New Issue: ESARBICA Journal: Journal of the Eastern and Southern Africa Regional Branch of the International Council on Archives

Editorial
Segomotso Keakopa , Mehluli Masuku

Repatriation of the World Council of Churches’ 1948-1960 archives from Switzerland to South Africa
Sidney Nkholedzeni Netshakhuma

Engaging the public through archives: a systematic review of participatory approaches in public programming
Mthokozisi Masumbika Ncube, Patrick Ngulube

Leveraging artificial intelligence for ethical archiving and democratising access to sensitive historical narratives
Prince Kudakwashe Madziwa, Takunda Michael Ralph Chingonzo

The custody questionownership and control of armed struggle archives in Zimbabwe
Heather Ndlovu, Elizabeth Kyazike, Peterson Dewah

Digital transformation for leveraging police case records management to support justice for all in South Africa
Ngoako Marutha

International diplomacy versus Zimbabwean archival heritage: challenges and prospects of repatriating migrated archives in Zimbabwe
Adock Dube, Trevor Gumbo, Masithokoze Hlabangana

An assessment of the storage systems for medical records in public healthcare facilities in Malawi
Austin Phiri, Antonio Rodrigues

Expanding the archival boundary through a “community archives” project in Zimbabwe
Samuel Chabikwa, Patrick Ngulube

Unlocking digital records enhancing accessibility for effective records management at Zomba District Council in Malawi
Clement Mweso

The impact of artificial intelligence on modern records and archives management practices
Andrew Asasiira

Artificial intelligence in records management in Africa: opportunities and threats
Ndakasharwa Muchaonyerwa, Sharon Ndlovu

CFP: 2026 Oral History Network of Ireland Annual Conference, “Oral History & Movement”

Call for Participation: ‘Oral History and Movement‘

The Oral History Network of Ireland (OHNI) is pleased to announce its 2026 meeting, taking place on 18–19 June 2026 at the Meadowlands Hotel in Tralee, County Kerry. The annual meeting is a gathering of practising oral historians and all those with an interest in the recording, collecting and preserving oral history and heritage.

This two-day event offers interactive workshops, presentations and project showcases that are designed to inspire discussion, learning, knowledge and to create greater networking amongst our community. Whether you are experienced in oral history or just beginning your journey, we invite you to join us and share your insights and ideas.

Mary Stewart, Lead Curator of Oral History at the British Library, will deliver the keynote address at this year’s meeting. Mary is Director of the oral history fieldwork charity National Life Stories, and a trustee of OHNI’s UK equivalent, the Oral History Society. Her research interests include family histories and narratives and their use as a tool for academic research and oral history and their reception by family members of interviewees. She has also been exploring the ‘biography’ of the oral history archive: contextualising collections, capturing information about the research process and exploring ethical debates about the re-use archived oral history material.

Contributions are welcome in a range of formats:

Standard Papers (20 minutes)
Posters and Visual Presentations
Community Project Showcases & Moments (10 minutes) – this shorter format allows for presentations that offer an overview of new or developing projects, or that reflect on outstanding or memorable interviews, experiences, and/or incidents that influenced or changed the way the presenter practices oral history.

This year’s theme, ‘Oral History and Movement’, invites reflection on the many ways movement shapes human experience and storytelling. Movement can be understood broadly, and we invite reflections on how movement shapes human experience and storytelling: the physical movement of people across places and borders; social and political movements that bring people together/divide them; movement through time, memory, and the generations; movement of voices from the private spaces/spheres into public archives; those memories which emerge from our journeys taken, changes endured, and moments of transition.

Movement is central to how stories are told and remembered. Oral histories frequently unfold through accounts of travel, migration, work, protest, displacement, and return, but also through quieter movements: daily routines, changing neighbourhoods, or shifts in identity and belonging. This conference aims to create an inclusive and welcoming space for academics, community historians and OHNI members to explore how movement, in all its forms, is recorded, interpreted, and shared through oral history.

