography (maximum 150 words), including affiliation.
  • Speaker’s email address.

Pre-constituted Panels

The panel proposal shall include the following information, all in the same document:

  • A panel title.
  • All individual abstracts (maximum 300 words each).
  • All speakers’ short biographies (maximum 150 words each), including their affiliation and email address.
  • If you wish to designate a panel chair, please indicate this in the panel proposal. Otherwise, the committee will assign one for you.

To submit, please email your proposal as an attachment (Word file preferred) to sw-conf-50@leicester.ac.uk by 1-November-2026. Please clearly state in the email subject either “Star Wars 50 Years individual proposal” or “Star Wars 50 Years panel proposal”.

Notification of accepted papers and panel proposals will be returned on or before 31st January 2027.

Conference Address

Space Park Leicester
Space City, 92 Corporation Rd, Leicester
Postcode: LE4 5SP

Contact Information

If you have any queries regarding the conference, please email conference director Xiyuan Gao (xg92@leicester.ac.uk) or co-director Dr David Christopher (dc435@leicester.ac.uk).

General enquiries: sw-conf-50@leicester.ac.uk

Contact Email

sw-conf-50@leicester.ac.uk

URL

https://le.ac.uk/media/research/star-wars-50-years

CFP: Scottish Council on Archives Annual Conference 2026

ARCHIVES AND RECORDS AT THE HEART OF SOCIETY

Date: Tuesday, 3rd November 2026
Venue: Meeting Rooms, Tynecastle Park, Heart of Midlothian FC, McLeod St, Edinburgh EH11 2NL

Deadline for papers: Monday 21st September

The Scottish Council on Archives (SCA) is pleased to invite proposals for papers for its 2026 annual conference with the broad theme of ‘Archives and Records at the Heart of Society’. This year, we want to explore the essential role that archives and records play in underpinning democracy and accountability as well as inspiring creativity, wellbeing and community building.

The conference is an opportunity to highlight how archives and records management services underpin and support every almost aspect of society. Archives and records provide us with the evidence to challenge decisions and hold authorities to account. Archives and records contribute to vibrant and cohesive communities by telling the stories of places and the people who have lived there; to health and wellbeing, through use of archival material to help with a variety of conditions, including dementia; and to economic impact, by supporting the growing ancestral tourism market.

Whether you work in archives, records management, conservation, community archives, research, education or policy, we want to hear how your work is contributing to a more transparent, accountable, vibrant and healthier society.

We welcome proposals that may include (but are not limited to):

  • Archives and records as infrastructure for democracy, justice, and governance — case studies, advocacy work, or reflections on the importance and impact of the sector
  • Records management and accountability — examples of how good records practice has supported transparency, efficiency and/or public trust in institutions
  • Supporting the case for a future national strategy for archives and records
  • Inspiring and engaging with communities and/or promoting wellbeing
  • Responding to contemporary challenges and inquiries — engagement with public inquiries, emerging crises, or rapidly changing societal and technological issues such as AI
  • Demonstrating how archives and records support local and/or national economies
  • Case studies on any aspect of recordkeeping that speaks to the conference theme

Format:

  • 20-minute individual papers/presentations (in-person is preferred but a pre-recorded presentation will be considered)

Submission Details:

To submit your proposal, please email Marissa Trimble at m.trimble@scottisharchives.org.uk by the deadline of 21st September 2025. Your submission (maximum five hundred words) should include:

  • Presentation title and description
  • Name of your organisation (if applicable)
  • Your preference for presenting in person or prerecorded

Speakers will have their conference attendance fee and reasonable travel expenses covered. Please note that as a small charity, SCA is unable to offer speaker fees.

If you would like to discuss the event before submitting, please contact SCA Director, John Pelan at j.pelan@scottisharchives.org.uk

Deadline for papers: 21st September

Other Key Dates:

Bookings open: w/b 17th August

Programme decision made: 25th September

Full programme published: w/b 28th September

Conference: 3rd November

Call for Submissions: Archiving “Wrong” (Association of Canadian Archivists at University of British Columbia)

The ACA@UBC Conference team is thrilled to invite proposals for our February 2027 Conference that reflect on, expand on, or challenge the theme of “Archiving ‘Wrong.’” The conference provides a venue for archivists, librarians, records managers, information professionals, students, and all interested to share their research and experiential case studies.

