New/Recent Publications

Articles

Sameera M Al-Ghamdi, Nadia Yusuf, Digital heritage and fashion: preserving cultural identity through AI and virtual archives, Digital Scholarship in the Humanities, Volume 41, Issue 2, June 2026, Pages 581–593, https://doi.org/10.1093/llc/fqag008

Yumeng Hou, Computational curation of traditional martial arts: from archives to systems, Digital Scholarship in the Humanities, Volume 41, Issue 2, June 2026, Pages 738–758, https://doi.org/10.1093/llc/fqag038

Xiaoyu Zhou, Jing Lin, Multimodal RAG for cultural heritage: a technical exploration based on Jino traditional knowledge, Digital Scholarship in the Humanities, Volume 41, Issue 2, June 2026, Pages 1138–1153, https://doi.org/10.1093/llc/fqag042

Shaffer, Elizabeth. 2026. “Beyond Repair: Wake Work, Refusal, and Diasporic Reimagining of Colonial Archival Regimes”. Proceedings of the Annual Conference of CAIS Actes du Congrès Annuel de L’ACSI, June. https://doi.org/10.29173/cais2067.

Pineo, Elizabeth. 2026. “Expectations of Music Archivists and Disabled Music Archive Users: Preliminary Findings from a Survey on Music Archive Accessibility”. Proceedings of the Annual Conference of CAIS Actes du Congrès Annuel de L’ACSI, June. https://doi.org/10.29173/cais2023.

Jaeger, P. T., Baron, J. R. & Marsh, D., (2026) “Beyond Schools and Libraries: Trump Administration Information Policies in Archives, Museums, and Galleries”, The Political Librarian 9(1), 1-14. doi: https://doi.org/10.7936/pollib.9315

Chmielewski, W. E., (2026) “Ellen Starr Brinton:  Archivist and Activist for Peace in Time of War”, The Political Librarian 9(1), 30-39. doi: https://doi.org/10.7936/pollib.9285

Menna, M. & Bailey, L., (2026) “The Political Threats of Vanishing Culture and the Need to Protect Our Future Memory”, The Political Librarian 9(1), 106-125. doi: https://doi.org/10.7936/pollib.9287

Samantha Blickhan, Victoria Van Hyning. “A Generalized Framework for Participatory Transcription: Lessons, Challenges, and Interdisciplinary Impact from the Zooniverse Platform.” Citizen Science: Theory and Practice 11, no. 1 (2026): Article 19.

Journal of Contemporary Archival Studies (JCAS)
Unpacking Architectural Drawing Literacy: A Critical Pedagogy Approach to Architecture Collection” by Shima Hosseininasab, Virginia Ferris, and Burak Erdim
An Architecture of Vanishing: Toward a Protocol of Archival Disappearance” by Edgardo Civallero
A Case for Societal Provenance: Marguerite Harper as told by the men she represented” by V. Emily Cranwell Deinert

Books

The Preservation of Born-digital Photographs
Millard Schisler
Routledge, 2026

Thinking Provenance, Thinking Restitution: Art-Historical, Legal, and Museological Perspectives
Edited by: Mary-Ann Middelkoop and Lucy Wasensteiner
De Gruyter, 2026

Green Archiving: Imaginaries of Archival Futures
Editor: Annet Dekker
Valiz, 2026

Dramaturgy and History: Staging the Archive
Edited By Caitlin A. Kane, Erin Stoneking
Routledge, 2026

Black Heritage Voices: the Importance of Black Archives in Preserving Historical Memory
Serendipity Institute for Black Arts and Heritage, 2026

Rendered in Bits and Stone (Book): Studies in (In)Tangible Digital Heritage
Edited by Maciej Stasiowski
Intellect, 2026

African Digital Cultures: Platforms, Publics, and Infrastructures
Edited By James Yeku, Leah Junck
Routledge, 2026

Teaching with Primary Sources Today
Kathleen Ross
Teacher Created Materials, 2026

