CFP: Archives Association of Ontario 2025 Virtual Conference

The Archives Association of Ontario is pleased to announce the 2025 Annual Conference to be held from May 6th to May 8th virtually.

Theme: Ebb and Flow: Narratives of Adaptability

This theme focuses on how archives, archivists, and information professionals adapt to challenges, recover from disruptions, and transform their practices to remain vital and responsive to their communities. Whether facing environmental change, evolving technologies, or funding constraints, “Ebb and Flow” explores how the path towards innovation and growth is rarely straightforward.

Stay tuned for more information!  #aao25conf

Recent Issue: COMMA

Comma
Vol. 2022, No. 2, January 2022

This is Just the Beginning: Celebrating the New Professionals
Programme at Ten Years

Nicola Laurent, Cécile Fabris, Oscar Zamora Flores and Margaret
Crockett


L’archiviste, l’étudiant et le recruteur : enquête sur les compétences
requises pour le jeune et nouveau professionnel en 2024

Maryasha Barbé


“You May Think You Are Alone, But You Are Not”: A Personal Statement
on Embracing Failure as Part of Archival Practice

Maria Benauer


Working with the Migrated Archives Working Group at the Centre for
Critical Archives and Records Management Studies at University College
London

Alia Carter


Assessing the Needs of New Professionals in the Archives and Records
Management Fields: A Comparative Analysis Between 2016 and 2022

Gina Maria Chacón Vargas, Janny Sjåholm, Susannah Tindall and Oscar
Zamora Flores


Boussoles et compas, une fabrique du mentorat : une expérience dans un
service d’archives de la recherche en France

Marine Coquet, Nicolas Azam and Elsa Leclaire


Towards an Inclusive Digitisation Strategy: Do Records of Marginalised
Groups Count?

Zoe Dickinson, Elisabeth Klindworth, Francesca Mackenzie, Makutla
Mojapelo and Luz María Narbona


Le chantier-école d’Archivistes sans frontières-France au Burkina Faso
: premiers pas internationaux dans la vie d’une jeune professionnelle
des archives

Anne-Élise Guilbert–Tetart


Every Cook Can Archive

J. C. L. Hettrick


CORE Cultural Learning Modules: Cultural Competence as a Soft Skill

Man-Ting Hsu


Understanding Archival Theory and Ethics: A Foundational Course as
Intervention for Early Career Archivists in Southeast Asia

Jonathan Isip and Iyra Buenrostro-Cabbab


Viewing Archives and Records Management Mentoring through the Prism of
the International Council on Archives’ New Professionals Mentorship
Programme

Makutla Mojapelo and Mahlatse Shekgola


Bringing Together the “Young Archivists” of the State Archives of
Belgium

Bieke Nouws and Stephanie Samyn


From the Programme to the People: The ICA’s New Professionals
Programme Through the Lens of New Professionals

Maria Papanikolaou


Remember How Lonely and Awkward You Felt as a New Professional?

Laura Yturbe Mori and Lerato Tshabalala


2022 Virtual SARBICA Symposium / Symposium virtuel SARBICA 2022 :“The
Drowned and the Saved”: Archives during the 1966 Flood in Florence*1

Elena Gonnelli and Lorenzo Sergi


Sustainability at the National Archives, UK: Where We Are and Where We
Are Heading

Helen Wilson, Juergen Vervoorst and Valerie Johnson

CFP: Sounds of a Lifetime: Audio Media and Life Writing

Sounds of a Lifetime: Exploring Life Writing in Audio Media (29–30 January 2026, Vrije Universiteit Brussel) 

This conference aims to expand the boundaries of life writing studies by focusing on the often-overlooked domain of audio life narratives. As Sidonie Smith and Julia Watson highlight in the preface of Reading Autobiography, “[l]ife narrative studies has become an expansive, transnational, multimedia field” (xi), going far beyond the written word. In the latest edition of this seminal work, they touch upon the concept of mediated voice and the aural qualities of social media messages, indicating the varied manifestations of auto/biographical acts (129).  

