Category: Call for Papers

CFP: Best Practices Exchange

Submit your proposal via this short form (https://forms.gle/vHpTmZ8yuSwXAcoZ7) by Monday March 6, 2023.

Our theme this year is The Future of Digital Preservation. What are you excited or concerned about? What are you doing now to prepare for future challenges or opportunities? What about our current professional practices should we take forward into the future and what isn’t working that should be left behind?

Proposals can be in a variety of formats and may focus on any aspect of the future, things like (but certainly not limited to) technology, funding, environmental impact and sustainability, ethics, computational archives and archives as data, or the trend towards outsourcing and working with vendors. We also encourage proposals related to any subject of interest to you, even if they are not directly related to the theme.

A strong proposal for BPE is one that is based on real-world examples and experiences, honestly and openly examines successes and failures, includes practical take-ways, and encourages active participation from attendees. We also invite you to be creative about the format of your proposal.

To connect with others about potential proposals: BPE Proposals Brainstorming Spreadsheet

Call for Expressions of Interest: The Bloomsbury Oral History Handbook

Co-editors Alistair Thomson, Alexander Freund, and Erin Jessee are inviting expressions of interest to contribute chapters to the forthcoming Bloomsbury Oral History Handbook.The Handbook is a substantial English-language volume of approximately 25 essays written by oral historians from around the world and speaking to the practice of oral history in different international contexts. The book will offer an international overview of contemporary oral history theory and practice. It is primarily intended as a scholarly work for academics, postgraduate researchers and advanced level undergraduates, while also being of interest to oral historians working outside the academy.

We are looking for chapters (7500 words) that speak to the following topics:

·Thematic interpretation of interview sets

·Explores how oral historians develop social and historical interpretations using sets of oral history interviews, in combination with other data, and the challenges and contributions of thematic interpretation

·Making oral history exhibitions and place-based installations 

·Explores issues and approaches in the range of practices and places when we make located oral histories that combine different media in multi-sensory ‘memoryscapes’ that engage users and audiences in distinctive ways

·Making audio visual histories

·Explores issues and approaches in making podcasts, website productions, radio programs and filmed documentaries

·Teaching oral history

·Explores approaches and issues in teaching and creating oral history in school, university and community settings, and the use of ‘witnesses’ and witness testimony in educational settings

We are keen to include authors from different parts of the world. We especially encourage submissions that bring creative practitioners into conversation with academic and/or community-based oral historians and related experts, as well as incorporate authors from a range of career stages. To facilitate this, Bloomsbury has agreed to pay a small honorarium to unsalaried contributors.

If interested, please send a revised title (if relevant), 250-word abstract, brief (3-4 sentence) biography for each proposed author, a list of your oral history publications, and a link to your personal or professional website to alistair.thomson@monash.edu; alexanderfreund9@gmail.com; and erin.jessee@glasgow.ac.uk by 15 February 2023.

Successful authors will be notified of their abstract’s acceptance by early March and will then be expected to submit their draft chapters for review by 1 October 2023.

Call for Papers: Design History and Digital Material Culture, A Special Issue of the Journal of Design History

Guest Editor: Anna K. Talley, Doctoral Researcher, University of Edinburgh

This Special Issue of the Journal of Design History is dedicated to promoting the study of digital material culture. The study of digital material culture is a growing topic of interest in design history, and this Special Issue will form the first foundations for its entry into the field. The issue aims to have a mix of theoretical papers on the study of digital material culture and case-studies of digital objects. The issue will define different kinds of digital artefacts, propose new methods for studying non-analogue and hybrid objects, and hopes to include papers that address museological challenges in curating and collecting digital design, histories of digital design and digital cultural heritage and existing interdisciplinary efforts that have been undertaken to study digital material culture.

Within the academic design community, there is a recognition that digital objects are different. Design theorists Johan Redström and Heather Wiltse wrote in 2018 that ‘the ways things are made and used have fundamentally changed’ because they ‘do not take only physical form’ (Redström and Wiltse, p.6). The cultural significance of these new things has also been recognised by institutions such as museums, galleries, archives and libraries. In early 2022, the UK Arts and Humanities Research Council supported two studies on digital objects as part of their Towards a National Collection initiative: One, titled ‘Preserving and sharing born-digital and hybrid objects from and across the National Collection’, a collaboration between the V&A, Birkbeck University of London and the British Film Institute sought to ‘instigate a conversation and build confidence across the museum sector to support the collecting of born-digital objects, and to lay the foundations for future research in the field’ (Arrigoni et al., p.4). The second, a digital collections audit aimed to ‘understand the number, scale and attributes of digitally-accessible collections across the UK cultural heritage sector that might form part of a future national digital collection infrastructure’ (Gosling and Cooper, 2022, p.1).