Possible Themes and Topics

We welcome proposals that engage with the theme Oral History and Movement in creative, reflective, or practical ways. Topics may include, but are not limited to:

Migration, emigration, immigration, and diaspora experiences
Asylum, refuge, displacement, forced movement and borders
Social, political, and labour movements
Everyday mobility: work, commuting, travel, and local journeys
Borders, boundaries, and crossing points
Movement across generations: memory, inheritance, and change over time
Rural and urban change, including housing, land, and community movement
Walking interviews, mobile methods, and place-based storytelling
Music, performance, sport and embodied movement
Movement from private memory to public archive: ethics and access
Digital movement: sharing oral histories online and across platforms

We welcome proposals from community groups, educators, archivists, academics, early career researchers, heritage professionals and anyone engaged in oral history practice or research.

Submissions highlighting collaborative or community-based projects are particularly encouraged.

Submission Guidelines

To participate, please submit an abstract (of not more than 250 words) along with your contact details using the form on our website no later than 20th March 2026

Contact Information

David Ryan, Communications Chair, Oral History Network of Ireland

Contact Email

info@oralhistorynetworkireland.ie

URL https://oralhistorynetworkireland.ie/events/2026-meeting/

CFP: Permanence/Impermanence: Collecting and archiving contemporary clay practices

Permanence / Impermanence: Collecting and archiving contemporary clay practices 

Conference: In-person, London, 24-26 June 2026

Deadline for proposals: 16 March 2026

Conference organisers: Ceramics Research Centre-UK, CREAM, University of Westminster, in partnership with the Victoria and Albert Museum.

The conference addresses how artworks in the ‘expanded field of clay’ can be made accessible and visible to current and future audiences.

Artists’ practices in the expanded field of clay can result in raw clay artworks, large-scale site-specific installations, performance-based events and involve audience participation (Brown, Stair and Twomey, 2016). Due to their ephemeral or mutable nature, such works pose significant challenges to museums, which have more often acquired permanent ceramic objects due to the complexities of capturing live or transient clay artworks. 

The conference takes place in the context of important recent work on collecting performance, installation and live art (Tate, 2018-22; Hölling, Feldman & Magnin, 2023-4)and on the politics and practices of museum collecting (Jones, 2021; Krmpotich & Stevenson, 2024).

Proposals are invited from artists, academics and museum professionals, including archivists, conservators, curators, collection managers, learning officers and others. Proposals may take any of the following formats: 10-minute provocations that ignite debate, 25-minute papers and 60-minute panel discussions. We particularly welcome case studies of artworks, acquisitions, exhibitions, interventions or other museum projects. Presenters may address issues relating to, although by no means limited to, the following themes and questions:

Artists / Artworks / Projects: 

  • How can artists be active in the process of their artworks being represented in collections?
  • Object, concept, experience, process? What is it that museums are collecting?
  • Can the re-performance of a work or its translation to a different medium be a productive, rather than reductive, process?
  • Outside of documentation through photography and videography, how might the physical sensations of interacting with a work, beyond sight, be preserved when it no longer exists in the same form?

Museums: 

  • How are museums engaging with the expanded field of clay practice through collections, learning programmes and other activities?
  • What are the implications if these artworks are not collected in a sufficiently meaningful way?
  • What is the impact on visitors and institutions when working with ephemeral, performance-based, participatory and site-specific ceramic or clay artworks?
  • What are the challenges of stewarding and/or documenting contemporary clay artworks, including issues of care, ethics and long-term availability, and how can museums meet them?
  • How can museums welcome, accommodate or document intentional decay in ephemeral artworks?

Collections / Archives:

  • What can be learned from the strategies of collecting other kinds of ephemeral art practices, such as performance, digital and hybrid objects? 
  • Do the nuances of materiality inherent in experimental clay and ceramic practices pose particular challenges?
  • Collections or archives? Where can transient artworks be best represented for the future?

Timeline

16 March 2026: Deadline for proposals (max. 300 words + 100-word biography per presenter/panel member).

Submit proposals to: Ceramics@westminster.ac.uk   

Early April 2026: Notification of acceptance. 

Mid-April 2026: Registration opens.

The conference is staged in the first year of the AHRC-funded Future Ecologies of Clay research project (August 2025-July 2028) with the objective of gathering information on the experiences and needs of artists, museums and researchers. It is the first event of a ‘long conference’, which reconceptualises the notion of the conference-as-catalyst and functions as a means to develop ideas and approaches within a follow-on seminar series and summit day. Conference presenters will initially be invited to contribute to the project website, and selected conference papers and research findings will be published in an edited book of essays in 2028. 

