New Issue: Digital Library Perspectives

Digital Library Perspectives 42, no. 3 (September 2026)
Special Issue: Cultivating human-centered digital libraries through transdisciplinary collaboration, Guest Editors: Anna Maria Tammaro, Emanuele Bellini and Emiliano Degl’Innocenti
(partial open access)

Guest editorial: Cultivating human-centered digital libraries through transdisciplinary collaboration Free
Anna Maria Tammaro

Large language models in cyber humanities: companionship, stewardship and repeatability Available to Purchase
Ernesto Damiani

Assessing the impact of cultural misinformation deepfakes through AI-based user engagement analysis Available to Purchase
Salvatore Venticinque; Alba Amato; Gennaro Junior Pezzullo; Beniamino Di Martino

EHLD: a general data framework for harmful language detection and evaluation Available to Purchase
Fatemeh Mohammadi; Paolo Ceravolo; Samira Maghool; Marta Annamaria Tamborini; Maria Elisa D’Amico

From prompts to programmes: natural language programming as a metacognitive scaffold for GenAI-assisted problem solving Available to Purchase
Giovanni E. Adorni; Daniele Grosso

Rare books as socio-technical research infrastructure in hybrid digital libraries Open Access
Irene Guidotti

Participatory practices in AI design for cultural heritage: a scoping review on methods, inclusion, and epistemic justice Open Access
Elena María Gómez-Rico; Núria Ferran-Ferrer; Miquel Centelles

Transdisciplinary strategies and challenges for digital librarians: early Italian findings from a Delphi study Available to Purchase
Chiara Cauzzi; Elena Corradini; Fabio Mercanti

Transforming academic libraries into GenAI-enabled libraries: proposing experience, evaluation and engagement (3Es) dimensions through UGT and TAM perspective Available to Purchase
Lokesh Jasrai; Amanpreet Kaur

From traces to heritage: transdisciplinary steering of the AI footprint Available to Purchase
Caterina Perri; Francesco Pupo; Giancarlo Fortino

Toward a cultural cyber-critical ecosystem: concepts, threats and challenges Open Access
Emanuele Bellini; Emiliano Degl’Innocenti

The human element in digital heritage: an interview with Ines Vodopivec Free
Ines Vodopivec; Anna Maria Tammaro

CFP: ‘Sustainable Fashion and Textile Futures: Intersections of Heritage, Craft and Innovation’

Call for Papers: International Journal of Sustainable Fashion & Textiles

Special Issue: ‘Sustainable Fashion and Textile Futures: Intersections of Heritage, Craft and Innovation’

Special Issue Guest Editors
Pratibha Mishra
Professor & HoD, Department of Fashion Design & Department of Interior Design, School of Architecture & Design, Manipal University Jaipur, India
pratibha.mishra@jaipur.manipal.edu

Deepshikha Sharma

Associate Professor, Department of Fashion Design, School of Architecture & Design, Manipal University Jaipur, India
deepshikha.sharma@jaipur.manipal.edu

To view the full call click here>>

https://www.intellectbooks.com/international-journal-of-sustainable-fashion-textiles#call-for-papers

The International Journal of Sustainable Fashion & Textiles (SFT) invites contributions to the Special Issue ‘Sustainable Fashion and Textile Futures: Intersections of Heritage, Craft and Innovation’. The issue investigates how heritage knowledge, craft practices, material cultures and carefully governed technological innovation can contribute to socially just, culturally grounded and environmentally responsible fashion and textile systems.

Fashion and textiles sit at a difficult intersection. The sector is under pressure to reduce resource use, waste and emissions, while also addressing opaque supply chains, precarious work, cultural extraction and short product lifecycles. Heritage craft systems are frequently presented as an easy sustainability solution. That claim needs scrutiny. Traditional craftsmanship contains accumulated knowledge of materials, repair, local production, natural processes and intergenerational skill transmission; UNESCO’s safeguarding framework explicitly recognizes the skills and knowledge associated with traditional craftsmanship as intangible cultural heritage (UNESCO 2003). Yet craft is not automatically equitable, low-impact or economically secure. Artisans may remain excluded from design authorship, intellectual-property rights, data ownership and the financial value generated from their cultural labour.