Pressingly, researchers have noted that the ephemerality of digital makes it especially prone to disappearance. It is the responsibility of historians, in part, to preserve digital culture heritage through research. This SI is concerned with theoretical papers outlining methods for studying and understanding ontologies of digital material culture. It also is interested in object-focused histories of digital design and institutional critique of the place of digital design in design history and cultural heritage institutions. Potential paper topics might include:

• Histories of digital material culture/digital objects and artefacts.

• Methods for studying non-analogue and hybrid objects.

• Museological challenges in curating and collecting digital design.

• Pedagogy of digital material culture.

• Institutional critiques of the place of digital design in design history and cultural heritage institutions.

This SI is not a “how-to” guide for conducting online research of digital design. Rather, it is concerned with the ontology of digital artefacts and how this affects their study by design historians. This issue will also not address the technical conservation of digital object as such, though discussions about the ephemerality of digital objects is very welcome.

If you would like to discuss an idea for a paper, please contact the guest editor Anna Talley at anna.talley@ed.ac.uk . Please submit abstracts of c.300 words along with a working title, your name and institutional affiliation to anna.talley@ed.ac.uk . The submission deadline for abstracts is 15 May 2023.

Call for Abstracts: Archaeologies of Displacement: Heritage, Memory, Materiality

Synopsis

This call for abstracts invites interested researchers to send their abstracts of suggested chapters on the archaeologies of displacement, migration and humanitarian crises, their impact on societies, cultural identity, and collective memory of displaced people around the world.

Book Topic

Displacement and forced migrations were a major feature of the 20th century in many regions of the world and are increasing rather than decreasing in the second decade of the 21st century. Civil wars, conflicts and political unrest have all created movements of refugees and internally displaced people. Other people have fled their homes due to famine, environmental disasters, nuclear or chemical disasters, or major development projects, such as dam building.

Currently, the seemingly endless cycle of violence and conflicts in several areas across the world, such as the Middle East and North Africa (MENA) region, Eastern Europe, Southeast Asia, Central and South America, and Africa has served to create humanitarian catastrophes. In the context of the Middle East, more than 10 million people have left their homes and have been internally displaced or sought refuge in neighbouring countries. Others have made their way through the Mediterranean to reach Northern Europe, stirring up political tensions and debates about the rights of migrants and refugees. Similarly, in the past few months, images and videos highlighted a new wave of migration due to the warfare hostilities in Ukraine. Western media started immediately to report on the humanitarian crisis in Ukraine and how those refugees are “civilized”, “educated”, “know how to use Instagram”, and “very different from the Middle Easterners or Africans” who sought refuge during the last decade. A growing number of activists on social media platforms ironically responded to the Western media double standards and narratives of refuge.

The concept of involuntary displacement offers a powerful tool with which to explore the identities of exiled groups. A close consideration of the mechanisms of forced migration allows us to understand how the decay and loss of material objects such as personal possessions and photographs, which are invested with individual memories, compromise the ability to recall or come to terms with a difficult past life. 

Many displaced refugees and migrants seek to safeguard their cultural identities by attempting to maintain contact with their homeland. This can lead to the creation of ‘re-invented ethnicities’ where nostalgic memories of a homeland are added to and embellished in a place of sanctuary. In some cases, the assertion of alien identities can lead to ethnic tensions and hinder integration into new communities. It can also lead to distrust and the segregation or ghettoization of incoming migrants and refugees. 

This edited book aims to understand how and why the voices of displaced people are so often forgotten in the narratives of globalisation. We will focus on how the trauma of forced migration creates interconnections between material objects, memories, oral histories and people and explore the potential for creating sustainable archaeologies of displacement. Finally, we will examine how the authentic voices and testimonies of refugees can be used to revive the forgotten and unexplored narratives of global displacement. 

We welcome cross-disciplinary proposals from individuals at different stages in their careers, including early and mid-career researchers, academics and practitioners and from a range of methodological and conceptual perspectives.

