New Issue: VIEW, Journal of European Television History and Culture

Volume 14 – Issue 28 – 2025
With and Against the Grain: Creative Dialogues with Broadcast Archives

Editorial

With and Against the Grain: Creative Dialogues with Broadcast Archives
Bas Agterberg, Lisa Kerrigan, Dana Mustata, Alistair Scott

Enthusiasms

More Than a Game: Television Archives in Two Acts
Nevena Popović

“They Lack Imagination…” ─ Valérie Wilson and Trans Life in the Audiovisual Archive
Christopher Wolff, Jesse Blanchard

‘Angélica la palenquera’: Collective Memory and a Decolonial Reimagining of Archival Futures
Laura Alhach, Rodolfo Palomino Cassiani

Decolonising the BBC Radio Archive: Challenges, Opportunities, Ethics of Care and Access
Sylvie Carlos, Matt Green, Eleni Liarou

ATLas Chronicles. Designing and Valorising an Italian Archive of Past Local TV Channels
Luca Barra, Diego Cavallotti, Emiliano Rossi

Coventry Cathedral: Exploring Reflexivity in a Collage Film
John Wyver

Lockerbie Pan Am 103 – Tracking the Evolving Re-Use of Archive Broadcast News
Alistair Scott

“Preserving Atrocity”: Mental Health and the Broadcast Media Archivist
Michael Marlatt

Expanding the Small Screen: Exhibiting Northern Irish Television Archive
Rose Baker

Academic Research Articles

Caring for Past Media from Below: Bottom-up Practices and Networks Supporting Obsolete Broadcast Technologies
Sergio Minniti, Roberta Spada

Broadcasting from Below: Television Archives, Microhistory, and the Many Voices of 1990s Sicily
Vladimir Rosas-Salazar

From the Culch: Lost in the Archives, Found in the Community
Paul Mulraney

Open Contributions

Pingu and the Emergence of Merchandising within Swiss Public Service Television
Chloé Hofmann

Call for Submissions: Nontheatrical Student Essay Award, Celebrating student work in The Moving Image

In collaboration with AMIA, the SCMS Nontheatrical Film and Media SIG is delighted to announce its third Nontheatrical Student Essay Award.

Designed to recognize outstanding graduate student scholarship founded upon archival nontheatrical research, this award underscores both organizations’ commitment to mentorship and professional development, connecting award-recipients with mentors to guide them through the process of crafting journal-ready manuscripts. The award-winning essay will also be published (subject to revisions) in The Moving Image.

Our second award went to Miao Wang (University of Chicago), for his paper ‘Formatting Chinese Cinema: Small-Gauge Projectors in the Socialist Era.’ Keep your eyes peeled for its publication in The Moving Image!

In 2025, we also introduced an Honorable Mention. It was received by: Gonçalo Albergaria (Utrecht University) for his paper ‘Geoscientific film in the 1957/58 Capelinhos eruption: Raquel Soeiro de Brito and the moving image as epistemic tool.’

Eligibility

Applicants must be enrolled in a recognized graduate program at the time of entry.

Submission Criteria

  • The winning scholarly essay will demonstrate original and critical analysis, clarity of argument and exposition, and engagement with varied source materials related to the study of nontheatrical media (e.g. science film, educational film, home movies, government films, etc.)
  • Students may submit their own paper, or they may be nominated by an advisor or professor with the author’s consent. In either case, the submitter should provide a short author’s CV.
  • Papers shall be submitted in English and may not have been published in part or in whole by the time of submission. The manuscript should be 4000-6000 words in length (double spaced, Times New Roman, 12 pt, with 1-inch margins, using the Chicago Manual of Style, 17th edition), including footnotes/endnotes but excluding bibliography.
  • Before the first-place essay is published in The Moving Image, its author will work with a faculty mentor and The Moving Image editors to revise the essay for publication, in keeping with the developmental editing procedures of the journal.
  • Submissions will be evaluated by the governing body of the Nontheatrical Film and Media SIG and editors from The Moving Image.

Submissions will be due February 15, 2026 and can be sent to nontheatricalessayaward@gmail.com. The author of the winning paper will be contacted in early March 2026, and announced at the 2026 SCMS Annual Conference.