Topics and prompts could include (but are not limited to)

  • Is there a “right” or “wrong” way to archive?
  • Instances when it may be necessary or beneficial to archive using methods that are not sanctioned by official standards or theory
  • Strategies for working with archival materials that record histories of wrongdoing or harm
  • Strategies for working with archival materials that could themselves cause harm
  • Making mistakes in the archives, or encountering mistakes made by others
  • Working in the archives without a recognized archival education; “rogue archives”
  • Archival projects undertaken by non-archivists 
  • Archiving “against” the theoretical canon
  • “Good enough” archiving: doing the best you can without enough resources/knowledge
  • Expanding archival user groups or challenging “traditional” notions of who archival users are

More about Archiving “Wrong”…

The professionalization of the archival field over the twentieth century came with the increasing entrenchment of a body of “canonical” archival theory and the consolidation of professional standards and practices. Not all archival practice followed suit, however, and scholars continue to identify a tension between theory and practice in the archival field.

This disconnect is also invoked when archivists reflect on the many situations in which their archival theory education is inadequate or even unsuitable in practice. Archives that employ workers without traditional training, that utilize nonstandard tools, supplies, and methods of processing, or that adopt alternative modes of stewardship, may not conform to sanctioned notions of what an “archive” is, but in doing it “wrong,” still perform a vital, and essentially archival function.

Archiving “wrong” could also refer to the task of preserving evidence of wrongdoing. While archives can function as instruments for accountability by maintaining records of “wrongs,” attendant discussions consider questions of the ideal ethics and standards for providing access to such materials, and identify the harm these records can still do, including to archivists themselves.

With growing political unrest and direct challenges to the ability of information organizations under governmental control to fulfill socially progressive mandates, archiving wrong may take on a new dimension, acknowledging the inability of governmentally-directed institutions to respond effectively to those whose needs they serve.

Some archivists have advanced strategies of archiving beyond the institution—and even against the law—as an important act of care and resistance. “Doing it wrong,” in this sense, might mean a willful rejection of what tradition has deemed the “right” way to archive.

Submission deadlines

September 18, 2026 — General proposal deadline (all non-student submissions)

October 16, 2026 — Student general proposal deadline *

November 27, 2026 — Student poster proposal deadline *

* The student deadline applies to all students at any College or University, including those in MAS, MASLIS, MLIS, MACL, and PhD programs. Students in other undergraduate or graduate programs are also welcome to submit for this deadline.

Full Call for Submissions

CFP: Between Big Data and Obsolescence: Born-Digital Sources, Contemporary History, and the Politics of Access

Ninth Conference on Digital History and Digital Humanities
Location: German Historical Institute Washington
Date: March 18–19, 2027
Deadline for Submissions: September 6, 2026

Co-convened with the Luxembourg Centre for Contemporary and Digital History (C2DH), the Chair for Digital History at Humboldt-Universität zu Berlin, the Leibniz Institute of European History (IEG) in Mainz, the Chair for Contemporary History at the University of Mannheim, and NFDI4Memory.

Digital technologies have fundamentally transformed the production, circulation, preservation, management, and interpretation of historical sources. Contemporary history is increasingly confronted with sources that are not simply digitized versions of analog records, but born-digital traces: emails, databases, social media posts, websites, digital images, messaging apps, spreadsheets, geodata, audiovisual files, code, metadata, and AI-generated content. These sources are unstable, fragile, platform-dependent, and often inaccessible both for research and even to the institutions that initially produced them. At the same time, they constitute crucial evidence for political, social, cultural, legal, and economic histories of the late twentieth and twenty-first centuries.

This conference takes the problem of born-digital sources as a central challenge for contemporary history and digital history alike. It asks how historians, archivists, information scientists, legal scholars, and digital humanities practitioners can work together to ensure that born-digital materials will be accessible as sources for research, while also developing tools and strategies that support their critical analysis.

