New Issue: Studies in Oral History

Studies in Oral History, Issue no. 46, 2024
theme ‘Oral History and Working Lives’
Oral History Australia
open access

Editors
Skye Krichauff and Carolyn Collins

Guest editors
Nicholas Herriot and Paul Sendziuk

Contents

To access a specific article click on the linked title. It will take you to a PDF that you can view and/or download.

Editorial and contents

Peer-reviewed articles

Reports

Reviews

Obituaries

New Issue: Journal of the South African Society of Archivists

Journal of the South African Society of Archivists Vol. 57 (2024)
(open access)

Editorial Overview
Ngoako Marutha

Records management for transparency and accountability on land allocation at the Nkambeni Tribal Authority in Mpumalanga province of South Africa
Innocentia Vidian Khoza, Jan Resenga Maluleka

Records management programme towards good governance and service delivery in Singida Local Authorities, Tanzania
Lameck Sospeter Kashaija, Prisca Julius Chacha, Cecylly Cornel Ngudungi , Seleman George Dutu

Records management practices to support administrative operations at the University of Venda in South Africa
Geven Singo, Lefose Makgahlela

Leveraging dark data for governance of Kenya Electricity Transmission Company
Gloria Regina Mukhongo, Evans Munge Mwangi , Elsebah Maseh

Records management for administration of Traditional Council at Ga-Mphahlele in Limpopo, South Africa
Kabelo Kgomoeswana, Lefose Makgahlela, Amogelang Molaudzi

Digital preservation of records at Wazalendo and Umoja Savings and Credit Cooperative Societies in Tanzania
Erasto Gerald Luvanda , John Jackson Iwata

Myths and realities of land registration in Zanzibar
Abdul-Nasser Hikmany

Transition from audio-visual archives to trusted digital repository at the National Archives of Zimbabwe
Amos Bishi, Mpho Ngoepe

Zyklus «Archivpraxis Schweiz» Modul 3 Künstliche Intelligenz im Archiv: Einblicke in die Praxis

Die Präsentationen des Zyklus «Archivpraxis Schweiz», Modul 3 / 2024 sind hier abrufbar.

English

The presentations of the cycle “Archive Practice Switzerland”, Module 3 / 2024 are available here.

CFP: Libraries, Archives and Museums in Oceania

Special Issue Call for Papers

‘Libraries, Archives and Museums in Oceania’

Guest Edited by Joshua Bell, Cristela Garcia-Spitz and Halena Kapuni-Reynolds

Though shaped by their colonial legacies and postcolonial presents, libraries, archives and museums can also be spaces of hope, healing and collective reimagining. These institutions and their staff steward various media formats (audiovisual objects and texts), giving presence to the many pasts of Oceania, and must reckon with Indigenous interventions that reconfigure these collections as familial legacies, belongings and ancestors. Collaborative work with Indigenous communities have also helped open these institutions and their collections to new possibilities, resulting in richer understandings about activating belongings to nurture and uplift source and descendant communities and returning belongings and ancestors through legal and ethical means. Simultaneously, Indigenous communities continue creating their own cultural centres, blurring distinctions between libraries, archives and museums to serve the needs of their respective communities.

While these projects and trends are in dialogue with global practices, they are also distinctly local and heterogeneous within Oceania. How are these projects in and around libraries, archives and museums transforming these institutions and their collections? How are Indigenous epistemologies helping to challenge the colonial legacies of these institutions? What new collaborative practices are emerging, which help to recentre the relations that may have otherwise been dormant? What lessons for institutions outside of Oceania can be taken from these engagements?

The Journal of New Zealand & Pacific Studies invites contributions that offer new insights into library, archive and museum practice in and about Aotearoa New Zealand and the Pacific, and associated collections from the region that may be housed outside of Oceania. Papers might address the following issues:

  • Indigenizing and decolonizing strategies for curatorial practice, exhibition design, collection development and management
  • community-based programming and research
  • repatriation and ethical returns
  • rematriation initiatives
  • conservation/preservation
  • digitizing collections and ethical and inclusive metadata practices
  • digital scholarship and pedagogy
  • emerging technologies and their impact on research
  • evolving roles, education/mentoring the next generation of museum/archive professionals

We are particularly interested in case studies highlighting lesser-known libraries, archives and museums in or of the Pacific.