Deadline

Please send abstracts (chapter proposals) of 300-400 words to the below emails by 28 February 2023

Contact Info: 

Dr. Nour A. Munawar: nour.munawar@dohainstitute.edu.qa 

Doha Institute for Graduate Studies & Center for Conflict and Humanitarian Studies – Qatar

Prof. Dr. James Symonds: j.symonds2@uva.nl

University of Amsterdam (UvA) – Netherlands 

Contact Email: 

nour.munawar@dohainstitute.edu.qa

URL: https://chs-doha.org/en/News/Pages/Archaeologies-of-Displacement.aspx

Call for MAC Poster Presentations

The Midwest Archives Conference will convene for its annual meeting April 13-15, 2023, in Chicago, Illinois.

The 2023 Program Committee invites poster proposal submissions on all aspects of archival practice and research, as well as from allied and related fields. The Program Committee seeks a diverse slate of presenters representing a variety of personal and institutional backgrounds, perspectives, and voices. We seek to foster a culture of inclusion in the MAC program and encourage submissions from anyone who is interested in presenting, including students, new professionals, first-time presenters, and those from allied professions. MAC membership is not required to present. 

To submit a proposal, please fill out the Google Form (forms.gle/jkGiPrPZTUAaEU7t8). Proposals are due February 3, 2023 (deadline extended). Poster presentations will be onsite only. For complete details, visit the Call for Poster Proposals page on the MAC website.

CFP: Empire and material culture

The Society for Global Nineteenth-Century Studies (ww.global19c.com) is seeking a few papers on any aspect of empire and material culture (with a slight preference for papers exploring museum collections, cultures of collecting, etc.) to be included in the program of its 2023 world congress in Singapore (19-22 June). These papers will join panels that have already been formed.  The theme of the congress is “Comparative Empire: Conflict, Competition, and Cooperation, 1750-1914.” While remote participation may be possible, we would be especially interested in presenters who are able to join us in person. To learn more about the work of the Society and its congress, please visit: https://www.global19c.com/ and https://www.sgncscongress.com/

The deadline for submissions has already passed. Therefore, proposals will be considered on a first-come, first served basis.

CFP: ARMA InfoCon 2023

Be a part of the action by presenting your skills and best practices to the finest in the profession at ARMA International’s InfoCon 2023, at Huntington Place in Detroit, MI, on October 8-11, 2023. 

The call for proposals is open now through February 1, 2023. ARMA seeks sessions that have a measurable impact and lead to workplace results for the participants and that are uniquely engaging and invite the participants to experience content application.

  • Share best practices and innovations and build upon core skills
  • Ignite imaginations and showcase trends in information management and governance
  • Demonstrate clear key concepts, solutions, and takeaways for attendees
  • Supply real-world examples and practical takeaways
  • Be learner focused, creative, and engaging

Presenters will receive a free conference registration. For panel presentations with multiple presenters, two free registrations will be given.

When submitting, please indicate your session track type and session topic focus area.

SESSION FORMAT:

  1.  CORE CONTENT SESSION: 40-45 minutes

SESSION TRACKS:

  1. BEGINNER TRACK: Sessions geared towards those with 0-5 years of experience working in the RIM/IG industry.
  2. INTERMEDIATE TRACK: Sessions geared towards those with 6-20 years of experience working in the RIM/IG industry.
  3. ADVANCED TRACK: Sessions geared towards those with 21+ years of experience working in the RIM/IG industry.
  4. EMERGING TRENDS TRACK: Sessions focused on topics related to the latest trends and updates in technology, business methods, etc.
  5. MICROSOFT TRACK: Sessions focused on trends, use cases, and implementation of Microsoft technologies. 
  6. THE SEDONA CONFERENCE® LEGAL TRACK: Sessions focused on legal topics related to information such as contracts management, eDiscovery, technology-assisted review, PII, legal obligations, etc.

