CfP: Practicing the Archival Commons: Publics, Power and Perspectives (STIAS Feb 2027) deadline 5 JUNE 2026

This workshop seeks to examine refigured archiving work currently undertaken in Africa as well as to learn more about the ways in which this refigures scholarship. Introducing the concept of the ‘archival commons’, it particularly aims at studying diverse forms of archiving as common, communal or communing practices that have significant effects on both preservation and critical historical work.

Practicing the Archival Commons: Publics, Power and Perspectives

In 2002, scholars and archival practitioners, mainly thinking from and working in South Africa, published Refiguring the Archive amidst the transformative imperative against apartheid and the colonial past. The book’s authors argued that archival conceptualization, practice and use all “required transformation” (Hamilton et al. 2002, 7). The publication turns our attention to the convergence of a range of developments in the twenty-first century including a broader archival turn across academic disciplines, a transnational professional reexamination of archival praxis, the rapid expansion and acceleration of digital technologies, and public demands to address the past and its discontents.

Against this backdrop, this workshop seeks to examine refigured archiving work currently undertaken in Africa as well as to learn more about the ways in which this refigures scholarship. Introducing the concept of the ‘archival commons’, it particularly aims at studying diverse forms of archiving as common, communal or communing practices that have significant effects on both preservation and critical historical work. Rooted in the broader notion of commons as shared cultural, informational, and natural resources, the ‘archival commons’ contrast an understanding of archives as static, institutionally controlled spaces. The concept aligns with decolonial and liberatory approaches by envisioning archives as dynamic, participatory spaces governed collectively by archivists, researchers, and communities.

The goals of the workshop are twofold. First, the workshop aims to assess the making, workings, functioning, and meanings of archives which accentuate cooperation and reciprocity on the one hand and work towards greater justice, if not compensation, for past injustices or practices of silencing on the other. Second, acknowledging that archives are characterized by practices and their aliveness, it aims to study the affordances and limitations of common-based approaches to archiving for history and other academic disciplines and to explore their implications for research methodologies more generally. To meet these objectives, the workshop is planned as an event that includes both practical and theoretical elements and reflections. On the one hand, it is comprised of visits to, and active engagement with, archival projects in and around Stellenbosch University and from other parts of the African continent. On the other hand, it invites researchers, especially early in their careers, and practitioners in history, archival studies, heritage, postcolonial studies and anthropology to think of the ‘archival commons’ together and investigate it as a way of engaging the past. Therefore, we invite proposals for papers that address the ‘archival commons’ with reference to one or more of the following themes and questions:

Publics

– How does archiving as a common, communal or communing practice contribute to transformative discourses and which publics are involved? What are the roles of trained archivists and professional identities in this context?
– What social and cultural work is performed by the ‘archival commons’ in general and by specific archival projects in particular? How can/do/should scholars consider this in their engagement with such projects?
– What do the ‘’archival commons’ create? Who makes, sustains and takes care of them? Which (digital) infrastructures do they need? How do digital infrastructures enable or limit their possibilities?
– How do or can the ‘archival commons’ or specific common archival initiatives contribute to refiguring social, economic, political, environmental and digital relations?

Power

– How does power operate in the ‘archival commons’? In how far does the ‘archival commons’ constitute a possibility to reconsider power relations in current archival practice?
– What renders archival labor visible or invisible? How do practitioners preserve their archival work in precarious conditions? How do they refigure archival practices such as selection, description, preservation, and access considering critiques of archival conventions?
– How do archival practitioners engage with digitization and the new conventions, challenges, (in)equalities and possibilities it brings about?
– How do archival projects deal with difference, conflict and difficult histories? Considering that archiving documents involves more than ‘simply’ preserving them –by adding value through appraisal, processing, description and – how is value created and maintained?
– What cooperations and disjunctures have formed between archival professionals, researchers, and ‘subjects’?