The Future Ecologies of Clay research involves creating four new artworks with four UK museums, including the V&A. These practice-based case studies of ephemeral, site-specific, participatory and live art will provide new content for each museum’s collection. An Open Call for museums interested in participating will be publicised in Spring 2026. 

The Future Ecologies of Clay research is being undertaken by the Ceramics Research Centre-UK in partnership with the V&A. This work is supported by the Arts and Humanities Research Council [grant number UKRI748].

References:

Brown, C., Stair, J., & Twomey, C. (eds.) (2016), Contemporary Clay and Museum Culture, Routledge.

Hölling, H. B., Feldman, J. P., & Magnin, E. (eds.) (2023-4), Performance: The Ethics and the Politics of Conservation and Care, Vols. 1 & 2, Routledge.

Jones, M. (2021), Artefacts, Archives and Documentation in the Relational Museum, Routledge.

Krmpotich, C., & Stevenson, A. (eds.) (2024), Collections Management as Critical Museum Practice, UCL Press.

Tate (2018-22), Reshaping the Collectible: When Artworks Live in the Museum: https://www.tate.org.uk/research/reshaping-the-collectible 

Contact Information

Ceramics Research Centre -UK, CREAM, University of Westminster, UK

Contact Email

Ceramics@westminster.ac.uk

URL: https://cream.ac.uk/ceramics-research-centre-uk/

Call for Chapters: Understanding User Behavior for Enhanced Library Services

Editors

Edmont Pasipamire, The IIE Rosebank College, South Africa

Call for Chapters

Proposals Submission Deadline: March 15, 2026
Full Chapters Due: June 28, 2026
Submission Date: June 28, 2026

Introduction

The landscape of information is undergoing rapid transformation due to advances in digital technologies, evolving user expectations, and the proliferation of data-intensive research practices. These developments have fundamentally redefined the role of libraries and information centres. Contemporary users engage with information in increasingly complex, personalised, and technology-mediated ways, necessitating a shift from traditional service models toward approaches that are user-centred and evidence-based. Consequently, a rigorous understanding of user behaviour on how individuals seek, access, evaluate, and utilise information has become central to the design, implementation, and evaluation of effective library services. This edited volume, Understanding User Behavior for Enhanced Library Services, responds to the growing need for theoretical, empirical, and practice-based insights into user behavior within academic, public, special, and digital library contexts. The book foregrounds user studies, information-seeking behavior, user experience (UX), and data-informed service design as critical foundations for enhancing library relevance, accessibility, and impact. By bringing together diverse perspectives from researchers and practitioners across global contexts, the volume seeks to illuminate emerging patterns of library use and translate user behavior research into actionable strategies for service innovation.

Objective

The primary objective of this book is to advance scholarly and professional understanding of user behavior in libraries and information environments and to demonstrate how such insights can be systematically applied to improve library services. Specifically, the book aims to: Examine contemporary theories, models, and methodologies used to study user behavior in physical and digital library settings. Showcase empirical research and case studies that illustrate how user behaviour insights inform service design, resource development, and policy formulation. Bridge the gap between theory and practice by translating user behaviour research into practical, scalable solutions for library professionals. Address emerging challenges and opportunities related to digital literacy, user diversity, accessibility, and data-driven decision-making. Contribute to the growing body of literature on user-centred librarianship, particularly in under-researched and Global South contexts. By consolidating interdisciplinary perspectives and evidence-based practices, the book will extend current research and serve as a reference point for future studies on user behavior and library service enhancement.

Target Audience

This book is intended for a broad audience of scholars, practitioners, and postgraduate students in Library and Information Science (LIS) and related fields. The primary beneficiaries include: Academic, public, and special librarians seeking to design user-centred and responsive services. Library managers and administrators involved in strategic planning, assessment, and service innovation. Researchers and scholars investigating information behavior, user experience, and digital engagement. Postgraduate students (Master’s and PhD level) studying library science, information studies, and knowledge management. Policymakers and educators interested in evidence-based approaches to improving information services. The volume will be particularly valuable for professionals and researchers working in rapidly evolving information environments and diverse socio-cultural contexts.

