CFP: MARAC Fall 2024 Meeting

The Program Committee for the Fall 2024 Virtual Meeting being held on November 13-15, 2024 is formally opening the call for proposals. Inspired by ongoing commemorations of the 100th anniversary of the Harlem Renaissance, the theme is “Renaissance & Renewal.” The Program Committee invites session proposals that celebrate and explore creativity, advocacy, versatility, and innovation in archival work. Potential session topics might include:

  • Emerging technologies (AI, VR) or using technology to look at collections in new ways (data sets, digital humanities projects)
  • Career reinvention, pivots, skills development, or reconfigured responsibilities
  • Initiatives to highlight overlooked or underrepresented voices
  • New perspectives on community engagement, partnerships, audiences, and stakeholders

The Program Committee is committed to incorporating diverse perspectives within the program and across the entire conference. Session proposals should reflect varied personal and professional experiences, including individual, institutional, and geographic diversity. The Program Committee is also interested in supporting a range of session types, including panel presentation or discussions, lightning talks, mini-workshops, case studies, and birds of a feather. 

Any questions, please contact the Program Committee co-chairs, Megan Craynon (megan.craynon@maryland.gov) and Hillary Kativa (hkativa@udel.edu).

Proposals are due Monday, June 24, 2024.

Program Proposal Form

Call for Papers: Forgotten Journalists: Lived experiences and professional identities in the past

Various Belgian partners organise in June 2025 an international academic conference on the lived experiences and professional identities of forgotten journalists. The deadline to submit an abstract is 30 August 2024. 

The conference aims to reconstruct the careers and lived experiences of a mass of anonymous news workers. Three groups of forgotten media professionals stand out (amongst others): war correspondents and foreign correspondents, female journalists, and those who founded and shaped professional journalists’ associations and trade unions behind the scenes. Thanks to the ever-increasing amount of digitised historical news media, the digitisation of genealogical sources and the growing access to the archives of professional journalists, the lives and works of forgotten journalists have become easier to trace. By focusing on lived experiences and professional identities from a historical and decentered perspective, we want to make visible those whose work has been underestimated, or whose journalistic (or partly journalistic) careers have been neglected. 

All information can be found in the attached CfP. 

Contact Information

Liberas

Kramersplein 23

9000 Ghent

Belgium

christoph.despiegeleer@liberas.eu

Contact Email

christoph.despiegeleer@liberas.eu

URL https://www.liberas.eu/call-for-papers-colloquium-forgotten-journalists-2025/

Attachments

Full Call for Papers

Call for Proposals: RAO Marketplace of Ideas 2024

The Reference, Access, and Outreach Section (RAO) of the Society of American Archivists (SAA) seeks proposals for the 2024 Marketplace of IDEAs to be held during the Virtual Annual Meeting on Thursday, July 25, 2024 at 4pm EDT/3pm CDT/2pm MDT/1pm PDT.

Topics related to the sub-committee areas of Teaching with Primary Sources, Exhibits and Events, and Public Services Assessment are encouraged.
Proposals addressing topics or themes related to the following will also be prioritized:
– evolving the archival profession, public services, new ideas, fresh perspectives
– orienting reference, access, and outreach efforts as Inclusive, Diverse, Equitable, and Accessible
– collaborations/co-sponsorships with other Sections

Submission Due Date: Tuesday, June 18, 2024

Submission Form: forms.gle/TaGwUREqpuarbJSGA

CfP: Artefacts XXIX: New Digital Practice for Science and Technology Collections | Science Museum Research Centre, London

Artefacts XXIX, 2024: New Digital Practice for Science and Technology Collections / Congruence Engine End of Project Conference

The Artefacts Consortium is an international network of museum professionals and scholars of the history of science, technology, and medicine who promote the use of objects in research. Annual Artefacts meetings, each organised under a pertinent theme, provide a collegial venue to gather to discuss exciting work being done with collections in museums and universities across the globe.

