Call for Co-Editor: Historical Journal of Film, Radio and Television

The Historical Journal of Film, Radio and Television is currently recruiting for a Co-Editor to work alongside the three existing Co-Editors and the Book Review Editor. This role is a great opportunity for an academic with a strong research background in the history of audio-visual media, and who also has the commitment, drive and ability to help develop the journal. Applicants with an interest in film, radio and/or television are especially encouraged to apply. As part of this role, you will be responsible for the oversight and administration of a rigorous and proper peer review process that delivers an agreed amount of content of suitable scope and quality within an agreed publication time frame.

Becoming the editor of a journal is a rewarding and fulfilling experience where you have the opportunity to build your own networks, develop and promote the research in your field, and be recognized as a leading figure within the academic community. You will receive a two-year renewable contract and an honorarium.

Required Skills and Attributes: * Experience in academic publishing and familiarity with all stages of the process. * The capacity to devote time each week to the role, and to attend meetings with your Co-Editors and (less frequently) with the wider Editorial Board, as well as training sessions as needed. * The ability to ensure all submitted manuscripts are considered in a prompt, consistent and professional manner. * The ability to confidently use an online peer review management system and ensure members of the editorial team do the same. * Experience with working effectively with independent peer reviewers. * The ability to read, summarize, and make decisions based on independent reviewer reports. * A commitment to communicating promptly, consistently, and professionally with authors during the peer review process. * A commitment to engaging promptly and efficiently with Taylor & Francis staff and suppliers to implement necessary processes and improvements, as well as with the governing Council of the International Association for Media and History, to guide the scholarly trajectory of the journal. * A strong commitment to ethical rigour as well as knowledge of the COPE guidelines and commitment to ensure that the journal adheres to strict ethical standards at all times. * A willingness to work collegially and professionally with your Co-Editors, to include arranging and occasionally leading Editorial Team meetings. * Actively involved in growing and developing your academic networks through conference attendance and experience of networking through social media. * Knowledge of and commitment to the open access publishing environment. * Formal and vernacular fluency in English on par with a native speaker. * A vision and enthusiasm for the continuous development of the journal.

Application Details:

Applications should include your CV, a Cover Letter and a Statement of Interest. This statement should be no longer than one page and include: * Where you believe the field is going, and the journal’s place within it. * How you would work in partnership with the Co-Editors and wider Editorial Board. * Describe your thoughts on maintaining a high quality of submissions while increasing opportunities for diversity within our journal. * How you would work with authors. * What you hope to gain as a professional from this position.

For any questions, please contact:

Professor Cynthia Miller: cynthia_miller@emerson.edu

Kindly submit your application no later than 30 September 2026 to:

 hjfrtsearch2026@gmail.com

New Issue: Archives: The Journal of the British Records Association

Archives: The Journal of the British Records Association 60, no. 2 (2026)
(subscription)

Articles

THE ASSOCIATION OF PERFORMING ARTS COLLECTIONS
Erin Lee

THEATRE ROYAL, NOTTINGHAM: HERITAGE MURAL COMMISSION WITH HANDMADE THEATRE
Georgina Donohue

CREATING TRANSFORMATION: CO-CURATING COLLECTIONS WITH ARTISTS, PEOPLE AND PLACES
Robyn Greenwood

THE MAURICE BOND LECTURE 2024. PLACING ARCHIVES: THE VICTORIA COUNTY HISTORY AND ARCHIVAL LANDSCAPES
Adam Chapman

APPARITIONAL BLACKNESS: NORTHAMPTONSHIRE’S STUBBORN PHANTOMS
Tré Ventour-Griffiths

Review

David Crouch, ed., The Metham Family Cartulary: Reconstructed from Antiquarian Transcripts
Nicholas Vincent

New Issue: American Archivist

American Archivist 89, no. 1 (2026)
(partial open access)

From the Editor
What is the Problem?
Amy Cooper Cary

Presidential Address
Archival Chaos or Archival Community?: A Charge for Change, Equity, and Openness
Derek T. Mosley

Special Section on User Experience (UX) and Archives Introduction
Faith Charlton, Alison Clemens, Betts Coup, and Shaun Ellis