Building on the exciting new work being done in studies of life writing, auto/biography, literary studies, sound studies, and media studies, this conference seeks to explore the multifaceted realm of sonic life narratives, with a particular emphasis on their literary and artistic features, as well as listeners’ individual and collective experiences. More specifically, it seeks to examine how audio life writing represents, mediates, and (re)constitutes lives; what aesthetic strategies are used and what effects they generate; how audio life narratives are received and remediated; as well as their inherent politics. 

Potential topics include, but are not limited to:  

  • Theoretical/methodological reflections on audio life writing  
  • Audio life writing in specific genres and media (radio drama, podcasts, rap and spoken word poetry, …) 
  • Voice, sound and music in audio life writing  
  • Audio life writing and cultural memory 
  • Audio life writing and identity (individual and collective) 
  • Audio life writing and politics 
  • Audio life writing and intermediality 
  • Adaptations of life stories to audio media 
  • Audio archives and life narratives  
  • Fact and fiction in audio life writing  
  • Listening to audio life writing  
  • … 

The conference will be held in English, but research on non-Anglophone contexts is strongly encouraged. Please note that we are aiming for an in-person conference.  

The following keynote speakers have confirmed: Julia Lajta-Novak (University of Vienna), Jarmila Mildorf (University of Paderborn), Matthew Rubery (Queen Mary University of London) 

Please submit your abstract (250–300 words) as a PDF or Word document, including your name, affiliation, and contact details, along with a brief biography (100 words) via email to soundsofalifetime@vub.be by February 15, 2025. Notifications of acceptance will be sent by March 20, 2025. Selected papers will be considered for publication in a special issue of an international peer- reviewed journal or an edited volume.  

Please follow updates on our conference website: https://events.vub.be/sounds-of-a-lifetime-exploring-life-writing-in-audio-media 

CFP: A Polyphony of Emotions: Thinking Affect in Heritage, Memory and Material Culture

The Amsterdam School for Heritage, Memory and Material Culture is pleased to share the Call for Papers for the 11th Annual Conference ‘A Polyphony of Emotions: Thinking Affect in Heritage, Memory and Material Culture.’ This conference occurs at the University of Amsterdam on 2, 3 and 4 July 2025. 

Cultural heritage shapes individual and collective emotions, and vice versa. The reciprocal relationship between heritage and emotions is demonstrated by how, in recent years, political, activist and academic debates have reconsidered the importance of affect. No longer relegated merely to the individual and psychological dimension, these debates have come to frame emotions as constituent elements of social experience. Suffice it to consider the use of social fear of a global nuclear war; the imperialist nostalgia of Western countries, which see nationalism and/or populism as the solution to counter globalisation; the emotional polarization with the ongoing wars in Palestine and Ukraine; the resurgence of radical ethno-traditionalist rhetoric all around the world, driven by frustration with open-market globalism, and the manipulation of foreign-state propaganda aimed at exploiting emotions to politically target local populations; the pride or vindictive anger of activists who deface museums, works of art and monuments; heightened emotions in the context of social revolutions and political revolts and (neo)colonial struggle, the emotions connected to the memory and impact of the Pan-Atlantic slave trade and all forms of enslavement of people; or the solastalgia and anxiety caused by the ever-faster crisis of climate change.

These few examples indicate the extent to which emotions and thinking affect can become performative forces, driving actions and therefore building, preserving, destroying heritage and memory. Understanding the role of emotions in heritage sites, memory acts and material culture practices, policies and politics, therefore, is essential to grasp how the past is experienced, contested, romanticized, rejected or silenced across various local, national and transnational levels. In response to the need to better understand these processes, the 11th annual conference of the Amsterdam School for Heritage, Memory and Material Culture (AHM) will be dedicated to the polyphonies of emotions and thinking affect in heritage, memory and material culture studies. By crossing academic, artistic and professional boundaries, the aim of the conference is to investigate how the past can be constituted as a battleground where emotions are designed, weaponized and manipulated to advance political and ideological agendas, or to shape the mobilization of communities. This conference aims to explore the dynamic relationship between heritage and collective emotions, focusing on how emotions affect varied global heritage and memory practices, narratives and policies, and, vice versa, how heritage can serve as a tool for emotional mobilization, resilience and reconciliation.

