CFP: Student Posters, Society of Southwest Archivists Annual Meeting

The Society of Southwest Archivists invites graduate and undergraduate students to submit an abstract for a Student Poster Presentation at the 2026 Annual Meeting from April 29 to May 2, 2026 in Waco, Texas.

Theme: Deep in the Heart of Archives

Student Poster Presentations may describe applied or theoretical research that is completed or underway; discuss interesting archival collections students have worked with; or report on archives and records projects in which students have participated (e.g., development of finding aids, public outreach, database construction, etc.).

Submissions should focus on research or activity conducted within the 2024 – 2025 academic year. Posters dimensions should be 32 by 40 inches, situated horizontally.

Abstracts can be submitted via email until Friday, March 6. Submit your abstract to program@southwestarchivists.org with “2026 Student Poster Presentation” as your subject line.

Include the following in your one-page abstract:

Title
Author(s) & CVs
Purpose of Project/Research
Description of Project/Research
Conclusions/Findings of Project/Research

Selected participants will be notified by Friday, March 20. They will have the opportunity to attend the in-person student poster presentation in Waco on Friday, May 1 from 3:00 to 4:00 p.m. and submit a recorded presentation of their poster to be included in the Zoom Events platform.

We can’t wait to see you in Waco as we explore what’s deep in the heart of archives!

Archivaria 100: Special Issue – Legacies of Critical Theory in Archives

Archivaria (Fall/Winter 2025)
(subscription)

From the Guest Editors

Editors’ Introduction
Mario H. Ramirez, Rebecka Taves Sheffield

Glancing Backwards

Derrida, the Scene of Archiving, and the Unhappy Consciousness
Brien Brothman

Michel and Mathurin
Finding Foucault in the Archives
Steven Maynard

Red Jenkinson
Tracing Indigenous Influences on Canadian Archival Theory
Raymond O. Frogner

Facing the Horizon

Fevered Inheritances
Ethics of Care and Donor Power in Starchives
Anastasia Armendariz, Kate Orazem

“Should We Just Burn It All Down?”
Slowness and Institutional Barriers to a Critical Future in Archives
Josh Wilson

Looking Within

The Archival Turn as Practice
Ann Cvetkovich

Love in the Archives
Towards a Theory and Praxis of Archival Care
Jennifer Douglas

Shifting Directions

Provenanced Aesthetics
The Beauty of Decay in Dawson City: Frozen Time
Patrick Keilty

“A Self You Have Not Yet Learned How to Love”
Building Asian/Queer//Queer/Asian Possibilities Through Archival Speculation
Yingying Han, Travis L. Wagner

Book Reviews

Andi Gustavson and Charlotte Nunes, eds., Transforming the Authority of the Archive: Undergraduate Pedagogy and Critical Digital Archives
Claire Malek

Tanya E. Clement, Dissonant Records: Close Listening to Literary Archives
Heather Dean

Gracen Brilmyer and Lydia Tang, eds., Preserving Disability: Disability and the Archival Profession
Elizabeth A. Pineo

Exhibition Reviews

Musée des beaux-arts de Montréal and Art Gallery of Ontario, Joyce Wieland: À cœur battant; Joyce Wieland: Heart On
Dylan Adamson

Musée d’art contemporain de Montréal, Alanis Obomsawin: The Children Have to Hear Another Story
Kate Nugent

CFP: Studies in Oral History (Australia)

Contributions for the peer review and reports sections of the 2026 issue of our journal Studies in Oral History are now being accepted. The deadline for submission of peer review articles is 31 March 2026 and for reports it is 29 May 2026.

This is the first issue to be produced by our new editors Mia Martin Hobbs and Geraldine Fela. It’s theme is ‘Bearing Witness, Making Histories’.

For further information including word limits and how to submit your article, go to the Call for Papers, Issue 48, 2026.

Contributors are advised to review the following before submission:

About the theme

We are living through a time of relentless violence, towards human beings, our social world, and to our environment. What then does it mean, as historians, to bear witness and make history? 
As oral historians, we are used to the role of witness. The creation of an oral history archive is a kind of witness bearing. In the interview we watch and listen in real time as life stories unfold, with all their attendant pain, joy, complications and moments of discomposure. To bear witness in this setting often means something profoundly intimate, but bearing witness can also speak to a broader political and responsibility: to bear witness can mean to speak or record a truth, or to gather collectively to remember, commemorate or protest.

