New Articles: Journal of Western Archives

Vol. 16 (2025) Iss. 1

Article

Assessing the State of Archives and Archives Workers in the California State University
Stef Baldivia, Tanya M. Hollis, Ellen E. Jarosz, Laura Sorvetti, Heather M. Steele Gajewski, and Diana Wakimoto

Case Studies

Ethics of Care: Applying Cultural Protocols to Indigenous Sound Recordings
Jolene D. Manus

Hybrid Conferences as the Standard Offering of Archival Organizations
Portia Vescio, Regina Bouley Sweeten, Kathleen Dull, Dylan McDonald, and Jonathan Pringle

Reviews

Review of Stories on Skin: A Librarian’s Guide to Tattoos as Personal Archives
Steven Bingo

Review of Records and Information Management (3rd edition)
Kathleen Broeder

Call for Articles: Disabilities in Libraries & Information Studies

DisLIS Open for Article Submissions

Disabilities in Libraries & Information Studies (DisLIS) is now accepting articles for peer-reviewed, open access publication. This includes original research articles, review articles, case studies, theory articles, and notes from the field. We recommend authors use this template to structure their articles. We will review submissions using this rubric. Academic articles are peer reviewed using an open, collaborative review process. Articles will be published on a rolling basis.

Article Submission Link

About DisLIS

DisLIS is an open access, multimedia journal run by information professionals who work in various types of information-oriented jobs. All members of the Editorial Board either have disabilities or have extensive experience with disability-centered work.

Our publishing focus is to center the experience of disability within information work in a variety of settings including but not limited to K-12 schools; LIS programs; public, academic, special, or other types of libraries or archives; focusing on the experiences of library or archive workers or users, or people who work with libraries in other ways. Works published may take a variety of forms, including book reviews, peer-reviewed scholarly articles or case studies, poetry, and recorded interviews.

Contact the Editorial Board if you have questions: DisLisJournal@googlegroups.com

DisLIS website is available at https://cornerstone.lib.mnsu.edu/dislis/

New Articles: Journal of Contemporary Archival Studies

The Journal of Contemporary Archival Studies (JCAS) announces three new articles:

“Community Defining Archives: A comparative view of community archives definitions,” written by Britney Bibeault.

Download the article: elischolar.library.yale.edu/jcas/vol12/iss1/11

Abstract: Defining community archives has been described as difficult in academic literature because of the wide range of activities the organizations do and who they represent, leading to a lack of an agreed-upon definition in the field. Until now, a comparison between how community archivists describe themselves and academic definitions of community archiving has not been undertaken. This paper explores the definitions of community archives given by practitioners in their digital community archives and compares them with academic literature. Using both qualitative thematic coding and quantitative word frequency counts, this study found Flinn (2007) and Flinn et al. (2009) definitions are commonly used in academic literature and highlights themes in practitioner definitions, like futurity and access, that provide insight into the values and goals of practitioners. The results indicate areas of improvement for community archives academics who hope to accurately portray community archives work and further highlight the importance of working with and supporting community archivists. Without the inclusion of practitioner definitions, descriptions, and ideas, academic literature about community archives is disconnected from the field, barring the creation of new ideas and methods.

Associations among Trauma Exposures, Workplace Factors, and Distress Responses in Archivists,” written by Cheryl Regehr, Wendy Duff, and Rachael Lefebvre.

Download the article: elischolar.library.yale.edu/jcas/vol12/iss1/12

Abstract: A growing body of research addresses the emotional impact on archivists from working directly with materials that contain depictions of human suffering and from working with researchers and donors whose own lives are depicted in the records. This study sought to determine the impact of exposures to potentially traumatizing events and ongoing work stressors on symptoms of post-traumatic stress and burnout in archivists, as well as whether organizational factors, including trauma-informed practices, are associated with levels of post-traumatic stress and burnout. Seventy-seven archivists participated in a web-based survey. Findings reveal moderate to strong associations between a variety of potentially distressing workplace exposures and symptoms of post-traumatic stress, as well as between ongoing workplace stressors and burnout. Perhaps less expected were the associations found between ongoing workplace stressors and post-traumatic stress symptoms and the strong correlations between traumatic stress symptoms and burnout, suggesting that organizational environments can contribute to traumatic stress responses. However, trauma-informed organizational practices were significantly associated with lower levels of burnout and traumatic stress. This finding supports the implementation of trauma-informed practices not only to improve services to users, donors, and the community but also to improve the well-being of archival staff.