We welcome abstracts and proposals for papers, panels and roundtables emanating from diverse historical and geographical contexts that engage with (but are not restricted to) the following themes:

  • Theories of emotions and heritage: what theoretical perspectives can illuminate the relationship between heritage, emotion, and conflict, and how can these frameworks deepen our understanding of the emotional dimensions of heritage?
  • Emotions and the politics of heritage and social justice: how do emotions contribute to preserving or challenging dominant and hegemonic heritage narratives? What role do emotions play in (re)shaping research positionalities, resisting cultural and political polarisation or facing systemic oppression and injustice?
  • Emotions and heritage construction: how are emotional narratives intentionally constructed in heritage sites, museums, works of literature, films, and commemorations, with the aim of influencing collective memory and identity?
  • Emotion and collective memory: how do emotional frameworks shape collective memory and the understanding of the past?
  • The weaponization of emotions in conflict: how are emotions strategically manipulated to justify the destruction of cultural heritage or to mobilize communities to defend it?
  • Heritage and collective solidarity: in times of crisis, how do communities utilize heritage to foster emotional resilience, solidarity, and a sense of shared purpose?
  • Methodologies for studying emotions and heritage: what innovative qualitative and quantitative research methods are most effective for analyzing the role of emotion in heritage studies?

Applications

  • A short abstract (max. 250 words)
  • A brief academic biography (including name, affiliation, research interests; max 100 words)

Applications for panels and roundtables

  • A short rationale of the aim of the panel (max. 250 words)
  • A short abstract of each paper to be presented (max. 250 words)
  • A brief academic biography of all presenters (including name, affiliation, research interests; max 100 words)

Proposals can be submitted by 15 March 2025 to ahmannualconference@gmail.com.

About the Amsterdam School for Heritage, Memory and Material Culture (AHM)

The AHM fosters dynamic, interdisciplinary and transnational research on heritage and memory, organizes PhD training, seminars, reading groups, workshops, public debates and international conferences, and stimulates schola. The school brings together researchers working in diverse areas and fields, interconnecting heritage and memory studies, cultural studies, museum studies, archaeology, material culture, art history, media, conservation and restoration, archival studies, digital humanities, postcolonial and performative studies, religious studies, music and theatre studies, conflict and identity studies, Slavonic languages and cultures, Holocaust and genocide studies, European memory studies, Middle Eastern studies, and cultural, public and oral history. For more information about AHM please visit the website: https://ahm.uva.nl/ 

Contact Information

Josien Franken, Conference Assistant. 

Contact Email

ahmannualconference@gmail.com

URL

https://ahm.uva.nl/shared/subsites/amsterdam-institute-for-humanities-research/…

CFP: International Conference on the History of Map Collecting. Vienna, Central Europe and Beyond

The one-day conference will be held on 12 June 2025, at University of Vienna. The conference will be organised jointly by the Vienna Center for the History of Collecting (Austria) and Moravian Library in Brno (Czech Republic) and will be accompanied by a poster exhibition on Bernard Paul Moll composite atlas preserved at Moravian Library which originated in Vienna in the 18th century.

We welcome papers on history of map collecting and composite atlases, 17th-20th centuries. Paper´s title, abstract of 5-8 senteces and short CV in English are welcome by 17 March 2025. The acceptance notification is scheduled on 31 March 2025. There will be 20 minutes space for presentations. The conference language will be English.

Contact Information

Eva Chodejovska, Moravian Library in Brno (Czech Republic)

Silvia Tammaro, University of Vienna (Austria)

Contact Email

chodejovska@mzk.cz

CFP: EurAsian Materials in Central European Collections

EurAsian Materials in Central European Collections (Innsbruck, 5 and 6 June 2025). 

Traditional categories essential to cataloguing and describing objects (such as date, maker, and geographic origin) are opposed to the layered processes of creation, circulation, and reinterpretation that characterize much EurAsian material culture in central European collections. Museum labels pinpoint where and when objects were “made.” A methodology grounded in material histories shifts the emphasis to multiple sites of creation and adaptive reuse. These questions open new spatial and temporal contexts for objects, placing them more firmly in local and global circuits. The goal of this workshop is to bring these material entanglements to the surface and develop concrete measures that make them more visible to both scholars and the general public. To do so, the workshop brings together a group of international experts to present cutting edge research and explore new avenues for scholarship, teaching, and outreach that place Eurasian materials at the center of thinking about central European collections. 