Call for Papers

How are digital techniques changing museum practice: for objects, for museum workers, for audiences? With digital approaches: Is it becoming easier for the objects and documents within collections to be found, researched and displayed? Is the texture of day-to-day museum practice changing? Are visitors and researchers enabled to have new kinds of experience in museums or online, or use collections in new ways?

This year’s Artefacts conference will be held October 13th-16th at the Science Museum Research Centre, London, back-to-back with the final conference of the Museum’s Congruence Engine digital collections-linking research project.

Artefacts

For the traditional Sunday-Tuesday Artefacts conference days, we are inviting contributions on the theme of new digital practice in science and technology museums. We are looking for contributions (papers, panels, demonstrations, etc) that reveal the ways in which science museums internationally are embracing the affordances of new digital techniques. For example:

• Collections as data

• Uses of machine learning (ML) and other artificial intelligence (AI) techniques with

catalogue data

• Online complements to exhibitions

• Novel uses of new media -visual or sonic – in exhibition and gallery contexts

• Virtual- and augmented-reality techniques

• Digital means to enable access to reserve collections

• How museum work is changing because of digital techniques

• Histories of electronic, digital and new media practice in museums

Please submit an outline of up to 300 words per individual paper or up to 1000 words for whole sessions by 1st June to: research@sciencemuseum.ac.uk We plan to send acceptances no later than mid-August.

Congruence Engine

Tuesday 15th and Wednesday 16th will be the associated Congruence Engineend of project conference, which is primarily to report the research, findings and recommendations from the project. This exciting major three-year project, funded by the Arts and Humanities Research Council under its Towards a National Collection funding stream has been experimenting with using machine learning and other computational techniques to link collections of all kinds for the sake of better curation of science collections and to ease historical work using those collections for historians of all kinds. Themes will include:

• The ‘social machine’ approach to creating linked industrial collections.

• AI and machine learning for data enhancement and collections linkage

• Taxonomies, thesauruses and ontologies for linking collections.

• Spatial and geospatial approaches to collections linkage

• Narrative sources and collections linkage

• Responsible and ethical digital collections research

• New historiographies and new curatorial practices

The conference will also see the launch of the Science Museum Group’s Digital Research Cluster; plenary sessions will address some of the broader issues and opportunities of the current digital moment.

Attendees are warmly encouraged to attend both sides of the conference.

Organisers: Tim Boon, Nayomi Kasthuri Arachchi, Max Long, Arran Rees, Nina Webb-Bourne

Contact Information

Tim Boon, Nayomi Kasthuri Arachchi, Max Long, Arran Rees, Nina Webb-Bourne

Contact Email

research@sciencemuseum.ac.uk

URL

https://www.sciencemuseumgroup.org.uk/sites/default/files/2024-04/Artefacts%20X…

CFP: History, Memory, and Heritage

CALL FOR PROPOSALS

RMC History Symposium 2024

History, Memory, and Heritage

Location: Royal Military College (Kingston, Ontario)

Date: September 26-27, 2024

The History Department at the Royal Military College of Canada (RMC) extends a special invitation to all scholars, graduate students, researchers, and custodians of traditional knowledge to submit papers and panels for its next annual symposium to be held at the RMC campus, September 26-27, 2024, in Kingston, Canada. The theme for the 2024 History Symposium is “History, Memory, and Heritage.”

For more than four decades, historians from various fields have been studying how societies remember and commemorate. In doing so, they seek to understand how, who, and why peoples and nations construct versions of the past that celebrate certain individuals and events while forgetting others. Historians acknowledge that memory has been an important instrument of power mobilized in the name of nation, ethnicity, race, and religion. As part of this complex process, this symposium aims to discuss whose collective memory has a privileged place in textbooks, films, museums, and monuments as well as whose version of the past has prevailed. Topics include but are not limited to:  

–       Memory and war 

–       Public memory and history

–       Historical consciousness and commemoration

–       The politics of remembrance and forgetting

–       Heritage and celebration

–       World heritage and Indigenous peoples in the Americas, Asia, Africa, and Oceania

–       The impact of disinformation and fake news in history, memory, and heritage

Keynote Speakers
The Symposium organizers are pleased to welcome Dr. Dara Price (Director, History and Heritage, Department of National Defence) and Dr. Tim Cook (Chief Historian and Director of Research, Canadian War Museum) as this year’s opening and closing keynote addresses.

