CFP: Reclaiming Craft: Decolonial Perspectives on Heritage and Innovation in the Islamic World

Craft traditions from the Muslim world have often been framed through colonial and Eurocentric lenses, reducing them to exotic artifacts or static relics of a bygone era. This session seeks to disrupt these narratives by exploring and reimagining traditional crafts in present and future contexts while maintaining their profound historical and cultural significance. Can crafts be represented in contemporary art and museums without erasing their original meaning or commodifying their heritage? Can current theoretical and/or methodological frameworks dismantle colonial legacies and promote equitable engagement with these traditions?

We invite submissions of papers presenting a critical examination of the decolonizing process of craft histories within the Islamic world and their evolving paths. Case studies exploring different artistic traditions are welcome, as well as ones focusing on specific media (including ceramics, textiles, metalwork, woodwork, calligraphy). Panel contributors could address topics such as intersections between craft and contemporary art expressions, technological adaptations of crafts, the role of Islamic aesthetics, and resistance to cultural appropriation. We also encourage different methodological approaches to examine the various facets of craft preservation and innovation, such as postcolonial theory, material culture studies, Islamic art historiography and Islamic epistemologies. Submissions may be in the form of traditional research papers or more informal practice-based presentations. We would also consider combining some presentations into a roundtable discussion, allowing for a more collaborative dialogue.

Ultimately, the session seeks to reframe traditional crafts as dynamic, living practices that contribute to the formation of cultural and spiritual identities, an exploration of the ways in which decolonial perspectives can encourage sustainable and innovative approaches to craft representation and evolution in a global context.

Submit your Paper via this form. Please download, complete and send it directly to the Session Convenor(s) below by Sunday 2 November 2025:

Sami L. De Giosa, University of Sharjah, lgiosa@sharjah.ac.ae

Mariam Rosser-Owen, V&A Museum, m.rosserowen@vam.ac.uk

For further information, see: https://forarthistory.org.uk/reclaiming-craft-decolonial-perspectives-on-heritage-and-innovation-in-the-islamic-world/

CFP: Digitalisation and (Un)Sustainability: Assessing Digital Waste and Material Pollution in the City

CFP from Urban Planning, open access journal

About the Issue
Recent developments in AI technologies have exacerbated existing concerns about the (un)sustainability of digitalisation and datafication. These concerns are related to the limitations of resources both natural and infrastructure-wise (Dekeyser & Lynch, 2025), to the exhaustion of the latter provoked by the excessive AI-use (Wang & Yorke-Smith, 2025), digital archiving, and mundane data consumption (Vale et al., 2024). This is related to the glut of digital footprints and waste in cities, which has been a problem for both cities and the media for centuries, albeit supercharged in the contemporary moment. What is new is the excessive use and normalisation of an (un)sustainable relationship with digital technology, including the everyday use of tools such as Chat GPT (Hogan, 2024). These tools have severe carbon footprint impacts, using as much water as an average family uses in almost two years for server cooling and electricity generation. For every hundred words generated by the service, an average of three bottles of water are consumed (DeGeurin, 2023).

The smart city and the new digital twins’ tropes—along with prescriptive and acritical perspectives that technologies will be the panacea for any complex issue—are part of the problem (Chiappini, 2020). Discourses around the effectiveness of these types of initiatives and projects often create, semantically and semiotically (Babushkina & Votsis, 2022), a distorted view of digital solutions for fictitious issues, including distortions of key human traits such as knowledge, meaning, and embeddedness into reality. On a smaller scale, the everyday life consumption on search engines, direct messaging, social media addiction, multimedia file exchange, and purchases on big tech logistic platforms pollute not only the environment but the collective consciousness, producing confusion, exhaustion, and fatigue. This constant generation of an amount of information that pollutes the brain becomes what Lovink (2019) defined as “brain-junk.” The number of apps keeps increasing, and so does the data they collect, but users are not always aware and digitally literate about these risks. Hence, both co-dependency on media technologies and a lack of a high degree of digital literacy can be considered societal and spatial issues that might create unevenness. It is unfortunately not possible to control-click emptying the trash from digital waste and material pollution: much of it goes beyond the current understanding and technical capability to take care of. Therefore, there is an urge to overcome the rapid accelerationism of techno-determinism and solutionism and identify tactics and strategies aimed at reducing digital waste.

