Category: Journals

Call for Publishers: Comma Journal – Request for Proposals

The International Council on Archives (ICA) is inviting proposals from publishers interested in publishing Comma, its leading serial publication and a key benefit for ICA members. Comma is an international, multilingual journal covering the professional administration and development of archives and archivists worldwide. It aims to reach the widest possible global readership.

Comma usually publishes two themed issues per year. Its content includes contributions from ICA Congresses and Conferences, reports and studies based on the work of ICA Regional Branches, Professional Sections and Expert Groups, and special thematic issues. The Comma Editorial Board, comprising international archival professionals representing the ICA’s regions, oversees publication planning, themes and content.

The full Request for Proposals provides further details on publishing and distribution arrangements, requirements for future publishers, and administrative information.

Submission deadline: Friday 8 January 2027, at 23:59 CET (Paris time).

Download the full request for proposals.

New Issue: Technè une revue scientifique éditée avec le soutien du ministère de la Culture

Technè une revue scientifique éditée avec le soutien du ministère de la Culture 61 (2026)
Eco-conservation: preventive conservation in the face of the challenges of climate change
(French, open access)

Jean-Michel Loyer-Hascoët
Editorial

Jocelyn Périllat-Mercerot , Estelle De Bruyn and Ann Bourgès
Introduction

I. Adapting to a changing world

Lucie Marinier and Hélène Vassal
From the museum as a repository to the sustainable museum: towards (re)conciliation?

Marie Courselaud and Romain Kimmel
Heritage and major risk prevention: what are the challenges and what are the responses to climate change?

Danilo Forleo , Fabrice Bodin , Johanna Leissner and Stéphane Serfaty
Climate change and preventive conservation: the contribution of the EPICO program to the risk assessment and adaptation strategies of European castle-museums

Estelle De Bruyn , Dominique Deneffe and Laure Marique
Reviving memory: the Royal Institute for Cultural Heritage (IRPA) and the protection of cultural heritage in the face of crises

II. Reduce the carbon footprint

Anne de Wallens and Joëlle Le Roux
The Louvre Museum’s Heritage Ecology Plan (PEP): a new dynamic for preventive conservation?

Florence Bertin and Catherine Didelot
Environmental study through climate shock assessment. Example of the Nissim de Camondo Museum

Anaïs Ortiz-Descloquemant , Camille Richard , Alice Garcia-Charlot and Michel Mastrolillo
At the National Archives of France, adapting to daily life to combine conservation and sustainability

Julie Arnouil , Chloé Ranchoux , Julie Gordon , Vincent Saporito , Fabrice Sauvagnargues , Éléonore Kissel and Sandie Le Conte
MatCal  : Evaluation of bio-based materials for the shimming of heritage objects

III. Building a New World

Sarah Puech and Vincent Saporito
“Management and ecological transition”: feedback on the creation of a participatory working group

Agnès Gall-Ortlik and Valentin Saintobert
Feedback on the relocation and transformation of the D3P, the department for the Preservation of Photographic Heritage, into an eco-responsible service

Marion Girard , Joanne Kuhn , Valérie Luquet , Jocelyn Périllat-Mercerot , Magali Robert-Fretay and Cindy Sartre
Actions of the Blue Shield France to raise public awareness of the vulnerability of heritage in the face of the intensification of disasters

Laure Marique , Nico Broers and Carla Zurstrassen
Deciding together on the future of a damaged heritage site: the case of the Verviers Bethlehem after the floods

Varia

Pablo Fontoura and Michel Menu
How museum visitors perceive painting conservation: Qualitative perspectives on the Isenheim Altarpiece

New Issue: Patrimoines, special issue on photography heritage

Patrimoines 21 (2026)
« 200 ans de photographie / Patrimoine dans la rue »
“200 Years of Photography / Heritage in the Street”
(open access)

S’inscrivant parmi les célébrations du bicentenaire de l’invention de la photographie, ce numéro de la revue Patrimoines retrace l’histoire de la patrimonialisation de la photographie en France, au sein de laquelle l’INP a joué un rôle pionnier. Cette livraison s’intéresse par ailleurs aux problématiques de conservation-restauration et de médiation soulevées par les patrimoines exposés dans l’espace public (monuments historiques, œuvres contemporaines, peintures murales, art urbain, etc.).