Instructions

Individual Submissions: Individual proposals should include an abstract in (250-word maximum), and the email and affiliation of presenter(s).

Panel Submissions: Panel proposals should comprise a 250-word summary, abstracts, and the e-mails and affiliations of all panelists. A minimum of three participants is required.

Presenters are welcome to submit an abstract or panel in French or English.

Deadline for submission of proposals: June 1, 2024.

For questions and/or inquiries, please e-mail rmc.symposium.cmr2024@gmail.com.

Organizers:

Vanessa S. Oliveira and Katherine Rossy (Co-chairs)

Caroline D’Amours

Emanuele Sica

Contact Email

rmc.symposium.cmr2024@gmail.com

CFP: H-Net 2024 Teaching Conference

History, Social Science, and the Humanities: Working in Classrooms and Communities
Proposal Due: May 24, 2024
Conference Date: August 19 – 24, 2024
Location: Virtual on Zoom

H-Net is excited to announce that “History, Social Science, and the Humanities: Working in
Classrooms and Communities” will be our theme for the third annual, 2024 Virtual Teaching Conference. This year’s theme places an emphasis on community building of all kinds, from cultivating educational communities within public history venues to preserving inclusive classrooms in K-16 pedagogy. We welcome individual, panel, and roundtable proposals, as well as workshops or charrettes, that focus on the use of library and digital resources, the influence of career-focused university curriculum on student learning, how attacks on DEI (Diversity, Equity, and Inclusion) and humanities programs affect communities, and any other topic that relates to this year’s theme.

This year, our keynote speaker will be Dr. Steven Mintz, Professor of History at the University of Texas at Austin and former H-Net President. Dr. Mintz, who is the author and editor of 14 books, is particularly well known for spearheading new teaching methods. He has long been a leader in the development of digital history and has received more than $15 million in grants for educational innovation.

The conference will be held in a virtual format during the week of August 19th, 2024. Presenters will have the opportunity to be recorded for future reference via the H-Net Commons. Selected presenters will also be invited to publish their work in the H-Net Conference Proceedings publication.

All proposals should include a title, CVs and email addresses for all presenters, and an abstract of no more than 200 words. No pre-recorded sessions will be accepted.

Submissions are encouraged to focus on any of the following issues:

  • How communities shape and encourage engagement with the social sciences and the
    humanities
  • Challenges and strategies related to the use of digital resources and artificial intelligence
  • How public-facing educational programs and resources (H-Net, National History Day,
    literacy initiatives, etc.) can enrich existing humanities efforts on the local, state, and
    national levels
  • Difficulties relating to government mandates at all educational levels

Email submissions to brothe10@msu.edu by Friday, May 24, 2024.

CFP: International Oral History Association Conference

Biennial conferences of the International Oral History Association (IOHA) allow for reviewing the global conditions and problems of oral history, regardless of the actual conference theme. This time, the organizers of the 23rd IOHA Conference call on oral historians worldwide to consciously rethink the idea and practice of their discipline.

Oral history today faces both old and new challenges with long-lasting and unpredictable consequences: the crisis of liberal democracy, growing tensions in international politics, climate change with its devastating outcomes on human life, increasing inequalities, wars, and mass migrations. All of the foregoing not only affect the conditions in which oral history is made, but also compels us to rethink its very aim. For Central and Eastern Europe, the full-scale Russian aggression in Ukraine beginning in February 2022 and its consequences are an especially painful reminder of that. Though oral history was, and still is a part of history, it has always been conscious of the responsibility (oral) history has for the current society. Aware of that mission, we encourage the global oral history community to return to the core questions of our practice: what kind of histories should we tell and pass on to the current and future generations?