This thematic issue is concerned with the timely and vital problem of digitalisation and its (un)sustainability, fostering a discussion on the waste and pollution, digital and material, caused by massive datafication and urban platformisation (Cristofari, 2023). The relationship between the geographical scale, socio-political goals, and the technological design of digital infrastructures is of crucial importance to the understanding of the issue of digital waste and its possible reduction (Chiappini & Ferrari, 2024). For instance, data centres account for about two percent of all global energy use, and the raw amount of energy consumed by data centres doubles roughly every four to eight years (International Energy Agency, 2022). Hence, in terms of urban planning, the localisation of data centres has key implications, with direct consequences over the surrounding environment with regard to air pollution and climate change. The thematic issue encompasses inter- and trans-disciplinary perspectives from urban studies and planning, including digital geography, sociology, semiotics, environmental studies, and legal approaches. It aims to engage critically with the normative and prescriptive discourses which favour a techno-determinist view where smart city projects are celebrated. We invite papers that deal with concepts such as waste, noise, and excess in terms of data, materials, time, labour, cultural surplus, chatbots, and AI-powered services, also, but not exclusively, in relation to the uselessness and ineffectiveness of smart city projects and digital twins’ experiments.

References:

Instructions for Authors
Authors interested in submitting a paper for this issue are asked to consult the journal’s instructions for authors and submit their abstracts (maximum of 250 words, with a tentative title) through the abstracts system (here). When submitting their abstracts, authors are also asked to confirm that they are aware that Urban Planning is an open access journal with a publishing fee if the article is accepted for publication after peer-review (corresponding authors affiliated with our institutional members do not incur this fee).

Open Access
Readers across the globe will be able to access, share, and download this issue entirely for free. Corresponding authors affiliated with any of our institutional members (over 90 institutions worldwide) publish free of charge. Otherwise, an article processing fee will be charged to the authors to cover editorial costs. We defend that authors should not have to personally pay this fee and encourage them to check with their institutions if funds are available to cover open access publication costs. Further information about the journal’s open access charges can be found here.

CFP: Cold altitudes: knowledge, imagination, and experiences of mountain ice

Editor’s Note: I think this is the first time I’ve seen the phrase “ice as archive,” and I hope there is an archivist who is able to participate!

Call for conference papers

Cold altitudes: knowledge, imagination, and experiences of mountain ice

Date: 11-12.05.2026

Venue: University of Fribourg, Switzerland

Organisers: Christine Bichsel (University of Fribourg), Katja Doose (University Lyon 2)

From glaciological expeditions to snow myths, from avalanche laws to mountain poetics, ice has shaped how humans engage with high-altitude environments. This conference explores how societies have known, represented, and inhabited mountain ice—broadly understood to include glaciers, snowfields and avalanches —through empirical and conceptual lenses across the humanities and social sciences. Recent advances in the ice humanities and related fields explored the manifold relationships between humans and ice mainly focusing on examining polar and circumpolar contexts. A systematic account on mountain ice is missing in the social sciences and humanities. This conference seeks to examine human-ice relations as part of the cultural, political, ecological, spiritual and scientific dimensions of mountains. 

We invite contributions that investigate mountain ice as a medium of knowledge, cultural meaning, and social life. How have glaciers and snow been imagined in literature and art? How have they been measured, inhabited, feared, celebrated, or transformed into resources? What epistemologies, cosmologies, infrastructures, or legal regimes have crystallized around frozen heights? We particularly welcome papers that address: 

• Histories of mountain glaciology, avalanche science, and snow observation 

• Scientific, local, and indigenous knowledge practices related to mountain ice 

• The cultural imagination of glaciers, snow, and avalanches in literature, film, or visual arts 

• Ice as a legal, political, or territorial entity in mountain regions 

• Aesthetic, emotional, or sensorial engagements with mountain ice 

• Ice as archive: materiality, memory, and temporality in frozen mountainous environments 

While grounded in mountain regions, we also welcome conceptual reflections that connect mountain ice to broader discussions in environmental humanities, environmental history, historical geography, or science and technology studies.

We welcome submissions from junior and senior scholars. The format of the conference will be interactive. Conference papers will be pre-circulated, and participants’ commentaries will guide the discussions. We expect participants to submit their full draft conference papers by 01.05.2026. We aim to produce an edited volume from this conference.

Abstracts of up to 300 words, with an indication of the sources the research is based on, and a short biography (max. 100 words) should be sent by 31.10.2025 to christine.bichsel@unifr.ch AND katja.doose@univ-lyon2.fr. 

Accommodation and transport will be partially covered by the organisers, with priority given to financial support for junior scholars. 

Contact Information

Katja Doose

Université Lyon 2

Contact Email

katja.doose@univ-lyon2.fr

CFP: The Materiality of the Late Medieval Book: Production, Reading, and Transition

Call for Papers – IMC Leeds 2026

Panel Series: The Materiality of the Late Medieval Book: Production, Reading, and Transition.