One of the starting points for this conference in the German context is the position paper “NFDI4Memory: Damit wir auch zukünftig eine Vergangenheit haben” (Ensuring that the Future Has a Past). The authors argue for much closer cooperation between archival science and historical research in response to the changing conditions of the production of historical evidence. The mass availability of cataloging and metadata, they note, produces volumes of information that humans can no longer productively oversee, requiring new digital tools for enrichment, standardization, and analysis. Such tools are already being adopted in both archives and research communities. 

Comparative perspectives reveal that the preservation of born-digital records depends on distinct professional cultures, legal frameworks, and institutional responsibilities. In the United States, for example, records management, including electronic records management, has long served as an important bridge between administrators, archivists, and, potentially, historians. For government records, standards are shaped by the National Archives and Records Administration (NARA), including guidelines for official social media records, as well as by state archives. Private and non-governmental organizations often develop their own practices, resulting in a more uneven landscape of preservation, access, and accountability. Yet even where standards exist, major challenges remain: records managers may lack enforcement authority; institutions may lack funding, staffing, and technical infrastructures; and political priorities may undermine commitments to transparency and preservation. These problems point to broader international differences in how born-digital records are managed, preserved, and made available as future historical evidence. For more than two decades, scholars and practitioners have warned that overcoming divides between archivists, historians, records managers, and computer scientists is essential if we are to avoid the losses associated with a possible “digital dark age,” as Roy Rosenzweig already argued in 2003.

The challenges become even more urgent when we shift our focus from archives to producers of born-digital records, including government agencies, legislative bodies, and courts. Even more complex are challenges for institutions not subject to federal and state electronic records management requirements and guidelines, such as political parties, corporations, NGOs, and media organizations. Common problems include a lack of guidelines, a lack of enforcement abilities, a lack of staffing and training, and a lack of affordable platforms and infrastructures. Records disappear in deletion routines, remain locked in proprietary systems, or become inaccessible due to changing software environments, legal restrictions, platform obsolescence, or phaseouts. Whether in democratic or in authoritarian regimes, political decisions and developments influence whether governments are committed to ensuring transparency, oversight, and accountability governed by processes accountable to the public, or whether electronic traces of evidence may be repressed or destroyed. 

Born-digital records are therefore not merely a technical or archival concern. They are central to public accountability, democratic transparency, and the very possibility of writing contemporary history. Or as Sarah Weicksel, Executive Director of the American Historical Association (AHA), recently observed in an interview with the Max Weber Foundation’s “Weltweit vor Ort”: “Part of the question, then, is whether the American public and researchers from around the world will have access to a full and complete accounting of governmental actions and records, both through the executive branch and throughout other branches of government.”

The transformation process requires new skills and offers new opportunities for researchers. Traditional methods and working practices must expand, and new research questions and opportunities are emerging. The advent of born-digital data has given rise to entirely new categories of sources, raising new questions about data management and analytics, as well as enhanced methods of source criticism. Born-digital materials therefore force us to rethink traditional historical and archival training, and disciplinary and professional boundaries between historical scholars, information and data professionals, including archivists, digital humanists, and computer scientists. What does it require to preserve a database, a social media feed, a messaging thread, or a dynamic website? How can historians reconstruct the provenance, integrity, and context of digital records? What forms of digital source criticism are needed when documents are produced, modified, enriched, compressed, deleted, or algorithmically reordered by technical systems? How should we treat AI-generated images, texts, videos, and synthetic media as sources of contemporary history? And how can historians respond when politically significant digital records vanish before they ever become archival objects?

Submission Guidelines 

The conference aims to create a forum for sustained exchange between those who preserve born-digital materials and those who interpret them as historical sources. By bringing together archival, methodological, technical, and historiographical perspectives, we seek to ask not only how born-digital records can be saved, but also how they can be made meaningful for contemporary history. We especially welcome contributions that combine methodological reflection with concrete case studies, project presentations, or hands-on approaches.

