CFP: Archives as Data: New Directions in Historical Research

Conference: January 3, 2025

Call for Papers

Archives as Data: New Directions in Historical Research

We are excited to announce a conference on “Archives as Data: New Directions in Historical Research.” It will occur in January 2025 at Columbia University, and feature new work in the field of digital history and digital archiving, as well as roundtables and plenary discussions about the future of research using text as data. 

The conference is funded by the National Endowment for the Humanities, and is a continuation of Columbia’s “Archives as Data” program. That program has just been extended to 2025 and 2026 thanks to a new grant from the NEH Institute for Advanced Topics in the Digital Humanities program.

This conference will highlight the innovative work and new research opportunities emerging from the increasing volume of digitized and “born digital” materials for archivists and historians. The event will feature research presentations, roundtables, and plenary discussions about digital history and archives more generally, including some from participants of Columbia’s previous “Archives as Data” Summer Institutes (list copied below). However we are opening this call to all interested applicants in hopes we can further expand and connect the community of people working on these problems.

Those interested in presenting new projects at the conference should complete this form. We particularly welcome applications from people who have not previously had the opportunity to present work in this field, and collaborative projects that include historians as well as archivists. 

How to apply: Complete this application form

(https://forms.gle/n8SSbgUvdMMJG393A

Conference Dates: January 3, 2025

Application timeline: Applications will be reviewed beginning October, with notification around mid-October. 

Location: Lehman Center, Columbia University, New York City

Financial support: We hope to cover the travel costs and two nights hotel stay for conference presenters who would not otherwise be able to participate.

Invited Speakers at the 2023 and 2024 “Archives as Data” workshops:

Cameron Blevins, University of Colorado Denver

Merlin Chowkwanyun, Columbia University

Greg Eow, Center for Research Libraries

Jo Guldi, Southern Methodist University

Tim Hitchcock, University of Sussex

Barbara Rockenbach, Yale University

Heidi Tworek, University of British Columbia

CFP: Popular Culture Association, Libraries, Archives & Museums

The Popular Culture Association/American Culture Association annual conference will be held April 16-19, 2025, at the New Orleans Marriott in New Orleans, Louisiana. Scholars from a wide variety of disciplines will meet to share their Popular Culture research and interests.

Updated link: https://pcaaca.org/page/submissionguidelines

The Libraries, Archives & Museums area is soliciting papers dealing with any aspect of Popular Culture as it pertains to libraries, archives, museums, or related areas. Possible topics include:

  • Descriptions of research collections or exhibits
  • Developments in technical services for collecting/preserving popular culture materials
  • Using popular culture materials in education programs and/or information literacy
  • Analyses of social networking or web resources
  • Challenges and bans on library materials and related attacks on libraries and personnel
  • Issues related to museum and archive repatriation
  • Representations of libraries, librarians, or museums in popular culture and media
  • The future of libraries and museums, including the effects of emerging technologies and generative AI on exhibits, collections, or services.

The deadline for submitting a proposal is November 30, 2024. Proposals may be submitted at https://conference.pcaaca.org.

Please direct any questions to the area chair for Libraries, Archives & Museums:

Elizabeth “Beth” Downey

Professor and Popular Culture Librarian

Mississippi State University Libraries

Mississippi State, MS 39762

662-325-3834

edowney@library.msstate.edu

Recent Issue: Journal of Digital Media Management

Volume 12 / Number 3 / Spring 2024
(subscription)

Editorial
Beckett, Simon

Revitalising legacy video ingest workflow: A case study on cultivating a digital mindset and gaining key stakeholder buy-in to transition to a cloud-based media asset manager
Collins, Rob; Neff, Dominique

Welcome to the purge: Digital records in an era of new limits
Cline, Tyler G.; Howell, Katie Causie

DAM as a brand ambassador: How digital asset management can be a strong ally of brand strategy
Burns, Kristin

Case study: Accessioning and describing digital archival acquisitions using encoded archival description crosswalks
Doub, Bo

Through a glass darkly: Lessons from The Huntington Library, Art Museum, and Botanical Gardens digital asset management implementation
Lee, Yvonne; Einaudi, Mario

Metadata remediation through migration, post-migration or necessary clean-up: A roadmap for success
Smith, Jason