Deadline for submissions: 14 September 2025

We invite proposals for papers for a series of panels at the International Medieval Congress (IMC), to be held in Leeds, 6–9 July 2026. This session series will explore the materiality of the late medieval book between c. 1350 and 1540, with a particular emphasis on approaches that take the physical object as the foundation of scholarly inquiry. This strand aims to foreground the book as a material artefact – not simply as a vehicle for text or image, but as a made, handled, and interpreted object. We seek contributions that begin with codicological, palaeographical, artifactual, or structural features of books – bindings, layouts, quire structures, scripts, substrates, wear patterns, or added matter – and use these material traces to investigate broader questions of cultural practice, intellectual history, devotional life, or reading habits.

Papers may address, but are not limited to:

  • Material production: physical construction of books, use of specific materials (parchment, paper, pigments), regional or institutional practices
  • Reading and handling: how physical features shaped reading practices and reader interaction; evidence of use such as marginalia, damage, repairs, signs of wear, and ownership traces; and the repurposing, circulation, or afterlives of books
  • Transitions and continuities: how the rise of print engages with manuscript materiality – including hybrid books, printed texts with manuscript additions, and conservative or experimental formats that blur traditional boundaries
  • Methodologies: new approaches to studying the physical book as evidence and object

We particularly welcome work grounded in close analysis of specific manuscripts, printed books, or fragments. 

Please send an abstract of no more than 250 words, along with your name, institutional affiliation, and a brief biographical note (max. 100 words), to Janne van der Loop, (jannevanderloop@uni-mainz.de) by 14 September 2025.

Selected papers will form part of a multi-session strand proposal for IMC 2026. Applicants will be notified of the outcome around 20 September 2025. For questions or further information, please contact Janne van der Loop (jannevanderloop@uni-mainz.de) or Ad Putter (A.D.Putter@bristol.ac.uk)

We look forward to papers that place the material form of the late medieval book at the centre of scholarly interpretation.

Contact Email

jannevanderloop@uni-mainz.de

CFP: transfer – Journal for Provenance Research and the History of Collection

The online journal transfer is an academic publication platform in the area of provenance research and the history of collection as well as adjacent fields of investigation, like art market studies, reception history, cultural sociology, or legal history. Issues are published semi-annually and exclusively online in Diamond Open Access. Research articles and research reports, to be submitted in English or German, are subject to a double-blind peer-review. All submissions undergo an internal evaluation by the editors supported by the advisory board and receive professional copy-editing before publication. The journal is based at the Research Centre for Provenance Research, Art and Cultural Property Law at the University of Bonn and at the Leipzig Museum of Fine Arts. transfer receives funding from the German Research Foundation (DFG). Webhosting is provided by our partner institution Heidelberg University Library via arthistoricum.net.

Website: https://journals.ub.uni-heidelberg.de/index.php/transfer/index

Editors: Felicity Bodenstein, Ulrike Saß & Christoph Zuschlag

Managing Editor: Florian Schönfuß

Advisory Board: Arbeitskreis Provenienzforschung e.V., dbv-Kommission Provenienzforschung und Provenienzerschließung, Didier Houénoudé, Larissa Förster, Gilbert Lupfer, Antoinette Maget-Dominicé, Barbara K. Murovec, Gesa Vietzen

Open Call for Submissions

transfer is an interdisciplinary, cross-epoch and international journal. It primarily addresses a scholarly audience. Besides experienced researchers, transfer equally aims at early career researchers, including PhD students, offering broad impact and high accessibility for the publication of recent research. Abstaining from any author charges or other publication fees, transfer provides a Diamond Open Access platform assuring research quality as well as transparency, fostering research interconnection and the crossing of disciplinary and institutional boundaries. Authors are invited to submit papers on the following fields of interest:

– Provenance research on individual objects or object groups

– Collections, History of collection

– Translocation of art and cultural assets 

– Art and cultural property law

– Culture of remembrance, Cultural identity, Collective memory

– Art trade, Art market studies

– Art policy, Sociology of art, Cultural sociology

– Restitution, Return, Repatriation

In conjunction with the articles in transfer, corresponding research data sets can be published via the Open Research Data platform heiData. For further information on this and regarding submissions, text categories, peer-review as well as our Style Sheet, please see the journal-website or contact us under redaktion.transfer@uni-bonn.de.

The submission deadline for Volume 5 (2026), No. 1 is 15th January 2026.