Building UX Capacity in Archives: A Practical Maturity Model
Hanna Sistrunk

“Why Can’t I See That?”: Evaluating the Impact of Access Restrictions on Archival Researchers
Veronica Denison, DiAnna Hemsath, Elizabeth Russell, Ashlyn Velte, and Katrina Windon

Beyond the Reading Room: Exploring the Motivations and Behaviors of Online Archival Users
Chela Scott Weber, Lesley A. Langa, and Lynn Silipigni Connaway

“For the Good of the User”: Harmful Content Mediation Insights from Princeton University Library’s Focus Group Study
Faith Charlton, Christa Ciadella, Shaun Ellis, and Amy C. Vo

Creating Space in ASpace for New Perspectives: Notes from a Year-Long UX Assessment of the ArchivesSpace PUI
Benn Joseph, Dana Lamparello, Kelsey O’Connell, and Frank Sweis

Stronger Together: A Heuristic Evaluation of Content Notices on Digital Collections Websites
Theresa Berger

Archival Motivations, Barriers, and Recommendations from Indigenous Community-based Researchers: Findings from a Mixed-Methods Survey
Diana E. Marsh, Danielle Davis, Joshua A. Bell, Ugoma Smoke, Dorene O’Hara, and Maria F. Vivar-Guzman

Articles

The Struggle of Institutional Recordkeeping: A Case Study Examining American Advisor Records from the Vietnam War
Eliot Wilczek

All the Freaks We’ve Saved: The Louisville Underground Music Archive in Retrospect and Comparison
Elizabeth E. Reilly, Caroline Daniels, and Heather Fox

International Perspectives

Perfecting Digital Archiving: A Comparative Study
Michal R. Rubin, Rinat Stapler, and Alexandra Wolloch-Grandelevskaya

Naming the Fragment: Documentary Forms of Newspaper Clippings
José Francisco Guelfi Campos

Reviews

From Historical Legacies to Future Frameworks: Recent Scholarship in Archives
Rose Buchanan and Stephanie Luke

Access to Special Collections and Archives: Bridging Theory and Practice
Gab Alderete-Cruz

From Interrogation to Integration: Centering Social Justice in Special Collections, Archives, and Preservation
Kate Burns

Digital Humanities and Libraries and Archives in Religious Studies: An Introduction
Adam Stokes

Visualizing History’s Fragments: A Computational Approach to Humanistic Research
Laila Hussein Moustafa

After Disruption: A Future for Cultural Memory
Lori Podolsky

Stories on Skin: A Librarian’s Guide to Tattoos as Personal Archives
Courtney Marie Gillie

The Book Censor’s Library
Amanda Greenwood

CfP for INTERFACE Issue 31: Rethinking Materiality in an Age of Digital Presence

Call for Papers for Issue 31 (December 2026)

Submission Deadline: October 31, 2026

Guest Editors:

Paweł Piszczatowski  (University of Warsaw)

Helga Müllneritsch (National Taiwan University)

Rethinking Materiality in an Age of Digital Presence

 “If matter itself is lively, then not only is the difference between subjects and objects minimized, but the status of the shared materiality of all things is elevated. All bodies become more than mere objects, as the thing-powers of resistance and protean agency are brought into sharper relief” (Bennett, Vibrant Matter, 2010, p. 13).

Over the past two decades, the concept of materiality has undergone a profound transformation across the humanities. Approaches such as New Materialism, Posthumanism, and Object-Oriented Ontology have challenged anthropocentric models of thought by emphasizing the vitality, agency, and relationality of both living and non-living matter. Rather than treating objects as passive entities defined solely by human perception and use, these perspectives foreground the active role of material forms in shaping human experience, cultural practices, and historical processes.

Yet questions surrounding materiality are far from new. Throughout history, philosophers, artists, writers, and cultural thinkers have explored the relationship between human beings and the material world. In the late eighteenth century, for instance, the German philosopher Johann Gottfried Herder argued that “sight reveals merely shapes, but touch alone reveals bodies” (Herder, Sculpture, 2002, p. 35), emphasizing tactility and embodiment as fundamental conditions of human experience. His reflections acquire renewed significance in the present moment, when increasing aspects of social interaction, creativity, labour, and intimacy are mediated through digital technologies.