PROPOSED TOPIC FOCUS AREAS:

  1. ADVANCED INFORMATION CONCEPTS: Sessions focused on advanced information topics such as digital transformation, content services, process automation, continuous auditing, and analytics, etc.
  2. CREATING STRUCTURE AND IMPROVING PROCESS: Sessions focused on the topics of information structure, taxonomy, file plans, metadata, etc., as well as those on process improvement, process analysis, and process management.
  3. DEI: Sessions relevant to diversity, equity, and inclusion in the RIM/IG industry.
  4. ETHICS: Sessions focused on the relationship between the creation, organization, dissemination, and use of information, and the ethical standards and moral codes governing human conduct in society. 
  5. INFORMATION FORWARD (ADVANCED TECHNOLOGY): Sessions focused on any type of advanced technology, for example, artificial intelligence, machine learning, blockchain, automated technology-assisted review, autoclassification, etc.
  6. INFORMATION FUNDAMENTALS: Sessions focused on the fundamentals of records management, information management, document management, content management, data management, etc.
  7. PROFESSIONAL ADVANCEMENT: Sessions focused on individual development, for example, certifications, career development, career path analysis, team building, etc.
  8. REDUCING ORGANIZATIONAL INFORMATION RISK: Sessions focused on information risk reduction such as eDiscovery, ROT analysis, information migration, file share reduction, etc.


Click here for more information on the process and how to submit your proposal.

ARMA strives for a diverse and well-balanced conference. Each submission is given a thorough review, and all submitters will be notified of their status on or before March 31, 2023.

SUBMIT YOUR PROPOSAL NOW! 


Questions?  Email us at conference@armaintl.org.

Call for Contributions: Email Archiving Symposium

The Email Archives: Building Capacity and Community program is pleased to announce a Call for Contributions for the Email Archiving Symposium. The symposium will take place over the course of three days and online, from June 13 to June 15, 2023. 

Email archives are a valuable source of information and evidence. As more institutions grapple with challenges, and as others realize the full potential of email archives as a resource, age-old questions are being looked at anew.  The goal of the EA Symposium is to highlight the ways that now, more than ever, we can and must fully integrate email preservation and access into archival practice. Whether it’s libraries, archives, museums, government, or corporations, every institution that uses email needs a solution for managing and archiving it.

The symposium will explore the current state of email archiving and reflect on future opportunities for progress. We welcome contributions on all aspects of email archiving including:

  • Discovery and uses of email archives
  • Social and cultural value of email records and collections 
  • Email management and retention policies and practices
  • Technologies for managing email archives
  • Outstanding community needs and future developments
  • Email as a resource for research and scholarship

The deadline for submission is Friday, March 3, 2023. 

For more information about the submission process, please visit https://emailarchivesgrant.library.illinois.edu/email-archiving-symposium/.  

CHRISTOPHER J PROM, PHD (HE/HIS)

Interim Juanita J. and Robert E. Simpson Dean of Libraries and University Librarian (Designate)

CFP: Women and Museums A Focus Issue for the Journal Collections

CALL FOR PAPERS
Women and Museums
A Focus Issue for the journal Collections

Guest Edited by Dr. Holly Farrell, Postdoctoral researcher, Leiden University, Netherlands

Deadline: March 1, 2023

While not always as well-known as their male counterparts, women have been involved in
the development of museums since their conception. Whether as donors, collectors, or
employees, women have had important roles in the building up and display of collections in
museums throughout the world. As work is done to highlight the histories of museum
institutions and collecting practices, it is important to acknowledge the distinct position of
women in this area. The contribution of women to museums and collections is invariably
linked to issues of gender, along with class and race, making for a rich and nuanced area of
research. Developing from the Women and Museums Conference, Leiden University 2022,
this special issue will explore the varied ways in which women participated in such
institutions. The relationship between women, museums and collections historically is an
important site for understanding connections between people, institutions and objects.
We invite contributions from scholars and practitioners writing on topics related to the
following:
• Women’s collections
• Women as donators
• Women and museum work
• Private collections
• Imperialism and women collecting
• Folk museums and women
• Women’s photography collections
• Women travellers and collectors
• Women working in the shadow of men
We are particularly interested in articles which relate to gender, race, class intersections in
the lives of the women examined.
For this issue, we are seeking articles, essays, and case studies of 2,000-3,000 words (8-12
pages double spaced, plus notes and references). Authors should express their interest by
submitting a 300-word abstract and any relevant information (such as short bio or pertinent
URLs) to the guest editor, h.o.farrell@hum.leidenuniv.nl, and the journal editor,
jdgsh@rit.edu, by March 1, 2023. Notification of acceptance will be made by May 1, 2023,
with the deadline for submission of final papers of September 1, 2023 through the SAGE
online submission portal. Publication is anticipated for volume 19 or 20 an issue date of
2023/2024. For additional information or to receive samples of the journal, please contact
the journal editor, Juilee Decker, jdgsh@rit.edu.