The Journal of New Zealand & Pacific Studies is a double-blind refereed journal. Articles, accompanied by a short biography, abstract and keywords, must be between 5000 and 8000 words, including notes and references, and must be formatted according to the journal style guide (https://www.intellectbooks.com/asset/2243/house-style-guide-6th-edition.pdf).

Original interviews (for example, with an artist, curator, librarian or archivist), research reports, review essays and exhibition reviews, between 1500 and 4000 words, are also welcome.

Deadline for submissions is 14 April 2025. All article submissions will be subject to peer review. If accepted for publication, articles will be published in vol. 13, no. 2, December 2025. Please submit complete articles for consideration to Heather Waldroup at waldrouphl@appstate.edu.

CFP: International Council on Archives Barcelona 2025

Full call for papers

In today’s rapidly changing world, new technologies offer both opportunities and challenges. Archivists are not only the custodians of our past, they are also helping to shape our future. The role of archivists and records managers has broadened. They now not only preserve records, but also manage memories, protect identities and navigate the complexities of social conflict. Archivists ensure that records protect rights and make information accessible and understandable.

At the Barcelona Congress, participants will discuss the future of archives, the evolving role of the profession, and how to connect with other fields. By sharing ideas and knowledge, we use the power of archives to create a more informed and inclusive world. Join us at “Knowing Pasts, Creating Futures” to shape the future by learning from the past.

The Congress Programme Committee hereby invites your proposals for papers and other types of sessions related to the theme “Knowing Pasts, Creating Futures.” Session formats and subthemes are described below.

The Programme Committee welcomes the participation of new professionals in the field, new members of the ICA community, and people from other professions who want to engage with archivists and records managers.

An evaluation panel will select proposals for the final programme based on the quality of the proposals and the significance of the topics, while also ensuring that the Congress includes a diverse group of speakers from a wide range of countries and perspectives. In addition, the final programme should provide an opportunity for attendees to learn about record keeping and archives in our host country.

Note for ICA Branches, Sections, and Expert Groups: all ICA groups will be able to reserve meeting time on Monday, 27 October, subject to availability of spaces in the congress venue. For this, you do not need to submit a proposal. Groups can open these meetings to all attendees or limit them to their members. ICA will also organize dedicated lightning talk sessions for Sections and Expert Groups to provide short introductions to their objectives and ongoing work for the general ICA audience. However, ICA groups and their members can always submit session proposals on their significant projects using the usual process to share their work with the widest audience.

Subthemes

1. Managing Memories / Preserving Identities

To navigate the uncertainties of the future, humanity must not forget its past. In this context, archives are essential instruments of society, which is expressed through traditional communication channels and others that are constantly evolving. These include social networks and new social movements, which, in many cases, generate instant and ephemeral documentation.

2. Conflict, Disaster, and Displacement

Around the world there are episodes of forced displacement, displaced people and emergent movements whose memory and that of the reception spaces are important to preserve. These memories are fragile and endangered, and from the archives we must respond to preserve them as a testimony of human activity (displaced people), social activity (organisations supporting displaced people: humanitarian, medical, etc.), and official activity (driven by states and global organisations: UN, EU, etc.).

3. Records of Rights

Archives guarantee personal and collective rights by providing access to our memory through heritage management. Document management ensures better access to documents, greater transparency and good governance of public administrations. In terms of collective rights, archives promote corporate social responsibility through collaboration between archives and society.

4. Digital and Accessible

Within digital society, archives are digitising the past, present, and future. As a result, both digital humanities and artificial intelligence projects focus on documents, from all time periods. However, these strategies differ significantly from traditional models of knowledge transfer, often involving the direct construction of knowledge from information. This universal access to documents, data and information significantly changes the role of professionals.

5. Archival Futures

The training of archive professionals is crucial in shaping the future of the profession. With new societal challenges and developments in the field, it is time for an in-depth debate on the functions of professionals, their expertise, professional skills, and areas of specialisation. We must assess the state of the profession and evaluate new realities and experiences to determine the professional hazards and opportunities faced by archivists and document managers.

Papers may be submitted in Catalan, Spanish, English or French

We request that you complete your application by no later than Thursday 16 January 2025 (23:59:59 CET). Presenters will be notified of acceptance by the end of April 2025. The Programme Committee will only consider submissions received via ConfTool. Instructions on how to submit are contained in the submission platform. 