The post Call for Papers – Journal 2026 appeared first on Oral History Australia.

CFP: Special Issues on GenAI Tools within Libraries, Archives and Museums – Information Technology and Libraries #ITAL

Guest editors Ellen Schmid and Katy Miller invite you to submit a proposal for an article in an upcoming special issue of Information Technology and Libraries that will explore the integration of Generative AI tools within library, archive, and museum research environments. This special issue will be published in September 2026. We welcome contributions that provide practical insights, case studies, or user research on the development, deployment, and impact of AI-enhanced research tools. Topics of interest include user-focused interfaces, implementation processes, UX assessments, and the influence of GenAI on workflows, data analysis, and research practices. Articles should present first-hand experience with designing, testing, or evaluating AI helpers, and may cover commercial or open-source solutions. 

Submissions of up to 5,000 words will be accepted for a publication target of September 2026. 

Article proposals are due February 1, 2026 and include a 500-word abstract and a brief statement about the author’s experience in the field. Authors will be notified of acceptance in late February, with a submission of the first draft of the article (no more than 5,000 words) due May 1, 2026. Articles will go through the same rigorous peer review, copyediting, and proofreading process as any other ITAL article.

This issue will be guest edited by Ellen Schmid and Katy Miller in collaboration with ITAL’s Editor (Ken Varnum) and Assistant Editor (Joanna DiPasquale). 

Submit your proposal: https://forms.gle/aSjdjpvoR2QG4By87

Email questions to: 

New/Recent Publications

Articles

Williams, Andrew (2025) “Enrolled Deeds as Records and Archives in Jamaica,” Journal of Contemporary Archival Studies: Vol. 12, Article 17.
Available at: https://elischolar.library.yale.edu/jcas/vol12/iss1/17

Larson, Julia D. (2025) “Faxes, Emails, and CAD: A Case Study of the Changing Landscape in Born-digital Design Records, 1994-2006,” Journal of Western Archives: Vol. 16: Iss. 1, Article 6. DOI: 10.59620/2154-7149.1195. Available at: https://digitalcommons.usu.edu/westernarchives/vol16/iss1/6

Robert Olbrycht, Alfonso Bahillo Martínez, Ernesto Marcheggiani, Müge Akkar Ercan, Pinar Karagöz, Karol Kropidłowski, Giuseppe Pace, “Methods for real-time underground built heritage visualization enhancement,” Journal of Cultural Heritage, Volume 75, 2025, Pages 1-10. https://doi.org/10.1016/j.culher.2025.07.006.

Qingxia Meng, Chenshu Liu, Chongwen Liu, Qian Jiao, Shuangshuang Li, Haolin Fan, Songbin Ben, “A novel nanocomposite hydrogel system for synergistic paper deacidification and reinforcement,” Journal of Cultural Heritage, Volume 75, 2025, Pages 31-40. https://doi.org/10.1016/j.culher.2025.07.015.

Stanisław Piotr Skulimowski, Jerzy Montusiewicz, “A novel approach for assemblage of historical artefacts using the Levenshtein distance and feedback loop,” Journal of Cultural Heritage, Volume 75, 2025, Pages 158-167. https://doi.org/10.1016/j.culher.2025.07.007.

Books

The Afterlife of Data: What Happens to Your Information When You Die and Why You Should Care
Carl Öhman
University of Chicago Press, 2024

We the Dead: Preserving Data at the End of the World
Brian Michael Murphy
University of North Carolina Press, 2026

Digitization of Built Heritage: Approaches and Methods for Data Acquisition, Analysis, and Intervention
Cristina Cantagallo, Valentino Sangiorgio, Humberto Varum, Francesco Fiorito, Fabio Fatiguso
SpringerCham, 2025

The Indigenous Right of Reply to Archives: Working towards Indigenous Sovereignty, Healing, and Justice in Archival Practice
Edited By The Indigenous Archives Collective
Routledge, 2026

The Digital Medieval Manuscript: Material Approaches to Digital Codicology
Suzette van Haaren
Brill, 2025

