CFP: Fontes Special Issue: “Preserving Cultural Heritage in the Performing Arts”

Invitation for submissions on Preserving Cultural Heritage in the Performing Arts for a special issue of Fontes Artis Musicae.

This special issue focuses on the extraordinary efforts librarians, archivists, curators, and supporters of the performing arts have taken or are taking to preserve our cultural heritage for the future. It is amazing what we have saved in the face of war and conflict over the course of our histories. Today, the specter of war continues, as does this work. We are also at a moment when new methods and workflows for digital content must be developed in order to capture and preserve what is important and meaningful to us. This issue will explore past successes, present challenges, and ideas for the future. Submissions may take many forms, including original research, case studies, and essays.

Possible topics include:

Histories of collections saved in wars

Unique considerations for saving and preserving performing arts materials

Leveraging crowdsourcing for preservation

Toolkits for preserving collections at the onset of a conflict

Preserving born-digital compositions

Fontes Artis Musicae is a peer-reviewed journal published by the International Association of Music Libraries, Archives and Documentation Centres (IAML).

The deadline for submission is June 30, 2026. Articles will undergo a double-blind peer review process. To discuss ideas or propose a paper, please email the guest editor:  Stephanie.Bonjack@Colorado.edu”

New Issues: Fontes Artis Musicae

Vol. 65/1, January–March 2018

Vol. 65/2, April-June 2018

Vol. 65/1, January–March 2018

Articles

  • Lithuanian Piano Rolls: Collections and Research Darius Kǔcinskas
  • Forgotten Episodes from the Works of Twentieth-Century Polish Composers: Film and Theatre Music in the University of Warsaw Library Aleksandra Górka and Magdalena Borowiec

Briefs / Feuilletons

Reviews

  • Beyond Bach: Music and Everyday Life in the Eighteenth Century. By Andrew Talle Alon Schab
  • Du Langage au Style: Singularités de Francis Poulenc. Edited by Lucie Kayas and Hervé Lacombe Keith Clifton
  • Reflections of an American Harpsichordist: Unpublished Memoirs, Essays and Lectures of Ralph Kirkpatrick. Edited by Meredith Kirkpatrick Bridget Cunningham
  • British Royal and State Funerals: Music and Ceremonial since Elizabeth I. By Matthias Range Matthew Gardner

Treasurer’s Report Thomas Kalk
IAML General Assembly Minutes 2017 Pia Shekhter
Governing Documents
Notes for Contributors

Vol. 65/2, April-June 2018

Articles

  • An Approach to the Cuban Institutions that Hold Documents Related to Musical Heritage Yohana Ortega Hernández
  • Contemporary Classical Music Scores-Parts and Intellectual Property: National Radio-Television Archive of Contemporary Classical Music and Oral History Project Artemis Papadaki

Briefs / Feuilletons

Reviews

  • Consuming Music: Individuals, Institutions, Communities, 1730-1830. Edited by Emily H. Green and Catherine Mayes Katharine Hogg
  • The Advancement of Music in Enlightenment England: Benjamin Cooke and the Academy of Ancient Music. Bu Tim Eggington Matthew Gardner
  • Benjamin Britten Studies: Essays on an Inexplicit Art. Edited by Vicki P. Stroeher and Justin Vickers Cameron Pyke
  • Musical Debate and Political Culture in France, 1700-1830. By R. J. Arnold David Charlto
  • British Royal and State Funerals: Music and Ceremonial since Elizabeth I. By Matthias Range Matthew Gardner

Information for Contributors