200 ANS DE PHOTOGRAPHIE

Support de notre mémoire visuelle, archive du passé, objet artistique et technique, poétique ou politique, la photographie est multiforme et occupe diverses fonctions selon l’intention de son auteur et l’usage qui en est fait. Depuis son invention en 1826, ses techniques, supports et pratiques n’ont cessé d’évoluer, et avec eux le statut de l’image photographique, sujette à expérimentations, manipulations et détournements. Objets fragiles, longtemps ignorés par les professionnels de la conservation et de la restauration, les photographies sont au cœur de la formation à l’Institut national du patrimoine, qui fut pionnier en la matière et continue de proposer une formation unique en Europe.
Afin de célébrer le bicentenaire de l’invention de la photographie, Patrimoines propose un dossier consacré au patrimoine photographique. Ouvert par un grand entretien avec Anne Cartier-Bresson qui revient sur l’histoire de cette patrimonialisation récente, ce dossier expose la diversité des objets photographiques et la place qu’ils occupent dans les institutions. Auteurs, chercheurs, responsables de collection, restaurateurs, artistes partagent leur regard et leur expertise sur les enjeux de la préservation et de la valorisation des collections photographiques.

PATRIMOINE DANS LA RUE

Accessibles à tous, parties intégrantes d’un environnement quotidien et partagé, les œuvres et monuments exposés dans l’espace public sont l’objet d’une attention et d’un attachement qui incitent les communautés locales à s’engager dans leur préservation et leur valorisation. Ils sont aussi confrontés à de nombreuses contraintes qui les fragilisent : dégradations environnementales et anthropiques (volontaires ou non), pollution, oubli… L’espace public étant un lieu d’échanges et de revendications diverses, les patrimoines « dans la rue » (monuments historiques, œuvres contemporaines, peintures murales, art urbain, etc.) sont également susceptibles d’être contestées, appropriées ou détournées.
Les auteurs réunis dans ce dossier présentent les problématiques de conservation-restauration particulières de ces patrimoines, l’usage qu’en fait le public, leur appropriation et les initiatives en matière de médiation.
Enfin, Patrimoines s’achève sur une sélection d’articles rédigés par des anciens élèves conservateurs et restaurateurs de l’INP, ainsi que des doctorants par le projet en « Études patrimoniales » et « Conservation-restauration des biens culturels ».

Cette publication est labellisée Bicentenaire de la Photographie par le ministère de la Culture et s’inscrit dans la programmation officielle du Bicentenaire du 1er septembre 2026 au 30 septembre 2027.

As part of the bicentennial celebrations of the invention of photography, this issue of the journal Patrimoines traces the history of the preservation of photography as heritage in France, in which the INP (National Heritage Institute) played a pioneering role. This issue also examines the conservation, restoration, and public engagement challenges posed by heritage displayed in public spaces (historical monuments, contemporary works, murals, urban art, etc.).

200 YEARS OF PHOTOGRAPHY

A support for our visual memory, an archive of the past, an artistic and technical object, poetic or political, photography is multifaceted and fulfills various functions depending on the intention of its creator and its intended use. Since its invention in 1826, its techniques, media, and practices have constantly evolved, and with them, the status of the photographic image, subject to experimentation, manipulation, and reinterpretation. Fragile objects, long ignored by conservation and restoration professionals, photographs are central to the training at the National Heritage Institute, a pioneer in this field and which continues to offer a unique program in Europe.
To celebrate the bicentenary of the invention of photography, Patrimoines presents a special issue dedicated to photographic heritage. Opening with an extensive interview with Anne Cartier-Bresson, who recounts the history of this recent recognition as heritage, this issue explores the diversity of photographic objects and the place they occupy within institutions. Authors, researchers, collection managers, restorers, artists share their views and expertise on the challenges of preserving and promoting photographic collections.

HERITAGE IN THE STREET

Accessible to all and integral to a shared daily environment, the works and monuments displayed in public spaces are the object of attention and attachment that encourage local communities to commit to their preservation and promotion. They also face numerous constraints that weaken them: environmental and human-induced degradation (intentional or unintentional), pollution, neglect, and more. As public space is a place of exchange and diverse demands, heritage “in the street” (historical monuments, contemporary works, murals, urban art, etc.) is also susceptible to being contested, appropriated, or misappropriated.
The authors gathered in this collection present the specific conservation and restoration challenges of this heritage, its use by the public, its appropriation, and initiatives in the field of public engagement.
Finally, Patrimoines concludes with a selection of articles written by former students of the INP, conservators and restorers, as well as doctoral students from the project in “Heritage Studies” and “Conservation-restoration of cultural property”.