Recommended Topics

Proposed chapters may address, but are not limited to, the following topics: Theories and models of information-seeking and user behavior User experience (UX) research and design in libraries Digital user behaviour and online library services Information behaviour of students, researchers, and faculty User behaviour in public, academic, and special libraries Data-driven decision-making and analytics in library services Personalisation and adaptive library systems Accessibility, inclusivity, and diverse user communities Digital literacy, information literacy, and user engagement The impact of emerging technologies (AI, discovery tools, virtual libraries) on user behavior User behavior in research support and scholarly communication services Ethical considerations in studying and analysing user data User behavior in Global South and under-researched contexts Assessment, evaluation, and continuous improvement of library services

Submission Procedure

Researchers and practitioners are invited to submit on or before March 15, 2026, a chapter proposal of 1,000 to 2,000 words clearly explaining the mission and concerns of his or her proposed chapter. Authors will be notified by March 29, 2026 about the status of their proposals and sent chapter guidelines.Full chapters of a minimum of 10,000 words (word count includes references and related readings) are expected to be submitted by June 28, 2026, and all interested authors must consult the guidelines for manuscript submissions at https://www.igi-global.com/publish/contributor-resources/before-you-write/ prior to submission. All submitted chapters will be reviewed on a double-anonymized review basis. Contributors may also be requested to serve as reviewers for this project.

Note: There are no submission or acceptance fees for manuscripts submitted to this book publication, Understanding User Behavior for Enhanced Library Services. All manuscripts are accepted based on a double-anonymized peer review editorial process.

All proposals should be submitted through the eEditorial Discovery® online submission manager.

Publisher

This book is scheduled to be published by IGI Global Scientific Publishing, an international academic publisher of the “Information Science Reference”, “Medical Information Science Reference”, “Business Science Reference”, and “Engineering Science Reference” imprints. IGI Global Scientific Publishing specializes in publishing reference books, scholarly journals, and electronic databases featuring academic research on a variety of innovative topic areas including, but not limited to, education, social science, medicine and healthcare, business and management, information science and technology, engineering, public administration, library and information science, media and communication studies, and environmental science. For additional information regarding the publisher, please visit https://www.igi-global.com. This publication is anticipated to be released in 2027.

Important Dates

March 15, 2026: Proposal Submission Deadline
March 29, 2026: Notification of Acceptance
June 28, 2026: Full Chapter Submission
August 30, 2026: Review Results Returned
October 11, 2026: Final Acceptance Notification
October 25, 2026: Final Chapter Submission

Inquiries

Edmont Pasipamire
The IIE Rosebank College
edmontp936@gmail.com

Classifications

Education; Library and Information Science

Propose a Chapter

CfP: Archival Matters: Queer Memory and Futurity in Southern Africa

Panel proposal to be submitted to the Southern African Historical Society Conference, to be held in Harare, Zimbabwe, 24-26 June 2026.

Archival Matters: Queer Memory and Futurity in Southern Africa

Queer histories in southern Africa are shaped as much by what is missing as by what is preserved: silences produced by criminalisation, medicalisation, family secrecy, and archival gatekeeping. This panel examines queer archives as promising and contested institutions – where memory work intersects with transition, displacement, and uneven regimes of value. The panel invite contributions from scholars working across case studies in community collections, state repositories, and digital platforms, to ask: how do we read absence as evidence, build ethical practices of care and consent, and confront the funding politics that determine what survives in the archive? How do we encourage a scholarly and political practice whereby queer archiving is also future-making?

More specifically we invite papers that grapple with:

  • Memory and erasure: how queer lives are recorded, mis-recorded, or deleted across state archives, mission collections, medical/judicial records, family repositories, and community archives.
  • Absences and futurity: how we “read”, sit with, and interpret gaps, silences, and refusals; how queer archiving becomes future-making (new publics, new genres, new claims to belonging).
  • Ethics of preservation: consent, anonymity, harm reduction, ownership, repatriation, access protocols, and the afterlives of sensitive materials.
  • Funding politics and infrastructures: how donor priorities, institutional risk management, digitisation agendas, and platform governance shape what gets preserved and what becomes legible.
  • Method and form: oral history, ephemera, performance/documentation, digital archives, cataloguing/metadata, and experimental archival practices.

If interested, please submit a title and abstract (150-200 words) alongside a bio (50-80 words) to caio.simoes@graduateinstitute.ch by 18 February 2026.

