New Issue: Journal of Western Archives

Volume 10, Issue 1, Diversity, Inclusion, and Cultural Competency Special Issue

From the Editor

Introduction
Helen Wong Smith

Articles

Archivist-in-Residence: Advocating and Managing Archival Diversity Residency Opportunities in University Archives and Special Collections
Angela Fritz

Seeking Grace: Reconstructing the History of African American Alumnae at the University of Denver
Katherine Crowe

The Doorway from Heart to Heart: Diversity’s Stubbornly Persistent Illusion
Terry Baxter

The Cost of Care and the Impact on the Archives Profession
Alexis Braun Marks, Rachael Dreyer, Jennifer Johnson, and Michelle Sweetser

Voices from Drug Court: Partnering to Bring Historically Excluded Communities into the Archives
Randy Williams and Jennifer Duncan

Utah State University’s Cache Valley Latinx Voices Project: Social Justice in the Archives
Randy Williams, Eduardo Ortiz, and Maria Luisa Spicer-Escalante

Case Studies

When Building Namesakes Have Ties to White Supremacy: A Case Study of Oregon State University’s Building Names Evaluation Process
Natalia M. Fernández

Understanding My Home: The Potential for Affective Impact and Cultural Competence in Primary Source Literacy
Jaycie Vos and Yadira Guzman

New Issue: Information & Culture

Volume 54 Number 1 : Special Issue
(subscription)

Editor’s Note: Curated Issue of Information & CultureA Journal of History

Ciaran Trace
p. 1-3

“This special issue of Information & Culture brings together a curated set of previously published articles from the last two decades of the journal’s more than fifty-year history. These articles represent the wide scope of actors, disciplines, and viewpoints that have helped make the journal the space in which to frame and debate the nature of the information domain from a historical perspective. In new and thought-provoking essays accompanying the original articles, the authors look back on the contribution that these articles made to the intellectual life and growth of the journal and its subject matter.”

Revisiting Archival History

Richard J. Cox
p. 4-11

The Failure or Future of American Archival History: A Somewhat Unorthodox View

Richard J. Cox
Originally published: Volume 35, Number 1, 2000
p. 12-26

The quality of research on American archival history has been uneven and the quantity not very impressive. This essay reviews some of the highlights of American archival history research, especially the growing interest in cultural and public history that has produced some studies of interest to scholars curious about the history of archives. The essay also focuses more on why such research still seems so far removed from the interests of most archivists. The essay will consider some hopeful signs, such as the reemergence of records and recordkeeping systems as a core area for study, for a renewed emphasis on American archival history. While much needs to be done, I am optimistic that the golden age of historical research on American archives lies ahead.

Back to the Future of Library History

Jonathan Rose
p. 27-32

Alternative Futures for Library History

Jonathan Rose
Originally published: Volume 38, NUmber 1, Winter 2003
p. 50-60

In response to a recent article by Donald Davis and John Aho, “Whither Library History?” Jonathan Rose discusses six possible alternatives for the future of library history. Library historians can either continue to produce a traditional kind of library history or reframe their subject as a subfield of information science, mainstream history, or the history of the book. They can also adopt the models of such critical theorists as Antonio Gramsci and Michel Foucault. Rose argues for a sixth option: to make library history a part of the new academic discipline of book studies.

Still Breathing: History in Education for Librarianship

Christine Pawley
p 44-52

History in the Library and Information Science Curriculum: Outline of a Debate

Christine Pawley
Originally published: Volume 40, Number  3, Summer 2005
p. 223-238

Only a small minority of Library and Information Science (LIS) schools now schedule courses with a historical focus, and LIS faculty whose research specialty is history seem to be a vanishing breed. Yet some educators are committed to finding ways to preserve historical perspectives in the master’s degree curriculum. At the 2004 conference of the Association for Library and Information Science Education (ALISE) the Historical Perspectives Special Interest Group (SIG) discussed strategies and subsequently carried on the debate in an online forum. Theoretical justifications for including history in the curriculum appealed to both generalist and specific rationales that argued for “history as story” as well as “history as process,” while practical suggestions included focusing on the preservation of documents, adopting the principles and methods of public history, and creating stronger avenues for collaboration among all historians of libraries and information science, no matter what their disciplinary affiliation. Overall, participants felt that in the current economic climate modestly
scaled efforts stood the best chance of success.