Submission Form

Read more about types of sessions and other details.

CFP: ARMA Canada Information Conference 2025

We invite you to contribute to the ARMA Canada Information Conference by submitting your proposal today. By participating in the ARMA Canada Information Conference, you have the opportunity to play a significant role in redefining and progressing the field of information governance. Your insights and contributions can serve as a catalyst for future developments and improvements within the industry, driving forward the evolution of best practices and standards that meet the challenges of tomorrow.

By presenting at this prestigious conference, you will enhance your professional reputation and connect with fellow experts and decision-makers in the industry. We encourage proposals that are interactive, innovative, and provide practical insights that participants can apply in their organizations. In addition to the opportunity to present at the conference, your participation promises a revolutionary experience for both attendees and presenters. Your sessions will not only educate but also spark significant changes and advancements within the field of information governance. By sharing innovative strategies and solutions, you have the potential to revolutionize practices and inspire transformative growth in organizations across Canada and beyond. Engage with peers who are equally passionate about paving the way for a future-oriented approach to information management. This could be a pivotal moment for enhancing your influence and contributing to a revolutionary shift within the industry. Don’t miss the chance to inspire change and foster innovation—submit your proposal now and be part of this transformative event.

The deadline to submit a proposal is December 3.  Click on the 2025 Call for Proposals menu for details on submitting and the link to the submission form.

Presentations Available: «Zugang zu Archiven – Recht oder Pflicht?»

Association of Swiss Archivists
Die Präsentationen unserer Fachtagung 2024 sind hier abrufbar.

«Access to archives – right or duty?»

The presentations from our 2024 conference are available here.

CFP: Beyond Crises: Resilience and (In)stability – 9th Annual Meeting of the Memory Studies Association

The Memory Studies Association invites proposals for its ninth annual conference, to be held from 14 to 18 July 2025 at Charles University and the Czech Academy of Sciences in the historic city of Prague. This on-site conference aims to carry over from earlier conferences a transdisciplinary conversation on memory and its social, cultural and public relevance. It welcomes scholars, practitioners, and activists from diverse fields to contribute to this vibrant exchange of ideas.

In 2025, we will globally commemorate many significant anniversaries, such as the end of World War II (1945) and the end of the Vietnam War (1975). We will mourn the victims of the Srebrenica genocide in Bosnia (1995) and the massacres in Sudan (2005). Additionally, we will be half a decade removed from the onset of the COVID-19 lockdowns. With the theme Beyond Crises: Resilience and (In)stability, the conference seeks to explore how the memory of these events and other critical turning points has led to new tensions but also generated new possibilities. What patterns of decisive change can we observe? What is the role of memory in these processes, and how have they been commemorated? How have such critical turning points and their actors been collectively remembered and commemorated? And what can memory teach us amid the ongoing polycrisis?

While we have identified several central thematic streams, the conference is open to all fields of interest of the members of the MSA:

  • Anniversaries and their societal importance: Examining the politics of memory and commemoration practices both top-down and bottom-up.
  • Digital Memories: Investigating the impact of digital technologies on memory formation, preservation, and dissemination.
  • Economic Memories: Exploring the impact of collective memory on economic behavior, policy-making, and the socio-economic identities of communities.
  • Environment: Examining how environmental changes and ecological memory shape collective and individual identities.
  • Gender, Belonging, Embodiment: Examining how memory intersects with issues of gender, identity, and embodied experiences.
  • Health, Welfare & Care: Reflecting on the memories associated with health, caregiving, and social welfare systems.
  • History, Theory, and Methods of Memory Studies: Critically examining the foundational aspects of memory studies, focusing on the theoretical frameworks, historical contexts, and methodological approaches that shape the field.
  • Human Rights & Civil Society: Analyzing memory’s role in promoting and defending human rights and civil society initiatives.
  • Humanitarianism & Philanthropy: Investigating the interplay between memory, humanitarian efforts, and philanthropic activities.
  • Materiality and Nostalgia: Exploring the material aspects of memory and the sentimentality associated with nostalgia.
  • Memory Education: Focusing on pedagogical approaches to teaching and transmitting memory.
  • Memory Politics and Populism: Looking at the deployment of historical memories by both progressive and reactionary movements.
  • Memoryscapes Shared and Divided: Studying the spatial and geographical dimensions of memory, including contested and shared spaces.
  • Migration and Displacement: Investigating the memories of migration, displacement, and the diasporic experience.
  • Notions of Crises: Exploring and interpreting the meaning of crisis within memory construction.
  • Public and Private Memory: Analyzing the interplay between public commemorations and private recollections.
  • Resilience, Reconciliation, Mourning: Discussing memory’s contribution to processes of healing, reconciliation, and mourning.
  • Transformation, Activism, Social Justice: Exploring the role of memory in social movements and transformative justice.
  • Violence, Justice, Trauma: Addressing the memories of violence, justice processes, and trauma recovery.
  • Voices of Memory: Highlighting underrepresented and marginalized narratives in the collective memory.