Curating Transcultural Spaces: Perspectives on Postcolonial Conflicts in Museum Culture
Sarah Hegenbart
Bloomsbury, 2025

Women Proprietors of Copyright in England, 1675–1775
Leah Orr
Brill, 2025

Curating the Colonial Past: The ‘Migrated Archives’ and the Struggle for Kenya’s History
Riley Linebaugh
Cambridge University Press, 2025

Re-activating Indigenous Knowledge from Oral History: Landscape and Intangible Cultural Heritage in Greenland
Asta Mønsted
Routledge, 2026

Digital Content in Museums: Delivering Discoverable, Usable and Strategic Content in Museums, Galleries and Heritage Institutions
Georgina Brooke
Facet Publishing, 2025

Fundamentals of Metadata Management
Ole Olesen-Bagneux
O’Reilly, 2025

The Organization of Information
Daniel N. Joudrey
Bloomsbury, 2025

Podcasts

Future Knowledge: Preserving Government Information
August 2025

Electronic Freedom Foundation: Building and Preserving the Library of Everything
September 2025

Dissertation

Expanding the margins in the history of sexuality & galleries, libraries, archives, museums & special collections (GLAMS)
Watson, B. M., University of British Columbia, 2025

Novel

Archives of the Unexplained: Area 51 (Volume 1)
Archives of the Unexplained: Unwanted Guests (Volume 2)
Steve Foxe; illustrated by Fran Bueno
Macmillan, 2025

Children’s Book

Le Loup des Archives [The Wolf of the Archives]
Mathilde Morin

New Issue: Arbido

2025 Issue 2

Arbido is the Swiss professional journal for archives, libraries, and documentation. Arbido addresses the topics of preserving and transmitting socially relevant knowledge and information.

The current issue focuses on the topic of family archives. The subject is examined from various perspectives, including those of families themselves, archivists, genealogists, and archives. Various aspects such as cataloging, access, and preservation are discussed.

Table of contents

Bernasconi Laura, editor arbido
Editorial

Ackermann Nadja, Editor at arbido
Ein wichtiger Identitätstifter – Familienarchive aus der Perspektive der Familien
An important source of identity – family archives from the perspective of families

Bessourour Youssef, Archiviste aux Archives de l’Etat de Neuchâtel
Les Caisses de famille aux Archives de l’Etat de Neuchâtel : un outil de conservation des archives familiales
Les Caisses de famille aux Archives de l’Etat de Neuchâtel: an tool for conservation of the archives familiales

Ackermann Nadja, Editor at arbido
Familienarchive aus der Perspektive einer Archivarin
Family archives from the archivist’s perspective

Le Sommer Venice, archivist
Réseaux sociaux : les fonds familiaux d’aujourd’hui et demain ?
Réseaux socials: les fonds familiaux d’aujourd’hui et demain?

Lütteken Anett, Head of Manuscript Department, Zurich Central Library
Ein «Beweis schönen Gemeinsinnes»: Familienarchive in der Zentralbibliothek Zürich
A “proof of fine community spirit”: family archives in the Zurich Central Library

Bos François, Co-president and archivist of the association
Les archives de famille au sein des Archives de la Vie privée. Quelle histoire ?!
Les archives de famille au sein des Archives de la Vie privée. Source histoire?!

Münger Kurt, President of the Swiss Society for Family Research (SGFF/SSEG)
Familienarchive aus genealogischer Sicht
Family archives from a genealogical perspective

Kern Gilliane, archivist
Pertinence et impertinence des archives familiales – Partie II
Pertinence and impertinence of the family archives – Part II

Anelli Stefano, Collaboratore scientifico e archivista presso theArchivio di Stato del Cantone Ticino
Gestione dei fondi di famiglia all’Archivio di Stato del Cantone Ticino

Lepourtois Bérangère, Conservatrice du domaine de La Doges
Cornut Simren, Historical archivist
Les Archives de La Doges : le papier qui enveloppe la pierre
Les Archives de La Doges: the paper that enveloppe the pierre

CfA: History – Theory – Criticism Journal 2/2026: The AI Turn in Contemporary Historiography: Challenges, Applications, Reflections

Call for Articles

Special Issue 2/2026

The AI Turn in Contemporary Historiography: Challenges, Applications, Reflections

Deadline for submissions: 30 June 2026

Scope and Aims

Artificial intelligence has entered the field of historiography not as a neutral instrument but as a phenomenon that unsettles its very foundations. The capacity of large language models to generate and reorganize knowledge on a scale that surpasses human comprehension compels historians to reconsider the principles that have long defined their craft: authorship, interpretation, verification, and the human mediation of evidence. The accelerating automation of textual production introduces a cognitive threshold that challenges the historian’s ability to control, evaluate, and verify the narratives emerging from algorithmic systems. 