The emergence of artificial intelligence, virtual environments, and digitally mediated relationships raises new questions about the status of the material in contemporary life. While digital technologies may appear to distance human experience from physical presence, they remain deeply embedded in material infrastructures, embodied practices, and affective relations. The rise of AI companions, virtual therapists, and synthetic forms of intimacy challenges established distinctions between human and non-human, physical and virtual, object and subject.

This special issue seeks to explore how materiality has been imagined, experienced, represented, and transformed across different historical periods and cultural contexts. Rather than understanding the digital age as a departure from material existence, we invite contributions that examine how new technologies, philosophical developments, artistic practices, and social transformations reshape our understanding of matter itself. How have concepts of materiality evolved across time? How do objects acquire meaning through their movement, preservation, and transformation? How might digital and technological developments alter, rather than diminish, our relationship with embodied existence?

We welcome interdisciplinary contributions from literary studies, history, philosophy, cultural studies, media studies, anthropology, art history, and related fields. Submissions may address any historical period or theoretical approach within literary and cultural contexts.

Possible topics include, but are not limited to:

Literary, Historical, and Philosophical Foundations

  • Philosophical approaches to being, matter, embodiment, and the material world
  • Historical transformations of concepts of materiality across cultures
  • The global circulation and intercultural adaptation of material concepts and practices
  • Handwriting as a form of embodied expression and the material trace of the self
  • Drawing, sketching, and visual practices as material expressions of thought
  • Material objects and their meanings across time and space
  • Objects as carriers of memory, emotion, and historical experience
  • Matter as palimpsest: accumulated layers of personal and collective histories

 Material Practices, Technology, and Intimacy

  • The movement of material practices across cultures and historical periods
  • Traditional Chinese Medicine in Europe and the transnational circulation of healing practices
  • Material and spiritual connections in practices such as ancestor worship
  • Bodies, prosthetics, and technological extensions
  • Understanding of materiality as a property of discrete objects or emerging through dynamic networks of human, non-human, and technological relations
  • Ethical questions surrounding AI-human interaction
  • Artificial intelligence, emotional attachment, and new forms of intimacy
  • Reshaping of our understanding of embodiment, relationality, and presence through digital objects, virtual environments, and algorithmic systems

 Cultural Representations and Imaginaries

  • Literary representations of artificial consciousness and synthetic emotions
  • Cinematic portrayals of human-machine relationships
  • Science fiction and speculative explorations of synthetic life
  • Representations of human and non-human agency
  • The role of objects and technologies in shaping identity and memory
  • Artistic engagements with virtuality, embodiment, and material presence

INTERFACE also invites papers not related to the Special Topic which will be published in a dedicated General Topic Section.

Papers should be submitted online at http://interface.org.tw/ no later than October 31, 2026; and should include an abstract of no more than 250 words.

All potential authors should consult our website for Author Guidelines (http://interface.org.tw/index.php/if/about/submissions#onlineSubmissions)

Contact Information

Paweł Piszczatowski  (University of Warsaw)

Helga Müllneritsch (National Taiwan University)

Contact Email

hmuellneritsch@ntu.edu.tw

URL

https://interface.org.tw/index.php/if/pages/view/CallforPapers31

CFP: Journal of New Librarianship

The Journal of New Librarianship is celebrating its 10th anniversary in the Spring 2027 issue. We invite submissions where authors reflect upon the last decade of librarianship and critically examine the changes, trends, and challenges of the past and the excitement, innovation, or concerns for the future. We are accepting submissions for Peer-Reviewed Articles, New Generation of Librarianship Column, Innovations in Librarianship Column, and Op-Eds or Essays. Authors who submit for Peer-Review, Op-Eds, and Essays may be asked to review other authors’ submissions, but is not required for submission. 