Information History: Searching for Identity

William Aspray
p. 69-75

The History of Information Science and Other Traditional Information Domains: Models for Future Research

William Aspray
Originally published: Volume 46, Number 2, 2011
p. 230-248

“It has been said that the historian is the avenger, and that standing as a judge between the parties and rivalries and causes of bygone generation she can lift up the fallen and beat down the proud, and by his exposures and his verdicts, his satire and his moral indignation, can punish unrighteousness, avenge the injured or reward the innocent.”

—Herbert Butterfield, The Whig Interpretation of History (1931)

Revisiting “Shaping Information History as an Intellectual Discipline”

James W. Cortada
p. 95-101

Shaping Information History as an Intellectual Discipline

James W. Cortada
Originally published: Volume 47, Number 2, 2012
p. 119-144

Information is an emerging field of interest and concern to citizens, public officials, and scholars in many disciplines. This article acknowledges that problems exist in defining the subject of information history and argues the case that the topic can be addressed in a more coherent fashion. It then poses five questions for historians to investigate with respect to this field and proposes a sequence of three strategies and an agenda for what scholars can do to make this topic a new field of inquiry called “information history,” drawing upon the historiographical experiences of other areas of historical inquiry.

Contributors

p. 127-131

This issue of Information & Culture is now available on Project Muse.

CFP: Journal of the International Association of Sound and Audiovisual Archives

Dear colleagues —

I am happy to announce a call for papers for the Journal of the International Association of Sound and Audiovisual Archives, Issue no. 50.

Important Dates

April 15, 2019: Full article submission deadline

June 15, 2019: Journal release

Editor: Bertram Lyons (editor@iasa-web.org)

General Call for Papers

IASA Journal invites proposals covering general topics of interest to the sound and audiovisual archives communities throughout the world. Articles, reviews, essays, and technical documents are welcome.

Issue no. 50 Special Considerations:

In IASA’s 50th year, we coincidentally will release the 50th issue of the IASA Journal! We encourage submissions that respond to critical issues for audiovisual archives today:

* Degradation in legacy physical collections, especially magnetic carriers

* Obsolescence of playback equipment and strategies for acquiring spare parts for playback machines

* Selecting sustainable and compatible target codecs and wrappers for A-to-D video reformatting projects

* Strategies for handling the proliferation of born-digital audiovisual formats and codecs

* Planning for the necessary technical infrastructure needed to ingest and manage the large digital collections being created and acquired at sound and audiovisual archives worldwide

* Intellectual property rights

* Metadata strategies for time-based media objects

* Providing meaningful and useful access to sound and audiovisual collections for researchers of all kinds and in all locations

Please consider submitting an article covering one of these topics or the results of independent research that would be of interest to the IASA membership and the international audiovisual archives community in general.

About the IASA Journal

The Journal of the International Association of Sound and Audiovisual Archives represents the collected research and applied work of the global audiovisual archives community. Also known as the IASA Journal, it is published in issues bi-annually and available as an open-access Journal online (https://journal.iasa-web.org). The IASA Journal uses a double-blind peer-review methodology (the authors do not know who reviews their papers, and reviewers do not know who wrote the papers they are reviewing).

The IASA Journal is constantly looking for material to publish. Please submit articles, research output, or reviews you consider of interest to IASA via the online submission page (http://journal.iasa-web.org/pubs/about/submissions).

Information for Authors

Authors need to register (http://journal.iasa-web.org/pubs/user/register) with the journal prior to submitting or, if already registered, can simply login (http://journal.iasa-web.org/pubs/login) and begin the five-step process.

1. You will be informed of IASA’s intention to review the article no more than one week after your submission.

2. Soft copy as a .doc or .rtf or .txt file should be submitted with minimal formatting.

3. Illustrations (photographs, diagrams, tables, maps, etc) may be submitted as low resolution files placed in the file or sent separately. Once the article has been accepted for publication, high resolution copies will be required and should be sent as separate documents.

4. Use footnotes not endnotes.

5. Use in-text referencing, and all references should be listed at the end of the article in alphabetic order and chronologically for each author. Both should adhere to Harvard style guidelines for references (quick review here: http://www.citethisforme.com/harvard-referencing).

6. Authors are encouraged to submit original research or to develop their conference presentations into more detailed accounts and/or arguments for publication in the journal.

7. Abstracts (maximum 250 words each) must be included with each submission and may be in French, German, Spanish, or English.