Perspectives

– Which epistemological and social perspectives have been, are being or could be opened by archival projects in the twenty-first century?
– How does common archiving impact knowledge production and in which societal fields? How does it impact research practices and methodologies?
– What material conditions, relationships and understandings are needed or desired to practice and sustain the ‘archival commons’ as a socially responsible and epistemologically meaningful project?

Please send a proposal of no more than 300 words and a one-page CV by June 5, 2026 to archivalcommonsworkshop@gmail.com. Participants will be notified by the end of August 2026. The workshop will be held in English and focus on the discussion of pre-circulated papers of about 3,000 words (submission due by December 15, 2026). In case of submissions with more than one author, we will only be able to accommodate one person per proposal due to budgetary restrictions. Please indicate in your proposal who should be considered as the main applicant.

The workshop is organized in the framework of the “Programme Point Sud” of the German Research Foundation (DFG) and Goethe University Frankfurt. Costs for travel and accom-modation will be covered.

Contact Email

archivalcommonsworkshop@gmail.com

CFP: Professional Development Workshop, Society of Southwest Archivists

The Society of Southwest Archivists (SSA) Professional Development Committee (PDC) is accepting proposals for its virtual workshop/panel presentation series.

Workshop/panel topics can cover any aspect of the archival enterprise (including analog, digital, and records management). Such topics may include, but are not limited to:

  • Digital archives and applications of technology
  • GIS mapping
  • Environmental controls for archival materials
  • Rare books for archivists
  • Social media and marketing in archives
  • Project management for archivists
  • Advocating for yourself in the workplace
  • Digital humanities
  • Archival management
  • Copyright in archives
  • Diversity in the profession
  • Oral histories

Workshops

Timeframe: 60 to 90 minutes

Proposals should include: Objectives and learning outcomes for the session, target audience, technical requirements, prerequisite knowledge or experience, and time expectation.

Panel Presentations

Timeframe: 60 to 90 minutes, including Q&A

The PDC is open to review any new and innovative initiatives and conceptual work (completed or under development) for training and professional development sessions with consideration to diversity and inclusion.

We strongly encourage panel/presentation sessions that address topics from multiple perspectives and institutions.

Proposals should address the target audience, an explanation of hands-on/interactive components, and the learning objectives and outcomes for attendees to come away with a combination of theoretical knowledge and practical skills that can be applied to the field of archives.

The PDC highly encourages co-presenters, first-time presenters, early-career professionals, lone arrangers, current graduate students, and community members who work with archival (analog and digital) materials in less traditional or unconventional settings to apply.

For any questions, please contact the SSA Professional Development Committee at pdc@southwestarchivists.org.

Please submit proposals using the SSA Professional Development Call for Proposals form.

CFP: Borders and Sustainability: Human and Natural Resources across Time and Space (Seminar Series 2026–2027)

Call for Papers: Entangled Histories Seminar Series 2026–2027

Following the success of the current edition, the Entangled Histories Seminar Series invites abstracts for its 2026–2027 cycle: 

“Borders and Sustainability: Human and Natural Resources across Time and Space.”

This edition explores sustainability not as an exclusively environmental concern but as a multifaceted concept that intersects with borders across diverse cultural, material, and ecological contexts. 

The series adopts a diachronic and interdisciplinary perspective, spanning from prehistory to the contemporary world.

Sustainability and Borders: A Broad Perspective. We seek to investigate sustainability in its multiple dimensions:

  • Material sustainability: recycling of resources (manuscripts, architectural structures, waste, and landscapes).
  • Ecological sustainability: relationships between humans, animals, and environments; balance between preservation and exploitation.
  • Social, linguistic, and cultural sustainability: transmission of knowledge, endangered languages, healing practices, migration, and community resilience.
  • Symbolic sustainability: representations of ecological limits, hybrid beings, and cultural imaginaries of nature and borders.

Conceptual Framework At the heart of the series lies the concept of borders, understood as dynamic thresholds that shape access to resources and regulate interactions. Borders are not only physical or political: they can be ecological, cultural, social, linguistic, political and material. While we encourage long-term temporalities and global spatial entanglements, we also offer the elements (earth, water, air, fire, ether, wood, etc.) as a possible heuristic framework to explore these dimensions across different historical strata.

