CFP: Oral History Review, Special Issue on Indigenous Oral History

Oral History Review – Special Issue!
Announcing a Special Issue dedicated to Indigenous Oral History
Fall 2026

Twenty-five years ago, Winona Wheeler edited “Indigenous Voices from the Great Plains,” a special issue of Oral History Forum, the journal of the Canadian Oral History Association. Around the same time, she attended her first OHA conference, where, she figured, she was the only Indigenous person there. It was a lonely event! Indigenous peoples had been engaged in the practice of oral history for centuries but not many of us were finding our ways to meetings like those run by the OHA. The years since then have seen much change: in 2020 Nepia Mahuika’s exceptional Rethinking Oral History and Tradition: An Indigenous Perspective, won the OHA’s book award, and in 2021 an Indigenous caucus was
formed to provide a recognized space within the OHA for Indigenous oral historians to support one another and to encourage young Indigenous scholars’ oral history work within their communities. As caucus co-founder Sara Sinclair said at that time, her interest in the new group was in part the simple opportunity it granted to engage with other Indigenous practitioners whose work she admired more directly. In 2022, the OHA committed to an Indigenous Initiative, including building an endowed fund “to promote the success of Indigenous oral historians, as well as meaningful and ethical oral historical projects within Indigenous communities.”

There are still many challenges our practitioners face We remain under-represented within cultural and academic institutions and under-funded in our community-engaged practices. Accounts of what the practice of Indigenous oral history means, and how we do it, also remain under-published and misunderstood. For these reasons and more, we are excited to announce a special issue of the Oral History Review and with it, the opportunity to promote meaningful exchange within our community about the practice of Indigenous oral history, by Indigenous practitioners. This is an opportune time to bring the Indigenous oral history community together again, and welcome new peers to introduce themselves and to join us in our pursuits.

We invite you to respond to this call for papers with oral history encounters/interviews, essays, reflections and stories that reveal the multiplicity of ways in which Indigenous oral historians embrace different ways of knowing, and diverse expressions of what it means to “do” oral history in our communities.

Our call for papers asks you to consider:

  • What you are doing with your oral histories; what are the unique ways that you are working with your material, and how you are putting it to use.
  • The projects that shaped who you are and that most informed your oral history practice.
  • The stories of the narrators who changed your life, the relationships that underpinned your adventures, and the experiences that have evoked the most emotion.
  • The readings that have most impacted the way you think about/teach about oral history, whether those readings are categorized as “oral history” or not.
  • How relationships inform the work that you do.
  • How you think about, and feel about, and honor responsibility to community.
  • How you have navigated rules and restrictions in mainstream academic institutions that have made it harder to do your work.
  • How your own approach to teaching Indigenous oral history has evolved
  • How your own thinking about the meaning and practice of oral history has evolved in your own lifetime.

We are especially excited to consider multi-media approaches to sharing these reflections in the OHR’s digital edition of this issue!

The deadline for submissions is June 1st, 2025.

To submit your articles, use the OHR submission portal, https://mc.manuscriptcentral.com/ohr.

For questions, please contact our Special Issue Editors, Sara Sinclair and Winona Wheeler:

  • Sara can be reached at sara.e.sinclair@gmail.com.
  • Winona can be reached at winona.wheeler@usask.ca.

New Issue: Oral History Review

Oral History Review, Fall/Winter 2023
(subscription)

Special Issue: Disrupting Best Practices

Editorial
Editors’ Introduction
Abby Perkiss, Janneken Smucker, and David Caruso

Research Articles
Money Talks: Narrator Compensation in Oral History
By Fanny Julissa García and Nara Milanich

Oral History Indexing
By Douglas Lambert

The Evolution of Best Practice at the University of Alaska Fairbanks Oral History Program “(Special Focus on Best Practices)”
By Leslie McCartney

Learning about Sharing Authority With the Gathered Voices of Malmö
By Robert Nilsson Mohammadi and Sima Nurali Wolgast

Getting it Right: Safeguarding a Respected Space for Indigenous Oral Histories and Truth Telling
By Rhonda Povey, Susan Page, and Michelle Trudgett

Book Reviews
The Language of Russian Peasants in the Twentieth Century: A Linguistic Analysis and Oral History
Reviewed by Orel Beilinson

Once Upon a Time in Iraq: History of a Modern Tragedy
Reviewed by Mia Martin Hobbs

Remembering Theodore Roosevelt: Reminiscences of His Contemporaries
Reviewed by Rachel B. Lane

Children’s Voices from the Past: New Historical and Interdisciplinary Perspectives Reviewed by Kimberly Redding

Fly Until You Die: An Oral History of Hmong Pilots in the Vietnam War
Reviewed by Troy Reeves

Survival Schools: The American Indian Movement and Community Education in the Twin Cities.
Reviewed by Cameron Vanderscoff

Seeking Managing Editor and Book Review Editor for the Oral History Review

OHA is pleased to announce the first two members of the 2024-26 editorial team for its journal, Oral History Review: Holly Werner-Thomas as editor, and Robert LaRose as copy editor. Holly and Robert bring impressive experience and expertise to lead the next era of this leading oral history research journal published for OHA by Routledge/Taylor and Francis.