Proposals should include:

  1. Individual Papers: An abstract of up to 300 words, including the title, research question, methodology, keywords and key findings.
  2. Panels: A panel description (up to 300 words), abstracts for each paper (up to 300 words per paper), and keywords. Each panel should consist of 4 presenters and a chair.
  3. Roundtables: A summary of the roundtable topic (up to 300 words) and brief descriptions of each participant’s contribution.
  4. Special Events (Film Screenings, Performances, Exhibitions, Workshops): A detailed description (up to 300 words) of the proposed cultural activity, including its relevance to the conference themes, format, technical requirements, and any special considerations. Please also include a short bio of the creator(s) or performer(s). Please note that we have a limited number of slots for creative outputs and cannot cover conference participation costs, including travel, transportation of exhibits and copyrights. We encourage you to contact the organisers if you have organisational or technical questions about a possible special event.  

Submission Guidelines

Please note that in order to participate in the conference, you must be a member of the MSA. You can become a member after your paper has been accepted.

We invite the submission of individual papers, panels, roundtable discussions, book launches, workshops and special events from members committed to attending the conference in person. The MSA especially encourages complete sessions, such as panels, round tables and workshops. 

Submit your paper at: https://msaprague2025.dryfta.com/72-call-for-papers

Information and dates regarding submissions:

  • All proposals should be submitted via our online submission portal by October 20, 2024
  • Notifications of acceptance will be sent out in December 2024. 
  • We will provide the supporting documentation for those needing to apply for visas in January 2025. Please follow the information on the conference website
  •  Please note that participants may appear as presenters only once in a panel but may act as chairs in more than one panel. 

Contact Email

pragueconference@memorystudiesassociation.org

URL

https://msaprague2025.dryfta.com/72-call-for-papers

Recent Issue: ESARBICA

ESARBICA Journal: Journal of the Eastern and Southern Africa Regional Branch of the International Council on Archives / Vol. 42 (2023) 
(open access)

Editorial
Nampombe Saurombe, Makutla Mojapelo

Digital records curation education in Zambia
Abel M’kulama, Akakandelwa Akakandela, Tuesday Bwalya, Sitali Wamundila, Chrispin Hamooya

Ingesting digital records into an archival system
conceptual framework within a South African perspective
Lorette Jacobs, Thulisile Lemekoana

Exploration of education and training of records and archives management staff in the public sector organisations of Lusaka, Zambia
Chembe Kaluba, Thelma Siame Kapapa

Internet of Things for archival ease of access to users in the Fifth Industrial Revolution
Mashilo Modiba, Ngoako Solomon Marutha

Safeguarding plantation records of Malawi
Innocent Mankhwala

Archives as evidence for land restitution process in South Africa
Lyborn Mabapa

Navigating the digital era: challenges and solutions for archival professional in education and training
Tolulope Balogun

Disaster preparedness for records management at the Workers’ Compensation Fund, Dar es Salaam, Tanzania
Praygod Ng’unda, Esther Ndenje-Sichalwe

Impact of COVID-19 on access to the National Archives of Zimbabwe
post-pandemic accessibility and future operations
Samuel Chabikwa, Patrick Ngulube

Digitisation of claims records at the Road Accident Fund in South Africa
Vanessa Neo Mathope

Moving with times
The inclusion of Fourth Industrial Revolution Technologies in the curriculum of Library and Information Science Schools in Botswana and South Africa
Olefhile Mosweu, Sidney Netshakhuma

Unearthing archival climate change baseline data in southern and eastern Africa
Graham Dominy