Topics of Interest: We encourage contributions from a wide range of disciplines, including but not limited to:

  • Archaeology and Prehistory: Resource use, landscapes, indigenous practices, and environmental interactions over time.
  • Medieval Studies, Philology, and Manuscript Cultures: Material sustainability of manuscripts, palimpsests, intellectual ecologies, literatures and languages, and the transmission of knowledge.
  • Art History and Visual Culture: Representations of nature, landscapes, borders, and material practices across different periods.
  • Anthropology and Folklore: Vernacular ecological knowledge, oral traditions, liminal beings, and environmental imaginaries.
  • History of Science and Medicine: Healing practices, scientific knowledge, and environmental understanding across cultures.
  • Environmental Humanities and Ecology: Human–non-human relations, ecosystems, climate, and resilience.
  • History of Economy, Trade, and Food Systems: Circulation of resources, subsistence, scarcity, and sustainability practices.
  • Architecture and Infrastructure Studies: Built environments, water and soil management, roads, and material borders.
  • Geography, Cartography, and Media Studies: Spatial representation, mapping, and communication of environmental knowledge across borders.

 High-Impact Publication Opportunity: A selection of the most significant contributions will be published in a dedicated edited volume or a special issue with a leading international publisher (past collaborations and ongoing projects include prestigious venues such as BrillDe Gruyter, and Routledge). This ensures that the research presented reaches a global audience of specialists.

Submission Guidelines

  • Format: Online seminar (approximately 30-minute talk + discussion).
  • Schedule: October 2026 – Summer 2027.
  • Required: Title, Abstract (250–300 words), Short Bio (100–150 words), Affiliation, email address, and preferred months of availability.
  • Deadline: 31 August 2026.
  • Send to: entangledhistories.seminars@outlook.com.

Contact Information

Organized by:

  • Dr. Maria Pia Ester Cristaldi (Üsküdar University)
  • Dr. Elisa Ramazzina (University of Insubria)

Under the patronage of: The Faculty of Communication and the Master’s Programme in Media and Cultural Studies at Üsküdar University.

Contact Email

entangledhistories.seminars@outlook.com

URL

https://sites.google.com/view/entangledhistories/home

CFP: 2026 Dress and Body Association Conference

2026 Dress and Body Association Conference

CALL FOR PAPERS

The Dress and Body Association invites submissions for the organization’s seventh annual conference, which will be held on November 7-8, 2026. Consistent with our long-term goals for inclusivity and sustainability, all activities will be 100% online.

Join our Google Group to learn about opportunities and converse with members of the DBA year-round! Email to request membership: dress.body.assoc@gmail.com.

Opening the Archives of Dress and the Body

This year’s theme focuses on the many types of archives that inspire learning and making such as libraries, museums, corporate archives, personal wardrobes, costume shops, photo albums, and diaries. It also invites reflection on histories of scholarship and activism. How do we know what we know about dress and the body?

Proposals on any topic related to dress and the body will be considered, but abstracts related to this year’s theme are most likely to be accepted. Topics might include:

  • Well-known and little-known collections
  • Historical costumes as inspiration for new designs
  • Interacting with physical artifacts in the era of AI
  • Stories that are told (and not told) by archives
  • Addressing biases and privilege in archives
  • Decolonizing archives (theories, methods, practices, activism)
  • The science of historical colors and materials
  • Old and new technologies for imaging the body
  • The ethics of displaying bodies and personal artifacts
  • What is ‘archival fashion’ and who buys and wears it?
  • Scholarship and activism informed by archival discoveries
  • Recreating historical moments/eras in media (films, TV, games, and literature)
  • Practices of the archive/archiving

Both beginning and advanced scholars are welcome. Abstracts should be 200-300 words. Presenters do not need to submit a paper before the conference. Depending on the number of submissions and the time zones of presenters, each person should have approximately 20 minutes to speak with additional time for discussion.