Who Tells Your Story: On the Construction of Public Memory
Editor: Sanford Levinson
Duke University Press, 2026

Archives in Artistic, Activist and Applied Contexts
Editors: Andy Henry, Victoria Bianchi, Vlad Butucea
SpringerNature, 2026

Advanced Imaging for Examining, Monitoring and Analysing Cultural Heritage Artefacts: Cultural Heritage Analysis for New Generations
Edited By Christian Degrigny, Sony George, Jon Yngve Hardeberg
Routledge, 2026

Unveiling Diverse Cultural Heritages: Inventive Heritages, Alternative Art Media Methods and Mobile Tourism, under the ‘Ukraine Effect’ Crisis
Editors: Pedro Andrade, Eduarda Vieira, Patrícia Moreira, Luís Teixeira, José Pinto, Fernando Contreras, Jacques Ibañez- Bueno, Cícero da Silva, Jane de Almeida
Routledge, 2026

Counter-Collections: Dialogues between Urban Space and Archives
Editors: Fernando P. Ferreira, Daniel Duarte Pereira
Onomatopee, 2026

Digital Curation in the Data Age: A Multidisciplinary and International Exploration
Hea Lim Rhee
SpringerNature, 2026

Decolonial Approaches to Data Ethics and Re-Storying: From Biocultural Landscapes at Risk to Archiving the Dead
Meryl Shriver-Rice, Sarah Hiepler-Basty
Wiley, 2026

Community Oral History Toolkit
Mary Kay Quinlan, Barbara W. Sommer, Nancy MacKay
Routledge, 2026

Reports

Survey of Academic Library Special Collections: Grants and Fundraising
http://primaryresearch.com/AddCart.aspx?ReportID=891

Survey of Academic Library Special Collections: Acquisitions & Donor Management
http://primaryresearch.com/AddCart.aspx?ReportID=895

Survey of Academic Library Special Collections: Licensing, Reproductions & Other Income Generating Activities
https://primaryresearch.com/AddCart.aspx?ReportID=896

Survey of Academic Library Special Collections: Trends in Metadata & Remediation
https://primaryresearch.com/AddCart.aspx?ReportID=898

Survey of Academic Library Special Collections: Preservation Needs & Conservation Capacity
https://primaryresearch.com/AddCart.aspx?ReportID=900

Survey of Academic Library Special Collections: Budget Priorities
http://primaryresearch.com/AddCart.aspx?ReportID=902

New Issue: Preservation, Digital Technology & Culture

Preservation, Digital Technology & Culture 55, no. 2 (2026)
(open access)

Editorial

Bogdan Trifunović

Articles

Evolving Digital Preservation Appraisal Criteria and Selection
Nathan Tallman, Lauren Work, Martha Anderson, Chelsea Denault, Virginia Dressler

Open-Source Digital Repositories and Preservation Systems for Digital Preservation: A Comparative Study
Ouafae El-Kasri, Bouchra El Idrissi

Memuliakan Batik: Preserving Batik as Digital Cultural Heritage through Standard Metadata
Rahmi Rahmi, Sigit Pramono, Aditia Aditia, Aviazka Firdhaussi Azmir, Haekal Mahdania, Hanggar Budi Prasetyo

Integration of Traditional Methods and Modern Technologies in the Preservation and Restoration of Wooden Artifacts of Kazakh and Turkic Culture
Assem Mukhanbet, Maksat Magzumov, Nurzat Mukan, Bauyrzhan Doszhanov, Ainur Taldybayeva

Digital Preservation of Vietnamese Cultural Heritage: Opportunities and Limitations in the Age of Smart Technology
Nguyen Tri Phuong

Reshaping Power in Heritage Narratives: How Generation Z Brings Untold Stories Online
Sandra L. López Varela

Review

GeoPortOst: A Specialized Gateway to the Historical and Thematic Cartography of Eastern and South-Eastern Europe
Jelena Glišović

New Issue: Journal of Digital Media Management

Volume 14 / Number 4 / Summer 2026

Editorial
Beckett, Simon

Case Study

Radiotelevisione Italiana’s archive digitisation project: Bringing new life to newsreels
Borgotallo, Roberto; Donnini, Giuliano; Messina, Alberto; Montagnuolo, Maurizio

Migrating cultural heritage digital collections: A migration workflow and bulk metadata remediation strategies
Miller, Evan N.