“Beyond Description: Interrogating Narrative Elements in Archival Finding Aids,” written by David J. Williams and Richard Kearney.

Download the article: elischolar.library.yale.edu/jcas/vol12/iss1/13

Abstract: As the archival profession evolves, attention is increasingly paid to the usability of its resources and services. User Experience, or UX, is a contemporary design practice gaining prominence among archivists interested in addressing usability. Information design, the process of organizing and presenting information for efficient and effective use, is a component of UX incorporating both the presentation and content of communication instruments, with plain language writing guidelines applied toward achieving this goal. A prominent information artifact produced by archivists is the finding aid, describing and inventorying archival collections. Those components of finding aids providing “access points” into collections-communicating the nature, history, and context of the materials-include several narrative elements, but how are they typically composed and how do they impact UX? Applying a series of readability and comprehension tests following plain language guidelines, we interrogate the usability and potential effectiveness of over 10,000 finding aids collected from 31 different archives. Our analyses suggest that finding aids offer fewer general audience access affordances than the format can support, and our research suggests that plain language writing is a manageable and measurable technique for improving the usability and experience of both finding aids and the archival collections they represent.

The Journal of Contemporary Archival Studies (JCAS) also announces two new book reviews:

“Review of Dissonant Records: Close Listening to Literary Archives,” written by Rachel C. Poppen.

Download the article: elischolar.library.yale.edu/jcas/vol12/iss1/9

Abstract: In Dissonant Records: Close Listening to Literary Archives, Tanya E. Clement addresses the 150-year legacy of these audio records and provides a call to action for digital humanists and literary scholars to recognize the research value of archival audio records and to integrate close listening into their research practices. Consisting of case studies on five aspects of close listening (amplification, distortion, interference, compression, and reception), Clement uses these topics to discuss the method of close listening, the use of audio records in research, and access issues to audio recordings in archives.

“Review of Archiving Cultures: Heritage, Community and the Making of Records and Memory,” written by Emily Homolka.

Download the article: elischolar.library.yale.edu/jcas/vol12/iss1/10

Abstract: This short, but densely packed, book aims to extend the disciplinary boundaries of archival studies and the ‘archive’ from its focus on tangible history, most commonly the written word, towards a more holistic understanding which allows for the inclusion of intangible, living culture in the ‘cultural archive.’ Archiving Cultures: Heritage, Community, and the Making of Records and Memory by Jeannette A. Bastian takes an interdisciplinary, transhistorical approach to reframe archivists’ understanding of a ‘record’ with the goal of creating archival equity between tangible and intangible cultural heritage.

JCAS is a peer-reviewed, open access journal sponsored by the New England Archivists, Yale University Library, and Beinecke Rare Book and Manuscript Library.

Call for Peer Reviewers: Humanities Methods in Librarianship #OpenAccess

Humanities Methods in Librarianship is a no-fee, open access journal that publishes high quality, peer-reviewed research with an emphasis on articles that push the boundaries — both thematically and formally — of what has been traditionally viewed as scholarship within the discipline. The journal aims to broaden the conversation by encouraging submissions that deploy methods from the humanities to address current or salient issues in the library profession. Humanistic methodological approaches may be used to address a wide range of topics within librarianship, so we encourage creative approaches and a diversity of submissions.

Are you interested in reviewing library papers relevant to your expertise in the following areas?

  • Archives
  • Art
  • Cultural studies
  • History
  • Literature
  • Philosophy
  • Politics
  • Religion

Please consider filling out this form. We would not expect to send peer reviewers more than one article per issue; at present, we expect to publish about one issue per year.

We hope that you will consider joining us! We look forward to hearing from you.

All the best,

The Humanities Methods in Librarianship editorial board

Feel free to direct any questions to editors@humanitiesmethods.org.