Issued September 8, 2022

Framing References:
• Women and Museums Conference, Leiden University 2022.
• Two issues of the journal published in 2018,
https://journals.sagepub.com/toc/cjx/14/3 and
https://journals.sagepub.com/toc/cjx/14/4, guest edited by Janet Ashton, Margot
Note, and Consuelo Sendino.
• Bracken, Susan. Andrea M. Gáldy, Adriana. Turpin, and University of London. Institute
of Historical Research. Women Patrons and Collectors. Newcastle upon Tyne:
Cambridge Scholars Publishing, 2012.

• D’Ancona Modena, Louisa Levi. “The ‘beautiful enigma,’a case study of German-
Jewish women in collector networks in Rome (1880-1914).” Journal of the History of

Collections (2022).
• Hill, Kate, Women and museums, 1850–1914: modernity and the gendering of
knowledge. Manchester: Manchester University Press, 2016.
• Leis, A C. Sarah Sophia Banks: femininity, sociability and the practice of collecting in
late Georgian England. York: University of York, 2013.
• Leis, Arlene, and Kacie Wells. Women and the Art and Science of Collecting in
Eighteenth-Century Europe. New York: Routledge, 2021.
• Levin, Amy K. (ed), Gender, sexuality and museums, A Routledge reader. London:
Routledge, 2010.
• Proctor-Tiffany, Mary. “Doris Duke and Mary Crane, Collecting Islamic art for Shangri
La, a Hawaiian hideaway home.” Journal of the History of Collections (2022).

CFP: Corporeal Conversations | Conversations Corporelles

CALL FOR PAPERS

CORPOREAL CONVERSATIONS | CONVERSATIONS CORPORELLES

March 10-11, 2023
Brown University | Providence, Rhode Island

Keynote Address:
DR. NORA MARTIN PETERSON
Associate Professor of French Cultural Studies at the University of Nebraska-Lincoln

“Je suis moi-même la matière de mon livre” announces Michel de Montaigne to the readers of his autobiographical Essais. While initially speaking to the reader, Montaigne would later become a reader himself, critically conversing with his own text in the margins of previous editions. This archive of edits underscores the materiality of a “body” of work as a site and subject of conversation between readers, authors, and critics alike. As a literary experiment in both style and voice, the Essais continue to shape and be shaped by conversations. In this tradition, Equinoxes 2023 seeks to provoke new dialogues around existing corpuses, to think about our relationship to creative works and the archive of criticism that comes with them.

Works of art call out to each other, engaging in conversations that span borders and epochs. From the circulation of written works within salon culture to the power of images to capture a movement, how might we understand our interactions with media and each other as conversations centered around and facilitated by bodies? Bodies continue to be a site of political struggle, from the policing of race, gender, and reproduction to the increasing awareness of our own environmental entanglements. What might we learn from listening to and/or reading bodies, in their various material representations? Papers may address the following topics: the construction of a corpus, the relationship between text and criticism, issues of voice, how bodies speak for themselves, the legibility of a body as racialized, gendered, and/or disabled, the afterlife of a work of art, the legacy of creative traditions, the construction of archives, and texts as living documents. Finally, how might our own interventions be understood as corporeal conversations in their own right?

As an interdisciplinary conference, Equinoxes encourages submission from a variety of fields, including but not limited to literature, philosophy, history, ethnography, anthropology, media studies, disability studies, sociology, art history, religious studies, Women’s and Gender Studies, and political science, provided that the presentation relate to French or Francophone studies.

We welcome papers related (but not limited) to the following topics:

● Bodies of work

● Theories of the corpus and canonicity

● Posthumous publishing

● Editorial processes

● Archive(s)

● Palimpsests

● Criticism of theory and praxis

● The works of Michel de Montaigne

● Autobiography / Autofiction / Autotheory

● Networks of communication and writing

● Written or recorded conversations

● Voices and the voiceless

● Survival, testimony and inheritance

● Death, mourning and remains

● Embodiment

● The sensing body

● Body and voice

● Body language

● Disability

● Gendered bodies / (Wo)man and the body

● Corporeal Feminism

● Women’s writing / écriture féminine

● Rhetoric and Speech Acts

● Worldbuilding / Worlds from words

Graduate students who wish to participate in the conference should submit an abstract of no more than 250 words, along with a short bio. Abstracts must be sent, as attachments, to equinoxes-conference@brown.edu before January 15, 2023. Emails should include the author’s name, institutional affiliation, and contact information. Presentations, whether in English or in French, should not exceed 20 minutes.