Cultural sustainability in fashion requires more than incorporating craft motifs or handmade techniques into commercial collections. It concerns the continuation, recognition and fair transmission of textile knowledge, skills and cultural expression across generations (Boța-Moisin 2017; Fletcher 2014). It also demands attention to who defines innovation, who owns the resulting data and designs, and who benefits when heritage is translated for contemporary markets. Research on craft-led sustainability therefore needs to address material and environmental questions alongside labour, gender, community agency, cultural rights, market access and governance.

Technological change intensifies these questions. Digital documentation, virtual archives, traceability systems, e-commerce platforms, artificial intelligence, augmented reality and smart materials may assist preservation, provenance and market access. They can also reproduce unequal control over knowledge and data.

In the European policy context, Digital Product Passports are being developed to provide standardized digital access to product information that can support sustainability, circularity, traceability and regulatory compliance (European Commission 2026). Their relevance to fashion and textile value chains is clear. Their implications for artisan enterprises, informal producers, small firms and heritage-based production systems remain insufficiently examined.

This Special Issue seeks rigorous work that moves beyond celebratory accounts of both craft and technology. It welcomes empirical, conceptual, methodological and practice-based submissions that examine the conditions under which heritage, craft and innovation can contribute to sustainable fashion and textile futures. Particular attention is encouraged for scholarship based in the Global South, work with artisan communities and craft clusters, and research that takes community knowledge, consent, attribution and benefit-sharing seriously.

Suggested themes

Submissions may address, but are not limited to, the following themes:

  • Heritage crafts, traditional textiles and sustainable fashion systems
  • Craft communities, artisan livelihoods, social sustainability and equitable value creation
  • Indigenous, vernacular and place-based textile knowledge
  • Traditional dress, identity, memory, folklore and cross-cultural fashion narratives
  • Cultural heritage conservation, regeneration and contemporary fashion practice
  • Craft revival, craft clusters and collaboration between artisans, designers, brands and industry
  • Material heritage, natural fibres, local materials and sustainable textile innovation
  • Traditional knowledge systems, repair, reuse, remanufacturing and circular textile practices
  • Zero-waste design, low-impact production and resilient craft-based material systems
  • Gender, labour, care work and intergenerational knowledge transmission in craft sectors
  • Cultural appropriation, authorship, intellectual property, consent and benefit-sharing in fashion and textiles
  • Digital documentation, digital archives and preservation of textile and craft heritage
  • Digital Product Passports, provenance, traceability and transparency in heritage and craft value chains
  • Data ownership, digital inclusion and technological capability in artisan and small-enterprise contexts
  • Artificial intelligence, parametric design, augmented reality, virtual reality and the ethics of craft digitization
  • Smart textiles, sustainable technologies and material innovation
  • Digital platforms, e-commerce and market access for artisan enterprises
  • Sustainable fashion communication, consumer engagement and representations of heritage
  • Museums, exhibitions, tourism, retail and the commodification of craft heritage
  • Participatory design, co-design, design education and community-centred methods
  • Climate adaptation, material scarcity and sustainable futures for textile and craft communities
  • Methodological and conceptual advances in heritage, craft and sustainable fashion research

This list is indicative, not exhaustive. We invite submissions that critically examine the intersections of cultural heritage, craft, sustainability and innovation in fashion and textile contexts.

Contribution types

SFT invites contributions in the following formats:

  • Research Articles: 6000–8000 words

Submission guidelines

Please submit via the link below: 

https://submission.pubkit.co/publisher/29/journal/670/login

All submissions must follow Intellect’s house style:
https://www.intellectbooks.com/journal-editors-and-contributors#style-guide

Authors are responsible for securing permissions for all copyrighted images, illustrations, tables and other third-party material. All manuscripts will be assessed through the journal’s independent and anonymous peer-review process. Final acceptance remains subject to editorial decision.

Provisional schedule

The special issue is scheduled for Volume 7, Issue 1 (2028). The following timeline is proposed for approval:

· Full-paper submission deadline: 30 April 2027

· Peer-review process completed: 30 September 2027

· Final revised manuscript deadline: 30 January 2028

· Issue publication: 30 April 2028

All dates are subject to confirmation by the Journal Editor and Intellect Limited.

References cited in the CFP

Boța-Moisin, A. (2017), ‘The cultural sustainability of fashion: The role of traditional craftsmanship’, in K. Niinimäki (ed.), Sustainable Fashion in a Circular Economy, Aalto University, pp. 1–14. [Please verify page range and final bibliographic details against the source you wish to cite.]