CFP: Digitalisation and (Un)Sustainability: Assessing Digital Waste and Material Pollution in the City

CFP from Urban Planning, open access journal

About the Issue
Recent developments in AI technologies have exacerbated existing concerns about the (un)sustainability of digitalisation and datafication. These concerns are related to the limitations of resources both natural and infrastructure-wise (Dekeyser & Lynch, 2025), to the exhaustion of the latter provoked by the excessive AI-use (Wang & Yorke-Smith, 2025), digital archiving, and mundane data consumption (Vale et al., 2024). This is related to the glut of digital footprints and waste in cities, which has been a problem for both cities and the media for centuries, albeit supercharged in the contemporary moment. What is new is the excessive use and normalisation of an (un)sustainable relationship with digital technology, including the everyday use of tools such as Chat GPT (Hogan, 2024). These tools have severe carbon footprint impacts, using as much water as an average family uses in almost two years for server cooling and electricity generation. For every hundred words generated by the service, an average of three bottles of water are consumed (DeGeurin, 2023).

The smart city and the new digital twins’ tropes—along with prescriptive and acritical perspectives that technologies will be the panacea for any complex issue—are part of the problem (Chiappini, 2020). Discourses around the effectiveness of these types of initiatives and projects often create, semantically and semiotically (Babushkina & Votsis, 2022), a distorted view of digital solutions for fictitious issues, including distortions of key human traits such as knowledge, meaning, and embeddedness into reality. On a smaller scale, the everyday life consumption on search engines, direct messaging, social media addiction, multimedia file exchange, and purchases on big tech logistic platforms pollute not only the environment but the collective consciousness, producing confusion, exhaustion, and fatigue. This constant generation of an amount of information that pollutes the brain becomes what Lovink (2019) defined as “brain-junk.” The number of apps keeps increasing, and so does the data they collect, but users are not always aware and digitally literate about these risks. Hence, both co-dependency on media technologies and a lack of a high degree of digital literacy can be considered societal and spatial issues that might create unevenness. It is unfortunately not possible to control-click emptying the trash from digital waste and material pollution: much of it goes beyond the current understanding and technical capability to take care of. Therefore, there is an urge to overcome the rapid accelerationism of techno-determinism and solutionism and identify tactics and strategies aimed at reducing digital waste.

This thematic issue is concerned with the timely and vital problem of digitalisation and its (un)sustainability, fostering a discussion on the waste and pollution, digital and material, caused by massive datafication and urban platformisation (Cristofari, 2023). The relationship between the geographical scale, socio-political goals, and the technological design of digital infrastructures is of crucial importance to the understanding of the issue of digital waste and its possible reduction (Chiappini & Ferrari, 2024). For instance, data centres account for about two percent of all global energy use, and the raw amount of energy consumed by data centres doubles roughly every four to eight years (International Energy Agency, 2022). Hence, in terms of urban planning, the localisation of data centres has key implications, with direct consequences over the surrounding environment with regard to air pollution and climate change. The thematic issue encompasses inter- and trans-disciplinary perspectives from urban studies and planning, including digital geography, sociology, semiotics, environmental studies, and legal approaches. It aims to engage critically with the normative and prescriptive discourses which favour a techno-determinist view where smart city projects are celebrated. We invite papers that deal with concepts such as waste, noise, and excess in terms of data, materials, time, labour, cultural surplus, chatbots, and AI-powered services, also, but not exclusively, in relation to the uselessness and ineffectiveness of smart city projects and digital twins’ experiments.

References:

Instructions for Authors
Authors interested in submitting a paper for this issue are asked to consult the journal’s instructions for authors and submit their abstracts (maximum of 250 words, with a tentative title) through the abstracts system (here). When submitting their abstracts, authors are also asked to confirm that they are aware that Urban Planning is an open access journal with a publishing fee if the article is accepted for publication after peer-review (corresponding authors affiliated with our institutional members do not incur this fee).

Open Access
Readers across the globe will be able to access, share, and download this issue entirely for free. Corresponding authors affiliated with any of our institutional members (over 90 institutions worldwide) publish free of charge. Otherwise, an article processing fee will be charged to the authors to cover editorial costs. We defend that authors should not have to personally pay this fee and encourage them to check with their institutions if funds are available to cover open access publication costs. Further information about the journal’s open access charges can be found here.