Building the Black History and Visual Culture collection at Penn State University Libraries
Rea, Bethann; Green, Patrice R.; Clair, Kevin

Lehigh Libraries digital repositories migration: A case study
Japha, Alex

New Issue: Provenance

Provenance, Volume 40, Number 1 (2024)
(open access)

Article

Building Resilience: Three Decades of Cultural Heritage Emergency Preparedness and Response in Georgia
Tina Mason Seetoo and Christine S. Wiseman

Reviews

Review: The Worlds I See: Curiosity, Exploration, and Discovery at the Dawn of AI
Autumn M. Johnson

Review: Unsettling Archival Research: Engaging Critical, Communal, and Digital Archives
Blynne Olivieri Parker

Review: Archival Silences: Missing, Lost and, Uncreated Archives
Alison Reynolds

Review: Decolonial Archival Futures
Michelle Schabowski

Review: Museum Archives: Practice, Issues, Advocacy
Penny Cliff

Presentations Available: «Zugang zu Archiven – Recht oder Pflicht?»

Association of Swiss Archivists
Die Präsentationen unserer Fachtagung 2024 sind hier abrufbar.

«Access to archives – right or duty?»

The presentations from our 2024 conference are available here.

New Issue: Collections

Collections, Volume: 20, Number: 3 (September 2024)
(partial open access)

Introduction to the Focus Issue: Women and Museums
Holly O’Farrell

Not Just a Women Artists’s Show: Curatorial Challenges for the Exhibition of Women Artists in a Public Collection
Haizea Barcenilla

From Mammy to Big Mama: Caring for Collections on Our Own Terms
Kayla T. Jackson

Site of Social Justice Advocacy, or Home of Godly Women? Interpreting Women’s Work at the Frances Willard House Museum
Fiona Maxwell

The Women Who Built the Smithsonian Anacostia Community Museum Collection
Jennifer Morris

Dorothy Shepherd and the Cleveland Museum of Art’s Ancient Near Eastern and Islamic Art Collection
Robin Hanson and Holly Witchey

Marvette Pérez: A Visionary Smithsonian Curator
Fath Davis Ruffins, Magdalena Mieri, L. Stephen Velasquez, and Ranald Woodaman

Collections of Collections: Alice T. Miner and Electra Havemeyer Webb
Anastasia Pratt

From Bolton to Brussels and Beyond: Two Women’s Passion for Museums and Collecting
Ian Andrew Oswald Trumble

The Field Collector, Ethnographer, and Scholarly Networker: Annie Marion Rivett-Carnac and her Collection of Indian Jewellery
Niti Acharya

Women, Empire, and Entomology: An Object Biography of Eleanor Glanville’s Pipevine Swallowtail, c. 1700
Michele D. Pflug

Tactics for Troubling Taste: Barbara Jones and the Blackeyes and Lemonade Exhibition at Whitechapel Art Gallery, London, 1951
Alice Twemlow

New Issue: Journal of Documentation, Special Issue: Artificial Intelligence for Cultural Heritage Materials

Journal of Documentation, Special Issue: Artificial Intelligence for Cultural Heritage Materials, volume 80 issue 5
(partial open access)

Guest editorial: Artificial intelligence for cultural heritage materials
Glen Layne-Worthey, J. Stephen Downie

Computer vision and machine learning approaches for metadata enrichment to improve searchability of historical newspaper collections
Dilawar Ali, Kenzo Milleville, Steven Verstockt, Nico Van de Weghe, Sally Chambers, Julie M. Birkholz

Automated Dewey Decimal Classification of Swedish library metadata using Annif software Open access
Koraljka Golub, Osma Suominen, Ahmed Taiye Mohammed, Harriet Aagaard, Olof Osterman

Unsilencing colonial archives via automated entity recognition
Mrinalini Luthra, Konstantin Todorov, Charles Jeurgens, Giovanni Colavizza

User perspectives through cross-connections. The role of archives as part of the German digital research data infrastructure
Kai Naumann, Andreas Neuburger

Datafication of audiovisual archives: from practice mapping to a thinking model
Yuchen Yang