European Commission (2026), ‘Digital Product Passport’, European Commission, https://single-market-economy.ec.europa.eu/single-market/digital-product-passport_en. Accessed 29 August 2026.

Fletcher, K. (2014), Sustainable Fashion and Textiles: Design Journeys, 2nd ed., London: Routledge.

UNESCO (2003), Convention for the Safeguarding of the Intangible Cultural Heritage, Paris: United Nations Educational, Scientific and Cultural Organization, https://ich.unesco.org/en/convention. Accessed 29 August 2026.

Contact Information

Pratibha Mishra

Professor & HoD, Department of Fashion Design & Department of Interior Design, School of Architecture & Design, Manipal University Jaipur, India
pratibha.mishra@jaipur.manipal.edu

Deepshikha Sharma

Associate Professor, Department of Fashion Design, School of Architecture & Design, Manipal University Jaipur, India
deepshikha.sharma@jaipur.manipal.edu

URL https://www.intellectbooks.com/international-journal-of-sustainable-fashion-textiles#call-for-papers

New Issue: IFLA Journal

IFLA Journal- Volume: 52, Number: 3 (October 2026)
(partial open access)

Essays

The resistance and resilience of Ukrainian public librarians
Ulia Gosart, Sara Clair and Abbie Swanson

Original Articles

Media portrayals of libraries in Indonesia: A large-language-model-assisted content analysis
Radhitya Purnama, Edwin Rizal, Herlina Agustin and Wina Erwina

AI implementation and Middle East librarians’ anxiety: A survey
Amr Fatouh and Ahmed Shehata

Impact of library anxiety on user comfort with services and technology
Md. Jahangir Alam, Rozifa Akhtar and Muhammad Mezbah-ul-Islam

Metaverse ethics in libraries: Insights from global library professionals
A Subaveerapandiyan

Knowledge democratization and accessibility in the Fifth Industrial Revolution: A qualitative study of sustainability in Nigerian public libraries
Yusuf Ayodeji Ajani, Oluwaseun Omowumi Akin-Fakorede, Racheal Daniel Ama-Abasi, Ayotola Olubunmi Onanuga, Nkechi Margaret Amaechi, Ibrahim Biodun Ayegun, Gombe Ahmed Baba, Bolaji David Oladokun and Sadiya Abubakar

Content analysis of the future of Filipiniana collection access via controlled digital lending
Lady Catherine R. de Leon

Data-driven analysis of library-ambassador success factors in library campaigns in Indonesia
Irhamni Ali, Nelwaty Sikumbang, Regina Lisa Firstia, Siti Fatimatuz Zahra, Fredy Ilafi, Alfa Husna, Andika Setiana Putra, Hartoyo Dharmawan, Awan Kurniadi, Rizki A Gumilar and Amara Putri

Innovative library management for lifelong learning
Liu Hu, Chanita Rukspollmuang and Pongsin Viseshsiri

Integrating educational robotics technologies in the library programs of Zanzibar’s innovation hubs: Opportunities and challenges
Abbas Mohamed Omar, Grace Msoffe and Edda Tandi Lwoga

Growth of private reading spaces in Lucknow, India: A case study
Vinit Kumar, Aman Kumar Kushwaha, Abhishek Shekhar Nigam and B Preedip Balaji

Assessing disability inclusivity in UAE university libraries: A regulatory and empirical perspective
Zafar Imam Khan

Australian public library mission statements and the IFLA–UNESCO Public Library Manifesto
Philip Hider and Mary Coe

Transforming academic libraries through Internet of Things integration: Evidence from United Arab Emirates universities
Zafar Imam Khan and Mahammad Gulam Ghouse Pasha

Assessment of researchers’ criteria for identifying predatory publishers in Tanzania
Sevelina Selestine Moshi, Frankwell Dulle and Ronard Bernard Tarimo

Demographic and technological influences on students’ search self-efficacy and skills
Manisha Saha and SM Zabed Ahmed

Can generative artificial intelligence detect common errors in library survey design?
Margaret K Merga and Zakir Hossain

Review Articles

Opening the ‘black box’ of AI for credible IRS: A rapid review
Magnus Osahon Igbinovia

A systematic literature study on organizational communication in libraries
Arief Wicaksono, Atwar Bajari, Ninis Agustini Damayani and Ute Lies Siti Khadijah

Impact of green librarianship in academic settings: A systematic literature review of impact-factor articles and conference papers from 2015 to 2025
Khurram Shahzad, Muhammad Tariq, Mukhtar Ahmmad and Abid Iqbal

Corrigendum

Corrigendum to “Beyond uniform standards: Rethinking libraries for marginalised regions in the Global South”

Announcing RBM open board meetings for 2026/2027

The editorial board for RBMS’ flagship journal, RBM: a Journal of Rare Books, Manuscripts, and Cultural Heritage will gather for four open business meetings. All are welcome to attend!

