CLIR 2026 Call for Proposals, “Pocket Burgundy” Series

2026 Call for Proposals, “Pocket Burgundy” Series

Deadline for Proposals: March 24, 2026

January 14, 2026 – The Council on Library and Information Resources (CLIR) invites proposals for its “Pocket Burgundy” series. Prospective authors and writing teams can propose ideas for reports relevant to the information and cultural heritage communities. Selected authors and teams will be offered a stipend of $3,000 for each publication. The deadline for submissions is March 24, 2026. Decisions will be announced in late May.

CLIR encourages submissions on any topic affecting information or cultural heritage work anywhere in the world. Prospective authors are encouraged to propose projects that would benefit libraries, archives, museums, and the communities they serve.

Publications will be released in electronic form under a Creative Commons license and will be openly accessible, free of charge.

Applicants are encouraged to read through the full call for proposals, the program FAQs and to review previous Pocket Burgundy publications prior to submitting their proposals. Instructions for submitting a proposal are linked from the program web page. Questions about this opportunity or the application process should be directed to Christa Williford (cwilliford@clir.org).

Call for Posters: Midwest Archives Conference and the Society of Ohio Archivists joint 2026 Annual Meeting

Annual Meeting: Call for Poster Presentations 2026

The Midwest Archives Conference and the Society of Ohio Archivists will hold a joint 2026 Annual Meeting on May 14-16, 2026 at the Ohio Union on The Ohio State University’s campus in Columbus, Ohio.

Founded in 1870 as the Ohio Agricultural and Mechanical College, The Ohio State University sits a few miles north of downtown Columbus. A city unto itself with an enrollment of more than 65,000, Ohio State is known for its top ranked academic programs in engineering, agriculture, and business, its world class research endeavors. For more information about the host and the conference, see the meeting website.

The 2026 Program Committee invites poster proposal submissions on all aspects of archival practice and research, as well as on topics from allied and related fields. The Program Committee seeks a diverse slate of presenters, representing a variety of personal and institutional backgrounds, perspectives, and voices. We seek to foster a culture of inclusion in the MAC-SOA program and encourage submissions from students, new professionals, first-time presenters, and those from allied professions. Membership in MAC and/or SOA is not required to present. Poster presentations will be onsite only, and at least one author must be present.

Proposals are due by 11:59p CST February 8, 2026. There will be no deadline extension.

The Program Committee invites poster proposals touching on the theme “Find it Here.”

Potential areas of focus include:

  • Distinct approaches to collecting, reference, and instruction
  • Overcoming challenges to making collections accessible and discoverable
  • Successful community archiving projects and partnerships
  • Utilizing facilities in unique ways to highlight and provide access to collections

For more ideas, see the earlier conference Call for Session Proposals here.

Authors are required to present their posters in person during scheduled times during the meeting, Thursday 3:00 – 3:30 pm and Friday 3:00 – 3:30 pm. These presentations are more like elevator speeches that summarize the poster content with attendees who stop by the poster to view it and ask questions. 

Proposal Evaluation

The MAC-SOA PC Poster Subcommittee will evaluate all proposals submitted by the deadline. Proposals will be evaluated in two ways: 1) merit and clarity of the 1750-character abstract; and 2) completeness of the proposal, particularly having well-developed content to understand all relevant aspects of the topic. Authors of posters accepted for inclusion in the MAC-SOA 2026 Annual Meeting will be notified in February 2026.

To submit a proposal, please fill out the MAC 2026 Poster Proposals Submission Form.  The deadline for submitting poster proposals for the 2026 MAC-SOA Annual Meeting is February 5, 2026.  We look forward to seeing you in Columbus!

Poster Prizes

MAC memberships will be awarded to a select number of posters based on the following criteria: 

  • Originality 
  • Relation to meeting theme (“Find It Here”)
  • Creativity displayed in the poster

Poster Session Tips

Poster sessions are a means to communicate and exchange ideas, programs, research, and projects to fellow MAC-SOA meeting attendees

Posters typically include pictures, data, graphs and/or diagrams with narrative text on paper backing that are approximately 36×24 inches. MAC will provide easels, thumb tacks, and appropriately sized foam board. 