Although we welcome scholars, educators, artists, designers, and activists from any country, the language of the conference will be English. We will consider a group of presentations in another language if there is sufficient interest.

Abstracts must be written in English and should be drawn from your own, original work. We ask that presenters not simply recycle presentations from classes or other conferences. Pre-recorded presentations are allowed, but presenters must join the Zoom meeting to hear other speakers and participate in the discussion in real time.

Please submit your abstract by July 15, 2026. All submissions will be read by at least two reviewers in a single-blind review process. If there is no extension on the deadline, authors can expect letters of acceptance by mid- to late-August. (Given the challenging times we are living in, please be patient with any delays… we are doing our best.)

To submit an abstract, go to this link: https://forms.gle/uoz3ohs9bG21pQDFA

Curious about past conferences? Check out our programs for 2020-2024 on Internet Archive: https://archive.org/details/@dress_and_body_association.

Whether you choose to submit an abstract or not, you’re welcome to attend the conference!

There is no charge. Just email us (dress.body.assoc@gmail.com) to join our Google Group and stay informed.

The Dress and Body Association is registered as a non-profit organization (501(c)(3)) in the state of Indiana (United States).

Dress & Body Association | dress.body.assoc@gmail.com

Contact Email

dress.body.assoc@gmail.com

URL

https://forms.gle/uoz3ohs9bG21pQDFA

Call for Applicants – Associate Editor for SAA Case Studies on Teaching with Primary Sources

The Teaching with Primary Sources sub-committee of the Reference, Access and Outreach Section of the Society of American Archivists is accepting applications for the role of Associate Editor for the Case Studies on Teaching With Primary Sources series. For more information about the series, visit: https://www2.archivists.org/publications/epubs/Case-Studies-Teaching-With-Primary-Sources.

The Associate Editor works with the Editors to maintain the Teaching with Primary Sources Case Studies as a contribution to the professional scholarship and illustration of the application of the Guidelines for Primary Source Literacy. The position, in collaboration with the Associate Editor and Series Editor, coordinates the review process and works with peer reviewers. The Associate Editor role requires a three-year commitment, serving for two years as an Associate Editor and becoming the Series Editor in their third year. The expected start date for the Associate Editor is July 1, 2026. 

Duties:

●       In consultation with the Editors, identify potential authors and solicit proposals

●       Assist in coordinating the peer review process, and work with peer reviewers to provide timely feedback

●       As directed by the Series Editor, communicate reviews and feedback to authors

●       Promote recently published case studies to the community of ​TPS practitionersApplications will be accepted to mjennings3@udayton.edu until June 15, 2026. Applicants should submit a statement of interest explaining their experience editing; their ideas for including more diverse voices, institutions, and/or case studies; and a resume/CV.

CFP: Advancing Foundation Archives 2026

The Advancing Foundation Archives (AFA) 2026 organizing committee invites proposals for lightning talks at the group’s third conference. AFA 2026 will take place at the Ford Foundation Center for Social Justice in New York City on October 21 & 22, 2026. Registration will open in the coming months with no cost to attendees.  

About the Conference 

Philanthropy archives hold an essential record of how individuals and communities organize, fund, and sustain efforts to address society’s most pressing issues. These archives and knowledge systems are facing unique challenges from AI disruption to leadership transitions to sunsetting trends as philanthropies grapple with changing local and global conditions.   

The AFA conference will bring together archives and philanthropy professionals to navigate these challenges, discuss solutions, and shape the future of how foundations manage and preserve their records and share the knowledge in their archives.  

Theme for lightning talks 

The history of a philanthropy is found in its records – the documents, data, and institutional knowledge that tell the story of what they have accomplished and what they have learned. Across departments, and sometimes organizations, people work every day to create, manage, preserve, and draw knowledge and insight from this information.    

But the ground is always shifting. As surely as processes and systems are developed and instituted to support these tasks, change inevitably arrives. It could be a new tool that streamlines a workflow, a reorganization that reshapes responsibilities, a sunsetting deadline that accelerates grant making, or a new goal to share more records, learning, and impact with external groups.    