Point of contact for questions about the award and the submission process: Sophia Gräfe, Co-Chair of the SCMS Nontheatrical Film and Media SIG: sophia.graefe@hu-berlin.de.

Download the Call for Submissions here.

The Moving Image is the journal of the Association of Moving Image Archivists (AMIA). It explores topics relevant to both the media archivist and the media scholar. The Moving Image deals with crucial issues surrounding the preservation, archiving, and restoration of film, video, and digital moving images. It features detailed profiles of moving image collections; interpretive and historical essays about archival materials; articles on archival description, appraisal, and access; behind-the-scenes looks at the techniques used to preserve, restore, and digitize moving images; and theoretical articles on the future of the field. More here.

The Nontheatrical Film & Media Scholarly Interest Group (SIG) of the Society of Cinema and Media Studies (SCMS) provides a setting for scholars working in this area to collaborate, share research tips, and debate methodological issues. Moreover, this SIG acts as another connection between the academic and archival worlds, and between other SIGs and committees within SCMS, such as the Media Archives Committee. The mission of the Nontheatrical Film & Media Scholarly Interest Group is to facilitate discussion, consolidation, outreach, and inclusion. More here.

Archivaria 100: Special Issue – Legacies of Critical Theory in Archives

Archivaria (Fall/Winter 2025)
(subscription)

From the Guest Editors

Editors’ Introduction
Mario H. Ramirez, Rebecka Taves Sheffield

Glancing Backwards

Derrida, the Scene of Archiving, and the Unhappy Consciousness
Brien Brothman

Michel and Mathurin
Finding Foucault in the Archives
Steven Maynard

Red Jenkinson
Tracing Indigenous Influences on Canadian Archival Theory
Raymond O. Frogner

Facing the Horizon

Fevered Inheritances
Ethics of Care and Donor Power in Starchives
Anastasia Armendariz, Kate Orazem

“Should We Just Burn It All Down?”
Slowness and Institutional Barriers to a Critical Future in Archives
Josh Wilson

Looking Within

The Archival Turn as Practice
Ann Cvetkovich

Love in the Archives
Towards a Theory and Praxis of Archival Care
Jennifer Douglas

Shifting Directions

Provenanced Aesthetics
The Beauty of Decay in Dawson City: Frozen Time
Patrick Keilty

“A Self You Have Not Yet Learned How to Love”
Building Asian/Queer//Queer/Asian Possibilities Through Archival Speculation
Yingying Han, Travis L. Wagner

Book Reviews

Andi Gustavson and Charlotte Nunes, eds., Transforming the Authority of the Archive: Undergraduate Pedagogy and Critical Digital Archives
Claire Malek

Tanya E. Clement, Dissonant Records: Close Listening to Literary Archives
Heather Dean

Gracen Brilmyer and Lydia Tang, eds., Preserving Disability: Disability and the Archival Profession
Elizabeth A. Pineo

Exhibition Reviews

Musée des beaux-arts de Montréal and Art Gallery of Ontario, Joyce Wieland: À cœur battant; Joyce Wieland: Heart On
Dylan Adamson

Musée d’art contemporain de Montréal, Alanis Obomsawin: The Children Have to Hear Another Story
Kate Nugent

CFP: Studies in Oral History (Australia)

Contributions for the peer review and reports sections of the 2026 issue of our journal Studies in Oral History are now being accepted. The deadline for submission of peer review articles is 31 March 2026 and for reports it is 29 May 2026.

This is the first issue to be produced by our new editors Mia Martin Hobbs and Geraldine Fela. It’s theme is ‘Bearing Witness, Making Histories’.

For further information including word limits and how to submit your article, go to the Call for Papers, Issue 48, 2026.

Contributors are advised to review the following before submission:

About the theme

We are living through a time of relentless violence, towards human beings, our social world, and to our environment. What then does it mean, as historians, to bear witness and make history? 
As oral historians, we are used to the role of witness. The creation of an oral history archive is a kind of witness bearing. In the interview we watch and listen in real time as life stories unfold, with all their attendant pain, joy, complications and moments of discomposure. To bear witness in this setting often means something profoundly intimate, but bearing witness can also speak to a broader political and responsibility: to bear witness can mean to speak or record a truth, or to gather collectively to remember, commemorate or protest.

