New Journal: Humanities Methods in Librarianship

Humanities Methods in Librarianship is a no-fee, open access journal that publishes high quality, peer-reviewed research with an emphasis on articles that push the boundaries — both thematically and formally — of what has been traditionally viewed as scholarship within the discipline. The journal aims to broaden the conversation by encouraging submissions that deploy methods from the humanities to address current or salient questions related to libraries, librarians, and librarianship. Humanistic methodological approaches may be used to address a wide range of topics within librarianship, so we encourage creative approaches and a diversity of submissions.

Submission types may include but are not limited to:

  • Conceptual, philosophical, or theoretical discussions
  • Literary, critical, or textual analyses of major (or minor) works within the literature
  • Historical analyses and histories of the profession
  • Personal narratives and autoethnography
  • Creative non-fiction
  • Interviews or oral histories

We aim to publish original work, but the journal will consider papers that have been presented at conferences. We won’t review or accept work that is currently under consideration elsewhere.

Authors are welcome to reach out to the editors to share a synopsis or an abstract in advance of submission to determine if their topic is within scope. We hope to have our first call for papers in early 2026.

New/Recent Publications

Articles

Onifer, D., & Finkel, I. (2026). Using What We’ve Got: Activating Institutional Archives in Uncertain Times. Urban Library Journal, 31 (2). Retrieved from https://academicworks.cuny.edu/ulj/vol31/iss2/1.

Candela, G. (2023). Towards a semantic approach in GLAM Labs: The case of the Data Foundry at the National Library of Scotland. Journal of Information Science, 52(1), 3-21. https://doi.org/10.1177/01655515231174386

Arran J. Rees and Elizabeth Stainforth. “Disentangling Ownership in Digital Collecting Practices: Approaches From Across Galleries, Libraries, Archives, and Museums.” Digital Humanities Quarterly 29, no. 2 (2025).

Luyombya, D., Sendikadiwa, E., & Mulindwa, E. (2023). Examining archives management practices and service delivery in Mpigi district local government in Uganda. Information Development, 42(1), 300-312. https://doi.org/10.1177/02666669231209958

Books

Managing Previously Unmanaged Collections: A Practical Guide for Museums
Angela Kipp
Bloomsbury, 2024

Efficiency by Design: Transforming Libraries and Archives through Process Management
Joy M. Perrin
Bloomsbury, 2025

Paduano, Michael , éd. 2025. Imperfect Itineraries: Literature and Literary Research in the Archives. Book Page Text Image. Nancy (France): Éditions de l’Université de Lorraine. https://doi.org/10.62688/edul/b9782384511914.

Care and Conservation of Manuscripts 18
Edited by Matthew James Driscoll
University of Chicago Press, 2023

The Rise of the Therapeutic Museum: Decolonization and the Crisis of Knowledge
Janet Kraynak
Routledge, 2026

Collection Management Basics
Margaret Zarnosky Saponaro, John Novak G. Edward Evans
Bloomsbury, 2025

Opening up our Heritage: Opportunities in Digitising and Promoting Cultural and Research Collections
François Renaville, Renaud Adam and Cécile Oger (Eds.)
2025

The Archive and the Aural City: Sound, Knowledge, and the Politics of Listening
Alejandro L. Madrid
Duke University Press, 2025

Engaging Communities in Cultural Heritage
Edited By Tuuli Lähdesmäki, Johanna Turunen, Andrei Terian, Renaud Garcia-Bardidia
Routledge, 2025

Marketing and Social Media: A Guide for Libraries, Archives, and Museums
Lorri Mon, Christie Koontz
Bloomsbury, 2025

Contemporary Archival Fiction: A Multimodal Cognitive Stylistic Approach
Elin Ivansson
Routledge, 2026

Negotiating Digital Heritage Infrastructures: Setting the Scene for Participation
Quoc-Tan Tran
Routledge, 2025

Paper

Approaches to Integrating Supervised Machine Learning in Libraries and Archives
Gregory Tharp, 2025

Podcasts

Archives in Context
In episode 4 of season 9, cohosts Adreonna Bennett and Conor Casey speak with Julie Thomas, the instruction and electronic records archivist at California State University, Sacramento (CSUS), about her new book, Teaching Primary Source Research Skills to 21st-Century Learners. The conversation touches upon active learning strategies, effective methods of incorporating archival materials into instruction, and the importance of adapting our teaching approach to the learning styles of today’s students.