CFP: transfer – Journal for Provenance Research and the History of Collection

The online journal transfer is an academic publication platform in the area of provenance research and the history of collection as well as adjacent fields of investigation, like art market studies, reception history, cultural sociology, or legal history. Issues are published semi-annually and exclusively online in Diamond Open Access. Research articles and research reports, to be submitted in English or German, are subject to a double-blind peer-review. All submissions undergo an internal evaluation by the editors supported by the advisory board and receive professional copy-editing before publication. The journal is based at the Research Centre for Provenance Research, Art and Cultural Property Law at the University of Bonn and at the Leipzig Museum of Fine Arts. transfer receives funding from the German Research Foundation (DFG). Webhosting is provided by our partner institution Heidelberg University Library via arthistoricum.net.

Website: https://journals.ub.uni-heidelberg.de/index.php/transfer/index

Editors: Felicity Bodenstein, Ulrike Saß & Christoph Zuschlag

Managing Editor: Florian Schönfuß

Advisory Board: Arbeitskreis Provenienzforschung e.V., dbv-Kommission Provenienzforschung und Provenienzerschließung, Didier Houénoudé, Larissa Förster, Gilbert Lupfer, Antoinette Maget-Dominicé, Barbara K. Murovec, Gesa Vietzen

Open Call for Submissions

transfer is an interdisciplinary, cross-epoch and international journal. It primarily addresses a scholarly audience. Besides experienced researchers, transfer equally aims at early career researchers, including PhD students, offering broad impact and high accessibility for the publication of recent research. Abstaining from any author charges or other publication fees, transfer provides a Diamond Open Access platform assuring research quality as well as transparency, fostering research interconnection and the crossing of disciplinary and institutional boundaries. Authors are invited to submit papers on the following fields of interest:

– Provenance research on individual objects or object groups

– Collections, History of collection

– Translocation of art and cultural assets 

– Art and cultural property law

– Culture of remembrance, Cultural identity, Collective memory

– Art trade, Art market studies

– Art policy, Sociology of art, Cultural sociology

– Restitution, Return, Repatriation

In conjunction with the articles in transfer, corresponding research data sets can be published via the Open Research Data platform heiData. For further information on this and regarding submissions, text categories, peer-review as well as our Style Sheet, please see the journal-website or contact us under redaktion.transfer@uni-bonn.de.

The submission deadline for Volume 5 (2026), No. 1 is 15th January 2026.

Contact Information

Dr. Florian Schönfuß

transfer – Zeitschrift für Provenienzforschung und Sammlungsgeschichte / 

Journal for Provenance Research and the History of Collection

Rheinische Friedrich-Wilhelms-Universität Bonn

Forschungsstelle Provenienzforschung, 

Kunst- und Kulturgutschutzrecht

Kunsthistorisches Institut

Rabinstraße 1

53111 Bonn (Germany)

florian.schoenfuss@uni-bonn.de

Contact Email

redaktion.transfer@uni-bonn.de

URL

https://journals.ub.uni-heidelberg.de/index.php/transfer/index

New Issue: Collections: A Journal for Museum and Archives Professionals

Collections- Volume: 21, Number: 1 (March 2025)
Focus Issue: Hazardous Heritage
(partial open access)

Introduction
Introduction to the Focus Issue: Hazardous Heritage
Henna Sinisalo and Doris Blancquaert

Hazardous Heritage
Journey into a Toxic Past: Pest Control in Museums at the End of the Nineteenth and the Early Twentieth Century in Germany and Beyond
Helene Tello

Museum Professionals’ Perceptions of Chemical and Biological Hazards and Risks in Museum Work Environments in Finland
Henna Sinisalo

Hearing Victims’ Voices: The Asbestos Story in the Archive
Arthur McIvor

Asbestos as Difficult Heritage: The Need for a Multi-Voiced Heritage Policy
Doris Blancquaert and Hélène Verreyke

Tracing Toxic Agency—Exploring the Open-Air Museums and Their Contaminated Vernacular Buildings
Anne-Sofie Hjemdahl and Terje Planke

Disappearing Façades: The Challenges Behind Asbestos-Containing Façade Materials Heritage Value and Significance from a Curator’s Viewpoint
Liisa Katariina Ruuska-Jauhijärvi