The meetings times/dates are as follows:

Weds October 21, 3-4:30 Eastern (1st quarter),
Weds Jan 13, 3-430 Eastern (midyear), 
Weds Apr 21, 3-430 Eastern (third quarter), 
Weds June 16, 3-430 Eastern (annual)

For information on how to join us virtually, please contact Editor Diane Dias De Fazio at diane.diasdefazio@gmail.com. 

RBM is always looking for individuals to join our team of peer reviewers! Complete the form at https://bit.ly/RBMPeerReview

Interested in writing a book or media review? Complete our form at https://bit.ly/RBM_Reviews_Reviewer

Suggest a title or website to review at https://bit.ly/RBM_SuggestReview

Thanks for your time and consideration! On behalf of the Board, we hope you’ll join us for an upcoming meeting.

New Issue: Oral History Review

The Oral History Review, Volume 53, Issue 2 (2026)
(subscription)

Special Issue: Indigenous Oral History

Introduction
Listening Forward: An Introduction to the Oral History Review’s Special Issue on Indigenous Oral History
Sara Sinclair

Research Articles

Mi’kmaw Oral History as Law: Narrative Authority and Indigenous Legal Sovereignty
Pamela Palmater

Aunt Helen and Navajo Code Talkers: Oral Histories with Diné Warriors
Farina King

Fichi Ukiin and Kuleana: Ancestors, Genealogy, and Island Responsibilities in Oral History
Micah Mizukami

Amazonian Storytelling as Co-Learning Within the Land of More-Than-Human Beings and Environmental History from Indigenous Perspectives
Pirjo Kristiina Virtanen, Sidney da Silva Facundes, Francisco Apurinã & Vesa Matteo Piludu

“All of Us, We Are Relatives”: The Hudum Framework in Conducting Chakma Oral History and Indigenizing Colonial Narratives
Dinalo Chakma

Oral Histories of Displacement: The Mizo Diaspora in Happy Valley, Shillong
Karen L. Donoghue & Donskobar Junisha Khongwir

Theorizing Indigenous Feminist Oral Histories: A Methodological Intervention in Indigenous Oral Histories from an Indigenous Feminist
Lindsey Willow Smith

uqaalaiharlutit uqaruk (say it slowly)
Norma Jean Dunning

Teaching and Learning with Indigenous Oral History: Intergenerational Truthtelling of Boarding Schools in Oklahoma
Rene Kemble, Tandra Morris & Erin Dyke

Reconciling a Sovereign Debt: The FWP Slave Narratives and the History of Chickasaw Slaveholding
Rozanne Gooding Silverwood

From the Archives: Preserving the Past, Empowering the Present Through the Doris Duke Native American Oral History Revitalization Project
Molly Stothert-Maurer & Jolene Dezbah Manus

Əstą: Reflections on a Community-Based Indigenous Oral History Research Trip in ’Iihts’ii nùtsudawit’į̀į̀h (March) 2012
Daniel Sims

Book Reviews

Bad Indians: A Tribal Memoir (10th Anniversary Expanded Edition). By Deborah A. Miranda. Heyday Books, 2022.
Fanny García

Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants. By Robin Wall Kimmerer. Milkweed Editions, 2015.
Savannah Apedaile

Indigenous Oral History Manual: Canada and the United States. By Winona Wheeler, Charles E. Trimble, Mary Kay Quinlan, and Barbara W. Sommer. 2nd ed. Routledge, 2024.
Nina Knight

Nishga. By Jordan Abel. McClelland and Stewart, 2021.
Hilary Seeley

We Survived the Night. By Julian Brave NoiseCat. Alfred A. Knopf, 2025.
Hannah Conway

Book Review: Classics Revisited

Storyteller. By Leslie Marmon Silko. 3rd ed. Penguin Group, 2012.
Lindsey Willow Smith