Possible topics include, but are not limited to:

  • Digital forensics and born-digital evidence
    How can methods from digital forensics help historians and memory workers identify, preserve, authenticate, and interpret born-digital materials? What can forensic approaches reveal about deleted files, metadata, file systems, version histories, timestamps, or chains of custody? How can such methods be made accessible for historical research without reducing sources to purely technical artifacts?
  • Digital source criticism 
    Born-digital sources require new forms of source criticism. Contributions may address provenance, authenticity, metadata, platform infrastructures, interface effects, algorithmic mediation, software dependencies, and the interpretive challenges of large-scale digital corpora. We are particularly interested in approaches that connect computational methods with hermeneutic interpretation. How can historians critically analyze sources that are too large, dynamic, or complex to be read through conventional methods alone?
  • Working with born-digital governmental sources
    Present your in-progress or finished project based on the aforementioned new types of sources. What institutional, technological, and methodological challenges did you encounter? Are there advantages to the sources’ genuinely digital nature, which is unburdened by the time-consuming and error-prone aspects of retrodigitization?
  • AI-generated content as sources of contemporary history
    Generative AI has rapidly become part of everyday communication, political campaigning, cultural production, journalism, administration, education, and memory work. How should historians approach AI-generated text, images, audio, video, or code as historical sources? What evidentiary status do synthetic media have? How can scholars distinguish, contextualize, and interpret AI-generated materials, especially when provenance is uncertain or deliberately obscured?
  • Democratic fragility, deletion, and political accountability
    Digital records are central to democratic accountability, yet they are also vulnerable to deletion, manipulation, privatization, and selective preservation. We invite papers that examine the disappearance of data by political actors, the fragility of administrative records, the destruction or withholding of digital evidence, and the challenges of documenting political decision-making in digital environments. How can historians, archives, journalists, and civil society organizations respond when records disappear before they can be preserved?
  • Archives, infrastructures, and national differences
    The preservation of born-digital sources depends on legal frameworks, archival mandates, technical infrastructures, institutional cultures, and funding structures. We welcome comparative perspectives on national, regional, and institutional differences in the collection, preservation, and accessibility of born-digital records. How do archives in different countries deal with government records, web archives, social media, email collections, or digital audiovisual materials? What can be learned from transnational comparison?
  • Ethics, law, and data protection
    Born-digital sources raise pressing ethical and legal questions. How can researchers balance public interest, privacy, consent, copyright, data protection, and the right to be forgotten? What responsibilities do historians have when working with personal digital traces, leaked materials, or sensitive administrative data?
  • Access, platforms, and the privatization of historical evidence
    Many born-digital sources are produced on commercial platforms that restrict access to researchers. Social media data, search engine results, messaging apps, and platform moderation records are often unavailable, incomplete, expensive, or legally difficult to obtain. Contributions may address the epistemological and political consequences of restricted data access. What kinds of contemporary history become impossible to write when platform data is inaccessible? What alternative methods, collaborations, or advocacy strategies are available?

We invite proposals in two formats:

  1. Individual presentations of 20 minutes. Papers may present case studies, methodological interventions, archival projects, theoretical reflections, or comparative perspectives.
  2. Workshops of 90 minutes for hands-on presentations of projects, tools, workflows, methods, or skills. Workshops may introduce participants to digital forensic methods, born-digital archival workflows, web archiving, metadata analysis, platform research, AI source criticism, or other practical approaches.

Proposals should include a title, an abstract of no more than 500 words (introducing state-of-the-art, research questions and objectives), a short biographical note of no more than 150 words, and an indication of the preferred format: workshop or individual presentation. Workshop proposals should also include a brief description of the intended structure and any technical requirements. Please submit your proposal to our conference platform https://app.smartsheet.eu/b/form/019e0327d9be7cc5b158b9b7cab2fc4f by September 6, 2026. 

Registration and Contact Information

Although we favor in-person attendance of participants and presenters, facilities for hybrid participation will be provided with the aim of making the event as inclusive as possible. Accommodations will be arranged and paid for by the conference organizers (for one presenter per paper or workshop). Participants will make their own travel arrangements; funding subsidies for travel are available upon request for selected scholars, especially those who might not otherwise be able to attend the workshop, including junior scholars and scholars from universities with limited resources. For further information regarding the event’s format and conceptualization, please contact Daniel Burckhardt, burckhardt@ghi-dc.org. For questions about logistics (travel and accommodation), please contact our event coordinator Nicola Hofstetter, hofstetter-phelps@ghi-dc.org.