Helpful tips on creating posters are available at these links:

Poster sessions cannot be used to advertise products or to display vendor items. If you are unsure if your proposal qualifies or if you have questions about the poster submission process, please email Adam Wanter, Poster Coordinator, at awanter@midpointelibrary.org

Frequently Asked Questions

  1. Question: Will MAC pay my travel expenses and/or registration fee to attend the annual meeting if I am presenting a poster?

Answer: No, MAC cannot reimburse you for your travel or conference registration expenses. However, MAC offers travel scholarships for first-time meeting attendees. Applications for the Mark A. Greene Award for First-Time Meeting Attendees are due March 16, 2026. SOA also offers a variety of scholarship opportunities.

  1. Question: What if I have a conflict with poster session presentation time?

Answer: At least one author of the poster must be present during the poster sessions.This is an opportunity to engage with conference attendees who stop to ask questions and provide further details about poster content. Poster sessions cannot be presented unless at least one author is present during the allotted times.

  1. Question: What happens if I must cancel my poster session because I can’t attend the conference?

Answer: Please plan on a backup person who will be able to represent your poster if an emergency arises. If an alternate presenter is unable to be arranged, your poster will not be included in the poster session.

  1. Question: Can I have an internet connection or other electrical or technical support?

Answer: If your poster session includes electrical equipment, you may need to provide your own source of power (e.g., batteries). We cannot guarantee electrical support or Internet connections in the poster session area. Audio-visual presentations that include sound are not encouraged, as they can be distracting to the other presenters and attendees. However, if you can supply headphones for viewers/listeners, sound is acceptable. Please note in your proposal if you request specific electrical support.

  1. Question: What about simultaneous submissions? Can I submit a poster session proposal about a project for which I’ve also submitted a manuscript for publication in a journal?

Answer: Yes, poster submissions for articles that have been simultaneously submitted for publication are welcomed, if you note the simultaneous submission on the proposal form.

  1. Question: What is the difference between the MAC Exhibit area and the MAC Poster Session Area?

Answer: The exhibit area is designed for vendors or organizations to promote their wares or groups. The poster session area is expressly for authors to present their work on research or projects.

  1. Question: Can I present a session and a poster?

Answer: Yes, but submission preference will be given to authors who are not already presenting.

CFP: DCMI 2026

DCMI 2026, the twenty-fourth International Conference on Dublin Core and Metadata Applications, invites researchers, practitioners, and experts from diverse domains to explore the dynamic landscape of metadata in the theme of Meaning-Driven AI: Using Metadata to Align Systems with Human Values. The fast-paced advances in artificial intelligence (AI) create new research opportunities for metadata. While AI has the potential to enhance metadata quality through systematic tasks like error detection and data standardisation, meaning-driven AI explores how structured data can capture human preferences, beliefs, and experiences to create intelligent systems that truly understand what people value.

Metadata has an expanding role in enabling the transparent, trustworthy, and effective representation of data, information, and knowledge, and as a result, is being transformed from simply “data about data” to being data that underpin knowledge. In this expansion of metadata’s role, we strive to bring innovative ideas, projects, and practices together that can foster and protect humanity.

DCMI 2026 serves as a unique platform for the discussion of innovative research and practice, presenting visions for future metadata development and solutions to practical metadata problems. Join researchers, practitioners, and experts from a wide range of sectors in a collaborative exploration of metadata’s evolving role through your papers, posters, panel discussions, best practice reports, designathon/hackathon, workshops, and more.

DCMI 2026 will feature exclusively in-person meetings.