Scaling museum digitisation: A technology-driven approach for object collections
Hine, Adrian

Uncharted territory: A case study in map digitisation and faculty partnerships
Jones, Victoria

Working with harmful content: Practical tools for managing vicarious trauma
Strickland, Katherine; Murphy, Devon

Practice Paper

Sharing the story of our work in digital collections
Lewis, Ethan; McClanahan, Pamela A.; Trim, Alexandra

Journal of Contemporary Archival Studies seeks new Marketing and Outreach Associate

The Journal of Contemporary Archival Studies, sponsored by Yale University Library, seeks applications for a Marketing and Outreach Associate, for a term starting in November 2026.  

The Marketing and Outreach Associate works in collaboration with the Managing Editor and serves on the Editorial Board. Primary duties include promotion of new publications, managing the journal’s social media presence, and maintaining statistics on journal engagement. 

Additional duties include actively participating in the management of the journal, as well as evaluating and enhancing existing communication outlets. Term of service runs from November 2026 through October 2029 with the opportunity to renew. 

JCAS is a peer-reviewed, open access journal that furthers awareness of issues and developments in the work of professional archivists, curators, librarians, and historians. It serves as a locus for graduate students and professionals in library science, archival science, and public history to contribute original works of research and inquiry for peer review and publication. The journal publishes on an article-by-article basis. 

Applicants must submit a résumé/CV and a brief statement of interest to email.jcas@gmail.com  by Wednesday, September 2, 2026. 

CFP: American Alliance of Museums Annual Meeting and MuseumExpo

Under the theme Mission. Value. Impact., the 2027 AAM Annual Meeting & MuseumExpo will explore how museums can strengthen their organizations, expand their impact, and make a clearer case for why their work matters.

We’re looking for practical strategies, innovative ideas, and real-world examples across four areas:

Audience, Experiences & Value Creation

Financial Sustainability & Growth

Organizational Capacity & Operations

Innovation & Future Readiness

If your work is helping museums engage audiences differently, strengthen operations, build financial resilience, measure impact, or prepare for what comes next, share what you’re learning with the field.

Submit your proposal by September 21. Applicants will be notified in December.

💭 What conversations, challenges, or ideas do you think the museum field needs to explore in 2027?

Learn more and submit a proposal: https://annualmeeting.aam-us.org/callforproposals/

New! Calendar for Due Dates

A new page is now available that will list the upcoming deadlines for CFP, applications for awards, and anything else that has a due date. It’s now the first page on the menu for quick access.

Calendar

I hope you find this helpful! And if you have any ideas for ways to improve the blog, resources that would be helpful, content to post, or anything, please let me know.

Thanks for reading!

New Issue: ARSC Journal

Association for Recorded Sound Collections, ARSC Journal Vol. 57, No. 1 (Spring 2026)
(subscription)

ORIGINAL ARTICLES

Giving New Life to Out-of-Print Discographies: UCSB’s Discography eBooks Series
by David Seubert

Orlando R. Marsh: Chicago’s Pioneer Of Electrical Recording: An Illustrated Bio-Discography
by Richard Raichelson

Marcus Joseph Colthurst Alexander (1896–1970): A Pioneer in Early Global Sound Recording
by Maria Kapkidi

The Art of Eduard Buk Ulreich
by Matthew Barton

The Ravi Shankar Tapes: Recordings from the City College Music Department Archives
by Michael Crowley

Carly Simon: A Transgenre Artist Crosses Over to the Great American Songbook, or How a Hot Knife in Cold Butter Became a Cool Diva in White-Hot Gloves
by Lawrence Schulman

Plus Book Reviews, Sound Recording Reviews, and Current Bibliography!