Conference Committee

  • Daniel Burckhardt, GHI Washington
  • Andreas Fickers, Luxembourg Centre for Contemporary and Digital History (C2DH)
  • Philipp Gassert, Chair for Contemporary History at the University of Mannheim
  • Katharina Hering, GHI Washington
  • Torsten Hiltmann, Chair for Digital History at Humboldt-Universität zu Berlin
  • Jana Keck, GHI Washington
  • Atiba Pertilla, GHI Washington
  • Thorsten Wübbena, Leibniz Institute of European History (IEG) in Mainz

Contact Information

For further information regarding the event’s format and conceptualization, please contact Daniel Burckhardt, burckhardt@ghi-dc.org. For questions about logistics (travel and accommodation), please contact our event coordinator Nicola Hofstetter, hofstetter-phelps@ghi-dc.org.

Contact Email

burckhardt@ghi-dc.org

URL: https://www.ghi-dc.org/events/event/date/between-big-data-and-obsolescence-born-digital-sources-contemporary-history-and-the-politics-of-access

CFP: Talking Records (National Archives, Britain)

Talking Records is an annual themed symposium hosted by The National Archives, bringing together researchers and practitioners working with archival collections.

Talking Records 2026: Spaces and places of care

Call for papers

Call for papers deadline: Friday 18 September 2026

Symposium date: Monday 7 December 2026

The 2026 symposium will explore histories of care and welfare and their intersections with histories of spaces and places. These histories leave complex traces in archival collections, entangled with histories of medicine, public health, poverty, government, social security and more.

Histories of welfare and care can be found across the collections at The National Archives. These range from records relating to welfare legislation to detailed documentation of particular institutions. These include the evolving responsibilities of the state for health and social care, the establishment of the National Health Service, and of documentation of institutions from medieval hospitals to Poor Law Unions.

The historic records of government offer rich insights into the diverse places and spaces associated with care and welfare. Plans, drawings, photographs, correspondence and many other documents testify to the ways in which space and place have shaped the provision of care and welfare in Britain and beyond. They also show how places and spaces have, in turn, been shaped by changing care and welfare practices, theories, and experiences.

We invite researchers and practitioners working with archival collections to present 15-minute papers exploring the spatial dimensions of care and welfare in any time period or global context. We particularly encourage contributions from early career researchers, and welcome alternative presentation formats, including creative responses.

Potential topics include, but are not limited to:

  • institutions of care and welfare: hospitals, sanitoriums, hospices, almshouses, orphanages, clinics, creches, asylums, shelters, refuges, charities
  • architecture and built environments: rooms, wards, facilities, buildings; planning, design, and use
  • homes and households: family and domestic caregiving
  • medical and therapeutic understandings of place and space: hygiene, climate, infection control, rest and recovery, convalescence
  • outdoor spaces of care: ‘open air’ nurseries, hospital gardens, green spaces
  • liminal, improvised, repurposed, or temporary places of care, such as field hospitals and ships
  • embodied, subjective, and affective experiences of space and place: senses, emotions, memory
  • community spaces of care, marginalised histories
  • alternative places and spaces of care, such as ‘green’ and ‘blue’ social prescribing
  • archives as places of care: for records, documents, artefacts, people, histories, readers, staff

Please note that Talking Records is an in-person only event, and therefore contributors are expected to present at The National Archives, Kew.

The event is free to attend and we have a limited number of bursaries of £150, which can be used towards travel and/or accommodation.

CfP for INTERFACE Issue 31: Rethinking Materiality in an Age of Digital Presence

Call for Papers for Issue 31 (December 2026)

Submission Deadline: October 31, 2026

Guest Editors:

Paweł Piszczatowski  (University of Warsaw)

Helga Müllneritsch (National Taiwan University)

Rethinking Materiality in an Age of Digital Presence

 “If matter itself is lively, then not only is the difference between subjects and objects minimized, but the status of the shared materiality of all things is elevated. All bodies become more than mere objects, as the thing-powers of resistance and protean agency are brought into sharper relief” (Bennett, Vibrant Matter, 2010, p. 13).