This transformation reveals both the potential and the vulnerability of historical knowledge. Artificial intelligence enables new ways of analyzing extensive textual corpora, translating and connecting sources, and recognizing patterns across linguistic and temporal boundaries. At the same time, it alters the conditions under which meaning is produced and received, eroding the distinction between human interpretation and computational synthesis. The opacity of large models, concealed in their training data and hierarchies of value, complicates one of the historian’s central tasks: the capacity to identify, understand, and critique bias within sources. 

The AI turn in historiography, therefore, marks more than a technical or methodological innovation. It signifies a shift in the scale and ecology of knowledge, shaped by the asymmetries of global computational power and by growing dependence on corporate infrastructures. This situation calls for reflection on how historical inquiry can preserve its ethical and interpretive integrity while adapting to an environment governed by automation, data abundance, and limited transparency.

This special issue of History – Theory – Criticism invites contributions that address these challenges. We seek studies and reflections that examine how artificial intelligence transforms the epistemology, methodology, and ethics of historical work, how historians can critically engage with opaque algorithmic systems, and how humanistic scholarship re-articulates alternative, locally grounded, and sustainable approaches to technological innovation. 

Themes and questions

1. Epistemology, authorship, and interpretation 

a) How does the massive production of synthetic text alter the relationship between information and interpretation? Can historians still claim control over the evidentiary process when relying on systems whose reasoning and corpus remain opaque? 

b) To what extent can AI be said to “understand” the past, and how does its pattern-based synthesis differ from human interpretation? 

c) What frameworks of transparency, citation, and disclosure are needed to ensure accountability in AI-assisted research and writing? 

d) How might the concept of authorship evolve when historical texts are increasingly co-produced by human and machine intelligence? 

2. Methodology, infrastructure, and the Black box 

a) General-purpose models reproduce values, hierarchies, and linguistic biases embedded in their training data, often without the user’s awareness. This deepens the “black box” problem and undermines one of the foundations of historical scholarship—the capacity to identify and critique bias in sources. 

b) How can historians engage critically with these systems without surrendering epistemic agency? 

c) What role might smaller, domain-specific, and ethically curated models play in building more transparent and interpretable infrastructures for historical research? 

d) How can collaboration between historians, computer scientists, and archivists foster local, open, and sustainable alternatives to corporate AI ecosystems? 

3. Cognitive, political, and environmental boundaries 

a) The automation of interpretation introduces a cognitive threshold: the scale of machine-generated material now exceeds what human scholars can meaningfully read or evaluate. This raises the question of how knowledge is curated, filtered, and trusted in a post-verificatory environment. 

b) At the same time, the concentration of computational resources in a few global centers reinforces inequalities between academic communities and widens the gap between those who design AI and those who merely consume it.

c) Finally, the environmental and energy costs of large-scale AI infrastructures compel the humanities to consider the ecological ethics of technological progress. What forms of scholarship might align critical inquiry with sustainability and local autonomy? 

4. Education, practice, and the future of humanistic knowledge 

a) How can historical education cultivate critical AI literacy rather than simple tool proficiency? 

b) What pedagogical strategies can help students and researchers maintain interpretive depth and ethical reflection in an environment saturated by generative systems?

c) Should AI be understood as an auxiliary method, a paradigm shift, or a mirror revealing the epistemological foundations of humanistic knowledge itself? 

d) How can universities and professional organizations shape guidelines that safeguard integrity and creativity while embracing innovation? 

Submission guidelines

Submissions and inquiries should be sent to the Editor-in-Chief via email. 