Therefore, we invite oral historians to rethink this essential issue during the conference that will take place in September 2025 at the Jagiellonian University in Kraków, Poland. Participants are encouraged to address one or more of the following questions in their proposals:

– Political involvement or independence: is ethical neutrality achievable and morally correct in a polarized world?
– Methodological standards: how much does the technological development of AI challenge them?
– Healing the wounds: how far can the therapeutic role of oral history go?
– Oral history responses to human crises: what methodological and ethical problems of emergency documenting and archiving may we use?
– “Lending our ears” (Portelli): how can we provide silenced and marginalized voices access to the public discourse?
– Oral history and environmental history: what are the areas of cooperation?
– Empowering community archives: how to teach them to create their own oral histories?
– How do we balance the dominance of Western academia with the voices of the non-Western world? – agency and resources.
– Globality versus locality of oral history: how to translate local practices into internationally recognized scholarship?
– Post-coloniality: how does oral history help societies reckon with colonial pasts and assist in building post-colonial futures?
– Disseminating oral history: what new methods can we use to present interviews to our audiences?
– Multilingualism as a challenge to global oral history: how to record stories in mother tongues?

Proposals for individual papers, session panels (5 papers each), or audiovisual presentations (film/play screenings followed by round table discussions) are to be submitted by July 31, 2024, via the online form on the conference website: https://ioha2025.conference.pl. Members of national oral history associations are encouraged to check the appropriate box and provide the name of the relevant organization. Individual paper proposals (up to 300 words) must contain the title of the paper, an abstract, and a short bio-note of its author(s). Panel proposals (up to 600 words) must include the title and a description of the session, the titles of all papers, and short bio-notes for all participants. Panel proposals must be international in membership (representing at least two countries). Please indicate the language of your paper/panel (English or Spanish). Audio-visual presentation proposals, in addition to including a description of the film/play (up to 300 words), must provide the names and bios of all discussants. If the film/play is not in English, please make sure that it is subtitled. English will be the main language of the conference. Only the plenary events will be translated into Spanish.

Decisions on the acceptance or rejection of proposals will be announced by the end of September 2024. Registration will be open between October 2024 and January 2025. The conference’s program will be ready by February 2025.

The organizers will not cover travel and accommodation costs; however, IOHA may provide a limited number of travel grants (more information on how to apply can be found on the IOHA website: https://www.ioha.org).

In case of any questions, do not hesitate to contact organizers via email: ioha.krakow@gmail.com

Organizer: Polish Oral History Association
Co-organizers: Centre of Community Archives in Warsaw, European Network Remembrance and Solidarity in Warsaw (ENRS), Faculty of History, Jagiellonian University in Kraków, International Oral History Association (IOHA), The Remembrance and Future Centre in Wrocław

Contact Email

ioha.krakow@gmail.com

URL

https://ioha2025.conference.pl

CFP: Alaska Historical Society Annual Conference

Call for Papers

CORDOVA, ALASKA • OCTOBER 9-12, 2024

Located near the mouth of the Copper River, the site was a crossroads of trade and interaction among Eyak, Tlingit, Ahtna and Chugach peoples when Europeans sailed into Prince William Sound in the 1700s. Founded in 1909 as a railway terminus to deliver copper from the Kennecott Mines, Cordova also was near Katalla, Alaska’s earliest oil field. Fishing is the town’s major industry today.

OUR THEME

This year’s theme, “Rights and Responsibilities,” speaks broadly to Alaska’s history of determining which people and groups should have rights, and what responsibilities are attached to those rights. Disputes over rights and responsibilities have spanned Alaska history, including voting rights for women and Alaska’s Native people, fish traps and limited entry fisheries, subsistence rights, taxation, the Alaska Permanent Fund and responding to the Exxon Valdez oil spill.

OUR PROGRAM

The conference will open with a Wednesday reception, with papers presented the following three days. Friday’s focus is on Prince William Sound topics and speakers. While presentations that address the conference theme are encouraged, the society welcomes proposals for papers, panels, roundtables, films or workshops on any aspect of Alaska history. The theme echoes the upcoming year’s National History Day theme, and students and teachers are especially encouraged to participate.