Media Reviews

Mukurtu CMS
Christopher Mario Pandza

Native Voices: Native Peoples’ Concepts of Health and Illness
Clarissa A. Shane

New Issue: Journal of Digital Media Management

Volume 15 / Number 1 / Autumn/Fall 2026
(subscription)

Editorial
Beckett, Simon

Articles
Enhancing user experience in digital asset management implementations: Assessing systems and streamlining processes
Paterson, Grant

Balancing broadcast demands and long-term preservation
Appelgren, David; Skoglund, Micaela

Reparative description with ones and zeroes: A programmatic workflow for inserting content notices in digital collections
Berger, Theresa; Lawan, Scott

Automated sign language digitisation: Leveraging computer vision and archived broadcast footage for accessible avatar generation
Koyano, Takashi

Last chance to play: A case study of sustaining national video digitisation capacity
Goos, Arnoud

Practice Paper
Designing and delivering modern digital asset management: Integrating workflow logic and metadata for practical impact
Byrne, Geoff

Case Studies
Using Alma/Primo VE for digital collection discovery and access
Bennett, J.J.; Cofield, Melanie; Kim, Misu

Case study: Reprioritising what to digitise to highlight new narratives of leadership within the L’Arche Collections
Wong, Teresa

New Issue: IASA Journal

International Association of Sound and Audiovisual Archives (IASA) Journal, 56 (2026)
(open access)

Editorial
Jennifer Vaughn

A Letter from IASA’s President
Patrick Midtlyng

Tribute
Gloria Brenda Sharp (Kotze) (1962–2025)
Ilse Assman, Christopher Grové, Masego Mmutle

Review
Formats of Memory: Negotiating Standards and Audiovisual Futures
Aleksandra Milovanovic

Articles
Curating Ružake gila: Making a Minority Music Culture’s Audiovisual Heritage Accessible through a Digital Exhibition
Eva Leick, Ursula Hemetek, Malik Sharif

Understanding On-Screen Text Do AI Tools Struggle with Hawaiian Chyrons?
Kelley Lynch, Owen King, Yangyang Chen, Gabrielle Keen, Kyeongmin Rim

The Wax Cylinder Recordings of the German Navy Expedition (1907–1909)
Lennart Ritz

Building the First Archive of Wamin Music and Language
Markos Koumoulas

Wartime Recordings of Voskovec and Werich: Preservation Procedures, INA-Saphir Scanning System and Damaged World War II Lacquer Discs
Filip Sir, Martin Mejzr, Geoff Tyson, Michal Studničný, Kristýna Boumová

A Film for the Ears: An Experiment in Archival Listening and Sonic Ethnography on David MacDougall’s Tempus de Baristas
Diego Pani

New Issue: Archives & Manuscripts

Archives and Manuscripts, vol. 53, no. 1 (2025)
Special Issue: The Tandanya-Adelaide Declaration: From Declaration to Implementation
(open access)

Editorial
Jessie Lymn, Angela Schilling

Guest Editorial
The Tandanya-Adelaide Declaration: From Declaration to Implementation
Rose Barrowcliffe, Lauren Booker, Monica Galassi, Nathan Mudyi Sentance, Narissa Timbery, Kirsten Thorpe, Kirsten Wright

Articles

On the Tandanya-Adelaide Declaration: ‘Reach, Relevance and Implementation’
Raymond Frogner

Indigenous Archival Futures and the International Council on Archives Tandanya-Adelaide Declaration: Indigenous Perspectives from Australia
Lauren Booker, Monica Galassi, Narissa Timbery, Kirsten Thorpe

Wilful Ignorance, Invisibilisation and Coloniality: A Pacific Practitioner’s Reflection on the Tandanya-Adelaide Declaration
Opeta Alefaio

The Powerhouse & Blak Collections: Sitting with Trouble and Standing Up for Truth
Tammi Gissell

The Long Road to Self-Determination
Becky Bligh

The Long Road to Self-Determination
Becky Bligh

Implementing the Tandanya-Adelaide Declaration at the Australian War Memorial
Margaret Farmer

A Reflection from the Digital Preservation Coalition on Implementing the Tandanya Declaration in the Rapid Assessment Model
Jenny Mitcham, Robin Wright

Teaching Tandanya in Palestine and Lebanon: Liberatory Pedagogy for Archival Sovereignty
Jamila J. Ghaddar, Ana Roeschley, Mariam Karim, Hanine Shehadeh, Rima Ghanem, Fatima el-Bazzal , Rami Zurayk