  • Peer-Reviewed articles: Although longer works may be considered, 3,000–6,000-word manuscripts are most suitable.
  • Columns, Op-Eds, and Essays: 1,500–3,000 words.
    • New Generation of Librarianship Column (1,500 words)
      • This column examines the issues faced by the new generation of librarians, across all fields of librarianship. “New generation” is broadly conceived to include any person who is new to the field, regardless of age, background, etc. Topics could include, but are not limited to: efforts advancing accessibility, equity, diversity, and inclusion; experiences of marginalized librarians; critical librarianship; international experiences and perspectives; succession planning, hiring, and retention; experiences and impact of early- and second-career librarians who have recently joined the profession. For potential inclusion in the Spring 2027 anniversary series, please consider these themes within the context of the CFP prompt above.
    • Innovations in Librarianship Column (1,500 words)
      • This column seeks authors who wish to share the details of how they have realized these innovations, defined as an “idea, practice, or object that is perceived as new by an individual or other unit of adoption” within their own praxis.For potential inclusion in the Spring 2027 anniversary series, please consider these themes within the context of the CFP prompt above.

JoNL is a free, open-access journal committed to equity, diversity, and plurality of opinions. In addition to making scholarship freely accessible to all readers, the journal publishes works created by authors from all backgrounds, drawn from all types of libraries and information centers. A central aim of the journal is to challenge long-held assumptions within the library and information science (LIS) field. To this end, authors are encouraged to submit works that meaningfully interrogate structures and practices to engender and advance a sense of equity, fairness, and justice within librarianship.

New librarianship commands a call to action and the JoNL provides an outlet that mixes both traditional and emerging forms of scholarly and professional communications that forge innovative paths shared and led by the LIS profession. Our goal is to provide a publishing venue for innovative and interdisciplinary scholarship that extends beyond the narrow scope of existing LIS journals.

JoNL uses an electronic submission and reviews process through OJS. See our website for additional information about the Review Process and our AI Policy. Submissions must be submitted using the preformatted JoNL Manuscript Template.

Key Dates:

Submission Deadline: October 1, 2026

Notification of Acceptance for Peer Review: October 18, 2026

Return of Peer Review manuscripts: November 23, 2026

Submission deadline for revisions: December 13, 2026

Publication: Spring 2027 

Contact:

Claire DL. Dunker, Communications Editor, newlibsjournal@gmail.com

CFP: TRANSPOSITIONES, Vol. 6, No. 2 (2027) Call for Papers: Earth / Sediment / Trace: Geologies, Material Memories, and the More-than-Living World

TRANSPOSITIONES

Journal for Transdisciplinary and Intermedial Culture Studies /
Zeitschrift für transdisziplinäre und intermediale Kulturforschung
ISSN 2749-4128 (print), 2749-4136 (online)

Vol. 6, No. 2 (2027)

Call for Papers

Thematic focus of the issue:

Earth / Sediment / Trace: Geologies, Material Memories, and the More-than-Living World

Across the environmental humanities, increasing attention has been devoted to the geological dimensions of culture and the cultural dimensions of the Earth. Geohumanities, critical mineral studies, energy humanities, environmental justice scholarship, and related fields have opened new perspectives on extraction, sedimentation, toxicity, waste, material memory, and deep time. At a moment marked by accelerating ecological transformations and growing awareness of the material infrastructures that sustain contemporary life, geological matter has emerged as a crucial site for rethinking history, memory, environment, and cultural imagination. Rather than treating the Earth as a passive backdrop to human activity, recent scholarship has approached rocks, minerals, soils, fossils, sediments, and other material formations as archives of planetary processes, environmental change, cultural memory, and political conflict. Questions of resource extraction, environmental justice, and slow violence increasingly intersect with inquiries into deep temporalities, material traces, sacred landscapes, and the long afterlives of human and more-than-human actions.

This issue invites contributions that explore how literature, art, media, philosophy, religion, and cultural practices engage with geological matter, deep time, sedimented histories, and the material conditions of planetary life. We especially welcome work that investigates the cultural significance of rocks, minerals, fossils, soil, waste, ruins, and other forms of more-than-living matter, while also addressing questions of environmental justice, resource extraction, toxicity, and slow violence. We welcome analyses of literary, philosophical, historical, and cultural texts from a wide range of regions and traditions, including comparative and transnational perspectives. Topics may include:

• geohumanities and geological imagination;

• earth, stone, sediment, dust, and soil;

• lithic ecologies and critical mineral studies;

• deep time, planetary temporalities, and environmental history;

• extractivism, mining, resource conflicts, and energy humanities;

• environmental justice and slow violence;

• toxic landscapes and contaminated environments;