The OHA is searching for two additional team members to join Holly & Robert on the new editorial team in the roles of Managing Editor and Book Review Editor. Learn more and apply by September 15th here: https://oha.memberclicks.net/ohr-editor-app

This call is open to oral history practitioners – including oral historians, librarians, archivists, freelance/independent historians, instructors, trainers – located worldwide.

Contact Information

Oral History Association

Contact Email

oha@oralhistory.org

URL

New Issue: Oral History Review

Volume 45, Issue 2, Summer/Fall 2018
(subscription)

Animal Stories and Oral History: Witnessing and Mourning across the Species Divide
Carrie Hamilton

Remembering Migrant Life: Family Collective Memory and Critical Consciousness in the Midcentury Migrant Stream
Jennifer R Nájera

Special Section: Inside the Interview: The Challenges of a Humanistic Oral History Approach in the Deep Exchange of Oral History

Guest Editors’ Introduction
Andrea Hajek; Sofia Serenelli

Generation and Memories of Sex and Reproduction in Mid-Twentieth-Century Britain
Angela Davis

“Medical Doctors Do Not Accept Any Refreshment from Us”: Oral History Interviews in a Medical Setting in Sri Lanka
Darshi Thoradeniya

Talking and Not Talking about Violence: Challenges in Interviewing Survivors of Atrocity as Whole People
Anna Sheftel

What Happens When an Interview Is Filmed? Recording Memories from Conflict
Cahal McLaughlin

Pedagogy

Sustainable Stewardship: A Collaborative Model for Engaged Oral History Pedagogy, Community Partnership, and Archival Growth
Janice W Fernheimer; Douglas A Boyd; Beth L Goldstein; Sarah Dorpinghaus

Media Reviews

The Berkeley Remix, Season Three: First Response—Aids and Community in San Francisco
Hannah Byrne

The Quipu Project. Digital oral history archive and interactive website
Dean Cahill

New Dimensions in Testimony. Interactive 3-D exhibit
Tomoko Kubota-Hiramoto

Book Reviews

Stuntwomen: The Untold Hollywood Story. By Mollie Gregory
Alan Bloomfield

I Got a Song: A History of the Newport Folk Festival. By Rick Massimo
Rebecca Brenner

Strangers in the Wild Place: Refugees, Americans, and a German Town, 1945-1952. By Adam R. Seipp
Joyce E Bromley

Little Manila Is in the Heart: The Making of the Filipina/o American Community in Stockton, California. By Dawn Bohulano Mabalon
Naomi Alisa Calnitsky

Garden of the World: Asian Immigrants and the Making of Agriculture in California’s Santa Clara Valley. By Cecilia M. Tsu
Sue Fawn Chung

Latina Lives in Milwaukee. By Theresa Delgadillo
Daisy R Herrera

Verlust und Vermächtnis—Überlebende des Genozids an den Armeniern erinnern sich [Loss and Legacy—Survivors of the Armenian Genocide Remember]. By Mihran Dabag and Kristin Platt (editors)
Stefan Ihrig

From Reconciliation to Revolution: The Student Interracial Ministry, Liberal Christianity, and the Civil Rights Movement. By David P. Cline
Lynched: The Power of Memory in a Culture of Terror. By Angela D. Sims
Anna F Kaplan

Anatomy of a Song: The Oral History of 45 Iconic Hits That Changed Rock, R&B and Pop. By Marc Myers
So Much Things to Say: The Oral History of Bob Marley. By Roger Steffens
Bud Kliment

Encounters with the People: Written and Oral Accounts of Nez Perce Life to 1858. By Dennis Baird, Diane Mallickan, and William R. Swagerty (editors)
Debbie Lee

Blue Texas: The Making of a Multiracial Democratic Coalition in the Civil Rights Era. By Max Krochmal
Gregory M Markley

In Broad Daylight: The Secret Procedures behind the Holocaust by Bullets. By Father Patrick Desbois
Filip Mazurczak

Making Gullah: A History of Sapelo Islanders, Race, and the American Imagination. By Melissa L. Cooper
Robin M Morris

Soundtracks of Asian America: Navigating Race through Musical Performance. By Grace Wang
Mari Nagatomi

“Curing Queers”: Mental Nurses and their Patients, 1935-74. By Tommy Dickinson
Grey Pierce

Unnamed Desires: A Sidney Lesbian History. By Rebecca Jennings
Grey Pierce

Reclaiming the Personal: Oral History in Post-Socialist Europe. By Natalia Khanenko-Friesen and Gelinada Grinchenko (eds)
Kimberly Redding

Tales from Kentucky Nurses. Reprint edition. By William Lynwood Montell
Rachel F Seidman

Skyway: The True Story of Tampa Bay’s Signature Bridge and the Man Who Brought It Down. By Bill DeYoung
Heather J Stone

Charles Walters: The Director Who Made Hollywood Dance. By Brent Phillips
Jessica Webb

 

Call for Book Reviewers: Oral History Review

By Nancy MacKay, Book Review Editor

Did you know that the Oral History Review, the journal of the Oral History Association, publishes 30-40 book reviews in every issue?