Contribute to the ARSC Journal: https://arsc-audio.org/submissions

Advertise in the ARSC Journal: https://arsc-audio.org/advertising

Review a book or sound recording for the ARSC Journal:

Contact the Book Reviews Editor or Sound Recording Reviews Editor

CFP: Confluence: Where Art, Information, and Community Flow Together

The Art Libraries Society of North America (ARLIS/NA) will hold its 55th annual conference, Confluence: Where Art, Information, and Community Flow Together, in Portland, Oregon, April 4-7, 2027.

In Northern Portland, at the confluence of the Willamette and Columbia Rivers, waters that have traveled different paths meet, carrying distinct histories, sediments, and stories into a shared current. Maya Lin’s Confluence Project, located along the Columbia River basin, reflects on these meeting places as sites of memory, Indigenous history, and environmental reflection, reminding us that rivers and people are shaped by both movement and encounter. Confluence: Where Art, Information, and Community Flow Together, the Art Libraries Society of North America’s 55th Annual Conference, considers what these ideas mean within the context of art librarianship, and the art information ecosystem more broadly. 

As art information professionals, we each bring our own unique perspectives and experiences to conferences, the Society, and the profession at large. Yet, like two rivers merging, by coming together to share our knowledge and learn from our colleagues, we foster vital connections and a more dynamic profession. Gathering at the confluence becomes a fitting metaphor: separate voices, experiences, and struggles joining together to create something stronger in common. In the spirit of the idea that “You can’t step into the same river twice,” Confluence: Where Art, Information, and Community Flow Together invites us to embrace our interconnectedness, celebrate our differences, and creatively engage with the ebbs and flows of our profession. 

The deadline for proposals is Monday, September 14, 2026 at 11:59pm UTC.

The Conference Program Committee invites librarians and library professionals, archivists, curators, museum professionals, visual resources specialists, publishers, educators, artists, designers, architects, students, and scholars to propose papers, sessions, workshops, and speakers that reflect the theme Confluence as it relates to the practice of art information and scholarship. The committee also encourages submissions that stretch the bounds of traditional conference scholarship in terms of format and delivery.

Conference registration and attendance are mandatory for all presenters.

In addition to the topics listed below, we encourage proposals that explore Confluence. Examples could include: GLAM collaborations, cross-cultural knowledge creation, integrated collection systems, consortial art libraries and collaborative stewardship, community partnerships, librarian-faculty collaborations, donor relations, and other ways that networks of knowledge, and knowledge workers, intersect.

The program committee encourages submissions that include, but are not limited to the following topics:

  • Alternative Publications, Artists’ Books, Comics, Zines, etc.
  • Archives, Rare Books, and Special Collections
  • Censorship of information and Resources
  • Collection Development and Management
  • Critical Librarianship
  • Digital Humanities and Digital Scholarship
  • Diversity, Equity, Inclusion, and Accessibility
  • Fair Use and Copyright Issues
  • Impact of Artificial Intelligence on the Field of Librarianship
  • Innovations in Cataloguing
  • Leadership, Mentoring, Management, and Professional Development
  • New approaches to Providing Reference Services
  • Social Justice, Advocacy, Anti-Racism, Public Policy, and Activism
  • Teaching and Pedagogical Practice
  • User Experience
  • Visual Literacy, Critical Information Literacy, Media Literacy

Types of Submissions

PAPERS: An individual paper presentation, potentially addressing new research, a case study, or an innovative idea with a total time of 15-20 minutes. Presentations provide attendees with new tools, strategies, or inspiration that they can apply in their own practice. The Conference Program Co-Chairs and the Conference Program Committee will group individual presentations into paper panels with a common topic or theme, which will run from 60 to 90 minutes, including a Q&A.