This publication is labeled Bicentenary of Photography by the Ministry of Culture and is part of the official Bicentenary program from September 1, 2026  to September 30, 2027.

New Issue: International Journal of Humanities and Arts Computing, Special Issue: Digital Futures: Archives, AI and Access in Indian Digital Humanities

International Journal of Humanities and Arts Computing, 20, no. 2 (October 2026)
Special Issue: Digital Futures: Archives, AI and Access in Indian Digital Humanities
(subscription)

Associate Editor’s Note
Maya Dodd

Guest Editors’ Introduction: Digital Futures: Archives, AI and Access in Indian Digital Humanities
Shanmugapriya T, Simran Bhimjyani, Sourav Ghosh, and Mehulkumar Desai

Articles

Decolonizing Digital Dialogues: How New Archival Practices are Transforming the Art, Culture and Heritage of India
Sudeshna Rana and Akash Bharadwaj

SINDHU: An Audio-Digital Archive of Rare Historic Sindhi Books for Revitalizing Sindhi Language and Literary Heritage in India
Vandana Govindani and Nirmala Menon

Beyond Nationalism: A Digital Humanities Intervention in the Canon of Subhadra Kumari Chauhan
Pallavi Singh and Yashee Singh

The Digital Turn in the Sarala Mahabharata: Text Variance and Pedagogy
Urmishree Bedamatta

Bengali Literary Texts at Scale: Opportunities and Challenges for Digital Humanities
Vinayak Das Gupta

Synthetic Reading: Towards a Hermeneutic-Computational Method for Literary Interpretation through Tagore’s ‘A Wife’s Letter’
Sourav Ghosh, Shanmugapriya T, and Sanatan Mandal

The Role of Wildlife Deepfakes in Shaping Digital Discourses in India: Anthropocentric Gaze, Digital and Cognitive Divides
Sabeela Rasheed and Tonisha Guin

New Issue: Preservation, Digital Technology & Culture

Preservation, Digital Technology & Culture 55, no. 3 (2026)
(open access)

Editor’s Note
Bogdan Trifunović

Articles

Building Better Environments: A Baker’s Dozen of Methodologies for Configuring and Selecting Emulation Environments in EAASI
Cynde Moya, Melanie Swalwell

Traveling Salesman Problem Algorithm-Based Uniqueness Explainable Features of the Jawi-Arabic Manuscript for Digitalization
Dian Andriana, Zulhaj Aliansyah, Anto Satriyo Nugroho, Risnandar

Digital Materiality and Archival Discursivity: A Unified Approach to Archival Processes
Arian Rajh

Interoperability of Indonesian Manuscripts Digital Repositories: Readiness and Challenges
Agus Iswanto, Cahyo Trianggoro, Husnul Fahimah Ilyas, Ilham Nurwansah, Moch. Lukluil Maknun, Foni Agus Setiawan, Mahmudah Nur, Koharudin, Dede Hidayatullah, Muhammad Fadly Suhendra

A Post-Quantum Digital Preservation and Secure File Sharing Framework for Library Repositories
Shanmugam Balachandran, Sivankalai Sivankalai

Web Application at Heritage Site: A Case Study at Sungai Batu Archaeological Complex (SBAC), Bujang Valley, Kedah, Malaysia
Mohd Hasfarisham Abd Halim, Hilman Nordin, Giselle Su Hong Gick, Kevin Chan Leong Kit, Mokhtar Saidin

Archiving Built Heritage Façades: Reprocessing LiDAR and Photogrammetric Data from OpenHeritage3D
Chung-Ting Esmond Lo, George Bevan

New Issue: Journal for the Preservation of Library and Archival Material

Journal for the Preservation of Library and Archival Material 47, no. 3 (2026)
(open access)

Original Works

Inks and Pigments in Greek Codices of the Byzantine and Post-Byzantine Period: Material Analysis and Insights into Scribal and Artistic Practices
Vassiliki Kokla, Agamemnon Tselikas

Detection of Gypsum and Syngenite in Gelatine-Alum Sized Papers by ATR-IR and Raman Measurements
Enrico Pigorsch, Tina Grette Poulsson