Addressing the Presence of Arsenical Bindings in the British Library’s Collections
Amy Baldwin, Paul Garside and Nicole Monjeau

All Bottled Up: Hazard Assessment of an Historic Pharmaceutical Collection
Anna Fowler, Kerith Koss Schrager and Nancie Ravenel

From Poison Books to “Bibliotoxicology”: Highlighting Hazards in Paper-Based Library Collections
Rosie Grayburn and Melissa Tedone

Hazardous Heritage Within the War Heritage Institute
Saskia Van de Voorde and Zoë-Joy Vangansewinkel

Congress Review: Hazardous Heritage: Working With and Around Dangerous Materials in Cultural Heritage, 23 to 24.10.2023, Antwerp, Belgium
Liisa Katariina Ruuska-Jauhijärvi, Marleena Vihakara and Doris Blancquaert

New Issue: IFLA Journal

IFLA Journal Volume 51 Issue 1, March 2025
(partial open access)

Editorial

Trends in academic and research libraries
Jayshree Mamtora and Bertil F. Dorch

Articles

Perceptions of the role of research librarian: A phenomenological study
Rahma Sugihartati, Dessy Harisanty, Anita Dewi, Bagong Suyanto, Arya Wijaya Pramodha Wardhana and Nadia Egalita

Australian academic libraries and the United Nations Sustainable Development Goals
Roxanne Missingham

Fostering scientific integrity in Vietnam: The contribution of library and information services
Thuy Thanh Bui and Lan Thi Nguyen

Model proposal of libraries functions to implement open science: Analysis from Latin American librarianship
Juan Miguel Palma Peña

Scholar-led publishing and diamond open access: The professionalised role of libraries
Ursula Arning

Integrating evidence synthesis services in Zimbabwean state university libraries
Notice Pasipamire

Moldovan academic librarians’ perception on research data management
Viorica Lupu, Nelly Țurcan and Rodica Cujba

Influence of research collaboration on research excellence in Kenya
Omwoyo Bosire Onyancha

The impact of big data on university libraries in Bangladesh
Md. Habibur Rahman, Asmadi Mohammed Ghazali and Mohd Zool Hilmie Mohamed Sawal

Case Study

Co-creating open initiatives at De La Salle University Libraries: The Animo Repository experience
Luis Ezra Cruz, Mennie Ruth Viray and Roana Marie Flores

Exploring the use of generative artificial intelligence in systematic searching: A comparative case study of a human librarian, ChatGPT-4 and ChatGPT-4 Turbo
Xiayu Summer Chen and Yali Feng

Review Article

Research data management in university libraries: The need for data literacy and technological revamp
Magnus Osahon Igbinovia, Chidi Deborah Segun-Adeniran and Omorodion Okuonghae

New Issue: Museum Worlds

Museum Worlds, vol. 12 (2024)
(open access)

Editorial 
Conal Mccarthy and Alison K. Brown 

I. Articles 
Expanded Loans as Forms of Indigenous Access, Reconnection, and Sovereignty: Mnaajtood ge Mnaadendaan—Miigwewinan Michi Saagiig Kwewag Miinegoowin Gimaans Zhaganaash Aki 1860 / To Honour and Respect—Gifts from the Michi Saagiig Women to the Prince of Wales, 1860 
Laura Peers, Lori Beavis, and Christine Beavis 

Community Collaborations and Social Biographies of Museum Collections from Colonial Contexts: Meanings of Zulu Beadwork 
Njabulo Chipangura and Motsane Getrude Seabela 

Digitization Is Not Decolonization: South Africa’s Amagugu Ethu Museum Project and Colonial Documentation in Digital Times 
Laura Gibson 

II. Special Section 
Introduction: Beyond the Nature/Culture Divide—Reimagining Human–Environment Relations in and through Museums 
Philipp Schorch and Nicholas Thomas 

The Entwined Human and Environmental Costs of the Colonial Project: Perspectives from Natural History Collections 
Jack Ashby 

Intertwining the Ethno-botanical Amazonian Collections of Spix and Martius and Beyond 
Gabriele Herzog-Schröder 

A Munduruku Headdress: Transforming the Relations between Natural History and Ethnography 
Anita Herle 

Curating the In-Between: A New Approach at BIOTOPIA–Naturkundemuseum Bayern 
Samara Rubinstein and Colleen M. Schmitz 