Copyright Notice: Unless stated otherwise, authors license their work under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Signed articles and reviews represent the opinions of the authors and do not necessarily reflect the policies of the Association.

Please contact editor@iasa-web.org with any questions.

Thanks, and best —

Bertram Lyons, Editor, IASA Journal

Archival History News: Year in Review: Archival History Books and Articles Published in 2018

The Archival History Section of SAA compiled a great list of books and articles published about archival history.

Thanks to the section for all your hard work!

https://archivalhistory.news/2019/01/31/year-in-review-archival-history-books-and-articles-published-in-2018/

Open CFP: VIEW Journal

VIEW Journal invites scholars and audiovisual archivists to submit proposals for topics that may be incorporated in ongoing journal issues. We encourage you to use this “General Call for Speakers” to provide suggestions for articles and audiovisual essays, as well as other forms of reflective thought.

Submit a Proposal

The VIEW Journal of European Television History and Culture is the first peer-reviewed, multi-media and open access e-journal in the field of European television history and culture. It offers an international platform for outstanding academic research and archival reflection on television as an important part of our European cultural heritage. With its interdisciplinary profile, the journal is open to many disciplinary perspectives on European television – including television history, media studies, media sociology, cultural studies and television studies.

The journal acts both as a platform for critical reflection on the cultural, social and political role of television in Europe’s past and presence and as a multi-media platform for the presentation and re-use of digitized audiovisual material.

In bridging the gap between academic and archival concerns for television and in analyzing the political and cultural importance of television in a transnational and European perspective, the journal aims at establishing an innovative platform for the critical interpretation and creative use of digitized audio-visual sources. In doing so, it will challenge a long tradition of television research that was – and to a huge amount still is – based on the analysis of written sources.

The journal aims at stimulating new narrative forms of online storytelling, making use of the rich digitized audiovisual collections of television archives around Europe. All articles in the journal must make use of audio-visual sources that will have to be embedded in the narrative: not as “illustrations” of an historical or theoretical argumentation, but as problematized evidence of a research question.

Audience

The Journal of European Television History and Culture addresses the scientific community as well as a larger audience interested in television as a cultural phenomenon. Broadcast historians, media studies scholars, audiovisual archivists, television professionals as well as the large group of enthusiastic fans of “old” television will have the opportunity to dive into the history and presence of European television by means of multi-media texts.

We are looking forward to receiving your creative proposals! Go to: http://viewjournal.eu/online-submissions/

New/Recent Publications: Articles

Scaffolding the collection manager-instructor relationship: Partnerships for primary source instruction,” College & Research Library News, Vol. 80 no. 1 (2019)
Mireille Djenno

Dyslexia-friendly fonts: Using Open Dyslexic to increase exhibit access,” College & Research Library News, Vol. 80 no. 1 (2019)
Sierra Laddusaw, Jeremy Brett

Where do FOIA responses live? Electronic Reading Rooms and web sources,” College & Research Library News, Vol. 80 no. 1 (2019)
Lisa DeLuca

A Contract Archivist For A Brief Project In A Health Sciences Library: Case Study And Management Implications,” Journal of Library Administration Vol. 58 no. 6 (2018)
William Olmstadt

The Role of Archives on the Incorporation of the Former Kangwane Homeland to Mpumalanga Province,” Africanus: Journal of Development Studies Vol. 47 no. 2 (2017)
Nkholedzeni Sidney Netshakhuma

Visual Literacy in Practice: Use of Images in Students’ Academic Work,” College & Research Library News, Vol. 80 no. 1 (2019)
Krystyna K. Matusiak, Chelsea Heinbach, Anna Harper, Michael Bovee

PAL: Toward A Recommendation System For Manuscripts,” ITAL: Information Technology and Libraries Vol. 37 no. 3 (2018)
Scott Ziegler, Richard Shrake

The Digital Monograph and Primary Source Databases: Agenda Toward a Unified Conversation,” Collection Development 2017
James Kessenides, Yale University Library

The “Spirit of the Fatherland”: German-American Culture and Community in the Library and Archive of the German Society of Pennsylvania, ca. 1887–1920,” Libraries: Culture, History, and Society, Vol. 2, No. 2 (2018)
Alexander Lawrence Ames

Back to basics: Supporting digital humanities and community collaboration using the core strength of the academic library,” Digital Library Perspectives Vol. 24 no. 3 (2018)
Shannon Lucky