Letters to the Editors

Information on Handling Potentially Harmful Colourants in Historical Library Collections (in this Case: Arsenic-Containing Pigments)
Torsten Arndt, Almuth Corbach, Michael Vogel, Roland Suchenwirth, Stephanie Preuss

Review

A Review of Emerging Contaminants in Library Indoor Spaces: Sources, Exposure, and Health Risks
Xiaofen Zhao, Jinxiu Zhang, Yun Zhao, Xiaofang Zhao, Ruijuan Zhu, Yan Zhang

New Issue: Archives: The Journal of the British Records Association

Archives: The Journal of the British Records Association 61, no. 1-2 (2026)
(subscription)

FOREWORD
Sir Geoffrey Vos

INTRODUCTION: THE 1922 LAW AND PROPERTY ACT, AND MANORIAL DOCUMENTS
Mark Bailey

Research Articles

KEYNOTE: A LIFE IN MANORIAL RECORDS – FROM PHD TO MDR
P.D.A. Harvey

ACCOUNTING FOR ABSENCE: EXHIBITING THE MANORIAL RECORDS OF RAVENSER ODD
Kathryn Maude and Emily Robinson

LET THE PUNISHMENT FIT THE PERSON: MANORIAL AMERCEMENTS FOR BLOODSHED IN FOURTEENTH-CENTURY YORKSHIRE
Stephanie Emma Brown

TENURES, TITHES AND THE MANAGEMENT OF A SMALL ECCLESIASTICAL MANOR: KINGSTON (SUFFOLK) IN THE FOURTEENTH CENTURY
Mark Bailey

THE ECONOMIC, SOCIAL AND LEGAL IMPORTANCE OF LATE SIXTEENTH-CENTURY MANORIAL LORDSHIP: THE BLOUNT FAMILY OF THE WEST MIDLANDS
Elizabeth Norton

MANOR FROM HEAVEN: MANORIAL RECORDS AT LAMBETH PALACE LIBRARY
Rachel Freeman

THE EVERYDAY LIFE IN A NORTHUMBRIAN MANOR PROJECT
Bethany Elliott

THE WELSH MANORIAL DOCUMENTS DATABASE PROJECT, 1993–6: AUTOMATING THE MANORIAL DOCUMENTS REGISTER (MDR)
Helen Watt

Tribute

P.D.A. HARVEY (1930–2025) and the British Records Association
David Robinson

Obituary

P.D.A. Harvey (1930–2025): A life in records
Angus J.L. Winchester

New Articles: Journal of Contemporary Archival Studies

“A Historian and a Sociologist Walk into a Bar: A Data Archive for Social Sciences and Digital Humanities Hosted at a National Archives Institution” by Benjamin Peuch, Oliver Lenaerts, Rolande Depoortere, Johan Van der Eycken, and Youssef Ouahalou of Archives de l’État en Belgiquehttps://elischolar.library.yale.edu/jcas/vol13/iss1/19/

“Curating the Liberal Arts: High-Impact Approaches to Teaching Medical Humanities in the Archives” by Alyssa Culp and Liz Bloodworth of Illinois Wesleyan University: https://elischolar.library.yale.edu/jcas/vol13/iss1/20/

“Assessing the Ability of a Large Language Model to Perform Recall Searches of Archival Finding Aids” by Will J. Gregg of Washington State University Libraries Pullman and Perry Gowdy: https://elischolar.library.yale.edu/jcas/vol13/iss1/21/

New Issue: Digital Library Perspectives

Digital Library Perspectives 42, no. 3 (September 2026)
Special Issue: Cultivating human-centered digital libraries through transdisciplinary collaboration, Guest Editors: Anna Maria Tammaro, Emanuele Bellini and Emiliano Degl’Innocenti
(partial open access)

Guest editorial: Cultivating human-centered digital libraries through transdisciplinary collaboration Free
Anna Maria Tammaro

Large language models in cyber humanities: companionship, stewardship and repeatability Available to Purchase
Ernesto Damiani

Assessing the impact of cultural misinformation deepfakes through AI-based user engagement analysis Available to Purchase
Salvatore Venticinque; Alba Amato; Gennaro Junior Pezzullo; Beniamino Di Martino

EHLD: a general data framework for harmful language detection and evaluation Available to Purchase
Fatemeh Mohammadi; Paolo Ceravolo; Samira Maghool; Marta Annamaria Tamborini; Maria Elisa D’Amico