Sound Files, National Recording Preservation Foundation
The Cuttlefish Project: Preserving Unangax̂ Culture
Discover the journey of the Cuttlefish Project, where the voices of the Unangam Tunuu language come alive through archival recordings in Alaska. In this episode of Sound Files, we explore how these valuable tapes were rescued from obscurity and digitized, thanks to the dedicated efforts of educators Ray Hudson, George Pletnikoff Junior, and curator Leslie McCartney. We’ll hear the powerful stories behind these recordings, highlighting the unwavering commitment to preserve the cultural heritage of the Unangax̂ community and the vital role these sounds play in revitalizing a language on the brink of extinction.

Recent Issue: IFLA Journal

IFLA Journal Volume 51, No.3 (October 2025)
Special Issue on Artificial Intelligence (AI): Transforming Global Librarianship
(open access)

Editorial

Artificial intelligence in libraries: The emerging research agenda
Andrew M Cox and Xuemao Wang

Original Article

Do we trust ourselves? Is the human the weak link?
Kate Mercer, Kari D Weaver, Ashley Rose Mehlenbacher and Makhan Virdi

Review Article

AI literacy guidelines and policies for academic libraries: A scoping review
Muhammad Yousuf Ali and Joanna Richardson

Case Study

Skills and AI literacy of engineering students
Thuy Thanh Bui, Son Hong Do and Ly Dieu Dinh

Original Articles

Artificial intelligence literacy among South Asian library and information science students: Socio-demographic influences and educational implications
Zakir Hossain, Md Sakib Biswas, Nadim Akhtar Khan and Ghalib Khan

Generative artificial intelligence and university libraries in Latin America
Humberto Martínez-Camacho, César Saavedra-Alamillas, Josmel Pacheco-Mendoza and Juan D Machin-Mastromatteo

Use of artificial intelligence innovations in public academic libraries
Amogelang Isaac Molaudzi and Patrick Ngulube

The potential of GPTs for enhanced information access and user services at academic libraries
Faten Hamad and Ahmed Shehata

Bridging the AI gap: Comparative analysis of AI integration, education, and outreach in academic libraries
Jairo Buitrago-Ciro, Marta Samokishyn, Rachel Moylan, Jonathan Hernández Pérez, Oluwabunmi Bakare-Fatungase and Carmel Firdawsi

Preserving indigenous knowledge: Leveraging digital technology and artificial intelligence
Adeyinka Tella, Esther Oluwayemi Jatto and Yusuf Ayodeji Ajani

The development of policies on generative artificial intelligence in UK universities
Thomas D Wilson

Essay

Cutting through the noise: Assessing tools that employ artificial intelligence
Leticia Antunes Nogueira, Stine Thordarson Moltubakk, Andreas Fagervik and Inga Buset Langfeldt

Original Articles

Exploring the potential of artificial intelligence usage in the knowledge and evidence services of a public health body: A working group approach
Zalaya Simmons, Charlotte Bruce, Samuel Thomas, Patricia Lacey, Wendy Marsh, Scott Rosenberg and Daphne Duval

ChatGPT’s potential in the deep exploration of Islamic manuscripts
Elsayed Elsawy, Yousry Elseadawy and Sarah Attia

Facing the era of generative artificial intelligence: Strategies of information and digital literacy in Chinese studies
Bing Wang, Cecilia Zhang, Khamo and Shuqi Ye

Case Study

AI and labor: Captioning library audiovisual content with Whisper
Nina Rao, Simon O’Riordan and Jonathan Coulis

Original Articles

Transforming parliamentary libraries: Enhancing processes delivering new services with artificial intelligence 
Francisco Cifuentes-Silva, Hernán Astudillo and Jose Emilio Labra Gayo

Enhancing library services with artificial intelligence: A framework for an automated news delivery system
PJ Jhan, MG Sreekumar and Rosemary Kuriakose