OUR KEYNOTE

This year’s keynote presenter is former Alaska Lt. Gov. Fran Ulmer, an international climate change expert. She brings a broad perspective on Alaska’s history by virtue of her extensive public service as a policy analyst for Gov. Jay Hammond, Juneau mayor and state legislator.

SHARE YOUR RESEARCH

To propose a presentation, please email a title, proposal of 100 words and two-sentence biography to members@alaskahistoricalsociety.org. Typically, presentations are 20 minutes in length. Abstract submission deadline: May 31, 2024.

CFP: Curtain Up! The Practice of Archiving Performance

Call for Papers

  • Date:  Tuesday 29 October 2024
  • Location:  The Gallery, 77 Cowcross Street, London, EC1M 6EJ
  • Abstracts submission deadline: 5pm on 3rd May 2024

This year the British Records Association (BRA) annual conference will be held in partnership with the Association of Performing Arts Collections (APAC), which is a network for all museums, libraries and archives holding performance arts materials in the UK and Ireland. This is an opportunity to share the work of the performing arts archive world with the wider sector and consider the transferability of particular methods and experiences of performing arts information professionals.

The theme of this year’s conference will be active archiving, with, through, and for practitioners. We aim to explore how archives can be developed in collaboration with the record creators, the practitioners themselves, to create more representative collections of performance for use by practitioners, academics, the general public, and beyond. Mirroring this collaboration is the use of these collections by practitioners to advocate for the archives, create new work, or share the collections with new audiences.

This can cover many areas of work:

  • collaborations with practitioners in creating and cataloguing collections
  • challenges and opportunities of practitioners being involved in the archiving of their work
  • how participatory archiving has been used with the performing arts
  • practitioners engaging with and interpreting performing arts archives to widen audience engagement
  • practitioners creating their own archives

Abstracts of papers (20 minutes) or lightning talks as part of a panel (5 minutes) should be a maximum of 200 words and should be accompanied by a biography of all participants of up to 150 words. These should be submitted as Word files to the BRA Hon Secretary, Amanda Engineer.

Enquiries regarding the call for papers should be addressed to APAC

The British Records Association is a charity which aims to promote the preservation, understanding, accessibility and study of our recorded heritage for the public benefit. It is open to anyone interested in records and archives whether local historians, academics, professional archivists, or custodians and owners of collections, or simply those who are curious about the record of our past.

APAC is the membership organisation for professionals, specialists, and other individuals working with or interested in performing arts heritage in the United Kingdom and Ireland. Our activity programme for members and non-members aims to inspire the widest possible participation in the enrichment of the UK’s performing arts heritage.

CFP: AMIA Annual Conference

The AMIA Conference Committee invites proposal submissions for sessions, posters, and workshops for the AMIA Annual Conference to be held December 4-6 in Milwaukee, WI.

The Conference Committee works to present a broad-based program that speaks to a wide range of attendees with a balance of theory and practice, inviting new ideas and concepts that stimulate additional interest, involvement, and educational benefit. In keeping with our goals to be inclusive, we urge proposers to use AMIA Conference sessions as an opportunity to include new voices and offer diverse viewpoints.

We encourage you to read the Call for Proposals Notes and FAQ which explain the review process and offers information and tips on what the reviewers and the Conference Committee consider in the proposal process. You can contact our Proposal Help Desk with any questions throughout the process.

The Committee has created a Google spreadsheet to connect individuals seeking ideas and/or collaborators for session and workshop proposals. The spreadsheet is provided as a means of communication only: the Committee does not monitor the document and it is not part of the official submission process.

As in the past, AMIA 2024 invites various types of presentations (read more about each format here) –

  • Report or Paper Presentation (25 minutes)
  • Panel (60 minutes)
  • Forum/Conversation (60 minutes)
  • Lightning Talks Session (60 minutes)
  • Screening Session (60 minutes) held at conference hotel
  • Poster Presentation
  • Workshop Workshops are a half day (3-4 hours) or full day (6-8 hours) held pre or post-conference

AMIA 2024 will be an in-person event, with a primary emphasis on in-person participation.

More information and the proposal form are here: amia.link/2024CFP

The deadline for submissions is June 6, 2024.