The focus will be on the use and adaptation of raw materials (such as metals, minerals, bones, nutshells) to explore deep object biographies. The workshop will look closely at well-known EurAsian resources like lapis lazuli (Lake Baika and in the Kokcha River valley), ruby (Central and Southeast Asia), nephrite (most famously from Hotan), diamonds (Indian subcontinent), citrine (Ural Mountains), and coconut (Indo-Pacific). Workshop participants will also focus on less-studied materials such as chalcedony, aurochs’ horn, jasper, agate, rock crystal, amethyst, sardonyx, diamonds, heliotrope, and garnet. 

The workshop will include academic papers as well as a tour of the collections at Schloss Ambras, and a brainstorming session on outreach (focused on floating ideas for revising labels, creating digital tours for existing platforms, educational programming, ideas for the development of educational materials to be sold at gift shops). The workshop is organized and funded by the FWF Cluster of Excellence in EurAsian Transformations, and we have funding to cover the cost of travel and accommodations for a limited group of participants.

We invite proposals for traditional research papers (20 minutes) or object-focused discussions (10-15 minutes). Please send a title and abstract of no more than 300 words alongside a CV to radwayr@ceu.edu by February 15, 2025.

Contact Email

radwayr@ceu.edu

Call for Chapter Proposals: Global Frameworks, Local Realities: Rethinking International Heritage Frameworks

Overview and Aim of the Volume

This forthcoming volume in the Heritage Studies series critically examines how global heritage governance frameworks, such as the World Heritage Convention (WHC) and its Operational Guidelines (OG), intersect with the diverse realities of local contexts and practices. Rooted in European traditions that historically emphasized material aspects of heritage, these frameworks have evolved to reflect global contributions and diverse perspectives, such as those outlined in the Nara Document on Authenticity.

Despite this evolution, significant challenges persist in aligning international frameworks with the lived realities of local communities, cultural practices, and heritage sites. These challenges include systemic biases, power imbalances, and tensions arising from the interplay of global governance mechanisms and local realities. The volume seeks to address these issues by exploring how global heritage frameworks can become more inclusive and equitable while embracing the complexity and diversity of heritage.

In addition to critique, this volume invites contributors to propose innovative, practical recommendations for reform. Drawing on diverse local and national contexts, authors are encouraged to explore opportunities for improving representation, governance, and management within international heritage frameworks. The ultimate goal is to offer a forward-looking roadmap for reshaping heritage policy and practice to ensure a more inclusive future.

Target Themes

We welcome both theoretical perspectives and case studies that illuminate the interplay of global governance and local realities in heritage conservation. Contributions should align with the volume’s focus on inclusivity, diversity, and evolving definitions of heritage. Key themes include but are not limited to:

  1. The Evolution of the WHC and OG
    • Historical analysis of the WHC’s origins and its progress toward inclusivity.
    • Reviews and comparative analyses of regional/national heritage conventions and their integration into international frameworks.
  2. Diversity in Heritage Definitions and Governance
    • Case studies on local heritage practices, especially those rooted in indigenous, intangible, or hybrid traditions.
    • Proposals for under-represented heritage sites and practices within global frameworks.
  3. Barriers to Inclusivity in Global Heritage Frameworks
    • Examination of systemic biases, such as Eurocentrism, geopolitical inequities, and structural challenges.
    • Exploration of decolonial perspectives and challenges.
  4. Decolonizing Heritage Management Systems
    • Application of postcolonial and decolonial theories to reform global frameworks like the WHC.
    • Success stories of decolonized policies that can inform international reform.
  5. Tensions Between Global and Local Heritage Practices
    • Analysis of how global frameworks are adapted, contested, or resisted in specific local contexts.
  6. Innovative Pathways for Reform
    • Case studies of community-led approaches and integration of alternative knowledge systems.
    • Proposals for redefining international guidelines and practices to enhance inclusivity and equity.
    • Exploration of technological tools to improve access and equity in heritage management.