Contact Email

caio.simoes@graduateinstitute.ch

CFP:  International Conference on Archives Management – Digital Governance and Smart Services 

The first National Archives of Taiwan opened its doors in November 2025, as part of the celebration of the new National Archives, an international conference will be held in June 2026. We sincerely invite your proposal for the conference. 

As information technology plays an increasingly vital role in the development of the public and private sectors, it has brought about significant changes in archival management automation processes and digital governance. This includes the application of Artificial 

Intelligence (AI), digital archives management, archive retrieval and open access. These digital technologies are transforming how archival value is created and transmitted, bringing benefits to the archival management field. 

In anticipation of the inauguration of the first National Archives, this bureau plans to hold the International Conference on Archives Management – Digital Governance and Smart Services on Wednesday, 10th – Thursday, 11th June 2026 at the National Archives, Linkou, New Taipei City. The conference will include keynote speeches, panel discussions, presentation sessions, and poster presentations. 

The National Archives hereby invites your proposals for presentations and posters related to the theme, and subthemes are described below. 

Subthemes 

1. Emerging Information Technology 

How is the new information technology used in archives management, access, and use of archives? 

• Blockchain 

• Big Data 

• Artificial Intelligence 

• Next Generation Wireless Technology 

• Digital Communication Tools 

• Machine Learning 

• 5G Internet of Things (IoT) 

• Text Mining 

2. Digital Transformation of Archives Management 

Digital transformation and its influence on archive management, including the digital transformation of the archival workspace, management, smart appraisal, and the use of mobile devices. 

• Evolution of Archives Digital Transformation 

• Digital Transformation and Organizational Adjustment 

• Digital Archive Professional Work Space 

• Management of Electronic Archives 

• Public Participation in the Digital Age 

• Creating Archive Value through Digital Transformation 

• Smart Archival Management 

• Smart Review and Appraisal 

• The use of Mobile Devices 

3. Smart Archival Services 

Discussion and experience sharing on applying digital tools to archive-related service, including access, value-adding, personal information protection and curation, promotion, and customer service on archives. 

• Archive Access and Digital Innovation 

• Digital Value-Adding of Archive 

• Personal Data Protection in Archive Application 

• Digital Curation and Promotion of Archive 

• Smart Customer Service on Archive 

4. Digital Resilience and Security 

How to protect and manage the risk of information security in archive management. 

• Digital Policy and Legal System on archive 

• Information Security on Archive Management 

• Digital Risk Management of Archive 

• Digital Ethics of Archive 

5. Digital Archival Competency 

How to empower archivists and archives management field with digital ability. 

• Digital Strategy Planning for Archives 

• Archivists’ digital training 

• Collaboration with Digital Tools 

• Use of Digital Data 

• Mobile working on archival workspace 

• Digital Communication on archival service 

6. Cross-disciplinary Archival Development 

How do digital tools and technology play a part in the cross-disciplinary archive use and promotion? 

• Digital Sharing on Archival resource 

• Digital Innovation and Cooperation on Archive 

• Promotion and Exchange of Digital Skills of Archive 

• Collaborative writing of Audio-Visual Archives 

• Digital Marketing of Archive 

Submission form (bottom of page)

CFP: Preservation & Migration Seminar 2026

Preservation & Migration Seminar 2026

Digital time: show me how you do it!
Recipes for audiovisual content longevity

The FIAT/IFTA Preservation & Migration Commission (PMC), in collaboration with RTÉ and the Digital Repository of Ireland (DRI), will host the first on-site edition of the annual PMC Seminar at the Royal Irish Academy on June 4-5, 2026.

The call for proposals welcomes submissions that explore both theoretical perspectives and practical experiences, presented as presentations (30 min), discussion panels (45-60 min), or demos (20 min), within the scope of preservation, migration, and digital preservation of media content.

The deadlines to submit your proposal are:

  • March 2 – Presentations and Discussion panels
  • March 30 – Demos

Submit proposal

CFP: Studies in Oral History (Australia)

Contributions for the peer review and reports sections of the 2026 issue of our journal Studies in Oral History are now being accepted. The deadline for submission of peer review articles is 31 March 2026 and for reports it is 29 May 2026.

This is the first issue to be produced by our new editors Mia Martin Hobbs and Geraldine Fela. It’s theme is ‘Bearing Witness, Making Histories’.