Contact Information

Dr. Florian Schönfuß

transfer – Zeitschrift für Provenienzforschung und Sammlungsgeschichte / 

Journal for Provenance Research and the History of Collection

Rheinische Friedrich-Wilhelms-Universität Bonn

Forschungsstelle Provenienzforschung, 

Kunst- und Kulturgutschutzrecht

Kunsthistorisches Institut

Rabinstraße 1

53111 Bonn (Germany)

florian.schoenfuss@uni-bonn.de

Contact Email

redaktion.transfer@uni-bonn.de

URL

https://journals.ub.uni-heidelberg.de/index.php/transfer/index

Seeking 1-2 scholars to co-present in LASA 2026 panel “Memoria en llamas: Archivos, fuego y narrativas de la pérdida”

We are currently seeking 1–2 scholars to co-present at the Latin American Studies Association (LASA) Congress in Paris, 2026, for a panel we are organizing titled:

“Memoria en llamas: Archivos, fuego y narrativas de la pérdida”

This panel will explore libraries and archives lost to fire, focusing on how such events can be interpreted through the analysis of archival silences—silences shaped not only by political or institutional forces, but also by environmental challenges, especially fire. We are interested in work that considers how fire transforms the archive, how destruction becomes part of its record, and how these narratives intersect with ecological, historical, and cultural contexts.

If your research engages with these themes, we invite you to join us in examining the intertwined histories of archives, preservation, and fire.  

Please send a brief abstract (150–200 words) and short bio to camilaordoricab@utexas.edu or zt3@nyu.edu by august 25th, 2025.

Contact Information

Camila Ordorica – camilaordoricab@utexas.edu

Zeb Tortorici – zt3@nyu.edu 

Contact Email

camilaordoricab@utexas.edu

URL

CFP (session): Neglected Heritage and Hidden Narratives in Central and Eastern Europe from 1860 to 1950

Modern states of Central and Eastern Europe have written strong narratives of national identities based on the idea of cultural and ethnic homogeneity. Formerly part of the Habsburg, Russian and Ottoman Empires, they sought detachment from the Imperial past even if their history and identity were decisively shaped by it. This session aims to reflect on how the material heritage of marginalised groups has been appropriated, neglected and destroyed, but also on how it survived despite the official policies. It further focuses on the art historiography and on what was written in and written out of official narratives. Proposals are invited on any type of material heritage and writings that shed light on the survival and neglect of the minority’s heritage in Central, Eastern Europe and the neighbouring regions. Potential questions to be addressed are: How have new narratives of national art and architecture excluded other narratives? How were the diverse artistic traditions of the Roma communities racialised as less-developed foreign cultures throughout Eastern Europe, from Czechia to Greece? What happened under new nation-states to the cultural diversity of majority-Muslim regions such as Dobrogea and Crimea or with the Ottoman heritage of Yugoslavia? How was the material heritage of various “non-official” communities preserved and promoted despite states’ desires?

Contact Information

Cosmin Tudor Mine

Contact Email

cosmin.minea@phil.muni.cz

URL

https://caa.confex.com/caa/2026/webprogrampreliminary/Session16745.html

CFP: 31st International Conference on the History of Cartography: Bridging the Past and Present in Cartography

Call for Papers
31st International Conference on the History of Cartography
Bridging the Past and Present in Cartography
Prague & Brno, Czechia | 7–11 July 2026
www.ichc2026.org

The Faculty of Science of Charles University, the Institute of History of the Czech Academy of Sciences, the Moravian Library in Brno, the Faculty of Science of Masaryk University, and the Czech Geographical Society, under the auspices of the Czech Cartographic Society, are pleased to invite proposals for papers and posters for the 31st International Conference on the History of Cartography. ICHC is the only academic conference solely dedicated to advancing knowledge of the history of maps and mapmaking, regardless of geographical region, language, period or topic. ICHC promotes free and unfettered global cooperation and collaboration among cartographic scholars from many academic disciplines, curators, collectors, dealers and institutions through illustrated lectures, presentations, exhibitions, and a social program. In order to expand awareness of issues and resources, each conference is sponsored by a leading educational and cultural institution.

The biennial conferences are organized in conjunction with Imago Mundi CIO. ICHC 2026 builds upon Czechia’s robust tradition of research in the history of cartography and related disciplines, a tradition that has flourished for more than a century.

Proposal submission now open: Please submit proposals for paper and poster presentations at www.ichc2026.org

Under the broad rubric of Bridging the Past and Present in Cartography, ICHC 2026 welcomes paper and poster presentations on the following themes.

1) Maps and Tourism

Encompasses the role of maps and related works in promoting tourism to regions or particular destinations and in the experience of touristic places.

2) Maps as Artefacts

Investigates the nature of maps as cultural objects that circulate within the marketplace and other networks, and that are variously collected and preserved within institutions of memory (GLAM).

3) The Third Dimension: Representing Elevation on Maps

Explores the particular strategies developed to represent the earth’s crumpled surface of hills and valleys for specific tasks, from military and geological mapping to forest management.

4) Mapping the Past: Historical Cartography at the Turn of the Digital Era 

Pursues interdisciplinary and critical perspectives on the ideological implications of new digital technologies in mapping the past, including the risks of distortion and of the instrumentalisation of historical content for political or ideological purposes.

And any other aspect of the history of cartography

Papers: Paper presentations will comprise 15 minutes for presentation, followed by a short discussion.