Potential Topics for Exploration

Submissions may focus on, but are not limited to:

  • Sacred and Indigenous Heritage Sites: Challenges faced by indigenous communities in seeking recognition.
  • Environmental and Cultural Landscapes: Integrating spiritual and ecological values into governance frameworks.
  • Intangible Cultural Heritage: Safeguarding intangible practices while addressing tensions in institutional contexts.
  • Museums and Decolonizing Heritage: Reshaping narratives and advancing sustainability through community engagement.
  • Alternative frameworks that integrate tangible and intangible heritage in interconnected ways.

Submission Guidelines

Abstracts of 500 words are due by 30.01.2025, outlining the research aim, methodology, and anticipated contribution to the volume. Full papers (approx. 4,000–6,000 words) will be due by first week of May of 2025. Submissions should be emailed to globalframeworkslocalrealities@gmail.com with the subject line: “Global Frameworks, Local Realities: Rethinking International Heritage Frameworks Submission.”

This volume will be published by Springer Nature. For inquiries or further details, please contact globalframeworkslocalrealities@gmail.com.

Contact Information

Global Frameworks & Local Realities Team (c/o Kavita Peterson)

Contact Email

globalframeworkslocalrealities@gmail.com

CFP: A Polyphony of Emotions: Thinking Affect in Heritage, Memory and Material Culture

The Amsterdam School for Heritage, Memory and Material Culture is pleased to share the Call for Papers for the 11th Annual Conference ‘A Polyphony of Emotions: Thinking Affect in Heritage, Memory and Material Culture.’ This conference occurs at the University of Amsterdam on 2, 3 and 4 July 2025. 

Cultural heritage shapes individual and collective emotions, and vice versa. The reciprocal relationship between heritage and emotions is demonstrated by how, in recent years, political, activist and academic debates have reconsidered the importance of affect. No longer relegated merely to the individual and psychological dimension, these debates have come to frame emotions as constituent elements of social experience. Suffice it to consider the use of social fear of a global nuclear war; the imperialist nostalgia of Western countries, which see nationalism and/or populism as the solution to counter globalisation; the emotional polarization with the ongoing wars in Palestine and Ukraine; the resurgence of radical ethno-traditionalist rhetoric all around the world, driven by frustration with open-market globalism, and the manipulation of foreign-state propaganda aimed at exploiting emotions to politically target local populations; the pride or vindictive anger of activists who deface museums, works of art and monuments; heightened emotions in the context of social revolutions and political revolts and (neo)colonial struggle, the emotions connected to the memory and impact of the Pan-Atlantic slave trade and all forms of enslavement of people; or the solastalgia and anxiety caused by the ever-faster crisis of climate change.

These few examples indicate the extent to which emotions and thinking affect can become performative forces, driving actions and therefore building, preserving, destroying heritage and memory. Understanding the role of emotions in heritage sites, memory acts and material culture practices, policies and politics, therefore, is essential to grasp how the past is experienced, contested, romanticized, rejected or silenced across various local, national and transnational levels. In response to the need to better understand these processes, the 11th annual conference of the Amsterdam School for Heritage, Memory and Material Culture (AHM) will be dedicated to the polyphonies of emotions and thinking affect in heritage, memory and material culture studies. By crossing academic, artistic and professional boundaries, the aim of the conference is to investigate how the past can be constituted as a battleground where emotions are designed, weaponized and manipulated to advance political and ideological agendas, or to shape the mobilization of communities. This conference aims to explore the dynamic relationship between heritage and collective emotions, focusing on how emotions affect varied global heritage and memory practices, narratives and policies, and, vice versa, how heritage can serve as a tool for emotional mobilization, resilience and reconciliation.