• waste, ruins, landfills, and material afterlives;

• fossils, paleontology, and material histories of life;

• material memory, archives, traces, and sedimented histories;

• sacred geographies, holy mountains, stones, and pilgrimage landscapes;

• archaeology, antiquarianism, and the materialities of the past;

• textual strata, sedimented knowledge, and epistemic layers;

• geological trauma, memory, and post-catastrophic landscapes;

• petrofiction, climate fiction, and environmental storytelling;

• artistic and literary engagements with earth materials;

• relations between living and non-living matter;

• fungi, decomposition, and processes of material transformation;

• posthumanist, new materialist, and decolonial approaches to geology and the earth.

Proposals comprising a 250-word abstract in English or German and a brief biographical note should be sent to: transpositiones@uw.edu.pl by October 20, 2026.

A final decision regarding abstract acceptance will be made by October 31.

Deadline for submitting completed manuscripts: February 28, 2027.

The issue is expected to be published in the autumn of 2027.

New Issue: Museum International

Volume 78, 2026

Editorial

Reframing Provenance and Reclaiming Histories in Museums
Yunci Cai, Njabulo Chipangura & Sophie Delepierre

Reframing Provenance

Provenance Research and the Ethics of Ownership: Case Studies from the Archaeological Collections of the Allard Pierson (University of Amsterdam)
Rogier A. A. Kalkers, Daphne D. Martin & Stijn van Rossem

Integrating Life Histories into Provenance Research: Case Studies from the Yale Babylonian Collection
Sophia Slotwiner-Nie

Rethinking Provenance: Archival and Decolonial Perspectives on Object Biographies
Marie Hoffmann

Reimagining Provenance: Queer Possibilities in Provenance Research
Milana Stewart

Provenance Studies in the Realm of Natural and Human Sciences Museums: Singular Collections, Myriad Questions
Amandine Péquignot & Arnaud Hurel

The Changing Role of Provenance Researchers in Museums: Three Curators in Interview
Liza Weber

Interview

Conducting Provenance Research at the Calouste Gulbenkian Museum: A Curator’s Perspective
Maxence Garde, Sophie Delepierre & Yunci Cai

Reclaiming Histories

Beyond Restitution: Provenance Research as an Evolving (and Involving) Process
Célia Charkaoui, Madelon Dewitte & Sofie Dierickx

Uncovering Colonial Legacies: Collaborative Provenance Research on Malagan Carvings from New Ireland
Adam Hunt Kaminiel, Anthony Lupai & Katharina Nowak

Looking Beyond Knives, Buttons and Beaded Aprons: Indigenous and Maroon Agency in Colonial Collecting Practices and the Provenance of Ten Surinamese Objects in The Netherlands
Inez de Ruiter & Caroline Fernandes Caromano

Revisiting Colonial Legacies: Unprovenanced Ethnological Collections at the Livingstone and Moto Moto Museums in Zambia
Mary Mbewe & Constance Mulenga

Southeast Asian Artefacts at the National Taiwan Museum: Tracing Provenance and Engaging Migrant Communities Through Interpretation
Chia-Ying Lin

Arctic Indigenous Fashion: Honouring Women’s Roles and Sustainable Practices
Elisa Palomino

Book Review

Book Review Artistic Provenance Research
Matseliso Motsoane

New Issue: Archivaria

Archivaria 101 (Spring 2026)

Articles

The Right to Our Past
Community Approaches to Access and Repair of Chinese Immigration Records in Canada’s National Archives
June Chow

Canadian Archival Institutions and Trauma-Informed Practice
Wendy Duff, Cheryl Regehr, Christa Sato, Jessica Ho, Connor White, Ashley Lanni

The Dominant Archival Tradition in Colombia
Institutionality, Practices, and Professional Community
María Cristina Betancur Roldán

Solicitor-Client Privilege
Policies and Practices of Canadian Archives
Jean Dryden

Web Archiving by Activist-Archives
Benefits and Barriers
Bethany Aylward, Andrew Cox, Sara Vannini

Gordon Dodds Prize

Beyond Community and Representation
Intergenerational Dialogue as Feminist Archival Praxis
Noa Sanders