Recent Issue: The Journal of the Copyright Society

The Journal of the Copyright Society 72, no. 3
Special Issue: Libraries and Collections
(open access)

From the Desk of the Editor-in-Chief
PART I: PRESERVATION
Heritage Collections and Preservation Panel
With Rina Pantalony, Brian O’Leary, David Sutton,
Trevor Reed, and Margaret Bodde 559

Revisiting The National Film Preservation Act of 1988: An Introduction and Reprinting of Eric J. Schwartz’s
1989 Journal of the Copyright Society Article
By Eric J. Schwartz 587

PART II: ARTICLES
Will Google v. Oracle Save the World’s Cultural Heritage?
By Brandon Butler 593

No One “Owns” That: Metadata, Copyright, and Problems with [Library] Vendor Agreements
By Kyle Courtney, Kathleen DeLaurenti, Matthew Kopel,
and Katie Zimmerman 621

Protecting Library Exceptions Against Contract Override
By Jonathan Band 659

Contractual Override: How Private Contracts Undermine  the Goals of Copyright Act for Libraries and Researchers,
And What We Can Do About It
By Dave Hansen, Yuanxiao Xu, and Rachael G. Samberg 675

Protecting Progress: Copyright’s Common Law and Libraries
By Margaret Chon 761

Understanding the Internet Archive Litigation Cases
By Sara Benson 819

“Beam Me A Book, Scotty:” Virtual Access Rooms Under Section 108 of the Copyright Act
By Kyle Courtney 831

PART III: LECTURE
Libraries, Education, and Fair Use: A Lecture
By Kenneth D. Crews with Elizabeth Townsend Gard 861

PART IV: ANNUAL CASE SUMMARIES
Recent Developments in Copyright Law: Selected Annotated Cases
By Thomas Kjellberg, Joelle Milov, Dasha Chestukhin,
Jaime Berman, Allison Furnari, Paige Geier, Justin Karasick,
Sarah Sue Landau, John Miranda, Raphael Nemes,
Reema Pangarkar, Emily Stein and Lyndsey Waddington – 897

Recent Issue: International Journal on Document Analysis and Recognition (IJDAR)

Volume 28, Issue 3
September 2025
Special Issue: Advanced Topics in Document Analysis and Recognition

Special issue on advanced topics in document analysis (2025 ICDAR-IJDAR journal track)
Daniel Lopresti, Dimosthenis Karatzasm Xu-Cheng Yin

On self-supervision in historical handwritten document segmentation
Josef Baloun, Martin Prantl…Pavel Král

Character recognition for Greek squeezes
Nicholas R. Howe, Feiran Chang…Aaron Hershkowitz

Tabular context-aware optical character recognition and tabular data reconstruction for historical records
Loitongbam Gyanendro Singh, Stuart E. Middleton

The PARES Database: Information Extraction over Historical Parish Records
José Andrés, Casey Wall…Enrique Vidal

A Low-Intervention Dual-Loop Iterative Process for Efficient Dataset Expansion and Classification in Palm Leaf Manuscript Analysis
Nimol Thuon, Jun Du…Ratana Thuon

Lightweight cross-attention-based HookNet for historical handwritten document layout analysis
Fei Wu, Mathias Seuret…Vincent Christlein

Multi-level Style Control for Chinese Handwriting Generation
Gang Yao, Liangrui Peng…Yao Tao

Enhancing music score analysis with Monte Carlo dropout: a probabilistic approach to staff-region detection
Samuel B. Oliva-Bulpitt, Juan P. Martinez-Esteso…Antonio Javier Gallego

SlimDoc: lightweight distillation of document transformer models
Marcel Lamott, Muhammad Armaghan Shakir…Faisal Shafait

Neurosymbolic Information Extraction from Transactional Documents
Arthur Hemmer, Mickaël Coustaty…Jean-Marc Ogier

New Issue: Journal of Digital Media Management

Journal of Digital Media Management Volume 14 / Number 1 / Autumn/Fall 2025
(subscription)

Editorial
Beckett, Simon

The AI-powered archivist: Harnessing generative artificial intelligence for streamlined archival description
Hollow, Anna Gibson; Cline, Lindsay; Kardar, Mohsen; Komarnytska, Olesya; Warkentin, Laurel

Managing a feedback system for digital libraries at the University of North Texas
Fisher, Sarah Lynn; Esparza, Daniel

A collaborative model for creating and managing Indigenous digital collections
Milenkiewicz, Eric L.