However change arrives, it asks something of those who steward organizational knowledge. Whether you manage knowledge, information, or archives, we want to hear how you responded. What changed at  your foundation or philanthropic organization, and how did you adapt?  What lessons did you learn? How has your organization emerged better positioned to inform grantmaking, deepen learning, or tell the story of a philanthropy?   

Proposal submission guidelines:   

This panel is a lightning round of 5 to 10 minute presentations.   Submit your proposal via this form. 

Proposals must be submitted by July 15. Those submitting proposals will be notified of selection by July 31. There is no fee to attend the conference.  Presenters will need to arrange their own travel and accommodation. 

 For additional information or questions, email Lori Eaton at  lori.eaton@rcwjrf.org.   

The conference is sponsored by the Ford Foundation, Gates Foundation and the Gates Archive, the Hogg Foundation for Mental Health, the Mellon Foundation, the Ralph C. Wilson, Jr. Foundation, the Rockefeller Archive Center, and the Rockefeller Foundation.   

CFP: RBM Fall 2026 Issue

RBM: Rare Books, Manuscripts, and Cultural Heritage is accepting proposals for its Fall (November) 2026 issue! We welcome articles related to special collections librarianship, archives, or museum practice.

Articles should be written in a formal style and range between 3,000 and 5,000 words. The submission deadline is June 20th. If interested in submitting, get in touch with the Editor, Diane Dias De Fazio (diane.diasdefazio@gmail.com). Guidelines for authors can be found here.

CFP: Access Conference 2026 (Canada)

The Access Conference Committee invites proposals for Access 2026, Canada’s annual library technology conference, hosted by McMaster University in Hamilton, Ontario, from October 14-16, 2026.

Access brings together people working with library systems, digital projects, and emerging technologies to share ideas, learn from each other, and build community.

We’re looking for proposals (max 300 words) for the following formats:

  •  Presentations (20 minutes including Q&A)
    • Share your work, a project, a case study, or something you’ve learned. This can be technical or conceptual, but should be relevant to a broad audience.
  • Keynote presentations (60 minutes including Q&A)
    • Long form presentation to provide more details and get into bigger topics than a regular presentation slot will allow.
  • Panels (60 minutes, including Q&A)
    • Self-organized sessions with multiple speakers offering different perspectives on a topic.
  • Lightning Talks (5 minutes)
    • Short, focused talks about new ideas, works in progress, or things you want to share quickly.
  • Posters
    • Present your work in a visual format during a dedicated poster session. Posters are a great way to share projects, ideas, or early-stage work and engage in informal conversations with attendees.
  • Workshops/Hackfest
    • We are also seeking proposals for workshops and Hackfest activities, which will take place on October 14, 2026 for hands-on sessions or collaborative activities. These will be hosted in a lab with computer stations.

We welcome proposals on any aspect of library technology and digital practice, including but not limited to:

·      Systems, hosted software, and infrastructure

·      Discovery and access

·      Metadata, linked data, spreadsheets, and data ethics

·      Open access and publishing

·      Artificial intelligence and automation

·      User experience and accessibility

·      Digital preservation

·      Ethics, barriers, and privacy

·     Open source and collaboration

·   Relevant digital humanities and digital scholarship projects

If you’re not sure your topic fits—send it anyway!

Submission deadline: Saturday June 6th, 2026

Submit your proposal here: [Submission link]

Find more information at https://accessconference.ca/call-for-proposals/ 

CFP: Mapping Post-Truth across Disciplines

Key Information
Proposals due June 30th, 2026 to posttruthconference@gmail.com
Decision of acceptance communicated by July 15th, end of day 

Dates: October 29th-30th, 2026
Location: University of Memphis, specific locations TBD 
Fee: TBD

Overview
“Post-truth,” broadly understood, denotes a general erosion of mutually shared reality, resulting in what some term an “epistemic crisis.” Such an ostensible epistemic crisis ranges in degree from the outright negation of commonly understood truth to a shift in how we categorically define, measure, or use truth. “Post-truth” as conceptual problematic has thus also been instantiated and reflected in various practical applications: mis-/dis-information; “fake news”; the rise of conspiracy theorization; artificial intelligence; censorship, suppression/repression, and manipulation; etc. 