Of Documents and Archives: The First Modern Census of Texas,” Southwestern Historical Quarterly, Volume 122, Number 2, October 2018
Samuel Abell, G. Douglas Inglis

History in the Making: Outreach and Collaboration between Special Collections and
Makerspaces,” Collaborative Librarianship Volume 10 no. 2 (2018)
Erin Passehl-Stoddart, Ashlyn Velte, Kristin J. Henrich, Annie M. Gaines MLIS

A collaborative example between archives and Wikipedia community. A Wikimedian in residence at Central Institute for Archives,” JLIS.it, Italian Journal of Library, Archives, and Information Science Volume 9 no. 3 (2018)
Marco Chemello

Project management and digital transformation. Performance measuring model of digital projects and archives,” JLIS.it, Italian Journal of Library, Archives, and Information Science Volume 9 no. 3 (2018)
Brizio Leonardo Tommasi

Responsible collaborations: Scholarship and cultural heritage assets,” College & Research Libraries News Vol. 80 no. 2 (2019)
Irene M.H. Herold

New Issue: The American Archivist

The American Archivist, Vol. 81 no 2 (Fall/Winter 2018)

FROM THE EDITOR
The People Part of Archives
Christopher A. Lee

ARTICLES

Working as an Embedded Archivist in an Undergraduate Course: Transforming Students into Scholars through an Archival Workshop Series
Christy Fic

Civics in the Archives: Engaging Undergraduate and Graduate Students with Congressional Papers
Danielle Emerling

Rights Review for Sound Recordings: Strategies Using Risk and Fair Use Assessments
Jeremy Evans and Melissa Hernández Durán

“First there is the creative decision, then there is the dollar decision”: Information-Seeking Behaviors of Filmmakers Using Moving Image Archives
Laura Treat and Julie Judkins

“Be Damned Pushy at Times”: The Committee on the Status of Women and Feminism in the Archival Profession, 1972–1998
Alex H. Poole

“Let Me Tell You What I Learned”: Primary Source Literacy and Student Employment in Archives and Special Collections
Erin Passehl-Stoddart

Cultural Competency: A Framework for Equity, Diversity, and Inclusion in the Archival Profession in the United States
Ellen Engseth

Inquiry-based Archival Instruction: An Exploratory Study of Affective Impact
Chris Marino

REVIEWS
The Scholarship of Reviews
Bethany Anderson

Review Essay: DIY Music Archiving
Adriana P. Cuervo

Agents of Empire: How E. L. Mitchell’s Photographs Shaped Australia
Ricardo L. Punzalan

Keepers of Our Digital Future: An Assessment of the National Digital Stewardship Residencies, 2013–2016
Edith Halvarsson

Feminists Among Us: Resistance and Advocacy in Library Leadership
Stacie Williams

Digital Preservation Metadata for Practitioners: Implementing PREMIS
Carly Dearborn

Environmental Information: Research, Access and Environmental Decisionmaking
Eira Tansey

Displaced Archives
Christopher M. Laico

Engaging with Records and Archives: Histories and Theories
Amy Cooper Cary

Moving Image and Sound Collections for Archivists
Andy Uhrich

Future-Proofing the News: Preserving the First Draft of History
Julie Rogers

Well, What Came Next? Selections from ArchivesNext, 2007–2017
Marcella Huggard

The Silence of the Archive
Charlotte S. Kostelic

New Issue: Journal of the Society of North Carolina Archivists

J-SNCA Vol. 15, 2018

Front Matter 

CFP: The Journal of Interactive Technology and Pedagogy

The Journal of Interactive Technology and Pedagogy

General Issue
Issue Editors:
Shelly Eversley, Baruch College, CUNY
Krystyna Michael, The Graduate Center, CUNY

The Journal of Interactive Technology and Pedagogy (JITP) seeks scholarly work that explores the intersection of technology with teaching, learning, and research. We are interested in contributions that take advantage of the affordances of digital platforms in creative ways. We invite both textual and multimedia submissions employing interdisciplinary and creative approaches in the humanities, sciences, and social sciences. Besides scholarly papers, the submissions can consist of audio or visual presentations and interviews, dialogues, or conversations; creative/artistic works; manifestos; or other scholarly materials, including work that addresses the labor and care considerations of academic technology projects.