Key areas:

Under the theme Meaning-Driven AI: Using Metadata to Align Systems with Human Values the DCMI 2026 conference welcomes submissions on the following topics broadly related to metadata design, deployment, and best practices (but not limited to):

  • Metadata and AI: The role of metadata in explainable and reproducible AI, metadata representations for machine learning (ML) models and datasets, application of AI in metadata generation, and knowledge-driven metadata for ML applications.
  • AI Agents: AI agents that leverage metadata to anticipate human preferences, make context-aware decisions, and act in ways that align with the values and needs of the people they serve.
  • Human-Centered Metadata and Interaction: Exploring user experience (UX) in metadata systems and adaptive metadata systems that evolve based on user needs.
  • Data Integrity and Reliability: Innovative metadata research and practices that ensure data integrity, accuracy, provenance, and reliability.
  • Ethics and Metadata: Addressing ethical considerations in metadata creation and management to build trust, ensure fairness, mitigate bias, and promote transparency in AI and data governance.
  • Adaptation to Emerging Technologies: Transforming metadata constructs and systems to enable the full utilization of technologies in AI, linked data, and knowledge bases.
  • Metadata and Data Science: Application of data science theories and methods in developing linked, intelligent metadata to facilitate transformation.
  • Metadata for the Public Good: The implications and significance of metadata in trustworthy AI; the role of metadata in supporting the fight against nefarious deepfakes, misinformation, and disinformation; open data, open science, and open metadata.
  • Cultural and Social Dimensions of Metadata: Digital humanities and metadata practices in memory institutions, semantic and computational metadata for cultural heritage objects, equitable metadata representation for historical materials, and critical study of metadata theories, practices, standards, and tools.
  • Metadata Supporting the FAIR and CARE Principles: Solutions and practices in creating FAIR metadata, case studies of data reusability fostered by metadata, and new data structures and models supporting metadata interoperability.

Submission Guidelines

  • At least one author of an accepted submission must physically attend the conference to present the work in person.
  • Submissions must follow the guidelines for one of the categories enumerated below.
  • All submissions must be in English.
  • All submissions must be made via the Submission System, https://go.dublincore.org/dcmi-2026/submission-portal
  • Submissions must be a single Portable Document Format (PDF) along with the document’s source.
  • The source file should be Microsoft Word (.doc or .docx), or LaTeX files in a single compressed zip file (.zip).
  • Authors are required to include their ORCID in their submissions.

Templates

  • All submissions must use the official DCPapers template for DCMI conference proceedings.
  • Templates for both Microsoft Word and LaTeX are available in the DCPapers template repository. Template files can be downloaded from https://github.com/dcmi/dcpapers-templates/releases/latest
  • Any modification to the template, including but not limited to adjustments in margins, typeface sizes, line spacing, paragraphs, and list definitions, is discouraged.
  • Users of Microsoft Word are required to install the Libertinus font family on their computer. The DOCX template contains detailed installation instructions.
  • Users familiar with LaTeX should prefer the LaTeX template.
  • An Overleaf template is available at https://go.dublincore.org/dcmi-2026/overleaf-template
  • Please use GitHub issues exclusively for inquiries and reporting template-related issues at https://github.com/dcmi/dcpapers-templates/issues
  • Detailed formatting guidelines are included in both the DOCX and LaTeX templates.
  • Authors are required to add their ORCID in the submission as indicated in the templates.

Submission categories

Note:

  • The open-access conference proceedings are indexed by Scopus, DBLP, Google Scholar, Semantic Scholar, ACM, and Crossref. Online proceedings will be available before the start of the conference.
  • Presentation slides, poster slide images, and student forum extended abstracts will be published on the DCMI website.

Full papers

Full papers either describe innovative work in detail or provide critical, well-referenced overviews of key developments or good practices.

  • 8-10 pages, single-spaced, plus references
  • Not previously published elsewhere

Short papers

Short papers are narrower in scope than full papers and may be either a description of work in progress, or a project report that concisely describes a specific model, application, or activity.

  • 4-5 pages, single-spaced, plus references
  • Not previously published elsewhere

Panels

Panel sessions are organized by experts in a specific area of metadata. Each panel serves as a focused exchange regarding the latest research and/or best practice in the area.

  • 1-2 pages extended abstract with panelists’ bios of 100-150 words each

Workshops

Workshops engage participants in active work to address one or more well-defined problems or issues. The style of workshops may vary depending on the organizers, and may include presentation/discussion-based or problem-solving-based activities.