A Landscape of Well-Being: Bridging the “Nature–Culture Divide” at Trumpington Meadows Country Park, Cambridge 
Jody Joy 

III. Reports and Dispatches 
Connecting Collections: Transforming Access to Museum Collections at Scale for Knowledge Generation in Australia 
Jason M. Gibson, Gaye Sculthorpe, Alistair Paterson, and Andrea Witcomb 

Preserving Indigenous Knowledges and Practices as Moana Oceania Diaspora in Aotearoa: Views from Niue and Kiribati 
Lagi-Maama and Jackie Leota-Mua 

Enhancing the Usability of Stored Museum Items: Loans and Exchanges 
Lara Corona 

New Urban Peace in Delhi: The Partition Museum 
Neha Khetrapal  

Setting Agendas for Mass Media: The Case of the Beijing Palace Museum 
Zhitong Mu 

Report on CoMuseum 2023: Museums and Justice: 13th CoMuseum International Conference, 6–8 December 2023 
Sophia Handaka 

IV. Review Essays 
Our Colonial Inheritance; The Loud Archive: Love & Loss and the Critical Theory of Emotion and Affect; The Northwest Coast Hall Reimagined; The Holocaust: What Hate Can Do; Memorialising the Holocaust in Human Rights Museums; The Weave of “Fashion Diplomacy”; Interpreting Africa in South Korea; Ecological Art Exhibitions in London 
Mary Caton Lingold, Camus Wyatt, Bryony Onciul, Andy Everson, Jaimie N. Luria, Olga Zabalueva, Matthew Raj Webb, Sumi Kim, and Sara Selwood 

V. Exhibition Reviews 
Radical Stitch; Rising Tide: Art and Environment in Oceania; Black Atlantic: Power, People, Resistance; The Light of Day: Unearthing the Past; Polarity: Fire & Ice; Tibuta – Kinaakiia Ainen Kiribati: Tibuta – Identifies Kiribati Women; Cellphone: Unseen Connections; The Tora-san Memorial Museum 
Linda Grussani, Rachel E. Smith, Garance Nyssen, Luiza de Paula Souza Serber, Na’ankwat Kwapnoe-Dakup, Jessica Hope van Heerden, Maraya Takoniatis, Emelihter Kihleng, Amrita Ibrahim, and Yi Wang 

VI. Book Reviews 
Dóra Bobory, Anamaría Rojas Múnera, Dan Spock, Brian Yang, Conal Mccarthy, Anthony Alan Shelton, Anna Woodham, Kirsty Kernohan, Varda Nisar, Jorunn Jernsletten, Anne Malmendier, Arnar Árnason, Yi Zheng, and Lanzhou Luo 

Sign up for Email Updates: http://bit.ly/2SmixtG  

Please support the Subscribe-to-Open initiative and recommend Museum Worlds to your institution’s library by filling out this one-step web form: https://museum-worlds.berghahnjournals.com/library-recommendation 

New Issue: Archeota

Archeota 10, no. 2 (Winter 2025)

Description

Archeota is a platform for SJSU iSchool students to contribute to the archival conversation. It is written BY students, FOR students. It provides substantive content on archival concerns and issues and promotes professional development in the field of archival studies. Archeota upholds the core values of the archival profession.

Contents

A Tale of Two Film Archives: History and Impact of the British Film Institute and the Cinémathèque Française by Sarah Miller

Enhancing Archival Access with Sustainability: Insights from a Library Scholar Internship at Cal Poly Humboldt by Kaitlyn R. O’Dell

Farewell to Our Winter 2024 Graduate: Interviews with SAA Student Chapter Leaders

“Several archivists were injured, but none critically”: Dangerous Archives in Star Trek by Erica Leff

Digital Vandalism: A Case Study of the Internet Archive and the British Library by Peyton Walters

The Congregation Beth Am Archives: Creatively Using Tech to Process Born- Digital Records by Joshua Insel

Meet the 2025 Archeota AND SAASC Team! Q&A with SAASC Board Members and Archeota Editorial Board Members

SAASC Spring 2025 Executive Board

SAASC FALL & Winter 2024 Events and Upcoming Spring 2025 Events