All work appearing in the Issues section of JITP is reviewed by the issue editors and independently by two scholars in the field, who provide formative feedback to the author(s) during the review process. We practice signed, as opposed to blind, peer review. We intend that the journal itself—both in our process and in our digital product—serve as an opportunity to reveal, reflect on, and revise academic publication and classroom practices. Additionally, all submissions will be considered for our “Behind the Seams” feature, in which we publish dynamic representations of the revision and editorial processes, including reflections from the authorial and editorial participants.

Research-based submissions should include discussions of approach, method, and analysis. When possible, research data should be made publicly available and accessible via the Web and/or other digital mechanisms, a process that JITP can and will support as necessary. Successes and interesting failures are equally welcome. Submissions that focus on pedagogy should balance theoretical frameworks with practical considerations of how new technologies play out in both formal and informal educational settings. Discipline-specific submissions should be written for non-specialists.

As a courtesy to our reviewers, we will not consider simultaneous submissions, but we will do our best to reply to you within three months of the submission deadline. The expected length for finished manuscripts is under 5,000 words. All work should be original and previously unpublished. Essays or presentations posted on a personal blog may be accepted, provided they are substantially revised; please contact us with any questions at editors@jitpedagogy.org.

For further information on style and formatting, accessibility requirements, and multimedia submissions, consult JITP’s accessibility guidelinesstyle guide and multimedia submission guidelines.

Important Dates

Submission deadline for full manuscripts is May 15, 2019. Please view our submission guidelines for information about submitting to the Journal.

Themed Issue, The Journal of Interactive Technology & Pedagogy: Teaching & Research with Archives

The Journal of Interactive Technology & Pedagogy: Teaching & Research with Archives, Issue Fourteen

Introduction
Danica Savonick, Jojo Karlin, and Stephen Klein

Possibly Impossible; Or, Teaching Undergraduates to Confront Digital and Archival Research Methodologies, Social Media Networking, and Potential Failure 
Rebekah Fitzsimmons and Suzan Alteri

From Page to Screen and Back Again: Archives-Centered Pedagogy in the 21st Century Writing Classroom
Elizabeth Davis, Nancee Reeves, and Teresa Saxton

Crowdsourcing Traumatic History: Understanding the Historial Archive
Kristi Girdharry

Digital Paxton: Collaborative Construction with Eighteenth-Century Manuscript Collections
Will Fenton, Kate Johnson, and Kelly Schmidt

The Space Between Researcher, Object, Institution: Building Collaborative Knowledge with Primary Sources
Mary Catherine Kinniburgh

Narrating Memory through Rhetorical Reflections: CUNY Students and Their Archives
Wendy Hayden, María Hernández-Ojeda, and Iris Finkel

Engaging Women’s History through Collaborative Archival Wikipedia Projects  

Ariella Rotramel, Rebecca Parmer, and Rose Oliveira

Collaboration Adventures with Primary Sources: Exploring Creative and Digital Outputs
Jennifer Needham and Jeanann Croft Haas

Realizing the Past: Charting a Course for Sustainable Instruction and Engagement with Archival Materials Using Augmented and Virtual Reality Technologies
Amanda G. Pellerin, Ximin Mi, and Alison Valk

Branching Out: Using Historical Records to Connect with the Environment
Wendy Wasman, Thomas Beatman, Shanon Donnelly, Kathryn Flinn, Jeremy Spencer, and Ryan Trimbath

Views from the Field

Teaching Colonial Translations Through Archives: From Ink and Quill to XML (Or Not)
Allison Margaret Bigelow

Diving into the Wreck: (Re)Creating the Archive in the First Year Writing Classroom 
Maxine Krenzel and Daisy Atterbury

Born-Digital Archives in the Undergraduate Classroom
Mackenzie Brooks

How a Digital Collaboration at Oberlin College Between Archivists, Faculty, Students and Librarians Found Its Muse in Mary Church Terrell, Nineteenth-Century Feminist and Civil Rights Icon
Ken Grossi, Alexia Hudson-Ward, Carol Lasser, Sarah Minion, and Natalia Shevin

Issue Fourteen Masthead

Issue Editors
Danica Savonick
Jojo Karlin
Stephen Klein

Managing Editor
Patrick DeDauw

Copyeditors
Anne Donlon
Patrick DeDauw
Jojo Karlin
Benjamin Miller
Nicole Zeftel

Style and Structure Editor
Dominique Zino

Staging Editors
Teresa Ober
Lisa Brundage
Anne Donlon
Krystyna Michael
Benjamin Miller
Danica Savonick
sava saheli singh
Inés Vañó García
Luke Waltzer