  • 3-4 hours (half-day) or 6-8 hours (full-day)
  • 1-2 pages of descriptions
    • Objectives
    • Format
    • Names of organizers
    • Event plan (Agenda or Activities)
  • Descriptions will be included in the online Proceedings

Conference registration is required (Full registration or one-day registration).

Project reports

Project reports are for the presentation, demonstration, and evaluation of work-in-progress related to metadata best practices.

  • 2-page extended abstract, single-spaced, plus references

Posters

Posters are for the presentation of projects, research under development, or late-breaking results.

  • 2-page extended abstract, single-spaced, plus references

Tutorials

Tutorials introduce specific topics of current interest in metadata practice, optionally including hands-on practice. Proposals for tutorials must include:

  • 2-3 page proposal including:
    • Title of tutorial and topic to be covered (2-3 paragraphs)
    • Target audience and expected learning outcomes
    • Tutorial style: lecture, demonstration, hands-on practice, etc.
    • Any prior knowledge required (e.g., RDF, programming languages)
    • Whether participants must (or should) bring laptops or install software beforehand
    • Presenter bios (100-150 words each)

Student Forum

The student forum aims at providing an opportunity for master’s and doctoral students to share their experiences and exchange ideas of best practices, research in progress, and findings in areas related to metadata innovation.

  • Less than 1500 words plus references
  • All presenters participating in the Student Forum will automatically qualify for the Student Forum Award competition. Winners will be chosen by the Student Forum Committee, and they will receive prizes of $300 for first place and $200 for second place to assist with travel expenses.

Important Dates

Deadlines for submissions:

  • Papers (full and short), Panel, and Workshop: March 30, 2026, 23:59 (AoE)
  • Posters, Project Reports, Student Forum, and Tutorials: May 1, 2026, 23:59 (AoE)
  • Best Practices and Talks are by invitation

Notification to authors:

  • Paper, Panel, and Workshop: May 15, 2026
  • Poster, Project Reports, Student Forum and Tutorials: June 1, 2026

Final copy of papers due: June 15, 2026

CFP: Student Posters, Society of Southwest Archivists Annual Meeting

The Society of Southwest Archivists invites graduate and undergraduate students to submit an abstract for a Student Poster Presentation at the 2026 Annual Meeting from April 29 to May 2, 2026 in Waco, Texas.

Theme: Deep in the Heart of Archives

Student Poster Presentations may describe applied or theoretical research that is completed or underway; discuss interesting archival collections students have worked with; or report on archives and records projects in which students have participated (e.g., development of finding aids, public outreach, database construction, etc.).

Submissions should focus on research or activity conducted within the 2024 – 2025 academic year. Posters dimensions should be 32 by 40 inches, situated horizontally.

Abstracts can be submitted via email until Friday, March 6. Submit your abstract to program@southwestarchivists.org with “2026 Student Poster Presentation” as your subject line.

Include the following in your one-page abstract:

Title
Author(s) & CVs
Purpose of Project/Research
Description of Project/Research
Conclusions/Findings of Project/Research

Selected participants will be notified by Friday, March 20. They will have the opportunity to attend the in-person student poster presentation in Waco on Friday, May 1 from 3:00 to 4:00 p.m. and submit a recorded presentation of their poster to be included in the Zoom Events platform.

We can’t wait to see you in Waco as we explore what’s deep in the heart of archives!