Posters: Posters will be installed for a dedicated session on the second morning of the conference and will remain on display through the remainder of the conference.

Panel proposals: We welcome the proposal of organized sessions. However, proposals for paper presentations, whether by one or more presenters, must be submitted and evaluated individually. Therefore, if a proposed paper is intended for an organized session, please include the information at the end of the submission form. The session’s organizer must also submit a separate proposal for the session that lists all the papers and presenters.

Workshops: In addition to the academic programme, four thematic workshops will be organised.

Scholarships: The Kislak Family Foundation will provide scholarship opportunities for up to 5 participants. More information at https://ichc2026.org/fellowship/.

Conference Language: The language of the conference is English, and all proposals and presentations must be prepared and delivered accordingly.

Key Dates:

  • Opening of the call for papers: 15 July 2025
  • Deadline for submission of proposals: 14 November 2025
  • Notification of acceptance: 15 January 2026
  • Early Bird Registration: until 15 April 2026

Estimated Registration Fees:

  • Regular: 340 EUR
  • Students: 150 EUR

Conference Venues: ICHC 2026 will convene in the historical campus of the Faculty of Science, Charles University in Prague (Albertov); the Moravian Library in Brno; and the Faculty of Science, Masaryk University (Brno). Participants will have the opportunity to engage with key cartographic collections and take part in thematic exhibitions, guided tours, field trips, and social events.

Inquiries: ichc2026@hiu.cas.cz

The International Conferences on the History of Cartography: 

London (1964, 1967); Brussels (1969); Edinburgh (1971); Warsaw (1973); Greenwich (1975); Washington, DC (1977); Berlin (1979); Pisa, Florence, Rome (1981); Dublin (1983); Ottawa (1985); Paris (1987); Amsterdam (1989); Uppsala, Stockholm (1991); Chicago (1993); Vienna (1995); Lisbon (1997); Athens (1999); Madrid (2001); Cambridge, MA, Portland, ME (2003); Budapest (2005); Bern (2007); Copenhagen (2009); Moscow (2011); Helsinki (2013); Antwerp (2015); Belo Horizonte (2017); Amsterdam (2019); Bucharest (2022); Lyon (2024); Prague, Brno (2026)

Contact Information

The Czech Geographical Society / Česká geografická společnost, z. s.
Albertov 6, 128 00 Praha 2, Czechia 

Contact Email

ichc2026@hiu.cas.cz

URL: https://ichc2026.org/

CFP: A Critical Study of Training in the Field of Heritage

A Critical Study of Training in the Field of Heritage
Deadline for submission of proposed contributions: September 15, 2025

Plan

Special issue editors (scientific coordination):
Call for proposals
General framework and issues considered
Axis 1 – In Situ: training in the right place at the right time
Axis 2 – Into the heart of heritage training
Axis 3 – Trials as revelations, self-celebratory narratives examined
Contribution proposals (abstracts)

Special issue editors (scientific coordination):

Christian Hottin : conservateur en chef du patrimoine, direction générale des Patrimoines et de l’Architecture, membre du CTHS, membre associé d’Héritages (UMR 9022)

Gaspard Salatko : enseignant statutaire en sciences sociales à l’École supérieure d’art d’Avignon, membre du projet ANR « Sacralités par destination. Mises en récits et mises en scène des matérialités de Notre-Dame de Paris – SACRADE »

Michelle L. Stefano : Folklife Specialist, American Folklife Center, Library of Congress; adjunct professor, Cultural Heritage Management Master’s Program, Johns Hopkins University, Washington, DC

Call for proposals

This call for contributions invites attention to institutions and programs which, through training, contribute to the development of authorized discourses on heritage. Authorized discourses and views on heritage are expressed in a variety of ways. They are enshrined in international and national legislation and policy, and are promoted and staged by museums and institutions for the conservation of sites and monuments, among others. They are also at the heart of knowledge transmission processes that organize the permanence or variation of the right ways of saying, seeing, or doing heritage. A critical analysis of these mechanisms must therefore include a study of the institutions of higher education that help train future professionals in the field: What grammars of heritage are taught? How, and by whom, are the modalities of its treatment defined, and according to what horizons of expectations, as well as for what purposes and audiences?

In the last decades of the 20th century, as heritage became a category of public action defined in significant part by international standards, and as an economic resource in line with the growth of mass tourism, training in heritage professions – either at the university level or in specialized schools that had long been exclusive and/or elitist – became increasingly widespread. At the time they were founded, these courses were strongly rooted in the ways in which higher education was organized via different national traditions. Like all university programs, they have recently undergone a process of codification, standardization, and normalization that, while making them more easily comparable, also encourages their promoters to diversify and certify them: the challenge now, in a global context of increased competition between universities, is to make their programs more attractive.