For further information including word limits and how to submit your article, go to the Call for Papers, Issue 48, 2026.

Contributors are advised to review the following before submission:

About the theme

We are living through a time of relentless violence, towards human beings, our social world, and to our environment. What then does it mean, as historians, to bear witness and make history? 
As oral historians, we are used to the role of witness. The creation of an oral history archive is a kind of witness bearing. In the interview we watch and listen in real time as life stories unfold, with all their attendant pain, joy, complications and moments of discomposure. To bear witness in this setting often means something profoundly intimate, but bearing witness can also speak to a broader political and responsibility: to bear witness can mean to speak or record a truth, or to gather collectively to remember, commemorate or protest.

The post Call for Papers – Journal 2026 appeared first on Oral History Australia.

New Issue: Arbido

2025 Issue 2

Arbido is the Swiss professional journal for archives, libraries, and documentation. Arbido addresses the topics of preserving and transmitting socially relevant knowledge and information.

The current issue focuses on the topic of family archives. The subject is examined from various perspectives, including those of families themselves, archivists, genealogists, and archives. Various aspects such as cataloging, access, and preservation are discussed.

Table of contents

Bernasconi Laura, editor arbido
Editorial

Ackermann Nadja, Editor at arbido
Ein wichtiger Identitätstifter – Familienarchive aus der Perspektive der Familien
An important source of identity – family archives from the perspective of families

Bessourour Youssef, Archiviste aux Archives de l’Etat de Neuchâtel
Les Caisses de famille aux Archives de l’Etat de Neuchâtel : un outil de conservation des archives familiales
Les Caisses de famille aux Archives de l’Etat de Neuchâtel: an tool for conservation of the archives familiales

Ackermann Nadja, Editor at arbido
Familienarchive aus der Perspektive einer Archivarin
Family archives from the archivist’s perspective

Le Sommer Venice, archivist
Réseaux sociaux : les fonds familiaux d’aujourd’hui et demain ?
Réseaux socials: les fonds familiaux d’aujourd’hui et demain?

Lütteken Anett, Head of Manuscript Department, Zurich Central Library
Ein «Beweis schönen Gemeinsinnes»: Familienarchive in der Zentralbibliothek Zürich
A “proof of fine community spirit”: family archives in the Zurich Central Library

Bos François, Co-president and archivist of the association
Les archives de famille au sein des Archives de la Vie privée. Quelle histoire ?!
Les archives de famille au sein des Archives de la Vie privée. Source histoire?!

Münger Kurt, President of the Swiss Society for Family Research (SGFF/SSEG)
Familienarchive aus genealogischer Sicht
Family archives from a genealogical perspective

Kern Gilliane, archivist
Pertinence et impertinence des archives familiales – Partie II
Pertinence and impertinence of the family archives – Part II

Anelli Stefano, Collaboratore scientifico e archivista presso theArchivio di Stato del Cantone Ticino
Gestione dei fondi di famiglia all’Archivio di Stato del Cantone Ticino

Lepourtois Bérangère, Conservatrice du domaine de La Doges
Cornut Simren, Historical archivist
Les Archives de La Doges : le papier qui enveloppe la pierre
Les Archives de La Doges: the paper that enveloppe the pierre

CFP: “Political Activism and material culture: definitions, practices, periodisations. A dialogue between researchers, archivists and museum curators”, ACTIVATE – MSCA Horizon Europe Project, University of Padua, 4-5 May 2026

This workshop is part of the project “ACTIVATE: The activist, the archivist and the researcher. Novel collaborative strategies of transnational research, archiving and exhibiting social and political dissent in Europe (19th-21st centuries)”. ACTIVATE receives funding from the European Union’s Horizon 2023 research and innovation program under the Marie Skłodowska-Curie grant agreement No 101182859.

The project was launched in January 2025 and explores in a 4-year initiative practices of collecting, archiving, and promoting documents, objects, and data, contributing to a renewed European history of social and political dissent from the early 19th century to the present day.