Archivaria 100: Special Issue – Legacies of Critical Theory in Archives

Archivaria (Fall/Winter 2025)
(subscription)

From the Guest Editors

Editors’ Introduction
Mario H. Ramirez, Rebecka Taves Sheffield

Glancing Backwards

Derrida, the Scene of Archiving, and the Unhappy Consciousness
Brien Brothman

Michel and Mathurin
Finding Foucault in the Archives
Steven Maynard

Red Jenkinson
Tracing Indigenous Influences on Canadian Archival Theory
Raymond O. Frogner

Facing the Horizon

Fevered Inheritances
Ethics of Care and Donor Power in Starchives
Anastasia Armendariz, Kate Orazem

“Should We Just Burn It All Down?”
Slowness and Institutional Barriers to a Critical Future in Archives
Josh Wilson

Looking Within

The Archival Turn as Practice
Ann Cvetkovich

Love in the Archives
Towards a Theory and Praxis of Archival Care
Jennifer Douglas

Shifting Directions

Provenanced Aesthetics
The Beauty of Decay in Dawson City: Frozen Time
Patrick Keilty

“A Self You Have Not Yet Learned How to Love”
Building Asian/Queer//Queer/Asian Possibilities Through Archival Speculation
Yingying Han, Travis L. Wagner

Book Reviews

Andi Gustavson and Charlotte Nunes, eds., Transforming the Authority of the Archive: Undergraduate Pedagogy and Critical Digital Archives
Claire Malek

Tanya E. Clement, Dissonant Records: Close Listening to Literary Archives
Heather Dean

Gracen Brilmyer and Lydia Tang, eds., Preserving Disability: Disability and the Archival Profession
Elizabeth A. Pineo

Exhibition Reviews

Musée des beaux-arts de Montréal and Art Gallery of Ontario, Joyce Wieland: À cœur battant; Joyce Wieland: Heart On
Dylan Adamson

Musée d’art contemporain de Montréal, Alanis Obomsawin: The Children Have to Hear Another Story
Kate Nugent

CFP: Studies in Oral History (Australia)

Contributions for the peer review and reports sections of the 2026 issue of our journal Studies in Oral History are now being accepted. The deadline for submission of peer review articles is 31 March 2026 and for reports it is 29 May 2026.

This is the first issue to be produced by our new editors Mia Martin Hobbs and Geraldine Fela. It’s theme is ‘Bearing Witness, Making Histories’.

For further information including word limits and how to submit your article, go to the Call for Papers, Issue 48, 2026.

Contributors are advised to review the following before submission:

About the theme

We are living through a time of relentless violence, towards human beings, our social world, and to our environment. What then does it mean, as historians, to bear witness and make history? 
As oral historians, we are used to the role of witness. The creation of an oral history archive is a kind of witness bearing. In the interview we watch and listen in real time as life stories unfold, with all their attendant pain, joy, complications and moments of discomposure. To bear witness in this setting often means something profoundly intimate, but bearing witness can also speak to a broader political and responsibility: to bear witness can mean to speak or record a truth, or to gather collectively to remember, commemorate or protest.

The post Call for Papers – Journal 2026 appeared first on Oral History Australia.

CFP: Special Issues on GenAI Tools within Libraries, Archives and Museums – Information Technology and Libraries #ITAL

Guest editors Ellen Schmid and Katy Miller invite you to submit a proposal for an article in an upcoming special issue of Information Technology and Libraries that will explore the integration of Generative AI tools within library, archive, and museum research environments. This special issue will be published in September 2026. We welcome contributions that provide practical insights, case studies, or user research on the development, deployment, and impact of AI-enhanced research tools. Topics of interest include user-focused interfaces, implementation processes, UX assessments, and the influence of GenAI on workflows, data analysis, and research practices. Articles should present first-hand experience with designing, testing, or evaluating AI helpers, and may cover commercial or open-source solutions. 

Submissions of up to 5,000 words will be accepted for a publication target of September 2026. 

Article proposals are due February 1, 2026 and include a 500-word abstract and a brief statement about the author’s experience in the field. Authors will be notified of acceptance in late February, with a submission of the first draft of the article (no more than 5,000 words) due May 1, 2026. Articles will go through the same rigorous peer review, copyediting, and proofreading process as any other ITAL article.

This issue will be guest edited by Ellen Schmid and Katy Miller in collaboration with ITAL’s Editor (Ken Varnum) and Assistant Editor (Joanna DiPasquale). 