The post Call for Papers – Journal 2026 appeared first on Oral History Australia.

CFP: Special Issues on GenAI Tools within Libraries, Archives and Museums – Information Technology and Libraries #ITAL

Guest editors Ellen Schmid and Katy Miller invite you to submit a proposal for an article in an upcoming special issue of Information Technology and Libraries that will explore the integration of Generative AI tools within library, archive, and museum research environments. This special issue will be published in September 2026. We welcome contributions that provide practical insights, case studies, or user research on the development, deployment, and impact of AI-enhanced research tools. Topics of interest include user-focused interfaces, implementation processes, UX assessments, and the influence of GenAI on workflows, data analysis, and research practices. Articles should present first-hand experience with designing, testing, or evaluating AI helpers, and may cover commercial or open-source solutions. 

Submissions of up to 5,000 words will be accepted for a publication target of September 2026. 

Article proposals are due February 1, 2026 and include a 500-word abstract and a brief statement about the author’s experience in the field. Authors will be notified of acceptance in late February, with a submission of the first draft of the article (no more than 5,000 words) due May 1, 2026. Articles will go through the same rigorous peer review, copyediting, and proofreading process as any other ITAL article.

This issue will be guest edited by Ellen Schmid and Katy Miller in collaboration with ITAL’s Editor (Ken Varnum) and Assistant Editor (Joanna DiPasquale). 

Submit your proposal: https://forms.gle/aSjdjpvoR2QG4By87

Email questions to: 

New/Recent Publications

Articles

Williams, Andrew (2025) “Enrolled Deeds as Records and Archives in Jamaica,” Journal of Contemporary Archival Studies: Vol. 12, Article 17.
Available at: https://elischolar.library.yale.edu/jcas/vol12/iss1/17

Larson, Julia D. (2025) “Faxes, Emails, and CAD: A Case Study of the Changing Landscape in Born-digital Design Records, 1994-2006,” Journal of Western Archives: Vol. 16: Iss. 1, Article 6. DOI: 10.59620/2154-7149.1195. Available at: https://digitalcommons.usu.edu/westernarchives/vol16/iss1/6

Robert Olbrycht, Alfonso Bahillo Martínez, Ernesto Marcheggiani, Müge Akkar Ercan, Pinar Karagöz, Karol Kropidłowski, Giuseppe Pace, “Methods for real-time underground built heritage visualization enhancement,” Journal of Cultural Heritage, Volume 75, 2025, Pages 1-10. https://doi.org/10.1016/j.culher.2025.07.006.

Qingxia Meng, Chenshu Liu, Chongwen Liu, Qian Jiao, Shuangshuang Li, Haolin Fan, Songbin Ben, “A novel nanocomposite hydrogel system for synergistic paper deacidification and reinforcement,” Journal of Cultural Heritage, Volume 75, 2025, Pages 31-40. https://doi.org/10.1016/j.culher.2025.07.015.

Stanisław Piotr Skulimowski, Jerzy Montusiewicz, “A novel approach for assemblage of historical artefacts using the Levenshtein distance and feedback loop,” Journal of Cultural Heritage, Volume 75, 2025, Pages 158-167. https://doi.org/10.1016/j.culher.2025.07.007.

Books

The Afterlife of Data: What Happens to Your Information When You Die and Why You Should Care
Carl Öhman
University of Chicago Press, 2024

We the Dead: Preserving Data at the End of the World
Brian Michael Murphy
University of North Carolina Press, 2026

Digitization of Built Heritage: Approaches and Methods for Data Acquisition, Analysis, and Intervention
Cristina Cantagallo, Valentino Sangiorgio, Humberto Varum, Francesco Fiorito, Fabio Fatiguso
SpringerCham, 2025

The Indigenous Right of Reply to Archives: Working towards Indigenous Sovereignty, Healing, and Justice in Archival Practice
Edited By The Indigenous Archives Collective
Routledge, 2026

The Digital Medieval Manuscript: Material Approaches to Digital Codicology
Suzette van Haaren
Brill, 2025

Curating Transcultural Spaces: Perspectives on Postcolonial Conflicts in Museum Culture
Sarah Hegenbart
Bloomsbury, 2025