From prompts to programmes: natural language programming as a metacognitive scaffold for GenAI-assisted problem solving Available to Purchase
Giovanni E. Adorni; Daniele Grosso

Rare books as socio-technical research infrastructure in hybrid digital libraries Open Access
Irene Guidotti

Participatory practices in AI design for cultural heritage: a scoping review on methods, inclusion, and epistemic justice Open Access
Elena María Gómez-Rico; Núria Ferran-Ferrer; Miquel Centelles

Transdisciplinary strategies and challenges for digital librarians: early Italian findings from a Delphi study Available to Purchase
Chiara Cauzzi; Elena Corradini; Fabio Mercanti

Transforming academic libraries into GenAI-enabled libraries: proposing experience, evaluation and engagement (3Es) dimensions through UGT and TAM perspective Available to Purchase
Lokesh Jasrai; Amanpreet Kaur

From traces to heritage: transdisciplinary steering of the AI footprint Available to Purchase
Caterina Perri; Francesco Pupo; Giancarlo Fortino

Toward a cultural cyber-critical ecosystem: concepts, threats and challenges Open Access
Emanuele Bellini; Emiliano Degl’Innocenti

The human element in digital heritage: an interview with Ines Vodopivec Free
Ines Vodopivec; Anna Maria Tammaro

CFP: ‘Sustainable Fashion and Textile Futures: Intersections of Heritage, Craft and Innovation’

Call for Papers: International Journal of Sustainable Fashion & Textiles

Special Issue: ‘Sustainable Fashion and Textile Futures: Intersections of Heritage, Craft and Innovation’

Special Issue Guest Editors
Pratibha Mishra
Professor & HoD, Department of Fashion Design & Department of Interior Design, School of Architecture & Design, Manipal University Jaipur, India
pratibha.mishra@jaipur.manipal.edu

Deepshikha Sharma

Associate Professor, Department of Fashion Design, School of Architecture & Design, Manipal University Jaipur, India
deepshikha.sharma@jaipur.manipal.edu

To view the full call click here>>

https://www.intellectbooks.com/international-journal-of-sustainable-fashion-textiles#call-for-papers

The International Journal of Sustainable Fashion & Textiles (SFT) invites contributions to the Special Issue ‘Sustainable Fashion and Textile Futures: Intersections of Heritage, Craft and Innovation’. The issue investigates how heritage knowledge, craft practices, material cultures and carefully governed technological innovation can contribute to socially just, culturally grounded and environmentally responsible fashion and textile systems.

Fashion and textiles sit at a difficult intersection. The sector is under pressure to reduce resource use, waste and emissions, while also addressing opaque supply chains, precarious work, cultural extraction and short product lifecycles. Heritage craft systems are frequently presented as an easy sustainability solution. That claim needs scrutiny. Traditional craftsmanship contains accumulated knowledge of materials, repair, local production, natural processes and intergenerational skill transmission; UNESCO’s safeguarding framework explicitly recognizes the skills and knowledge associated with traditional craftsmanship as intangible cultural heritage (UNESCO 2003). Yet craft is not automatically equitable, low-impact or economically secure. Artisans may remain excluded from design authorship, intellectual-property rights, data ownership and the financial value generated from their cultural labour.

Cultural sustainability in fashion requires more than incorporating craft motifs or handmade techniques into commercial collections. It concerns the continuation, recognition and fair transmission of textile knowledge, skills and cultural expression across generations (Boța-Moisin 2017; Fletcher 2014). It also demands attention to who defines innovation, who owns the resulting data and designs, and who benefits when heritage is translated for contemporary markets. Research on craft-led sustainability therefore needs to address material and environmental questions alongside labour, gender, community agency, cultural rights, market access and governance.

Technological change intensifies these questions. Digital documentation, virtual archives, traceability systems, e-commerce platforms, artificial intelligence, augmented reality and smart materials may assist preservation, provenance and market access. They can also reproduce unequal control over knowledge and data.

In the European policy context, Digital Product Passports are being developed to provide standardized digital access to product information that can support sustainability, circularity, traceability and regulatory compliance (European Commission 2026). Their relevance to fashion and textile value chains is clear. Their implications for artisan enterprises, informal producers, small firms and heritage-based production systems remain insufficiently examined.

