Vol 6, No 1: Institutionalizing Moving Image Archival Training: Analyses, Histories, Theories
Editorial
Introduction
Christian Gosvig Olesen, Philipp Dominik Keidl
Is Film Archiving a Profession Yet? Reflections 20 years on
Is film archiving a profession yet? A reflection – 20 years on
Ray Edmondson
What Price Professionalism?
Caroline Frick
Interdisciplinarity, Specialization, Conceptualization
Eef Masson, Giovanna Fossati
What Do We Profess To?
Benedict Salazar Olgado
The History of The L. Jeffrey Selznick School of Film Preservation: Changing the Field
Caroline Yeager
Articles
Multiplying Perspectives
Alejandro Bachmann
Learn then Preserve
Simone Venturini
The Current Landscape of Film Archiving and How Study Programs Can Contribute
Adelheid Heftberger
Forum Section
A Look Back: The Professional Master’s Programme in Preservation and Presentation
Thomas Elsaesser
Minding the Materiality of Film: The Frankfurt Master Program
Sonia Campanini, Vinzenz Hediger, Ines Bayer
The Materiality of Heritage: Moving Image Preservation Training at HTW Berlin
Ulrich Ruedel, Martin Koerber
Upholding Tradition: The MA Program at the Film University Babelsberg KONRAD WOLF
Oliver Hanley
Education Through International Collaboration: The Audiovisual Preservation Exchange (APEX) program
Pamela Vizner, Juana Suarez
Learning From the Keepers: Archival Training in Italian Cinematheques
Rossella Catanese
Book Reviews
Review of Film History as Media Archaeology
Giuseppe Fidotta
Review of Hollywood and the Great Depression
Andrée Lafontaine
Notes on Contributors