: developing AI tools to link and support community-generated digital cultural heritage
Ewan D. Hannaford, Viktor Schlegel, Rhiannon Lewis, Stefan Ramsden, Jenny Bunn, John Moore, Marc Alexander, Hannah Barker, Riza Batista-Navarro, Lorna Hughes, Goran Nenadic

Unlocking a multimodal archive of Southern Chinese martial arts through embodied cues
Yumeng Hou, Fadel Mamar Seydou, Sarah Kenderdine

Validating predictions of burial mounds with field data: the promise and reality of machine learning Open access
Adela Sobotkova, Ross Deans Kristensen-McLachlan, Orla Mallon, Shawn Adrian Ross

New Issue: Comma

Comma: Volume 2022 Issue 1
(subscription)

Implementing the Digital Transfer of Records from Public Institutions: The Experience of the National Archives of Chile
Gabriela Andaur and Pilar Díaz

Linking Archives, Linked Open Data, and the Development of the World-Wide Directory of Repositories Holding Archives of Literature and Art
Elizabeth Bassett, Heather Dean, and David C. Sutton

Addressing Imbalances of the Colonial Heritage at the National Archives of Zimbabwe: Imagining Inclusive Archivy!
Amos Bishi

Not Only Cultural Heritage: The Economic Value of Archives
Lucia Biondi and Debora Chiarelli

Das Sächsische elektronische Kommunalarchiv: Eine Lösung für die Erhaltung der digitalen Kultur der Städte
Paolo Cecconi

European Digital Treasures: A Project to Address the European Archives’ Challenges
Cristina Díaz Martínez, Leonard Callus, and Zoltán Szatucsek

#archivesgateway: The State Archives of Palermo Opens Itself Up to the City
Francesca Di Pasquale, Floriana Giallombardo, Carmen Genovese, and Flora La Sita

Why Archivists Need to Know about Copyright
Jean Dryden

Bridging the Gaps Between Communities and their Memories: Comparing Community-Based Archives in Five Countries
Andrew Flinn, Magdalena Wiśniewska-Drewniak, Mônica Tenaglia, Mengqui Li, and Luisa Seixas

Combler les fossés: quand les archives pallient aux lacunes de la mémoire individuelle
Pierre Flückiger and Anouk Dunant Gonzenbach

Trentino’s Historical Archives Portal: A Tool to “Bridging the Gap”?
Stefania Franzoi and Fiammetta Baldo

Breaking the Library Walls, Bridging the Gap with Generation Next
Vicky Gerontopoulou, Maria Pazarli, and Kostas Diamantis

Connecting the Archives: Collaboration between the National Archives of Japan and Local Archives
Yamatani Hideyuki

Disruption of Academic Archival Practice: A Preliminary Examination of Finding Aids
Lisa Lawlis and Anne Quirk

Federating the Authorities and Training the Employees in Order to Bridge the Digital Gap: The Project “Protocollo Informatico Trentino” (P.I.Tre.)
Annamaria Lazzeri and Carlo Bortoli

European Union, Archives, Rights
Tommaso Maria Rossi

Archives Buildings: Witnesses of the Past, Bridging to Modernity
France Saïe-Belaïsch and Odile Welfelé

A Novel Heterocyclic Fungicide (1, 3, 4-THIADIAZOLO [3, 2-a] PYRIMIDIN-5-ONES) Plays a Vital Role to Inhibit Fungus from Archival Cultural Heritage
Sarvesh Singh

Strengthening the Connections Between the Citizens and the Hellenic Parliament
Iouliani Theodosi

New Perspectives for Access to Archival Heritage in Italy between Privacy, Copyright, and Protection Rules
Silvia Filippin and Mirco Modolo

New Perspectives / Nouvelles Perspectives

Recommendations on Using Artificial Intelligence in Archival Appraisal and Selection
Rebecca Y. Bayeck, Giovanni Colavizza, Jenny Bunn, Mark Bell, and Souvick Ghosh

New Issue: Archival Science

Archival Science: International Journal on Recorded Information vol. 24 issue 3
(open access)

It’s only a mirage: Tahar Djaout’s critique of logocentrism in L’Invention du désert
Abdelkader Aoudjit

Scouring the desert: political violence traceability in the Americas
Paola Diaz, Rodrigo Suarez