CFP: react/review Volume 7

 Call for Papers for Volume 7: “Tending To…”

Deadline: Friday, October 9, 2026

In thinking through the theme of “tending to…” we repeatedly returned to, and wrestled with,  the terms associated with it. “Tend” has two historical origins: one from the Latin tendere “to stretch,” and the other from the Middle English attenden “to attend.” These definitions imply a sense of bodily orientation, a “tending towards” a particular focal point or directionality (Ahmed, 2006). Colloquially, “tending to” is synonymously used with “care,” both emphasizing attention. Yet, how do we choose what to care about or direct our attention to? How then can we consider what it means for ourselves to “tend to…” something? With this issue, we want to put pressure on the perception of care and also invite expansions of our understanding of it through both theory and praxis. To theorize and conceptualize the idea of ‘care’ is to work through a concept that can be easily dismissed, romanticized, or, at worst, not be placed under any pressure to unpack its complexity (Adams, 2014). This understanding of care as lacking depth may also show up in its relationship to tenderness: an action that, on its face, might equate with gentleness, but is itself revolutionary and a deliberate action of survival and collectivity (Lorde, 1984, 2007). But the topic of care and “tending to…” permeates our everyday relationships with one another, on social media, and politically. Through their repetitive use, these terms gain cultural relevance yet have the potential to lose impact and meaning over time.

The editors of react/review––a peer review, open-access digital journal dedicated to research by emerging scholars––seek essays for Volume 7 that consider these themes of “tending to…” and care. We invite submissions that consider how, as scholars and makers, we ‘tend to’ the very materials that constitute our intellectual and, at times, personal lives. With placing pressure upon the very act of ‘tending to…,’ we also want to consider the moments when that act is itself not cast in a positive light. Questions that guide this issue are, but not limited to: What are the limits of care? What are the possibilities of care? What does it mean to tend to/care about? How can care act as a methodology? How do people/institutions/practices choose what to care for/what not to care for? When does care/tending to become weaponized? Whose histories are protected/preserved/erased? What futures are being tended to? What are we continuing to nurture? 

We invite scholarship on any historical period and geographical focus that engages with the volume’s theme. While this journal is situated within the fields of art history, architectural history, museum studies, and visual studies, we welcome submissions from any advanced graduate students, postdoctoral fellows, and early career contingent scholars in any field, whose work relates to the journal’s particular theme. 

The journal is currently open to submissions for all categories (see descriptions below). For focus and experimental articles, please submit a manuscript and 150-word bio to the journal’s page on eScholarship using the submit function, located at: https://escholarship.org/uc/reactreview. Please remove any identifying information from manuscripts, as submissions will be evaluated through a double-blind review process. 

Questions can be directed to the journal co-managing editors, Graham Feyl, Karla Mendez, and Kristin Yinger at reactreviewjournal@gmail.com. 

Topics may include, but are not limited to:

  • Affect + Affect Theory, Emotion
  • Curatorial practices and collections 
  • Conservation 
  • Stewardship 
  • Archives + archival work
  • Spaces of care (domestic, healthcare spaces, architecture, placemaking, etc.)
  • Relationships and relationality (friendships, sisterhood, communities, etc.) 
  • Welcoming + hospitality 
  • Networks and root systems 
  • Political and social actions
  • Caregiving (medical, political, emotional, etc)
  • Public + private role of care 
  • Futurity + the future of care 

Article categories available for open submission:

Focus articles: essays that emphasize the theme of the call for papers. 

Experimental articles: experimental articles are open-ended pieces that discuss new research findings, speculate on pressing research questions, or address methodological issues encountered in fieldwork or archival work. They differ from the more formal focus articles in that experimental pieces are more exploratory and flexible in nature. Experimental articles provide space for researchers to share works-in-progress, make connections between research and current events, or reflect on methodologies or the experience of conducting research or fieldwork. This section is also open to interviews or new translations of art and architecture-related texts accompanied by a brief translator note.

Focus and experimental article guidelines:

  • 1500-4000 words (excluding footnotes + bibliography)
  • Focus and experimental: may be accompanied by brief responses from members of the editorial staff in order to create a conversation and make connections across research specialties.