And that each book reviewed first must be identified as relevant to oral history; then read, analyzed and written about by volunteer scholars in the OHA community?

And that once the review is submitted to the journal, it undergoes a rigorous review and editing process before emerging in print in the form you see when you sit down with your copy of Oral History Review?

I did not know the extent or the scholarly rigor of this process until I assumed the role as book review editor in January.  As a reviewer I had taken all these steps for granted. Now I understand the effort that goes into scanning new publications for potential review books and matching a book to a volunteer reviewer. And each of those reviewers does serious work in reading and analyzing each book for fellow OHA members.

I now know that the quality of the book review section is maintained through wide community participation. I’m calling out to potential reviewers, seasoned reviewers and authors to get involved by suggesting book titles for review and participating as a reviewer. Reviewers can select books of interest to review and their desired level of activity through a form. Anyone can recommend a title for review. To get started, please contact me at ohrbookreviews@gmail.com.

Oral History Review seeks Book Review and Pedagogy Section Editors

The Oral History Review, the official journal of the Oral History Association, is accepting applications for two positions on the editorial team, the Pedagogy Editor and the Book Review Editor.

The successful applicants will join the six-member editorial team of the Review and will participate actively in the development of the journal.  The editorial team—a creative and dedicated band of editors/oral historians—is motivated by a commitment to the journal and its place in the life of the Oral History Association and the broader oral history community.  Together, we seek to make the Review a lively site in which to experience, discuss, and debate oral history.

These positions are wonderful opportunities for national visibility and service to a well-established scholarly journal.  Each provides a chance to network with well-known and emerging scholars in the field and to stay abreast of the latest oral history scholarship.

Applicants for either position should, first and foremost, be familiar with the literature on oral history. Specific duties for each position can be found after the end of this announcement.

Candidates should also possess:

  • strong writing and editing skills (although no formal editorial training is required);
  • solid organizational abilities to manage the volume of articles or reviews;
  • interpersonal skills to work with authors from many backgrounds and fields;
  • technological flexibility in order to learn and use both computer software applications (such as Word and Excel) and emerging web-based applications.

Deadline for applications is 1 November 2017.

Interviews will be conducted in early November, with an expectation that the new editors will be selected no later than 15 December 2017.  The official start date for the position will be 1 January 2018; however, the incoming editors will work with, and be trained by, the outgoing editors (working together as co-editors) to deliver the issue of the journal that is due to the publisher in February 2018.

The incoming editorial team will be in Minneapolis for the annual Oral History Association meeting and available to answer questions and discuss the positions in greater detail.  Also, for more information about the positions and the editorial board, or to submit an application, please contact:

David Caruso
Editor, Oral History Review
Director, Center for Oral History
The Chemical Heritage Foundation
315 Chestnut Street
Philadelphia, PA 19106
(215) 873-8236
dcaruso@chemheritage.org

To apply, please provide the following:

  1. Letter of application, stating interest in one of the positions and describing relevant experience.
  2. CV. or resume.
  3. Optional, but recommended: a short writing and/or editing sample, roughly 1,000 to 1,500 words in length.

Pedagogy Editor

The Pedagogy Section is published once annually, in the journal’s fall issue. It aims to highlight not only innovative pedagogical practice, but also sound analysis of the use of oral history in the classroom, in both secondary and higher education settings. Applicants should have experience doing oral history work in a classroom setting, an eye for innovative teaching practices, and an ability to distinguish process from analysis. Interested candidates are encouraged to read through the Pedagogy Section in recent issues of the Review in order to get a feel for the section’s offerings.

The Pedagogy Editor:

  • Solicits articles for the journal’s Pedagogy Section.
  • Works with authors during the initial development of their work.
  • Manages the peer review process for submissions.

Book Review Editor

Each issue of the Review contains roughly thirty book reviews, as well as longer pieces meant to elicit deeper reflections on the role a book or a collection of books has played, is playing, or may play in oral history.

The Book Review Editor:

  • Identifies oral history based books to review using publishers’ catalogues.
  • Finds reviewers for identified books.
  • Evaluates and edits submitted reviews both for substance and for adherence to stylistic guidelines.
  • Maintains a database of books accepted for review, reviewers selected for reviews, and the expertise of reviewers.
  • Develops ways to highlight specific works in the field.
  • Works with the book review assistant (position already filled) to accomplish the above tasks.