We welcome abstracts and proposals for papers, panels and roundtables emanating from diverse historical and geographical contexts that engage with (but are not restricted to) the following themes:

  • Theories of emotions and heritage: what theoretical perspectives can illuminate the relationship between heritage, emotion, and conflict, and how can these frameworks deepen our understanding of the emotional dimensions of heritage?
  • Emotions and the politics of heritage and social justice: how do emotions contribute to preserving or challenging dominant and hegemonic heritage narratives? What role do emotions play in (re)shaping research positionalities, resisting cultural and political polarisation or facing systemic oppression and injustice?
  • Emotions and heritage construction: how are emotional narratives intentionally constructed in heritage sites, museums, works of literature, films, and commemorations, with the aim of influencing collective memory and identity?
  • Emotion and collective memory: how do emotional frameworks shape collective memory and the understanding of the past?
  • The weaponization of emotions in conflict: how are emotions strategically manipulated to justify the destruction of cultural heritage or to mobilize communities to defend it?
  • Heritage and collective solidarity: in times of crisis, how do communities utilize heritage to foster emotional resilience, solidarity, and a sense of shared purpose?
  • Methodologies for studying emotions and heritage: what innovative qualitative and quantitative research methods are most effective for analyzing the role of emotion in heritage studies?

Applications

  • A short abstract (max. 250 words)
  • A brief academic biography (including name, affiliation, research interests; max 100 words)

Applications for panels and roundtables

  • A short rationale of the aim of the panel (max. 250 words)
  • A short abstract of each paper to be presented (max. 250 words)
  • A brief academic biography of all presenters (including name, affiliation, research interests; max 100 words)

Proposals can be submitted by 15 March 2025 to ahmannualconference@gmail.com.

About the Amsterdam School for Heritage, Memory and Material Culture (AHM)

The AHM fosters dynamic, interdisciplinary and transnational research on heritage and memory, organizes PhD training, seminars, reading groups, workshops, public debates and international conferences, and stimulates schola. The school brings together researchers working in diverse areas and fields, interconnecting heritage and memory studies, cultural studies, museum studies, archaeology, material culture, art history, media, conservation and restoration, archival studies, digital humanities, postcolonial and performative studies, religious studies, music and theatre studies, conflict and identity studies, Slavonic languages and cultures, Holocaust and genocide studies, European memory studies, Middle Eastern studies, and cultural, public and oral history. For more information about AHM please visit the website: https://ahm.uva.nl/ 

Contact Information

Josien Franken, Conference Assistant. 

Contact Email

ahmannualconference@gmail.com

URL

https://ahm.uva.nl/shared/subsites/amsterdam-institute-for-humanities-research/…

New Issue: Studies in Oral History

Studies in Oral History, Issue no. 46, 2024
theme ‘Oral History and Working Lives’
Oral History Australia
open access

Editors
Skye Krichauff and Carolyn Collins

Guest editors
Nicholas Herriot and Paul Sendziuk

Contents

To access a specific article click on the linked title. It will take you to a PDF that you can view and/or download.

Editorial and contents

Peer-reviewed articles

Reports

Reviews

Obituaries

New Issue: Journal of the South African Society of Archivists

Journal of the South African Society of Archivists Vol. 57 (2024)
(open access)

Editorial Overview
Ngoako Marutha

Records management for transparency and accountability on land allocation at the Nkambeni Tribal Authority in Mpumalanga province of South Africa
Innocentia Vidian Khoza, Jan Resenga Maluleka

Records management programme towards good governance and service delivery in Singida Local Authorities, Tanzania
Lameck Sospeter Kashaija, Prisca Julius Chacha, Cecylly Cornel Ngudungi , Seleman George Dutu

Records management practices to support administrative operations at the University of Venda in South Africa
Geven Singo, Lefose Makgahlela

Leveraging dark data for governance of Kenya Electricity Transmission Company
Gloria Regina Mukhongo, Evans Munge Mwangi , Elsebah Maseh

Records management for administration of Traditional Council at Ga-Mphahlele in Limpopo, South Africa
Kabelo Kgomoeswana, Lefose Makgahlela, Amogelang Molaudzi

Digital preservation of records at Wazalendo and Umoja Savings and Credit Cooperative Societies in Tanzania
Erasto Gerald Luvanda , John Jackson Iwata

Myths and realities of land registration in Zanzibar
Abdul-Nasser Hikmany

Transition from audio-visual archives to trusted digital repository at the National Archives of Zimbabwe
Amos Bishi, Mpho Ngoepe