Language: English 

Text length: articles 36–72,000 characters including notes; discussion papers 18–36,000 characters; reviews 9–18,000 characters. All articles should include an abstract (150–200 words) and 4–5 keywords. 

Format: Microsoft Word (*.docx) or Libre Office (*.odt), following the DTK Manual of Style and Ethical Code 

Peer review: Double-blind by two independent reviewers 

Deadline: 30 June 2026 

Publication: Winter 2026, Diamond Open Access 

Guest Editors: Jaromír Mrňka, Jiří Hlaváček

About the journal

Dějiny – teorie – kritika (History – theory – criticism) is a peer-reviewed, Diamond open-access journal, founded in 2004 and published by the Faculty of Humanities at Charles University. Indexed in SCOPUS, ERIH PLUS, EBSCOhost, CEEOL, and DOAJ, the journal provides a platform for theoretically grounded and methodologically innovative approaches to the past. 

Contact Information

Petr Wohlmuth, Ph.D. (Editor-in-Chief): Petr.Wohlmuth@fhs.cuni.cz

Journal website: https://ojs.cuni.cz/dejinyteoriekritika

Contact Email

Petr.Wohlmuth@fhs.cuni.cz

URL

https://ojs.cuni.cz/dejinyteoriekritika

CFP: ELUNA 2026 Practical Applications and General Product/Tool Demonstrations Track (April 29 – May 1, 2026 – Los Angeles, California) – Ex Libris

ELUNA Call for Proposals–Practical Applications and General Product/Tool Demonstrations Track

The ELUNA 2026 Annual Meeting Program Planning Committee is excited to open the Call for Proposals for sessions in Practical Applications and General Product/Tool Demonstrations! We invite you to submit your 45-minute breakout session ideas for the 2026 Annual Meeting by January 15, 2026.

Our conference theme is “Libraries Always Changing.” Libraries and archives are some of the best organizations to address this. All of you adapt to continue to create and improve connections by integrating various technologies allowing your patrons to access and interact with information and other resources in new formats via different tools. You pioneer new programs to fulfill community needs as your visions help you champion your patrons. We look forward to seeing your unique spin on this topic.

The Practical applications & general product/tool demonstrations track encourages proposals for all topics, and here are just a few to think about!

  • Workflows and projects in and across acquisitions, cataloging/metadata management, circulation, resource sharing, etc.
  • Cross-departmental collaborative projects
  • “Cool tools” that integrate with, or help with, Alma workflows
  • Metadata management
  • Data cleanup
  • Managing or using COUNTER statistics 
  • Cross-training/ changing jobs and applying skills from one module to another
  • Documenting institutional knowledge, recording workflows, preparing for retirements and other changes 
  • Changes in the ILL landscape

Submit your session proposal(s) by the January 15, 2026 deadline!  Once again, we are using the Dryfta platform to collect your proposal submissions.

  • Visit our Ex Libris Knowledge Days and ELUNA Conference 2026 event page
  • Log in with your credentials used last year (or create a new account if you didn’t create an account previously by choosing Attendee Registration – Create Account)
  • Click your name menu > My Submissions
  • Click “New Submissions” on the My Submissions page
  • On the Submission form, click once on the Event Name in the Submission Type field to show the Annual Meeting proposal fields – even if Annual Meeting is already displaying
  • Enter your proposal information (you can save and complete the presentation proposal later if needed)

Want to review the proposal form fields for the Annual Meeting without logging into Dryfta? Or would you like some guidance filling them in? Visit the ELUNA Proposal Tips page for more information.

You’ll see more reminder messages from us throughout the 2026 Annual Meeting lifecycle. And even if you are not interested in presenting at the Annual Meeting this year, we hope you plan to join us for one or more ELUNA 2026 Conference events at the Westin Bonaventure in Los Angeles, California.

  • ELUNA Developers Day+: April 27 – 28, 2026
  • ELUNA Analytics Afternoon: April 28, 2026
  • ELUNA Annual Meeting:  April 29 – May 1, 2026

Looking for hands-on training for Ex Libris products? Ex Libris will offer Knowledge Days as a pre-conference event on April 27 – 28, 2026.

If you have any questions about the ELUNA 2026 Annual Meeting or the other ELUNA 2026 Conference events, send them to ELUNA’s LibAnswers Queue for the ELUNA 2026 Planning Team to answer.