Submit your proposal: https://forms.gle/aSjdjpvoR2QG4By87

Email questions to: 

New/Recent Publications

Articles

Williams, Andrew (2025) “Enrolled Deeds as Records and Archives in Jamaica,” Journal of Contemporary Archival Studies: Vol. 12, Article 17.
Available at: https://elischolar.library.yale.edu/jcas/vol12/iss1/17

Larson, Julia D. (2025) “Faxes, Emails, and CAD: A Case Study of the Changing Landscape in Born-digital Design Records, 1994-2006,” Journal of Western Archives: Vol. 16: Iss. 1, Article 6. DOI: 10.59620/2154-7149.1195. Available at: https://digitalcommons.usu.edu/westernarchives/vol16/iss1/6

Robert Olbrycht, Alfonso Bahillo Martínez, Ernesto Marcheggiani, Müge Akkar Ercan, Pinar Karagöz, Karol Kropidłowski, Giuseppe Pace, “Methods for real-time underground built heritage visualization enhancement,” Journal of Cultural Heritage, Volume 75, 2025, Pages 1-10. https://doi.org/10.1016/j.culher.2025.07.006.

Qingxia Meng, Chenshu Liu, Chongwen Liu, Qian Jiao, Shuangshuang Li, Haolin Fan, Songbin Ben, “A novel nanocomposite hydrogel system for synergistic paper deacidification and reinforcement,” Journal of Cultural Heritage, Volume 75, 2025, Pages 31-40. https://doi.org/10.1016/j.culher.2025.07.015.

Stanisław Piotr Skulimowski, Jerzy Montusiewicz, “A novel approach for assemblage of historical artefacts using the Levenshtein distance and feedback loop,” Journal of Cultural Heritage, Volume 75, 2025, Pages 158-167. https://doi.org/10.1016/j.culher.2025.07.007.

Books

The Afterlife of Data: What Happens to Your Information When You Die and Why You Should Care
Carl Öhman
University of Chicago Press, 2024

We the Dead: Preserving Data at the End of the World
Brian Michael Murphy
University of North Carolina Press, 2026

Digitization of Built Heritage: Approaches and Methods for Data Acquisition, Analysis, and Intervention
Cristina Cantagallo, Valentino Sangiorgio, Humberto Varum, Francesco Fiorito, Fabio Fatiguso
SpringerCham, 2025

The Indigenous Right of Reply to Archives: Working towards Indigenous Sovereignty, Healing, and Justice in Archival Practice
Edited By The Indigenous Archives Collective
Routledge, 2026

The Digital Medieval Manuscript: Material Approaches to Digital Codicology
Suzette van Haaren
Brill, 2025

Curating Transcultural Spaces: Perspectives on Postcolonial Conflicts in Museum Culture
Sarah Hegenbart
Bloomsbury, 2025

Women Proprietors of Copyright in England, 1675–1775
Leah Orr
Brill, 2025

Curating the Colonial Past: The ‘Migrated Archives’ and the Struggle for Kenya’s History
Riley Linebaugh
Cambridge University Press, 2025

Re-activating Indigenous Knowledge from Oral History: Landscape and Intangible Cultural Heritage in Greenland
Asta Mønsted
Routledge, 2026

Digital Content in Museums: Delivering Discoverable, Usable and Strategic Content in Museums, Galleries and Heritage Institutions
Georgina Brooke
Facet Publishing, 2025

Fundamentals of Metadata Management
Ole Olesen-Bagneux
O’Reilly, 2025

The Organization of Information
Daniel N. Joudrey
Bloomsbury, 2025

Podcasts

Future Knowledge: Preserving Government Information
August 2025

Electronic Freedom Foundation: Building and Preserving the Library of Everything
September 2025

Dissertation

Expanding the margins in the history of sexuality & galleries, libraries, archives, museums & special collections (GLAMS)
Watson, B. M., University of British Columbia, 2025

Novel

Archives of the Unexplained: Area 51 (Volume 1)
Archives of the Unexplained: Unwanted Guests (Volume 2)
Steve Foxe; illustrated by Fran Bueno
Macmillan, 2025

Children’s Book

Le Loup des Archives [The Wolf of the Archives]
Mathilde Morin

New Issue: Arbido

2025 Issue 2

Arbido is the Swiss professional journal for archives, libraries, and documentation. Arbido addresses the topics of preserving and transmitting socially relevant knowledge and information.