This Special Issue seeks rigorous work that moves beyond celebratory accounts of both craft and technology. It welcomes empirical, conceptual, methodological and practice-based submissions that examine the conditions under which heritage, craft and innovation can contribute to sustainable fashion and textile futures. Particular attention is encouraged for scholarship based in the Global South, work with artisan communities and craft clusters, and research that takes community knowledge, consent, attribution and benefit-sharing seriously.

Suggested themes

Submissions may address, but are not limited to, the following themes:

  • Heritage crafts, traditional textiles and sustainable fashion systems
  • Craft communities, artisan livelihoods, social sustainability and equitable value creation
  • Indigenous, vernacular and place-based textile knowledge
  • Traditional dress, identity, memory, folklore and cross-cultural fashion narratives
  • Cultural heritage conservation, regeneration and contemporary fashion practice
  • Craft revival, craft clusters and collaboration between artisans, designers, brands and industry
  • Material heritage, natural fibres, local materials and sustainable textile innovation
  • Traditional knowledge systems, repair, reuse, remanufacturing and circular textile practices
  • Zero-waste design, low-impact production and resilient craft-based material systems
  • Gender, labour, care work and intergenerational knowledge transmission in craft sectors
  • Cultural appropriation, authorship, intellectual property, consent and benefit-sharing in fashion and textiles
  • Digital documentation, digital archives and preservation of textile and craft heritage
  • Digital Product Passports, provenance, traceability and transparency in heritage and craft value chains
  • Data ownership, digital inclusion and technological capability in artisan and small-enterprise contexts
  • Artificial intelligence, parametric design, augmented reality, virtual reality and the ethics of craft digitization
  • Smart textiles, sustainable technologies and material innovation
  • Digital platforms, e-commerce and market access for artisan enterprises
  • Sustainable fashion communication, consumer engagement and representations of heritage
  • Museums, exhibitions, tourism, retail and the commodification of craft heritage
  • Participatory design, co-design, design education and community-centred methods
  • Climate adaptation, material scarcity and sustainable futures for textile and craft communities
  • Methodological and conceptual advances in heritage, craft and sustainable fashion research

This list is indicative, not exhaustive. We invite submissions that critically examine the intersections of cultural heritage, craft, sustainability and innovation in fashion and textile contexts.

Contribution types

SFT invites contributions in the following formats:

  • Research Articles: 6000–8000 words

Submission guidelines

Please submit via the link below: 

https://submission.pubkit.co/publisher/29/journal/670/login

All submissions must follow Intellect’s house style:
https://www.intellectbooks.com/journal-editors-and-contributors#style-guide

Authors are responsible for securing permissions for all copyrighted images, illustrations, tables and other third-party material. All manuscripts will be assessed through the journal’s independent and anonymous peer-review process. Final acceptance remains subject to editorial decision.

Provisional schedule

The special issue is scheduled for Volume 7, Issue 1 (2028). The following timeline is proposed for approval:

· Full-paper submission deadline: 30 April 2027

· Peer-review process completed: 30 September 2027

· Final revised manuscript deadline: 30 January 2028

· Issue publication: 30 April 2028

All dates are subject to confirmation by the Journal Editor and Intellect Limited.

References cited in the CFP

Boța-Moisin, A. (2017), ‘The cultural sustainability of fashion: The role of traditional craftsmanship’, in K. Niinimäki (ed.), Sustainable Fashion in a Circular Economy, Aalto University, pp. 1–14. [Please verify page range and final bibliographic details against the source you wish to cite.]

European Commission (2026), ‘Digital Product Passport’, European Commission, https://single-market-economy.ec.europa.eu/single-market/digital-product-passport_en. Accessed 29 August 2026.

Fletcher, K. (2014), Sustainable Fashion and Textiles: Design Journeys, 2nd ed., London: Routledge.

UNESCO (2003), Convention for the Safeguarding of the Intangible Cultural Heritage, Paris: United Nations Educational, Scientific and Cultural Organization, https://ich.unesco.org/en/convention. Accessed 29 August 2026.

Contact Information

Pratibha Mishra

Professor & HoD, Department of Fashion Design & Department of Interior Design, School of Architecture & Design, Manipal University Jaipur, India
pratibha.mishra@jaipur.manipal.edu

Deepshikha Sharma

Associate Professor, Department of Fashion Design, School of Architecture & Design, Manipal University Jaipur, India
deepshikha.sharma@jaipur.manipal.edu

URL https://www.intellectbooks.com/international-journal-of-sustainable-fashion-textiles#call-for-papers