Assessing, processing and preserving the University of Houston Libraries’ digital archives: A Texas Digital Library resident librarian collaboration
Scott, Bethany; Oduok, Ima

Utilising machine-learning tools to increase access to archival collections
Querengesser, Allie

Digitising Riley House: Collaborating to bring a museum’s archives online
Thomas, Krystal; Asabea, Kiah Akosua; Cole, Noah; Ostertag, Amalie

Call for Submissions: The Textile Museum Journal Volume 54 2027

CALL FOR SUBMISSIONS

The Textile Museum Journal

Volume 54 2027 

The Textile Museum Journal publishes high-quality academic research on the textile arts and serves as an interface between different branches of academia and textile scholars worldwide. International in scope, the journal is devoted to the presentation of scholarly articles concerning the cultural, technical, historical, and aesthetic significance of textiles.

This volume will be dedicated to the untold stories of how museum textile collections come to be and how museums develop identities around their textile collections. Studies centering on the history of individual textile collections, problems inherent in acquiring museum collections, the creation of textile collections, provenance research on collection materials, repatriation of textiles, and identification of forgeries will be considered. Research from all disciplinary perspectives is welcome. Manuscripts should be based on original documentary, analytical, or interpretive research. 

Deadline for abstract submissions: April 30, 2026.

Deadline for full manuscript submissions: August 31, 2026.

Manuscripts should be submitted by email to the Editorial Assistant of The Textile Museum Journal at tmjournal@gwu.edu.

For Manuscript Submission and Author Style Guide documents, please visit https://museum.gwu.edu/submit-research

A complete submission includes 5 elements:

  1. Abstract: A single Microsoft Word document (no longer than 250 words) in English with the title of your manuscript accompanied with another Microsoft Word document with sample images (photographs, drawings, diagrams, maps, etc.) and their caption(s). 
  2. Bio: A single Microsoft Word document detailing author(s) name, institutional affiliation(s), mailing address(es), telephone number(s), email address(es), and short biography (100 words) of author(s). 
  3. Full Manuscript: Microsoft Word document of the main text in English should be double-spaced throughout in 12-point Times Roman typeface. Use endnotes (do not embed) and cite references separately. Manuscripts should be between 5,000 to 10,000 words (including endnotes, captions, and references) and Research Notes should be between 2,000 to 3,000 words.
  4. Image Document: A single Microsoft Word document that combines all photographs, drawings, diagrams, maps, etc. referenced in your manuscript with their accompanying captions. A good rule to follow that helps with a good distribution of images in the manuscript is to use one image for every 400-500 words.
  5. Images Files: All full manuscript submissions must be accompanied by images (one image for every 400-500 words.). Authors will provide high-resolution TIFFs or JPEGs (4 X 6 inches at 300 DPI or preferably higher) and secure all necessary permissions if the manuscript is accepted for publication. Each image should be clearly labeled (e.g., Smith_Fig. 1) and have a corresponding caption that provides identifying information and appropriate image credits in the Image Document.

Please see Manuscript Submission and Author Style Guide documents at https://museum.gwu.edu/submit-research for more details on preparation of these 5 elements.

Any submission that does not conform to The Textile Museum Journal style guidelines will be returned to the author.

Articles must present original research that has not been published in any language previously. Authors must properly credit previous scholarship on the subject and cite the source of each quotation, with brief bibliographic details given in the endnotes and the full bibliographic information in the References section.

All articles are subject to review by the editorial team and anonymous peer-reviewers, whose comments will be sent to the author only if the manuscript is accepted for publication. Authors expected to make revisions based on the feedback of the peer reviewers and editors.

The Textile Museum Journal follows the most recent edition of the Chicago Manual of Style. For further specifications on preparing text and images for publication, see the The Textile Museum Journal Manuscript Submission and Author Style Guide documents (available to download from our website: https://museum.gwu.edu/submit-research).