The current issue focuses on the topic of family archives. The subject is examined from various perspectives, including those of families themselves, archivists, genealogists, and archives. Various aspects such as cataloging, access, and preservation are discussed.

Table of contents

Bernasconi Laura, editor arbido
Editorial

Ackermann Nadja, Editor at arbido
Ein wichtiger Identitätstifter – Familienarchive aus der Perspektive der Familien
An important source of identity – family archives from the perspective of families

Bessourour Youssef, Archiviste aux Archives de l’Etat de Neuchâtel
Les Caisses de famille aux Archives de l’Etat de Neuchâtel : un outil de conservation des archives familiales
Les Caisses de famille aux Archives de l’Etat de Neuchâtel: an tool for conservation of the archives familiales

Ackermann Nadja, Editor at arbido
Familienarchive aus der Perspektive einer Archivarin
Family archives from the archivist’s perspective

Le Sommer Venice, archivist
Réseaux sociaux : les fonds familiaux d’aujourd’hui et demain ?
Réseaux socials: les fonds familiaux d’aujourd’hui et demain?

Lütteken Anett, Head of Manuscript Department, Zurich Central Library
Ein «Beweis schönen Gemeinsinnes»: Familienarchive in der Zentralbibliothek Zürich
A “proof of fine community spirit”: family archives in the Zurich Central Library

Bos François, Co-president and archivist of the association
Les archives de famille au sein des Archives de la Vie privée. Quelle histoire ?!
Les archives de famille au sein des Archives de la Vie privée. Source histoire?!

Münger Kurt, President of the Swiss Society for Family Research (SGFF/SSEG)
Familienarchive aus genealogischer Sicht
Family archives from a genealogical perspective

Kern Gilliane, archivist
Pertinence et impertinence des archives familiales – Partie II
Pertinence and impertinence of the family archives – Part II

Anelli Stefano, Collaboratore scientifico e archivista presso theArchivio di Stato del Cantone Ticino
Gestione dei fondi di famiglia all’Archivio di Stato del Cantone Ticino

Lepourtois Bérangère, Conservatrice du domaine de La Doges
Cornut Simren, Historical archivist
Les Archives de La Doges : le papier qui enveloppe la pierre
Les Archives de La Doges: the paper that enveloppe the pierre

CfA: History – Theory – Criticism Journal 2/2026: The AI Turn in Contemporary Historiography: Challenges, Applications, Reflections

Call for Articles

Special Issue 2/2026

The AI Turn in Contemporary Historiography: Challenges, Applications, Reflections

Deadline for submissions: 30 June 2026

Scope and Aims

Artificial intelligence has entered the field of historiography not as a neutral instrument but as a phenomenon that unsettles its very foundations. The capacity of large language models to generate and reorganize knowledge on a scale that surpasses human comprehension compels historians to reconsider the principles that have long defined their craft: authorship, interpretation, verification, and the human mediation of evidence. The accelerating automation of textual production introduces a cognitive threshold that challenges the historian’s ability to control, evaluate, and verify the narratives emerging from algorithmic systems. 

This transformation reveals both the potential and the vulnerability of historical knowledge. Artificial intelligence enables new ways of analyzing extensive textual corpora, translating and connecting sources, and recognizing patterns across linguistic and temporal boundaries. At the same time, it alters the conditions under which meaning is produced and received, eroding the distinction between human interpretation and computational synthesis. The opacity of large models, concealed in their training data and hierarchies of value, complicates one of the historian’s central tasks: the capacity to identify, understand, and critique bias within sources. 

The AI turn in historiography, therefore, marks more than a technical or methodological innovation. It signifies a shift in the scale and ecology of knowledge, shaped by the asymmetries of global computational power and by growing dependence on corporate infrastructures. This situation calls for reflection on how historical inquiry can preserve its ethical and interpretive integrity while adapting to an environment governed by automation, data abundance, and limited transparency.