Studies in Documents

“This Story I Tell You Be True”
Sylvia D. Hamilton’s Tender Re-Narration of the Black Atlantic Archive
Sidney Robichaud

Exhibition Reviews

Agnes Etherington Art Centre, HOTLINE: Posters from the Trellis HIV & Community Care Collection
Rodney G.S. Carter

Libby Leshgold Gallery, En Route: Mobile Forms of Art and Education
Stephanie Weber

Book Reviews

Corinne Rogers and Alexandra Wieland, eds. Archival Science in Interdisciplinary Theory and Practice
Geoffrey Yeo

Anton Wagner, The Spiritualist Prime Minister, Vol. I, Mackenzie King and the New Revelation, and Vol. II, Mackenzie King and His Mediums
Brian Hubner

Bliss Cua Lim, The Archival Afterlives of Philippine Cinema
Cindy N. Custodio

New Issue: Journal of Cultural Management and Cultural Policy

Volume 12 Issue 1, June 2026
(open access)

Special Issue: Cultural Diplomacy Dialogue, Values and Discourses

Editorial Conversation

Cultural diplomacy in dialogue: A conversation with Ian Thomas on cultural relations, soft power, and evidence
Biyun Zhu
Jonathan Paquette

Original Research Articles

Diplomacy by proxy: Satellite museums as cultural–political infrastructures
Alejandra Linares-Figueruelo

Cultural diplomacy in a post imperial context: Europeanization and the Macau handover in Portuguese foreign diplomacy
Carlos Vargas
Cristina Montalvão Sarmento
Patricia Oliveira

Cultural diplomacy from below: Cabo Verdean diaspora agency and international cultural relations in the United Kingdom
Miriam Cruz

Case Studies

Curatorial diplomacy and audience development in film-based cultural policy: German Films and the Kino Program Türkiye
İclal Can Gürbüz

Digital museum diplomacy in Greece: The case of the Virtual Museum Alexander the Great
Sofia Boutsiouki
Maria Damou

Reports

Cultural diplomacy: A space for exploring multiple collaborations
Julie Bérubé
Mélanie Girard
Lucile Berthelot
Ane Hejlskov Larsen
Vinnie Nørskov

Agonistic museum diplomacy: Advancing a conflict-oriented approach to global engagement
Joachim Baur
Friederike Landau-Donnelly
Sascha Priewe
Sarah E.K. Smith

Migrating heritage in diaspora diplomacy: Korean independence archives under contestation
Hyojung Cho
Hyunhee Lee

Essays

Framing science, performing neutrality: The British Council and scientific-cultural diplomacy
Alice Naisbitt

The European cemetery of Saint-Eugène in Algiers: A possible heritage listing for a complex cultural asset?
Christophe Alcantara

Mobility in EU cultural diplomacy and cultural relations: Ambiguities and the value of partnerships in the Southern and Eastern Mediterranean
Fanny Bouquerel
Christiane Dabdoub Nasser
Matina Magkou

Formalising asymmetry: Cultural diplomacy and the UK–China film co-production agreement
Giulia D’Aquila

On cultural diplomacy: Marc Fumaroli, French cultural policy, and the humanities
Jonathan Paquette
Biyun Zhu
Benjamin Boutin

Cultural diplomacy as an emergent and uneven process: The cultural olympiad in the veneto dolomites ahead of Milano cortina 2026
Antonella Peli
Stefania Tonin

Editors Picks

Book review
Jonathan Paquette
Biyun Zhu

Recent issue: Arbido : revue professionnelle pour archivistes, bibliothécaires et documentalistes

Arbido : revue professionnelle pour archivistes, bibliothécaires et documentalistes
Arbido : professional journal for archivists, librarians, and information specialists

Editorial

Rölli Daniela
Zwischen Outsourcing und selbst machen: Web- und Social-Media-Archivierung im Stadtarchiv Bern

Smirnova Tatiana
The memory of the Fête des Vignerons and the challenges of its archiving in the age of digital platforms

Cannelli Beatrice
Navigating legal concerns in social media archiving

Marquet Andreas
Werkstattbericht zum Stand der Social Media-Archivierung im Archiv der sozialen Democracy

Forget Camille
Collecting social media data in Luxembourg: a collaborative approach

Signori Barbara
The Swiss Web Archive