For teachers and students alike, these training courses are places where discourses on heritage are demarcated, structured, and standardized, although sometimes tinged with different national traditions and influences. Students are familiarized with the economic and professional environment of their chosen field. And, with the support provided by professionals from heritage establishments, as teachers or internship tutors, they also lay the foundations for their own network of professional contacts.

Furthermore, although varying from country to country, these training courses are linked to research institutions of all disciplinary horizons that have contributed, over the same period, to establishing heritage as an object of academic study. As a result, a social sciences perspective on heritage training requires us to abandon – at least for a moment – the presumed universalist aims of authorized heritage discourses and outlook, and to approach these processes from a casuistic angle, attentive to the local contexts that organize the transmission of professional discourse, gestures, and outlooks.

General framework and issues considered

The issue brings needed attention to the critical study of wide-ranging programs in institutions of higher education dedicated to training future scholars and professionals in the cultural heritage discipline and sector. Contributions can shed critical light on the following perspectives, among others, in relation to the initial establishment, development, and/or continued facilitation (and modification) of heritage training programs over time:

  • Political contexts and influences, whether at international, national, or more local levels;
  • Historical contexts and influences;
  • Disciplinary contexts and influences, including foundational theories and/or scholarship used;
  • Geographical, including increasingly global, contexts and influences;
  • Components of programs, such as curricula, methodologies, skills taught, and expected learning outcomes;
  • The balance between theory and practice, and the practical or ‘applied’ emphasis of instruction and student placement in the sector;
  • Current challenges and related effects, including economic pressures; and
  • Commemorative discourses and activities pertaining to certain longstanding institutions and programs.

The following outlines thematic axes within which contributions can fall.

Axis 1 – In Situ: training in the right place at the right time
In particular, the issue seeks to examine the circumstances that led to the creation of training courses dedicated to heritage professions and scholarship, with all possible variations in scale and influence. As such, we welcome contributions that explore the development of such training and heritage programs from a political perspective, such as with the emergence of the earliest formations in a global framework that saw the affirmation of nation-states in fierce competition with one another, both in Europe and in their colonial expansion territories.

Moreover, examinations can focus on the scientific context, such as in relation to disciplinary influences, including prominent theorization or discourse, at the time of program establishment, including art history, archaeology, ethnology, and museology, as examples. Similarly, examinations may explore disciplinary influences in how programs may have developed (or changed) over time, such as with respect to related advancements in law or economics, as well as in the hard sciences. In addition, contributions may also shed light on the gradual affirmation of allied disciplines that were intended to be both techniques for treating (e.g. conserving and preserving) certain categories of cultural property and fields of research and work in their own right, such as museum studies, archival theory and practice, library science, and later ‘heritage studies’ or ‘heritage sciences’ (defined less by their own methodology than by their object). Indeed, particular attention may be paid to the role that the teaching of museology has played – in France and elsewhere – in preceding and, in a way, paving the way for heritage studies over the past several decades.

Finally, the geopolitical context and associated influences may also be the focus of examinations. For instance, needed are analyses of the strategies for establishing programs on a global scale and with a global scope, where in the past certain institutions were established during periods of colonial/imperial domination, and more recently, they may be subject to market competition between universities, including via the growth of online (virtual) degree-granting or certification programs. Relatedly, examinations may concentrate on the impact of international heritage policies, such as promoted by UNESCO, on the organization and content of teaching.

From this angle, raised are also debates on the search for the most appropriate positioning for these programs and courses: are universities most suitable, or should they be as close as possible to curatorial and other heritage conservation, preservation, and dissemination institutions (e.g. operating from within them)? On a similar note, important questions are also raised on the circulation of knowledge, of those who transmit it and those who receive it, among and between training programs and other heritage institutions, organizations, and centers of activity.

Axis 2 – Into the heart of heritage training
Of equal importance are analyses that delve into the heart of heritage training schemes to examine their operation and various components. Aspects of heritage programs include:

the methods used to select students, such as in terms of the skill level required, the learning outcomes expected, and the ways in which they are assessed;

their curricula, such as the disciplines drawn on and taught and the exercises considered for their canonical value (e.g. engagement with certain scholarship, condition reports);

the balance between theory and practice, with particular attention paid to the question of internships, and the place given to scientific research in the course of training; and

the conditions under which students enter the job market, and any follow-up carried out by the institution about their career development and working life.

Indeed, among the most characteristic features of many of courses are their ‘practical’ or ‘applied’ approaches to studying and working within the heritage sector in various capacities, as well as the desire of those in charge to pass on managerial skills to students. Here, questions are raised on how, and to what extent, do managerial discourses and practices influence the way in which these courses, historically rooted in the humanities, are designed and delivered?