Contact Info:

Editorial Assistant, The Textile Museum Journal

The George Washington University Museum and The Textile Museum

701 21st Street, NW

Washington, D.C. 20052

E-mail: tmjournal@gwu.edu

Best wishes,

The Textile Museum Journal Editorial Team

Contact Information

The Tetxile Museum Journal Editorial Staff

Contact Email

tmjournal@gwu.edu

URL

https://museum.gwu.edu/textile-museum-journal

New Issue: American Archivist

In issue 88.2 of American Archivist, Alex H. Poole and Ashley Todd-Diaz evaluate the efficacy of North American graduate archival education curriculum; Elizabeth Joffrion considers the history and current situation of state archives; and Sonia Yaco, Bala Desinghu, Claire Warwick, and Richard Anderson share their research findings after testing thirty-three software tools to explore how AI can be used in special collections to improve accessibility and discoverability.

This issue also includes seven reviews of recent publications in archival literature that explore historical collecting around the Panama Canal, the development of archives on the internet, disability and archives, and much more!

From the Editor

No Time (Not) to Read
Amy Cooper Cary

Articles

“Putting It into Practice Is the Best Way to Really Learn Something”: Evaluating the North American Graduate Archival Education Curriculum
Alex H. Poole and Ashley Todd-Diaz

Charting a Profession: A Comparative Analysis of Seven Regional Archival Journals and American Archivist, 2013–2023
Daines, J. Gordon, Coulter Gill, Ryan K. Lee, and Cory L. Nimer

The State of American State Archives (Revisited)
Elizabeth Joffrion

Instilling Primary-Source Research Confidence in Undergraduate History Majors: Insight into Instructional Impact and Student Preferences
Matthew Gorzalski

The Mumia Rules for Carceral Collecting
Murphy, Mary O., and Amanda M. Knox

“I Despise It, But It Works”: Social Media Outreach in Special Collections
Thomas, Nikki Lynn, Colleen Theisen, Juli McLoone, and Sean Heyliger

What Can AI Do for Special Collections?
Yaco, Sonia, Bala Desinghu, Claire Warwick, and Richard Anderson

Reviews

From Local to Global: Variety in the Archival Literature
Rose Buchanan and Stephanie Luke

Box 25: Archival Secrets, Caribbean Workers, and the Panama Canal
Katie Sutrina-Haney

Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History
Gabrielle Dean

Averting the Digital Dark Age: How Archivists, Librarians, and Technologists Built the Web a Memory
Kailyn Slater

Beyond Evidence: The Use of Archives in Transitional Justice
Sarah R. Demb

Preserving Disability: Disability and the Archival Profession
Moira Armstrong

Records and Information Management
Brady Kal Cox

The Handbook of Archival Practice
Audie Robinson

New Issue: VIEW, Journal of European Television History and Culture

Volume 14 – Issue 28 – 2025
With and Against the Grain: Creative Dialogues with Broadcast Archives

Editorial

With and Against the Grain: Creative Dialogues with Broadcast Archives
Bas Agterberg, Lisa Kerrigan, Dana Mustata, Alistair Scott

Enthusiasms

More Than a Game: Television Archives in Two Acts
Nevena Popović

“They Lack Imagination…” ─ Valérie Wilson and Trans Life in the Audiovisual Archive
Christopher Wolff, Jesse Blanchard

‘Angélica la palenquera’: Collective Memory and a Decolonial Reimagining of Archival Futures
Laura Alhach, Rodolfo Palomino Cassiani

Decolonising the BBC Radio Archive: Challenges, Opportunities, Ethics of Care and Access
Sylvie Carlos, Matt Green, Eleni Liarou

ATLas Chronicles. Designing and Valorising an Italian Archive of Past Local TV Channels
Luca Barra, Diego Cavallotti, Emiliano Rossi

Coventry Cathedral: Exploring Reflexivity in a Collage Film
John Wyver

Lockerbie Pan Am 103 – Tracking the Evolving Re-Use of Archive Broadcast News
Alistair Scott