We are happy to answer questions about the Practical Applications & General Product/Tool Demonstrations sessions (our emails hyperlinked below).  Hope to see you in Los Angeles! 

Rebecca Hyams, Meghan Lenahan, and Keelan Weber

Co-chairs, Practical Applications & General Product/Tool Demonstrations Track

2026 Oral History Association Annual Meeting: Call for Proposals

2026 Oral History Association Annual Meeting: Call for Proposals

October 14-17, 2026 | Portland, OR

Landscapes of Memory

Our memories are shaped by the landscapes we inhabit—both real and imagined. These landscapes are shifting in the face of environmental change, political instability, and an ongoing sense of crisis. Ancient connections with the natural world are being severed, and people are displaced not only from this innate connection to the earth but also from familiar ways of living and relating to one another. As oral historians, we witness narrators’ struggles to imagine new identities within this changing ecology.

For the 2026 Oral History Association Annual Meeting in Portland, Oregon, we invite contributions from around the world —from those working in academia, advocacy, education, and community-based practice—that speak to how people shape and are shaped by the landscapes they inhabit, traverse, defend, or are forced to leave behind. We welcome proposals that explore relationships to land, memory, and movement across shifting environmental, political, and cultural boundaries.

The Pacific Northwest offers a vivid backdrop for these conversations. Portland is where many Indian tribes collaborate on river and salmon habitat restoration. It is where Governor Tom McCall pioneered environmental laws that became a national model, and where artists, writers, and community organizers have long given voice to place, displacement, and environmental justice. The region’s convergence of urban innovation, protected wilderness, and layered histories invites wide-ranging discussions about how oral histories illuminate ecological crises, stewardship, and resilience.

Possible areas of focus include, but are not limited to:

  • Ecological knowledge, Indigenous storytelling, and traditional/local epistemologies
  • Displacement, migration, activism, and environmental change
  • Borderlands and their stories—whether shaped by international borders, colonial legacies, or climate crises—and the questions they raise about identity, belonging, and resilience
  • Foodways, coastal livelihoods, sacred geographies, and senses of place grounded in memory
  • How digital tools, social media, and emerging technologies shape or amplify environmental narratives and collective memory
  • How oral history bridges local and global contexts in documenting environmental change
  • How people remember and make meaning of the places they have lost—or reclaimed
  • What it means to belong to a place today
  • Interdisciplinary approaches—from Memory Studies, Environmental History, and related fields

We encourage proposals from academics, independent scholars, activists, museum curators, tribal historians, teachers, students, archivists, documentary filmmakers, artists, creative writers, ethnographers, and other practitioners whose work relates to these themes. The Program Committee welcomes broad and creative interpretations of the conference theme and encourages innovative formats, such as workshops, interactive sessions, performances, digital media presentations, and collaborative community reports.

To submit a proposal, please click here.

To view the submission guidelines, please click here.

Contact Email

oha@oralhistory.org

URL: https://oralhistory.org/2026-call-for-proposals/

CFP: “Political Activism and material culture: definitions, practices, periodisations. A dialogue between researchers, archivists and museum curators”, ACTIVATE – MSCA Horizon Europe Project, University of Padua, 4-5 May 2026

This workshop is part of the project “ACTIVATE: The activist, the archivist and the researcher. Novel collaborative strategies of transnational research, archiving and exhibiting social and political dissent in Europe (19th-21st centuries)”. ACTIVATE receives funding from the European Union’s Horizon 2023 research and innovation program under the Marie Skłodowska-Curie grant agreement No 101182859.

The project was launched in January 2025 and explores in a 4-year initiative practices of collecting, archiving, and promoting documents, objects, and data, contributing to a renewed European history of social and political dissent from the early 19th century to the present day.