Moreover, particular attention can be paid to the material conditions for acquiring and transmitting heritage knowledge, know-how and interpersonal skills, such as the location of teaching facilities, layout of workshops, laboratories, documentation centers, development of distance learning opportunities. Furthermore, the examination of small ‘workshops’ – e.g. field schools and other intensive, short courses – involved in the production of heritage discourse should extend to their integration in political, administrative, and academic networks, as well as at national and international levels.

Axis 3 – Trials as revelations, self-celebratory narratives examined
Times of great economic, political, and social challenge, as we are in now, can also provide valuable opportunities to analyze the identity of an institution or social group. In the case of heritage training, programs, and courses, we are thinking in particular of: jurisdictional conflicts between professions operating in the same sector, but linked to different training courses; administrative reforms that have the direct or indirect effect of devaluing certain diplomas in relation to others; recruitment or job market crises, of which the reasons can be multiple; or even relocation of programs, which are often the result of material constraints that have become weakening factors, but that always constitute moments of great institutional stress.

In particular, we welcome examinations on issues and developments in the wake of the 2020 pandemic, as well as the development of online heritage programs over recent decades. What impact are these having on the heritage training market? Such studies reveal the evolution of training programs in a higher education sector that is increasingly subject to competitive pressures: upward or downward trajectories; crises overcome at the cost of mergers; and conquest of new markets, among others.

As for the oldest and most recognized heritage training programs, including those that have spanned centuries, they too are entering the age of commemoration. It is in this occasion that the historical narratives of celebration are produced, often with rigor but not always with distance. Just as in times of hardship, these moments of self-celebration – from which, as a matter of principle, all forms of tension must be absent, so as to not spoil the party – should be questioned: what narratives of origin are being put forth and taking center stage? Which figures are particularly celebrated, and who is forgotten? How and where do we celebrate, and where are the blind spots and skeletons in the closet?

By exploring these different axes, this issue of In situ au regard des sciences sociales will examine how each heritage training program responds to the question, “What does it mean to be a school?”, with original answers, drawing on founding narratives, continuities and also points of rupture in relation to the universalist aims of what ‘heritage’ is or what should be passed on. In this respect, it’s important to emphasize that a call for papers on the history of sociology of heritage training will, almost necessarily for many potential respondents, include a dimension of self-analysis, both reflexive and critical. Similarly, dialogue between researchers and heritage professionals can be a fruitful avenue for research, as long as the pitfall of ‘feedback’ is avoided. International openness is encouraged when responding to this call, as is a comparative approach between training courses in different countries. Cross-cutting thematic approaches are preferred; however, case studies focusing on a certain school or program, an instructor or groups of instructors, students or groups of current students are also welcome. Contributions may address both initial and continuing training, and the relationships between the two.

Contribution proposals (abstracts)
The journal of the Ministry of Culture of France, In situ au regard des sciences sociales (In Situ in the Social Sciences), is seeking contributions to the special issue, A Critical Study of Training in the Field of Heritage, to be published in early 2027.

Abstracts will be subject to a blind review by journal/issue editors and editorial board members, after which authors will be invited to submit the full contribution by March 1, 2026.

500-word abstract deadline: September 15, 2025

If you would like to contribute to this issue, please send an abstract of no more than 500 words, along with a short CV, by September 15, 2025.

By email: insitu.arss@culture.gouv.fr

By mail:

Ministère de la Culture

Direction générale des Patrimoines et de l’Architecture,

Revue In Situ. Au regard des sciences sociales

à l’attention de Nathalie Meyer

182, rue Saint-Honoré

75001 Paris – FRANCE

The texts of the articles corresponding to the selected proposals are expected by March 1, 2026. Texts may be written in French or in a native language. The proposed articles must contain a new contribution of research, hypothesis, or updates; they cannot reproduce the entirety of a text already published.

It will be published in its original version and in its French translation. The length of the articles will be between 3000-7000 words, including notes and bibliography (references cited).

Guidelines for authors regarding the number of pages, illustrations, the inclusion of notes and links, etc., are available on the journal’s website:

https://journals.openedition.org/insituarss/310

CFP: Colonial Objects: Material Culture of Italian Colonialism

Colonial Objects: Material Culture of Italian Colonialism

Bibliotheca Hertziana – Max Planck Institute for Art History, Rome
December 4-5, 2025
Italian Academy, Columbia University, New York
March 26, 2026

Abstract deadline: September 5, 2025

Italian museums and private homes hold a substantial number of objects intertwined with the history of colonialism. Their conservation raises questions about their cultural and political significance, alongside debates regarding their provenance and the practices surrounding their restitution. Furthermore, these objects still circulate widely — through auctions, marketplaces, and passed down through family inheritances. Despite this pervasive presence, the growing scholarship on Italian colonialism has not placed material culture at the center of analysis.