Women Proprietors of Copyright in England, 1675–1775
Leah Orr
Brill, 2025

Curating the Colonial Past: The ‘Migrated Archives’ and the Struggle for Kenya’s History
Riley Linebaugh
Cambridge University Press, 2025

Re-activating Indigenous Knowledge from Oral History: Landscape and Intangible Cultural Heritage in Greenland
Asta Mønsted
Routledge, 2026

Digital Content in Museums: Delivering Discoverable, Usable and Strategic Content in Museums, Galleries and Heritage Institutions
Georgina Brooke
Facet Publishing, 2025

Fundamentals of Metadata Management
Ole Olesen-Bagneux
O’Reilly, 2025

The Organization of Information
Daniel N. Joudrey
Bloomsbury, 2025

Podcasts

Future Knowledge: Preserving Government Information
August 2025

Electronic Freedom Foundation: Building and Preserving the Library of Everything
September 2025

Dissertation

Expanding the margins in the history of sexuality & galleries, libraries, archives, museums & special collections (GLAMS)
Watson, B. M., University of British Columbia, 2025

Novel

Archives of the Unexplained: Area 51 (Volume 1)
Archives of the Unexplained: Unwanted Guests (Volume 2)
Steve Foxe; illustrated by Fran Bueno
Macmillan, 2025

Children’s Book

Le Loup des Archives [The Wolf of the Archives]
Mathilde Morin

New Issue: Arbido

2025 Issue 2

Arbido is the Swiss professional journal for archives, libraries, and documentation. Arbido addresses the topics of preserving and transmitting socially relevant knowledge and information.

The current issue focuses on the topic of family archives. The subject is examined from various perspectives, including those of families themselves, archivists, genealogists, and archives. Various aspects such as cataloging, access, and preservation are discussed.

Table of contents

Bernasconi Laura, editor arbido
Editorial

Ackermann Nadja, Editor at arbido
Ein wichtiger Identitätstifter – Familienarchive aus der Perspektive der Familien
An important source of identity – family archives from the perspective of families

Bessourour Youssef, Archiviste aux Archives de l’Etat de Neuchâtel
Les Caisses de famille aux Archives de l’Etat de Neuchâtel : un outil de conservation des archives familiales
Les Caisses de famille aux Archives de l’Etat de Neuchâtel: an tool for conservation of the archives familiales

Ackermann Nadja, Editor at arbido
Familienarchive aus der Perspektive einer Archivarin
Family archives from the archivist’s perspective

Le Sommer Venice, archivist
Réseaux sociaux : les fonds familiaux d’aujourd’hui et demain ?
Réseaux socials: les fonds familiaux d’aujourd’hui et demain?

Lütteken Anett, Head of Manuscript Department, Zurich Central Library
Ein «Beweis schönen Gemeinsinnes»: Familienarchive in der Zentralbibliothek Zürich
A “proof of fine community spirit”: family archives in the Zurich Central Library

Bos François, Co-president and archivist of the association
Les archives de famille au sein des Archives de la Vie privée. Quelle histoire ?!
Les archives de famille au sein des Archives de la Vie privée. Source histoire?!

Münger Kurt, President of the Swiss Society for Family Research (SGFF/SSEG)
Familienarchive aus genealogischer Sicht
Family archives from a genealogical perspective

Kern Gilliane, archivist
Pertinence et impertinence des archives familiales – Partie II
Pertinence and impertinence of the family archives – Part II

Anelli Stefano, Collaboratore scientifico e archivista presso theArchivio di Stato del Cantone Ticino
Gestione dei fondi di famiglia all’Archivio di Stato del Cantone Ticino

Lepourtois Bérangère, Conservatrice du domaine de La Doges
Cornut Simren, Historical archivist
Les Archives de La Doges : le papier qui enveloppe la pierre
Les Archives de La Doges: the paper that enveloppe the pierre

CfA: History – Theory – Criticism Journal 2/2026: The AI Turn in Contemporary Historiography: Challenges, Applications, Reflections

Call for Articles

Special Issue 2/2026

The AI Turn in Contemporary Historiography: Challenges, Applications, Reflections

Deadline for submissions: 30 June 2026

Scope and Aims

Artificial intelligence has entered the field of historiography not as a neutral instrument but as a phenomenon that unsettles its very foundations. The capacity of large language models to generate and reorganize knowledge on a scale that surpasses human comprehension compels historians to reconsider the principles that have long defined their craft: authorship, interpretation, verification, and the human mediation of evidence. The accelerating automation of textual production introduces a cognitive threshold that challenges the historian’s ability to control, evaluate, and verify the narratives emerging from algorithmic systems. 