Book/exhibition reviews (750-1,000 words): Reviews on recent exhibitions, public art projects, or publications should touch on the theme of the current issue. To pitch a review, please send a ~150-word pitch and CV to co-managing editors, Graham Feyl, Karla Mendez, and Kristin Yinger, at reactreviewjournal@gmail.com with the subject line REVIEW by Friday, October 9, 2026.

Bibliography

Adams. Rachel. Love, Money, Duty: Stories of Care in Our Times. Columbia University

        Press, 2025. 

Ahmed, Sara. The Cultural Politics of Emotion. Routledge, 2004.

Ahmed, Sara. Queer Phenomenology: Orientations, Objects, Others. Duke University Press, 2006. 

Care Collective. The Care Manifesto: The Politics of Interdependence. Verso, 2020.

Collins, Lisa Gail. Stitching Love and Loss: A Gee’s Bend Quilt. University of Washington Press, 2023.

Evans, Catherine A. “Tender(ness): The Feminist Anthology as Carework.” 

ASAP/Journal, Volume 10, Number 3 (September 2025): 431-452. 

Ferrell, Elizabeth. About the Rose: Creation and Community in Jay DeFeo’s Circle. Yale 

        University Press, 2022.

Fink, Marty. Forget Burial: HIV Kinship, Disability, and Queer/Trans Narratives of Care. 

        Rutgers University Press, 2020. 

German, Vanessa and Deesha Philyaw, eds. TENDER: a literary anthology and book

        of spells: evidence. 1HOOD Media, 2019. 

Gould, Deborah B. Moving Politics: Emotion and ACT Up’s Fight Against AIDS. 

        The University of Chicago Press, 2009. 

Hobart, Hi‘ilei Julia Kawehipuaakahaopulani and Tamara Kneese. “Radical Care: Survival Strategies for Uncertain Times.” Social Text 38, no. 1 (2020): 1-16. 

hooks, bell. Soul Sister: Women, Friendship, and Fulfillment. South End Press, 2007.

Huberman, Anthony. “Take Care.” In Circular Facts, edited by Mai Abu ElDahab, Binna

        Choi, Emily Pethick. Sternberg Press, 2011. 

Lonetree, Amy. “A Heritage of Resilience: Ho-Chunk Family Photographs in the Visual Archive.” The Public Historian, vol. 41, no. 1 (February 2019): 34-50.        

Lorde, Audre. Sister Outsider: Essays and Speeches by Audre Lorde. Crossing Press, 1984, 2007.

Lugones, Maria C. in collaboration with Pat Alake Rosezelle. “Sisterhood and 

Friendship as Feminist Models.” In Feminism and Community, edited by Penny 

A. Weiss and Marilyn Friedman. Temple University Press, 1995. 

Ochoa, María. Creative Collectives: Chicana Painters Working in Community. University of New Mexico Press, 2003.

Sedgwick, Eve Kosofsky. “Paranoid Reading and Reparative Reading, Or, You’re 

        So Paranoid, You Probably Think This Essay Is About You.” In Touching Feeling:

        Affect, Pedagogy, Performativity. Duke University Press, 2003. 

Tepper, Allie. “She Said.” In Las Vegas Ikebana: Maren Hassinger and Senga 

        Nengundi, edited by Allie Tepper. Pacific and the Cooley Gallery, 2024. 

Tobin, Amy. Women Artists Together: Art in the Age of Women’s Liberation. Yale University Press, 2023. 

Tsinhnahjinnie, Hulleah J. “When Is a Photograph Worth a Thousand Words?” In Photography’s Other Histories, edited by Christopher Pinney and Nicolas Peterson, 40–52. Duke University Press, 2003.

Ukeles, Mierle Laderman. “Manifesto for Maintenance Art 1969! Proposal for an exhibition: ‘CARE,’ 1969.” October 1969. https://queensmuseum.org/wp-content/uploads/2016/04/Ukeles-Manifesto-for-Maintenance-Art-1969.pdf

Vesely-Flad, Rima. The Fire Inside: The Dharma of James Baldwin & Audre Lorde. North Atlantic Press, 2026.

Contact Information

Co-managing editors: Graham Feyl (UC Santa Barbara), Karla Mendez (UC Berkley), and Kristin Yinger (UC Santa Barbara(

Contact Email

reactreviewjournal@gmail.com

URL

https://escholarship.org/uc/reactreview/submissions

CFP: ‘Mickey and Minnie at 100’

To view the full call click here>>

https://www.intellectbooks.com/ijds#call-for-papers

Call for Papers – Special Issue for The International Journal of Disney Studies, which examines the Walt Disney Company, an international media conglomerate that impacts our global culture. This international, peer-reviewed journal draws from a variety of academic and industrial lenses, perspectives, methods and fields, while providing a space for scholars to present new research, review current research and comment on wider Disney commodities.