The growing pervasiveness of such an epistemic crisis (i.e., “post-truth”) has implicated numerous academic disciplines: communication and rhetoric; psychology; journalism; political science; history; sociology; philosophy; writing studies; etc. While practical divergences emerge between disciplines in terms of how “post-truth” is pursued in specificity, there is now an exigence for inter- and trans-disciplinary collaboration on such an epistemic crisis. 

The University of Memphis Post-Truth Collective invites 250-word (max) abstract proposals for the Mapping Post-Truth across Disciplines Conference, to be held at the University of Memphis on October 29-30th, 2026. We invite submissions from graduate students and faculty from all disciplines on a range of related topics, including but not limited to:

  • Epistemology
  • Social Ontology
  • Fake news
  • Mis- and Dis-information
  • Artificial Intelligence
  • Rhetorical Invention
  • Conspiracy Theories
  • Censorship, Repression/Suppression, Manipulation
  • Journalism Ethics and Laws
  • Bots and Algorithms
  • The Mandela Effect
  • Affect
  • Aesthetics
  • Screen Culture
  • Education Policy
  • Media Literacy
  • Jurisprudence
  • Writing Studies
  • History
  • Group Psychology
  • Popular Culture
  • Media Studies/Theory
  • Religious Studies

We are particularly interested in proposals that produce generative solutions to the “post-truth” problematic, rather than critical, analytic diagnostics and descriptions of what it is. The goal of this conference is to seek trans- and inter-disciplinary collaboration on potential resolutions, (re)appropriations, and productive rethinking of (post-)truth, especially in the service of common good well-being. 

Conference Objectives
Because the primary objective of the conference is to facilitate inter- and trans-disciplinary collaboration on similar sub-topics pursued by scholars in different disciplines, panels will include 3-4 presenters from different disciplines. In the event a group of inter- and/or trans-disciplinary scholars would like to propose a complete panel, please submit an abstract with 250-word (max) abstracts and a 250-word (max) summative rationale for the panel. As an alternative to publication of conference proceedings, this conference will generate a white paper at the conclusion of the conference. Such a white paper could turn into an edited collection, contingent upon conference attendees’ interest. 

Conference Information
Please submit all conference proposals, as well as any questions or concerns, to Dr. Scott Sundvall: posttruthconference@gmail.com by June 30th, 2026. Decisions of acceptance will be communicated by July 15th, end of day. Keynote Speaker: Zahid R. Chaudhary, Princeton University. Thursday evening (October 29th). 

Contact Information

Dr. Scott Sundvall, Associate Professor, University of Memphis

Contact Email

posttruthconference@gmail.com

CFP: Printing History Themed Issue: Printing Across Borders

Printing History 39 will spotlight print practices that engage critically with the theme of borders and border crossings. The topic can be approached literally and/or conceptually. We are particularly interested in articles that challenge, upend, or otherwise interrogate notions of national identity, imagined communities, and borderlands. 

We invite interested researchers, professionals, and practitioners to share work engaged with the following topics:

  • Print production straddling geographic and/or figurative borders
  • Printed materials that resist xenophobia and challenge nationalist impulses 
  • Activist print cultures: posters, broadsides, zines, ephemera
  • Anticolonial, radical, revolutionary printing
  • Print as political and cultural critique
  • Print practices of underresearched and/or marginalized groups and individuals

In general, Printing History follows the Chicago Manual of Style. An APHA style guide and further information for contributors can be downloaded here

Submissions should be emailed to editor@printinghistory.org. If you have questions about this issue, the process, or the journal in general, do not hesitate to write. We do not solicit proposals for articles, but we are happy to discuss ideas and abstracts via email.

Submission deadline: June 12, 2026