Finding values, building communities: development of an archival appraisal system for the Thai public sector
Naya Sucha-xaya

An opportunity to stay connected: documenting personal communication records of military personnel
Allan A. Martell, Edward Benoit III

Archiving difficult realities: a systematic investigation of records related to sexual violence in US college and university archives
Ana Roeschley, Julie Miller, Alison Nikitopoulos, Morgan Davis Gieringer, Jessica Holden

The disposal of paper public documents in the face of their digitization: what is lost?
Josimas Eugênio Silva, Michael David de Souza Dutra

Creating a representative archive of performance practice at the National Theatre of Great Britain
Erin Lee

Building ignorance by disseminating “evidence”: an agnotological look into the digital archives of the Islamic Republic of Iran
Natalia Pashkeeva

Instituting a framework for reparative description
Stephanie M. Luke, Sharon Mizota

CFP: Media Fields Journal, Issue 19: Archival Elements

Call for Papers: Archival Elements
Media Fields Journal, Issue 19

Submission Deadline: October 31, 2024

In 2008, the International Federation of Film Archives (FIAF) released its 70 th anniversary manifesto reaffirming film’s status as the “optimal archival storage” of the moving image. “Don’t throw film away!” they urged, for unlike its digital successors, film elements tangibly embody traces of their own material history alongside a bygone cultural heritage. “No matter what technologies may emerge,” they write, existing film elements “connect us to the certainties of the past.”

For film archivists, the element is the inert container of audiovisual content subject to archival care and maintenance—the original artifact and source of any material or digital copies to come. Indeed, across scholarly and archival spheres alike, the element has remained the intrinsic foundation of the moving image, its archival preservation, and the theoretical study thereof. Whereas Caroline Frick has considered the ways that “original” media elements become bound up with notions of authenticity, cultural heritage, and nationhood, scholar-practitioners have increasingly turned to what Giovanna Fossati calls film’s “archival life,” a term that seeks to discursively address the expanding myriad of physical and digital spaces required in contemporary preservation. How, Fossati posits, might scholars and archivists alike better account for the ways that film and media are at once preserved, historized and politicized by archival processes? In other words, what might be gained from reflecting seriously on how different kinds of media traverse the archival sphere? What happens when a given audiovisual element also becomes an archival one?

This issue of Media Fields seeks to build on these conversations by examining how the proliferation and mediation of the archive and its elements is productive. Contemporary archival elements are often integrated into processes involving other forms of media, such as database and metadata development, digitization, interactive and public-facing archival digital interfaces, and larger multimedia collections. We ask: what kinds of political, theoretical, and practical connections arise when thinking about and doing the archive in these different spatial ways —traditional, alternative, or otherwise—and how might we better place these approaches in discursive conjunction with one another? Further, what are new ways in which theory (archival and otherwise) might intervene and inform archival practice, and historicizing therein? In turn, what does this mean for the (after)lives of the media themselves?

The Media Fields Editorial Collective at UC Santa Barbara’s Department of Film and Media Studies welcomes submissions that critically engage the connections between space, media, and archival practice. We seek essays of 1500–2500 words, digital art projects, and interviews from scholars and practitioners alike. Potential submission topics include, but are not limited to:

  • Preservation: Precarity and decay, fragility, physicality, ontologies of the film and media archive and its objects, broadly construed
  • Cataloging: Metadata organization, archival etymology, reparative description and taxonomies, hierarchical data structures
  • Collection management: Power and ethics, restitution and social justice, collections policy, community oversight, institutional and/or community-based funding structures
  • Memory: Personal, collective, historical and/or cultural memories, archival modes of erasure, loss, and silence
  • Curation: Accessibility, community engagement, digital interfaces
  • Provenance: Found footage, orphan films, transnational displacement
  • Archival space: Traditional institutions, digital databases, garages, basements

Past Media Fields issues and submission guidelines may be found at mediafieldsjournal.org.

Please email all inquiries and submissions to issue co-editors Kelsey Moore and Hannah Garibaldi at submissions@mediafieldsjournal.org by October 31, 2024.

Contact Email

submissions@mediafieldsjournal.org

URL

http://mediafieldsjournal.org/call-for-submissions/