LIGHTNING TALKS: A short individual presentation (5-10 minutes maximum) addressing a topic that is particularly timely or specific in scope. Lightning talks provide attendees the opportunity to hear about a range of innovative projects or ideas from a broad and varied group of colleagues in a short amount of time. Lightning talks will be grouped into sessions that may or may not be themed. Lightning talk sessions will be 60 minutes, including a Q&A.

PRE-COORDINATED PANELS: A pre-coordinated session of up to 4 presenters with a moderator addressing a common topic or theme with a total time of 60-90 minutes, including a Q&A. Panels provide attendees with multiple views/strategies on a single topical area, a comparison of tools or methods, or a number of case studies on related topics. It is not necessary to identify all potential presenters before submitting. Naming a moderator, who will advocate for and develop the session, is required. The moderator may be one of the presenters or may serve only as the moderator. 

ROUNDTABLE DISCUSSIONS: Small, informal group discussions around a common theme or issue. In the abstract field, facilitators should identify a topic and submit at least three potential questions that will keep the discussion moving. Roundtable speakers should also be prepared to take questions from the audience. Discussions are 60 minutes in length.

WORKSHOPS: An opportunity to teach and explore current and emerging topics in an intimate atmosphere. Workshops encourage a focused, engaging experience led by experts who combine presentation, active learning, collaboration, and discussion. They may last 90 to 180 minutes.

SPEAKER SUGGESTIONS & PLENARIES: A plenary may be a prepared paper or discussion panel of significant importance to the profession. Plenaries are 60-90 minutes in length. No other meetings, sessions, etc. are scheduled during plenaries. The content of plenaries should be current and of broad interest to attendees. Non-member speakers who will speak on a significant topic of interest to ARLIS/NA members may be suggested here.

Additional Details

The following fields will be used by the programming committee to review proposals. In addition, some non-personally identifiable demographic information will be used by the reviewers to ensure that the papers, lightning talks, workshops, and invited speakers are inclusive and diverse, both in the voices present and content delivered.

WORD LIMIT: All proposal abstracts are limited to 500 words or fewer.

LEARNING OBJECTIVES: You’ll be asked to list 2-3 learning objectives, takeaways, or goals for your proposal.

TOPICS: You’ll be asked to select 2 to 5 topics relevant to your session.

AUDIENCES: You’ll be asked to pick up to 5 target audiences for your session.

DEIA-AR: You will be asked if your presentation addresses issues of diversity, equity, inclusion, accessibility, and/or anti-racism. The committee is particularly interested in seeing papers and sessions that include attention to DEIA-AR.

YEARS IN PROFESSION (optional): You’ll be asked to select how long you have been working in the field.

FIRST TIME PRESENTER (optional): You’ll be asked if this would be your first time presenting at an ARLIS/NA conference.

SELF-IDENTIFICATION (optional): You’ll be asked if you are a member of a historically under-represented group. This information will only be used to help us coordinate diverse sessions and is not required to propose a paper or panel.

How to Submit Proposals

The review of proposals is a blind peer review process. You must anonymize your proposal description. All personal or institutional names must be removed from the description and learning objectives (however, these details must remain in other fields of the form), and may be replaced by terms such as “presenter,” “author,” or “speaker”, or in the case of institutions, terms such as “large academic library,” “small museum library,” etc. Non-anonymized proposals may be ineligible.

Submit your proposals via Sched: https://cfp.sched.com/speaker/dJoatUIcMG/event

The deadline is Monday, September 14, 2026 11:59pm UTC.

Funding Opportunities

Prospective presenters interested in funding and support for conference attendance are encouraged to apply to the Society’s Conference Attendance and Travel Awards or to contact their local ARLIS/NA Chapter about the availability of additional awards.

The call for posters, moderators, and other meeting proposals will be announced

later this year.

Please direct any questions to Program Co-chairs:

Stefanie Hilles, Miami University, hillessa@miamioh.edu

Stephanie Kays, Denison University, kayss@denison.edu

CFP: Library History Seminar XV

The Library History Round Table (LHRT) of the American Library Association (ALA) is pleased to announce our 15th Library History Seminar (LHS) and we’d like to offer you an opportunity to share your research!