Further information about the project is available at https://activate-horizon.eu/

“Political Activism and material culture: definitions, practices, periodisations. A dialogue between researchers, archivists and museum curators”
Call for Paper | ACTIVATE WP3 Workshop #1
May 4-5 2026 | University of Padua and online
This workshop aims at bringing together academic, archival, museum partners with specific expertise on the relationship between politics and material culture. In recent decades, historiography has undergone a ‘material turn’ that has led to a less asymmetrical focus on the relationship between human and non-human, in particular objects and artefacts. This has produced new perspectives on the construction of social identities, the experiences of consumption and the trajectories of everyday life. At the same time, less attention has been paid to the “material history of politics” focusing on objects as key elements of political mobilisation. From the late 18th century revolutions to the recent Gen Z protests in Nepal, Philippines or Madagascar, the process of politicisation has been expressed through ‘disobedient’ objects, capable of evoking, striking and provoking in a politically significant way. Physical objects can play all sorts of roles in collective action, as we have seen in many recent movements, where material participation has been particularly widespread and important. The main objective of this workshop is to look at the history of militant culture by focusing on a scarcely developed aspect: the link between political experience and material culture. It aims to do so by promoting close cooperation between researchers and those involved in collecting, cataloguing and exhibiting such documentary material.

Workshop topics:
1) Definition of political/militant objects
How to define political objects from the perspective of historians, archivist and museums? What makes an object political, and specifically militant? What objects has political activism imagined and used in its long history, stretching from the age of revolutions to the present day? This question is particularly interesting in relation to objects that do not appear political at first glance. Are objects like Annemarie Renger’s dancing shoes or Margaret Thatcher’s handbags political objects? Bras and false eyelashes are certainly not political objects, but they became so in the feminist struggles of the 1970s. The issue is closely linked to the uses and practices that these objects generate from time to time and to the different forms of material participation that they entail, even in everyday life. It allows us to reflect on different chronologies and phases of political activism, focusing on four themes: revolutionary movements; feminisms; environmental struggles; international solidarity. A definition of political objects should go beyond time periods and materiality and also address the political dimension of everyday objects.

2) History and methods of collecting militant objects
Since the late 18th century, revolutions and protests, as well as party and grassroots mobilisations, have shown that social and political activism often leads to the preservation of material objects bearing witness to the engagement of individuals, groups, and associations. Archives, like historiography, have so far focused more on written holdings than 3-D objects and are now facing a new challenge. Museums, especially historical ones, are certainly more accustomed to collecting objects, especially those with recognized historical-artistic value. Yet political and militant objects often lack such value. How were collections formed that related to activism? Where, by whom, and for what purposes were they kept? When were they turned into heritage? What country-specific differences exist with regard to the history of collecting militant objects?

3) Cataloguing and preparing metadata
Objects need to be catalogued for making them accessible to research. Therefore, questions about cataloguing and enriching metadata a central: How can a political object be described – WHAT is an object, HOW is it catalogued, and HOW does it fit into archive/library and museums structures? How do museums and archives identify and record political objects in their collections? What parameters are used to define political objects, and how is this reflected in the metadata? Which (national) standards such as ministerial requirements for metadata standards for object cataloging are used at the respective institutions that are applied during cataloging and what perspectives and problems arise due to the different nature of the description: use of data fields and how do they correspond to standards known from the archival sector, are there interfaces?

4) Preserving, reproducing, and enhancing material sources
How should different materials be handled? Paper is generally patient when stored properly, but how should fragile materials such as textiles, which are not made to last forever, be handled? Different materials place different demands on packaging, climatic conditions, and storage. Archives and museums face the challenge of preserving these materials in the long term. Dealing with objects that are irrevocably subject to decay is also a challenge that particularly affects AV materials and forces many institutions to act. Digitization is not a solution to this problem, but a resource that gives objects a second life and new uses, providing novel means of access, consultation, interpretation, and valorization. To date, militant objects have rarely been central to heritage valorization projects: thus, beyond their and museums present their collections and narrate their history.

We encourage researchers, archivists, and museum curators to submit papers addressing these topics either from a theoretical and methodological perspective or by presenting specific case studies or experiences.

Please submit your proposal, with a maximum of 3,000 characters including spaces, along with a brief CV, by 28 January 2026 to this email: activatewp3@gmail.com

Organizing Committee:
Carlotta Sorba (University of Padua)
Anja Kruke (Friedrich Ebert Foundation)
Laura Valentini (Friedrich Ebert Foundation)
Alessio Petrizzo (University of Padua)

Contact Email

activatewp3@gmail.com

URL: https://activate-horizon.eu/