Over the past two decades, the concept of materiality has undergone a profound transformation across the humanities. Approaches such as New Materialism, Posthumanism, and Object-Oriented Ontology have challenged anthropocentric models of thought by emphasizing the vitality, agency, and relationality of both living and non-living matter. Rather than treating objects as passive entities defined solely by human perception and use, these perspectives foreground the active role of material forms in shaping human experience, cultural practices, and historical processes.

Yet questions surrounding materiality are far from new. Throughout history, philosophers, artists, writers, and cultural thinkers have explored the relationship between human beings and the material world. In the late eighteenth century, for instance, the German philosopher Johann Gottfried Herder argued that “sight reveals merely shapes, but touch alone reveals bodies” (Herder, Sculpture, 2002, p. 35), emphasizing tactility and embodiment as fundamental conditions of human experience. His reflections acquire renewed significance in the present moment, when increasing aspects of social interaction, creativity, labour, and intimacy are mediated through digital technologies.

The emergence of artificial intelligence, virtual environments, and digitally mediated relationships raises new questions about the status of the material in contemporary life. While digital technologies may appear to distance human experience from physical presence, they remain deeply embedded in material infrastructures, embodied practices, and affective relations. The rise of AI companions, virtual therapists, and synthetic forms of intimacy challenges established distinctions between human and non-human, physical and virtual, object and subject.

This special issue seeks to explore how materiality has been imagined, experienced, represented, and transformed across different historical periods and cultural contexts. Rather than understanding the digital age as a departure from material existence, we invite contributions that examine how new technologies, philosophical developments, artistic practices, and social transformations reshape our understanding of matter itself. How have concepts of materiality evolved across time? How do objects acquire meaning through their movement, preservation, and transformation? How might digital and technological developments alter, rather than diminish, our relationship with embodied existence?

We welcome interdisciplinary contributions from literary studies, history, philosophy, cultural studies, media studies, anthropology, art history, and related fields. Submissions may address any historical period or theoretical approach within literary and cultural contexts.

Possible topics include, but are not limited to:

Literary, Historical, and Philosophical Foundations

  • Philosophical approaches to being, matter, embodiment, and the material world
  • Historical transformations of concepts of materiality across cultures
  • The global circulation and intercultural adaptation of material concepts and practices
  • Handwriting as a form of embodied expression and the material trace of the self
  • Drawing, sketching, and visual practices as material expressions of thought
  • Material objects and their meanings across time and space
  • Objects as carriers of memory, emotion, and historical experience
  • Matter as palimpsest: accumulated layers of personal and collective histories

 Material Practices, Technology, and Intimacy

  • The movement of material practices across cultures and historical periods
  • Traditional Chinese Medicine in Europe and the transnational circulation of healing practices
  • Material and spiritual connections in practices such as ancestor worship
  • Bodies, prosthetics, and technological extensions
  • Understanding of materiality as a property of discrete objects or emerging through dynamic networks of human, non-human, and technological relations
  • Ethical questions surrounding AI-human interaction
  • Artificial intelligence, emotional attachment, and new forms of intimacy
  • Reshaping of our understanding of embodiment, relationality, and presence through digital objects, virtual environments, and algorithmic systems

 Cultural Representations and Imaginaries

  • Literary representations of artificial consciousness and synthetic emotions
  • Cinematic portrayals of human-machine relationships
  • Science fiction and speculative explorations of synthetic life
  • Representations of human and non-human agency
  • The role of objects and technologies in shaping identity and memory
  • Artistic engagements with virtuality, embodiment, and material presence

INTERFACE also invites papers not related to the Special Topic which will be published in a dedicated General Topic Section.

Papers should be submitted online at http://interface.org.tw/ no later than October 31, 2026; and should include an abstract of no more than 250 words.

All potential authors should consult our website for Author Guidelines (http://interface.org.tw/index.php/if/about/submissions#onlineSubmissions)

Contact Information

Paweł Piszczatowski  (University of Warsaw)

Helga Müllneritsch (National Taiwan University)

Contact Email

hmuellneritsch@ntu.edu.tw

URL

https://interface.org.tw/index.php/if/pages/view/CallforPapers31