LHS XV conference will take place virtually December 3-5, 2026. The theme is “A History of Modern Libraries, Warts and All: Development, Organization, and Transformation.” The conference will be low-cost or no-cost for attendees. 

The American Library Association is celebrating its 150th year in 2026 and LHS XV seeks to explore all aspects  of the history of modern libraries and librarianship in North America and beyond. “Libraries” is defined broadly and includes public, academic, school and special libraries, library organizations (state, national, and international).  We especially welcome voices from marginalized and non-mainstream communities, and critical examinations of the history of modern libraries/librarianship.  

Possible topics include but are not limited to:

  • History of ALA or other modern library organizations 
  • History of individual libraries in the modern era
  • Examination of decisions and actions affecting the profession
  • Librarians who have contributed to the development of modern libraries and librarianship
  • Developments in public and technical services
  • Cooperation and collaboration in the modern library world
  • Development of the modern literature of librarianship

We are seeking proposals for individual papers (15 minutes) or organized panels (1 hour). 

Submissions are due by September 4 2026, 11:59pm EST. Please submit your proposal below. 

Please contact Ellen Pozzi at ellen.pozzi@gmail.com with any questions.

Proposal form

Call for Co-Editor: Historical Journal of Film, Radio and Television

The Historical Journal of Film, Radio and Television is currently recruiting for a Co-Editor to work alongside the three existing Co-Editors and the Book Review Editor. This role is a great opportunity for an academic with a strong research background in the history of audio-visual media, and who also has the commitment, drive and ability to help develop the journal. Applicants with an interest in film, radio and/or television are especially encouraged to apply. As part of this role, you will be responsible for the oversight and administration of a rigorous and proper peer review process that delivers an agreed amount of content of suitable scope and quality within an agreed publication time frame.

Becoming the editor of a journal is a rewarding and fulfilling experience where you have the opportunity to build your own networks, develop and promote the research in your field, and be recognized as a leading figure within the academic community. You will receive a two-year renewable contract and an honorarium.

Required Skills and Attributes: * Experience in academic publishing and familiarity with all stages of the process. * The capacity to devote time each week to the role, and to attend meetings with your Co-Editors and (less frequently) with the wider Editorial Board, as well as training sessions as needed. * The ability to ensure all submitted manuscripts are considered in a prompt, consistent and professional manner. * The ability to confidently use an online peer review management system and ensure members of the editorial team do the same. * Experience with working effectively with independent peer reviewers. * The ability to read, summarize, and make decisions based on independent reviewer reports. * A commitment to communicating promptly, consistently, and professionally with authors during the peer review process. * A commitment to engaging promptly and efficiently with Taylor & Francis staff and suppliers to implement necessary processes and improvements, as well as with the governing Council of the International Association for Media and History, to guide the scholarly trajectory of the journal. * A strong commitment to ethical rigour as well as knowledge of the COPE guidelines and commitment to ensure that the journal adheres to strict ethical standards at all times. * A willingness to work collegially and professionally with your Co-Editors, to include arranging and occasionally leading Editorial Team meetings. * Actively involved in growing and developing your academic networks through conference attendance and experience of networking through social media. * Knowledge of and commitment to the open access publishing environment. * Formal and vernacular fluency in English on par with a native speaker. * A vision and enthusiasm for the continuous development of the journal.

Application Details:

Applications should include your CV, a Cover Letter and a Statement of Interest. This statement should be no longer than one page and include: * Where you believe the field is going, and the journal’s place within it. * How you would work in partnership with the Co-Editors and wider Editorial Board. * Describe your thoughts on maintaining a high quality of submissions while increasing opportunities for diversity within our journal. * How you would work with authors. * What you hope to gain as a professional from this position.

For any questions, please contact:

Professor Cynthia Miller: cynthia_miller@emerson.edu

Kindly submit your application no later than 30 September 2026 to:

 hjfrtsearch2026@gmail.com