“Preserving Atrocity”: Mental Health and the Broadcast Media Archivist
Michael Marlatt

Expanding the Small Screen: Exhibiting Northern Irish Television Archive
Rose Baker

Academic Research Articles

Caring for Past Media from Below: Bottom-up Practices and Networks Supporting Obsolete Broadcast Technologies
Sergio Minniti, Roberta Spada

Broadcasting from Below: Television Archives, Microhistory, and the Many Voices of 1990s Sicily
Vladimir Rosas-Salazar

From the Culch: Lost in the Archives, Found in the Community
Paul Mulraney

Open Contributions

Pingu and the Emergence of Merchandising within Swiss Public Service Television
Chloé Hofmann

Call for Submissions: Nontheatrical Student Essay Award, Celebrating student work in The Moving Image

In collaboration with AMIA, the SCMS Nontheatrical Film and Media SIG is delighted to announce its third Nontheatrical Student Essay Award.

Designed to recognize outstanding graduate student scholarship founded upon archival nontheatrical research, this award underscores both organizations’ commitment to mentorship and professional development, connecting award-recipients with mentors to guide them through the process of crafting journal-ready manuscripts. The award-winning essay will also be published (subject to revisions) in The Moving Image.

Our second award went to Miao Wang (University of Chicago), for his paper ‘Formatting Chinese Cinema: Small-Gauge Projectors in the Socialist Era.’ Keep your eyes peeled for its publication in The Moving Image!

In 2025, we also introduced an Honorable Mention. It was received by: Gonçalo Albergaria (Utrecht University) for his paper ‘Geoscientific film in the 1957/58 Capelinhos eruption: Raquel Soeiro de Brito and the moving image as epistemic tool.’

Eligibility

Applicants must be enrolled in a recognized graduate program at the time of entry.

Submission Criteria

  • The winning scholarly essay will demonstrate original and critical analysis, clarity of argument and exposition, and engagement with varied source materials related to the study of nontheatrical media (e.g. science film, educational film, home movies, government films, etc.)
  • Students may submit their own paper, or they may be nominated by an advisor or professor with the author’s consent. In either case, the submitter should provide a short author’s CV.
  • Papers shall be submitted in English and may not have been published in part or in whole by the time of submission. The manuscript should be 4000-6000 words in length (double spaced, Times New Roman, 12 pt, with 1-inch margins, using the Chicago Manual of Style, 17th edition), including footnotes/endnotes but excluding bibliography.
  • Before the first-place essay is published in The Moving Image, its author will work with a faculty mentor and The Moving Image editors to revise the essay for publication, in keeping with the developmental editing procedures of the journal.
  • Submissions will be evaluated by the governing body of the Nontheatrical Film and Media SIG and editors from The Moving Image.

Submissions will be due February 15, 2026 and can be sent to nontheatricalessayaward@gmail.com. The author of the winning paper will be contacted in early March 2026, and announced at the 2026 SCMS Annual Conference.

Point of contact for questions about the award and the submission process: Sophia Gräfe, Co-Chair of the SCMS Nontheatrical Film and Media SIG: sophia.graefe@hu-berlin.de.

Download the Call for Submissions here.

The Moving Image is the journal of the Association of Moving Image Archivists (AMIA). It explores topics relevant to both the media archivist and the media scholar. The Moving Image deals with crucial issues surrounding the preservation, archiving, and restoration of film, video, and digital moving images. It features detailed profiles of moving image collections; interpretive and historical essays about archival materials; articles on archival description, appraisal, and access; behind-the-scenes looks at the techniques used to preserve, restore, and digitize moving images; and theoretical articles on the future of the field. More here.

The Nontheatrical Film & Media Scholarly Interest Group (SIG) of the Society of Cinema and Media Studies (SCMS) provides a setting for scholars working in this area to collaborate, share research tips, and debate methodological issues. Moreover, this SIG acts as another connection between the academic and archival worlds, and between other SIGs and committees within SCMS, such as the Media Archives Committee. The mission of the Nontheatrical Film & Media Scholarly Interest Group is to facilitate discussion, consolidation, outreach, and inclusion. More here.