Indeed, although Italian colonial visual culture, exhibition history, and museum collections garner increasing scholarly attention, the objects themselves often remain on the margins of inquiry. Furthermore, no specific methodology has been developed for the study of colonial material culture, resulting in a gap in both historical and art historical research.

Bearing traces of their makers and owners, objects act upon bodily experience, affect, and emotions. Our aim is to address the production and circulation of colonial objects to understand their active role in shaping colonial imaginaries, visual culture, and imperial ideologies, and their contribution to the formation of tropes surrounding race, gender, class, and nationhood, both in Italy and abroad. Focusing on the dialectical relationship between the facture of objects and the meanings they produce, we are thus interested in exploring how colonial objects shape memories and ideas, and how their circulation during colonial rule as well as their current preservation yield insights into the negotiations of colonial legacies by colonizers and colonized subjects alike.

With the twofold goal of, on the one hand, interrogating Italian colonial objects, and, on the other, testing material culture theories through case studies that are politically charged and deeply entangled with colonial ideology, we are organizing two international conferences to be held in Rome (Bibliotheca Hertziana, 4-5 December 2025) and in New York (Italian Academy, 26 March 2026).

Rather than merely cataloguing colonial objects, then, these conferences seek to rethink the history of Italian colonialism by focusing on material culture. Therefore, we invite scholars across all disciplines to submit proposals that center on a specific artistic, artisanal, or industrial object, as a means to delve into critical issues concerning Italian colonial history: In what ways did material culture shape the fantasies and experiences of colonialism? How did various constituencies perceive and interact with colonial ideology? What representations of the colonies themselves and of colonialism as a practice emerge through material culture?

We welcome critical analyses of objects that propose unexpected, alternative, or conflicting narratives of Italian colonialism.  Possible case studies can pertain to the fields of art history, military history, economics, industry, education, fashion, design, media, consumption, and tourism, as well as everyday artifacts and utensils.  

As the starting point for this investigation, one might consider a range of questions stemming from material culture studies, including (but not limited to) the following:

●      Materiality: What are the visual, material, and formal qualities of the object and their affordances? What responses are evoked by its sensuous qualities? How does it relate to the visual culture of its time? What are its stylistic references? Does it aim to be aesthetically captivating?

●      Production: Who designed and produced these objects, and where? What materials, and techniques or technologies were used to make them? Can we retrace exchanges in imperial and trans-imperial spaces?

●      Circulation: To whom did these objects belong? How and where were they originally displayed (domestic environment, public space, etc.)? Were they part of a collection? What transnational journeys did they undertake to reach their current location?

●      Use: For what purpose were these objects intended? Has it changed over time and in different socio-political contexts, or in relation to the evolving needs and aspirations of their owners?

●      Reproduction and remediation: Were these objects one-of-a-kind or manufactured in large quantities? Did they enter the market, and if so how were they advertised? Were they remediated through different media, and how widely did these circulate in the metropolitan and colonial context?

●      Afterlife: How did the life of the object change after the official end of colonialism? Has it been restored, repurposed, or altered? How accessible has it been since then? How, if at all, is it currently displayed? Has its provenance been verified? Have there been any restitution claims or debates? If so, what impact has the restitution process had on the object and its context?

Please send a proposal of a maximum of 500 words (in Italian or English, accompanied by a short bibliography and at least one image of the object in question) and ashort bio to colonialobjects@gmail.com by September 5, 2025. Paper drafts will be pre-circulated two weeks before each conference to foster in-person debates and exchanges.

The organization will partly cover travel and accommodation expenses. For environmental reasons, speakers will be asked to attend the venue closest to them (either Rome or New York). Online participation will also be possible.

Both conferences originate from a collaboration between the research unit Decolonizing Italian Visual and Material Culture of the Weddigen Department of the Bibliotheca Hertziana – Max Planck Institute for Art History, the Contemporary History section of the German Historical Institute in Rome, and the Italian Academy of Advanced Studies in America, Columbia University, New York, with the generous support of the Ragusa Foundation for the Humanities.

Organizers:     Carmen Belmonte (Università degli Studi di Padova/Bibliotheca Hertziana- MPI)

Laura Moure Cecchini (Università degli Studi di Padova)

Nicola Camilleri (Maynooth University)

Bianca Gaudenzi (Libera Università di Bolzano/Wolfson College, University of Cambridge)

Locations:        Bibliotheca Hertziana – Max Planck Institute for Art History, Rome

December 4-5, 2025

Italian Academy, Columbia University, New York

March 26, 2026

Contact Information

Laura Moure Cecchini

Associate Professor, Università degli Studi di Padova

laura.mourececchini@unipd.it

Contact Email

colonialobjects@gmail.com