CFP: Contested/ing (Art) Histories: Memory Through Visual and Material Culture-Association for Art History

CFP: Contested/ing (Art) Histories: Memory Through Visual and Material Culture-Association for Art History, UK 

Online conference for PhD students

Keynote Speaker: 
Tanvi Mishra, Independent Photo Editor, Curator, and Writer 

Thematic Focus:
Traditional historical narratives often present a singular perspective, neglecting the multifaceted nature of the past. This approach overlooks the contested nature of history, where various experiences vie for recognition. “Contested/ing (Art) Histories: Memory Through Visual and Material Culture” delves into this complexity, exploring how visual art and material objects act as sites of memory, memorialisation, and remembrance.

This conference seeks to explore how visual and material culture shape our understanding of the past. This call encourages critical engagement with diverse perspectives, ethical considerations, and the potential of artistic interventions to challenge dominant historical narratives from post-colonial and de-colonial perspectives.

The key questions addressed by this conference include: 

● How do diverse perspectives and experiences influence historical narratives within the arts? 
● How can visual and material culture challenge or reinforce dominant historical accounts? 
● What are the ethical considerations in using and interpreting visual and material culture for historical research? 
● In what ways can artistic interventions act as sites for memory-making and contesting official narratives? 
● How do we tend to the silences and gaps in official narratives?

Who is this for? 

This year’s Global New Voices invites proposals from PhD students in any stage of their research, exploring the theme over any historical period or geographic region. We welcome submissions from international scholars and practice-researchers to open a dynamic discussion about the similarities, divergences and interconnectivity of contested histories taking place around the world. We particularly welcome talks which integrate digital technologies with the featured themes.

We invite proposals in any of the following three formats: 

● 15-minute paper presentations: Papers focusing on the idea of contested histories through material or visual thinking in a wide variety of contexts. 
● Pecha Kucha presentations: 20 images with a limited time (20 seconds) commentary on each slide. The aim is a swift, visually-led presentation that is succinct and powerful. 
● Curatorial and artist showcase: Artists, curators, and image-makers to share their practice – this consists of approximately 5-10 minutes of viewing the work (shared online) followed by discussion and constructive feedback. We welcome submission from artists and curators working in any medium which contains a strong visual element. 

Potential themes are outlined below, but we encourage experimental and novel approaches: 

● Colonial and postcolonial experiences in visual art and museum collections 
● Gender and sexuality in Orientalist representations 
● Gender-based violence in Colonial or post-Colonial settings 
● Indigenous perspectives and histories 
● The role of digital technologies in shaping historical narratives 
● The ethics of collecting and exhibiting objects with contested histories 
● The use of visual and material culture in memory activism 
● Legacy of Empire in all its forms 
● Colonialism and civil wars in visual culture 
● Experiences of incarceration or/and silencing 
● Visual renditions related to the question: who owns the past? 
● Objects as carriers of memory 
● Silenced and unsilenced narratives

When and where will this conference take place? 

Online, ensuring an international platform for inclusive, enriching, and creative discussion.  This year, the conference will take place over a day, Thursday 7 November 2024, with coffee and lunch breaks for down-time. 

How to apply and when is the deadline? 

Proposals and abstracts of no more than 250 words, along with a 100-word biography, should be sent to globalnewvoices2024@gmail.com by 11:59 pm GMT on Sunday 1 September 2024. Notifications of acceptance and rejection will be sent out by Monday 16 September. 

Please let us know in the email subject if you are proposing a paper, a Pecha Kucha, or curatorial and artist showcase. 

Please state which country / time zones you will be participating from to facilitate our programming. 

Finally, please indicate whether you agree for your session to be recorded. We will be uploading the conference (or as much as is feasible), to the AAH YouTube channel. 

For more information, contact the organisers: Dr. Alia Soliman, Sean Cham, and Olivia Garro at globalnewvoices2024@gmail.com
https://forarthistory.org.uk/events/cfp-global-new-voices-2024-contested-ing-art-histories-memory-through-visual-and-material-culture/

Contact Information

Online conference for PhD students

Conference Date: Thursday 7 November, 2024

Deadline: Sunday 1 September 2024

Contact Email

globalnewvoices2024@gmail.com

URL

https://forarthistory.org.uk/events/cfp-global-new-voices-2024-contested-ing-ar…