This transformation reveals both the potential and the vulnerability of historical knowledge. Artificial intelligence enables new ways of analyzing extensive textual corpora, translating and connecting sources, and recognizing patterns across linguistic and temporal boundaries. At the same time, it alters the conditions under which meaning is produced and received, eroding the distinction between human interpretation and computational synthesis. The opacity of large models, concealed in their training data and hierarchies of value, complicates one of the historian’s central tasks: the capacity to identify, understand, and critique bias within sources. 

The AI turn in historiography, therefore, marks more than a technical or methodological innovation. It signifies a shift in the scale and ecology of knowledge, shaped by the asymmetries of global computational power and by growing dependence on corporate infrastructures. This situation calls for reflection on how historical inquiry can preserve its ethical and interpretive integrity while adapting to an environment governed by automation, data abundance, and limited transparency.

This special issue of History – Theory – Criticism invites contributions that address these challenges. We seek studies and reflections that examine how artificial intelligence transforms the epistemology, methodology, and ethics of historical work, how historians can critically engage with opaque algorithmic systems, and how humanistic scholarship re-articulates alternative, locally grounded, and sustainable approaches to technological innovation. 

Themes and questions

1. Epistemology, authorship, and interpretation 

a) How does the massive production of synthetic text alter the relationship between information and interpretation? Can historians still claim control over the evidentiary process when relying on systems whose reasoning and corpus remain opaque? 

b) To what extent can AI be said to “understand” the past, and how does its pattern-based synthesis differ from human interpretation? 

c) What frameworks of transparency, citation, and disclosure are needed to ensure accountability in AI-assisted research and writing? 

d) How might the concept of authorship evolve when historical texts are increasingly co-produced by human and machine intelligence? 

2. Methodology, infrastructure, and the Black box 

a) General-purpose models reproduce values, hierarchies, and linguistic biases embedded in their training data, often without the user’s awareness. This deepens the “black box” problem and undermines one of the foundations of historical scholarship—the capacity to identify and critique bias in sources. 

b) How can historians engage critically with these systems without surrendering epistemic agency? 

c) What role might smaller, domain-specific, and ethically curated models play in building more transparent and interpretable infrastructures for historical research? 

d) How can collaboration between historians, computer scientists, and archivists foster local, open, and sustainable alternatives to corporate AI ecosystems? 

3. Cognitive, political, and environmental boundaries 

a) The automation of interpretation introduces a cognitive threshold: the scale of machine-generated material now exceeds what human scholars can meaningfully read or evaluate. This raises the question of how knowledge is curated, filtered, and trusted in a post-verificatory environment. 

b) At the same time, the concentration of computational resources in a few global centers reinforces inequalities between academic communities and widens the gap between those who design AI and those who merely consume it.

c) Finally, the environmental and energy costs of large-scale AI infrastructures compel the humanities to consider the ecological ethics of technological progress. What forms of scholarship might align critical inquiry with sustainability and local autonomy? 

4. Education, practice, and the future of humanistic knowledge 

a) How can historical education cultivate critical AI literacy rather than simple tool proficiency? 

b) What pedagogical strategies can help students and researchers maintain interpretive depth and ethical reflection in an environment saturated by generative systems?

c) Should AI be understood as an auxiliary method, a paradigm shift, or a mirror revealing the epistemological foundations of humanistic knowledge itself? 

d) How can universities and professional organizations shape guidelines that safeguard integrity and creativity while embracing innovation? 

Submission guidelines

Submissions and inquiries should be sent to the Editor-in-Chief via email. 

Language: English 

Text length: articles 36–72,000 characters including notes; discussion papers 18–36,000 characters; reviews 9–18,000 characters. All articles should include an abstract (150–200 words) and 4–5 keywords. 