APPEL A CONTRIBUTIONS

CORPOREAL CONVERSATIONS | CONVERSATIONS CORPORELLES

10–11 mars 2023
Brown University | Providence, Rhode Island

Conférencière principale :
DR. NORA MARTIN PETERSON
Maître de conférences en Études Culturelles Françaises à l’Université du Nebraska-Lincoln

“Je suis moi-même la matière de mon livre” annonce Michel de Montaigne dans son ouvrage autobiographique, les Essais. S’il s’adresse tout d’abord à son lecteur, Montaigne en deviendra un lui-même par la suite, conversant de manière critique avec son propre texte dans les marges de ses éditions antérieures. Ces archives d’apports et d’ajouts soulignent la matérialité d’un “corps” relatif à l’œuvre en tant que site et sujet de conversation pour lecteurs, auteurs et critiques. En tant qu’expérience littéraire, tant au niveau du style que de la voix, les Essais continuent de façonner et d’être façonnés par les conversations qui s’y rapportent. C’est dans l’esprit de cette tradition qu’Équinoxes 2023 cherche à initier de nouveaux dialogues autour de ces corp(u)s existants et inviter à la réflexion vis-à-vis de notre rapport aux œuvres créatives de même qu’aux archives de la critique qui les accompagnent.

Les œuvres d’art s’interpellent entre elles, invitant des conversations qui dépassent les frontières et transcendent les époques. De la circulation d’œuvres écrites dans le contexte de salons littéraires au pouvoir qu’ont les images de capturer un mouvement, comment comprendre nos interactions avec nous-même, les autres et les médias sous formes de conversations qui soient à la fois centrées sur le(s) corp(s) et facilitées par ce(s) dernier(s) ? Les corps continuent d’être le théâtre de luttes politiques, qu’il s’agisse de régulations autoritaires encadrant les questions de race, de genre et de reproduction, ou bien la prise de conscience accrue de nos enchevêtrements environnementaux. Que pouvons-nous apprendre en écoutant et/ou en lisant des corps, dans le cadre de leurs diverses représentations matérielles ?

Nous encourageons les communications à traiter des sujets suivants : la construction d’un corpus, la relation entre texte et critique, les questions de voix, les corps qui parlent pour et par eux-mêmes, la lisibilité d’un corps racisé, sexué et/ou handicapé, la postérité d’œuvres d’art, l’héritage de traditions créatives, la construction d’archives, et les textes en tant que documents vivants. Enfin, comment comprendre nos propres interventions en tant que conversations corporelles à part entière ?

S’inscrivant dans des contextes français ou francophones, les propositions de communication peuvent, sans forcément s’y limiter, appartenir aux domaines d’études suivants : la littérature, la philosophie, l’histoire, l’ethnographie, l’anthropologie, les études de médias, les études sur les questions liées au handicap, la sociologie, l’histoire de l’art, les études religieuses, les études de genre et de théories queer et féministes, et les sciences politiques.

Nous accueillons les propositions de communication liées, sans y être strictement limitées, aux thèmes suivants :

● Le(s) Corps de texte(s)

● Les théories de corpus et de canons

● Publications posthumes

● Processus éditoriaux

● Archive(s)

● Palimpsestes

● Critique de la théorie et de la praxis

● Les oeuvres de Michel de Montaigne

● Autobiographie / Autofiction / Autothéorie

● Les réseaux de communications et d’écritures

● Conversations écrites ou enregistrées

● La voix et les sans-voix

● Survie(s), témoignage(s) et héritage(s)

● La mort, le deuil et les dépouilles

● Incarnations

● Le corps sensible

● Le corps et la voix

● Le langage corporel

● Le handicap

● Les corps genrés

● Féminisme corporel et qui prend corps

● Écriture des femmes et écriture féminine

● Rhétorique et actes de paroles

● Les mondes fait de mots

Tout.e doctorant.e souhaitant participer à la conférence est invité.e à envoyer un résumé de 250 mots maximum accompagnés d’une brève notice bio-bibliographique en pièce jointe à equinoxes-conference@brown.edu avant le 15 janvier 2023. Chaque proposition de candidature doit inclure : le nom de l’auteur.e, l’affiliation institutionnelle, et une adresse email. Les communications, en français ou en anglais, seront limitées à 20 minutes par personne.

Contact Info:

Brown University

French and Francophone Studies Department

equinoxes-conference@brown.edu