On 27 October 1954, Walt Disney opened the inaugural episode of Disneyland with this iconic quote: ‘I only hope we never lose sight of one thing: it all started with a mouse’. While the Disney Studio did not begin precisely with Mickey (the Alice Comedies and Oswald the Lucky Rabbit predate him), it was the mouse pair that reflected a crucial starting point for the Disney brand; Mickey and Minnie debuted together in 1928, co-starring in the landmark shorts Steamboat Willie and Plane Crazy and coincided with the arrival of sound and color in films, the rise of comic books in print media, and all manner of merchandising that kept the studio afloat during the worst of the Depression and war years. Together they became the most enduring and widely recognised animated characters in global popular culture.

On the other hand, Mickey Mouse has often been used derisively. For some, the character is safe, dull, even boring – emblematic of Disney playing it safe. Though mischievous in the early shorts (particularly in one his most famous roles as the ‘Sorcerer’s Apprentice’), Mickey’s ascendance as the corporate mascot of the Walt Disney Company (particularly after Walt’s death in 1966) has lent him both an instant recognizability but also a vested interest in keeping his image ‘clean’. Mickey has also been invoked pejoratively in the phrase ‘Mickey Mouse degrees’, demeaning the importance of degrees in fields such as media studies, despite the ongoing importance of the humanities writ large.

This special issue–which will be released in 2028, marking the centenary of Mickey and Minnie Mouse’s official debut–invites scholarly work on Mickey and Minnie Mouse across Disney texts, visual arts, and theme-park environments—canonical or lesser-known, produced by Disney Studios, its subsidiaries, or fans and artists wholly unconnected to the company. Primary sources may include an array of mediums, including comics, television, radio, animation, theme parks, video games and other forms of media. We encourage contributors to critically engage with Mickey and Minnie as cultural icons, commercial phenomena, artistic achievements and symbols of Disney’s evolving brand from interdisciplinary perspectives, including (but not limited to):

  • Historical and archival approaches to their creation, design evolution and early reception;
  • Transnational and transcultural perspectives on the figures of Mickey and Minnie (local adaptations, international reception and non-Western reinterpretations);
  • Gender, race, class and identity (and their intersection) in the representation and merchandising of Mickey and Minnie across decades;
  • Animation techniques, performance and character animation (from rubber-hose to digital eras);
  • Copyright, public domain and the legal and economic life of the characters;
  • Fan cultures, nostalgia, cosplay and participatory practices;
  • Mickey and Minnie as political and ideological symbols (propaganda, diplomacy, consumerism or resistance);
  • The evolution of Mickey and Minnie from role models of romantic courtship to companion-like partnership;
  • Mickey’s and Minnie’s relationship(s) and/or in comparison to other Disney characters;
  • The characters’ role in Disney corporate history and branding strategies;
  • Artistic legacies and appropriations by contemporary artists and designers.

We especially encourage submissions that move beyond canonical US American/Global North perspectives and explore Mickey and Minnie in global, comparative, or marginalised contexts.

Submission Guidelines

Full paper submissions will be expected by 1 May 2027 and should be submitted to the IJDSwebsite’s Pubkit system. When you submit, you will have the opportunity to specify that your piece is for the special issue ‘Mickey and Minnie at 100’. Please note that we are open to accepting Articles (6,000-8,000 words), Fresh Perspectives (1,000-3,000 words) and Reviews (1,000 words). The journal uses Harvard referencing and all images should follow copyright and/or fair use laws (as explained in the journal’s Notes for Contributors),

For queries or to discuss potential topics, please contact:

● Joel Gray – joel.gray@shu.ac.uk

● Dr. Peter Cullen Bryan – petercullenbryan@gmail.com

● Dr. Eva Van de Wiele – Eva.VandeWiele@ugent.be

Contact Information

Joel Gray – joel.gray@shu.ac.uk

Dr. Peter Cullen Bryan – petercullenbryan@gmail.com

Dr. Eva Van de Wiele – Eva.VandeWiele@ugent.be

URL

https://www.intellectbooks.com/ijds#call-for-papers