Format: Microsoft Word (*.docx) or Libre Office (*.odt), following the DTK Manual of Style and Ethical Code 

Peer review: Double-blind by two independent reviewers 

Deadline: 30 June 2026 

Publication: Winter 2026, Diamond Open Access 

Guest Editors: Jaromír Mrňka, Jiří Hlaváček

About the journal

Dějiny – teorie – kritika (History – theory – criticism) is a peer-reviewed, Diamond open-access journal, founded in 2004 and published by the Faculty of Humanities at Charles University. Indexed in SCOPUS, ERIH PLUS, EBSCOhost, CEEOL, and DOAJ, the journal provides a platform for theoretically grounded and methodologically innovative approaches to the past. 

Contact Information

Petr Wohlmuth, Ph.D. (Editor-in-Chief): Petr.Wohlmuth@fhs.cuni.cz

Journal website: https://ojs.cuni.cz/dejinyteoriekritika

Contact Email

Petr.Wohlmuth@fhs.cuni.cz

URL

https://ojs.cuni.cz/dejinyteoriekritika

CFP: “Sound Recordings” – Journal Sources. Materials & Fieldwork in African Studies

We are pleased to announce a call for papers (in French, English, and Portuguese) for a special issue on the theme: “Sound recordings,” coordinated by Charlotte Grabli (CNRS, Centre d’histoire sociale des mondes contemporains) and Aïssatou Mbodj-Pouye (CNRS, Institut des mondes africains), to be published in the journal Sources. Materials & Fieldwork in African Studies

This issue of Sources ambitions to bring together multiple disciplinary perspectives on one or more sound sources produced in Africa. Whether issued from old collections or produced today, audio materials are attracting growing interest in African studies, particularly thanks to the promotion by institutions, researchers, activists and artists of forgotten or difficult-to-access sound and audiovisual collections. Recorded since the late 19th century, these sound objects are extremely diverse: linguistic material, songs and music, field recordings, radio archives, commercial records, film soundtracks, recordings of trials, political speeches, sermons, cassette letters, digital voicemails, etc. Their circulation has increased with the possibilities for duplication offered by cassette technology, and even more so with the digital revolution. Audio recording is also often one of the tools available to social science researchers, and sound objects have become part of the range of objects collected during fieldwork. However, the specificities of the sonic nature of these materials are rarely questioned. Particularly in the case of African and diasporic contexts, it is important to develop methods of listening and analysing that can grasp the multidimensional nature of recordings, the power relations and forms of agency that mark the processes of production, circulation and archiving.

The call is available in English: https://journals.openedition.org/sources/4217

In French: https://journals.openedition.org/sources/4206 

In Portuguese: http://journals.openedition.org/sources/4229 

Proposals should be sent before February 10, 2026 to the following addresses: charlotte.grabli@cnrs.frmbodj@cnrs.frsources@services.cnrs.fr 

Please feel free to share this call for papers in your newsletters, on your websites, and on social media.

Contact Information

Charlotte Grabli, CNRS, Centre d’histoire sociale des mondes contemporains
charlotte.grabli@cnrs.fr

Aïssatou Mbodj-Pouye, CNRS, Institut des mondes africains
mbodj@cnrs.fr

Contact Email
sources@services.cnrs.fr

URL

https://journals.openedition.org/sources/4217

New Issue: RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage

RBM, Vol. 26, Issue 2, Fall 2025
(open access)

Editor’s Note

Fact Check
Diane Dias De Fazio

Articles

Navigating Social Networks at the Margins: Women in Science Archives, Then and Now
Bethany G. Anderson, Mary Borgo Ton, Kristen Allen Wilson

Neutrality Unbound: The Value of Rare Book Collections in STEMM Classrooms
Chad Kamen

“If This Book Should Chance to Roam”: The Importance of Children’s Marginalia in Rare Books Collections
Elliott Kuecker, Katie Grotewiel, Zoe Thomas

Reviews

Gracen Brilmyer and Lydia Tang, eds. Preserving Disability: Disability and the Archival Profession. Library Juice Press, 2024.
Matrice Young

Andi Gustavson and Charlotte Nunes, eds. Transforming the Authority of the Archive: Undergraduate Pedagogy and Critical Digital Archives. Lever Press, 2023. Print/Open access.
Jeannette Schollaert