Further information about the project is available at https://activate-horizon.eu/

“Political Activism and material culture: definitions, practices, periodisations. A dialogue between researchers, archivists and museum curators”
Call for Paper | ACTIVATE WP3 Workshop #1
May 4-5 2026 | University of Padua and online
This workshop aims at bringing together academic, archival, museum partners with specific expertise on the relationship between politics and material culture. In recent decades, historiography has undergone a ‘material turn’ that has led to a less asymmetrical focus on the relationship between human and non-human, in particular objects and artefacts. This has produced new perspectives on the construction of social identities, the experiences of consumption and the trajectories of everyday life. At the same time, less attention has been paid to the “material history of politics” focusing on objects as key elements of political mobilisation. From the late 18th century revolutions to the recent Gen Z protests in Nepal, Philippines or Madagascar, the process of politicisation has been expressed through ‘disobedient’ objects, capable of evoking, striking and provoking in a politically significant way. Physical objects can play all sorts of roles in collective action, as we have seen in many recent movements, where material participation has been particularly widespread and important. The main objective of this workshop is to look at the history of militant culture by focusing on a scarcely developed aspect: the link between political experience and material culture. It aims to do so by promoting close cooperation between researchers and those involved in collecting, cataloguing and exhibiting such documentary material.

Workshop topics:
1) Definition of political/militant objects
How to define political objects from the perspective of historians, archivist and museums? What makes an object political, and specifically militant? What objects has political activism imagined and used in its long history, stretching from the age of revolutions to the present day? This question is particularly interesting in relation to objects that do not appear political at first glance. Are objects like Annemarie Renger’s dancing shoes or Margaret Thatcher’s handbags political objects? Bras and false eyelashes are certainly not political objects, but they became so in the feminist struggles of the 1970s. The issue is closely linked to the uses and practices that these objects generate from time to time and to the different forms of material participation that they entail, even in everyday life. It allows us to reflect on different chronologies and phases of political activism, focusing on four themes: revolutionary movements; feminisms; environmental struggles; international solidarity. A definition of political objects should go beyond time periods and materiality and also address the political dimension of everyday objects.

2) History and methods of collecting militant objects
Since the late 18th century, revolutions and protests, as well as party and grassroots mobilisations, have shown that social and political activism often leads to the preservation of material objects bearing witness to the engagement of individuals, groups, and associations. Archives, like historiography, have so far focused more on written holdings than 3-D objects and are now facing a new challenge. Museums, especially historical ones, are certainly more accustomed to collecting objects, especially those with recognized historical-artistic value. Yet political and militant objects often lack such value. How were collections formed that related to activism? Where, by whom, and for what purposes were they kept? When were they turned into heritage? What country-specific differences exist with regard to the history of collecting militant objects?

3) Cataloguing and preparing metadata
Objects need to be catalogued for making them accessible to research. Therefore, questions about cataloguing and enriching metadata a central: How can a political object be described – WHAT is an object, HOW is it catalogued, and HOW does it fit into archive/library and museums structures? How do museums and archives identify and record political objects in their collections? What parameters are used to define political objects, and how is this reflected in the metadata? Which (national) standards such as ministerial requirements for metadata standards for object cataloging are used at the respective institutions that are applied during cataloging and what perspectives and problems arise due to the different nature of the description: use of data fields and how do they correspond to standards known from the archival sector, are there interfaces?

4) Preserving, reproducing, and enhancing material sources
How should different materials be handled? Paper is generally patient when stored properly, but how should fragile materials such as textiles, which are not made to last forever, be handled? Different materials place different demands on packaging, climatic conditions, and storage. Archives and museums face the challenge of preserving these materials in the long term. Dealing with objects that are irrevocably subject to decay is also a challenge that particularly affects AV materials and forces many institutions to act. Digitization is not a solution to this problem, but a resource that gives objects a second life and new uses, providing novel means of access, consultation, interpretation, and valorization. To date, militant objects have rarely been central to heritage valorization projects: thus, beyond their and museums present their collections and narrate their history.

We encourage researchers, archivists, and museum curators to submit papers addressing these topics either from a theoretical and methodological perspective or by presenting specific case studies or experiences.

Please submit your proposal, with a maximum of 3,000 characters including spaces, along with a brief CV, by 28 January 2026 to this email: activatewp3@gmail.com

Organizing Committee:
Carlotta Sorba (University of Padua)
Anja Kruke (Friedrich Ebert Foundation)
Laura Valentini (Friedrich Ebert Foundation)
Alessio Petrizzo (University of Padua)

Contact Email

activatewp3@gmail.com

URL: https://activate-horizon.eu/