This special issue of History – Theory – Criticism invites contributions that address these challenges. We seek studies and reflections that examine how artificial intelligence transforms the epistemology, methodology, and ethics of historical work, how historians can critically engage with opaque algorithmic systems, and how humanistic scholarship re-articulates alternative, locally grounded, and sustainable approaches to technological innovation. 

Themes and questions

1. Epistemology, authorship, and interpretation 

a) How does the massive production of synthetic text alter the relationship between information and interpretation? Can historians still claim control over the evidentiary process when relying on systems whose reasoning and corpus remain opaque? 

b) To what extent can AI be said to “understand” the past, and how does its pattern-based synthesis differ from human interpretation? 

c) What frameworks of transparency, citation, and disclosure are needed to ensure accountability in AI-assisted research and writing? 

d) How might the concept of authorship evolve when historical texts are increasingly co-produced by human and machine intelligence? 

2. Methodology, infrastructure, and the Black box 

a) General-purpose models reproduce values, hierarchies, and linguistic biases embedded in their training data, often without the user’s awareness. This deepens the “black box” problem and undermines one of the foundations of historical scholarship—the capacity to identify and critique bias in sources. 

b) How can historians engage critically with these systems without surrendering epistemic agency? 

c) What role might smaller, domain-specific, and ethically curated models play in building more transparent and interpretable infrastructures for historical research? 

d) How can collaboration between historians, computer scientists, and archivists foster local, open, and sustainable alternatives to corporate AI ecosystems? 

3. Cognitive, political, and environmental boundaries 

a) The automation of interpretation introduces a cognitive threshold: the scale of machine-generated material now exceeds what human scholars can meaningfully read or evaluate. This raises the question of how knowledge is curated, filtered, and trusted in a post-verificatory environment. 

b) At the same time, the concentration of computational resources in a few global centers reinforces inequalities between academic communities and widens the gap between those who design AI and those who merely consume it.

c) Finally, the environmental and energy costs of large-scale AI infrastructures compel the humanities to consider the ecological ethics of technological progress. What forms of scholarship might align critical inquiry with sustainability and local autonomy? 

4. Education, practice, and the future of humanistic knowledge 

a) How can historical education cultivate critical AI literacy rather than simple tool proficiency? 

b) What pedagogical strategies can help students and researchers maintain interpretive depth and ethical reflection in an environment saturated by generative systems?

c) Should AI be understood as an auxiliary method, a paradigm shift, or a mirror revealing the epistemological foundations of humanistic knowledge itself? 

d) How can universities and professional organizations shape guidelines that safeguard integrity and creativity while embracing innovation? 

Submission guidelines

Submissions and inquiries should be sent to the Editor-in-Chief via email. 

Language: English 

Text length: articles 36–72,000 characters including notes; discussion papers 18–36,000 characters; reviews 9–18,000 characters. All articles should include an abstract (150–200 words) and 4–5 keywords. 

Format: Microsoft Word (*.docx) or Libre Office (*.odt), following the DTK Manual of Style and Ethical Code 

Peer review: Double-blind by two independent reviewers 

Deadline: 30 June 2026 

Publication: Winter 2026, Diamond Open Access 

Guest Editors: Jaromír Mrňka, Jiří Hlaváček

About the journal

Dějiny – teorie – kritika (History – theory – criticism) is a peer-reviewed, Diamond open-access journal, founded in 2004 and published by the Faculty of Humanities at Charles University. Indexed in SCOPUS, ERIH PLUS, EBSCOhost, CEEOL, and DOAJ, the journal provides a platform for theoretically grounded and methodologically innovative approaches to the past. 

Contact Information

Petr Wohlmuth, Ph.D. (Editor-in-Chief): Petr.Wohlmuth@fhs.cuni.cz

Journal website: https://ojs.cuni.cz/dejinyteoriekritika

Contact Email

Petr.Wohlmuth@fhs.cuni.cz

URL

https://ojs.cuni.cz/dejinyteoriekritika