New Special Issue: MUSICultures: The Journal of the Canadian Society for Traditional Music / La revue de la Société canadienne pour les traditions musicales

MUSICultures: The Journal of the Canadian Society for Traditional Music / La revue de la Société canadienne pour les traditions musicales. Volume 52, 2025.
(open access)

From the Editor / Mot du Rédacteur en Chef
Gordon E. Smith

Articles: Archives, Access, and Ethnomusicology / Archives, Accès et Ethnomusicologie

Introduction: Archives, Access, and Ethnomusicology
Laura Risk et Janice Esther Tulk

Dirna arrun “We Hold It”: Rematriating Junba with Archival Collections and Living Knowledge in the Kimberley, Northwest Australia
Pete Myadooma O’Connor, John Nyunjuma Divilli, Rona Goonginda Charles et Sally Treloyn

Heterophonic Mayhem in the Archive: The Poetics, Surprises, and Disruptions of Animating the Arab Musical Diaspora
Anne K. Rasmussen, Jared Holton, Anne Elise Thomas et Albert Agha

Digital Ethnomusicological Research Data and the Institutional Repository
Farzaneh Hemmasi et Hannah M. Brown

Archival Knowledge, Indigenous Knowledge, and Challenges in Collection Management: An Australian Case Study
Peter Toner

Epistemologies of Access: Hugh Tracey’s Organizing Principles at the International Library of African Music (ILAM)
Nicole Madeleine Pooley

Cultures of Sound Network: The Genesis of an International Alliance
Marcia Ostashewski, Harris M. Berger, Darrell Bernard Sr., Logan E. Clark, Michael Frishkopf, Judith Klassen, Maureen Loughran et Graham Marshall

Finding What Is Lost: The Intangible Archive of València’s Falles Festival
Rachel Horner

Articles: Voices / Voix

Canadian Music Studies and/under the Second Trump Presidency
Robin Elliott

Articles: Open Topics / Hors Thème

Twerking, Alcohol, Ordination: Rethinking Sacred and Secular with Rot Hae’s Mobile and Participatory Performances in Thailand
Nattapol Wisuttipat

Developing a Community-Engaged Research-Creation Methodology through the Resonance Project
Ellen Waterman et Gale Franklin

Navigating Power and Positionality in Ethnographic Spaces
Tracey Mia Stewart

Book Reviews / Comptes Rendus de Livres

Stock, Jonathan P. J., with Chou Chiener. 2021. Everyday Musical Life among the Indigenous Bunun, Taiwan
Tangmuyang Zhang

Martin, Denis-Constant. 2020. Plus que de la musique… Musiques, sociétés et politique, Caraïbes, États-Unis, Afrique du Sud
Marie-Christine Parent

Stanbridge, Alan. 2023. Rhythm Changes: Jazz, Culture, Discourse
Robbie MacKay

Donaghy, Joseph Keola. 2024. Mele on the Mauna: Perpetuating Genealogies of Hawaiian Musical Activism on Maunakea
Kati Szego

Pilzer, Joshua. 2023. Quietude: A Musical Anthropology of “Korea’s Hiroshima”
Benjamin Tausig

Jacobsen, Kristina. 2024. Sing Me Back Home: Ethnographic Songwriting and Sardinian Language Politics
Felicia K. Youngblood

Exhibition Reviews / Comptes Rendus d’Expositions

Yamaima Hilwa: As sung by Salim Doumani with Takht Naim Karakand
Daoud Husni, Muhammad Younis Al-Kady, Anne K. Rasmussen et Anne Elise Thomas

Il-Ḥilwa Dī (“This Beautiful Girl”)
Badi‘ Khayri, Sayyid Darwish et Jared Holton

Yā Ghazālan (“Oh Gazelle”): موشّح (muwashshaḥ)
Jared Holton

New Issue: Cinergie: Il Cinema e le altre Arti

Cinergie, no. 28, 2025 (Special Issue: Tele-Archives: Reframing Archival Research on Local Televisions across Europe)
(open access)

Introduction: Tele-Archives. Reframing Archival Research on Local Televisions Across Europe
Giulia Crisanti, Myriam Mereu, Emiliano Rossi, Paola Zeni

Broadcasting Knowledge: The Role of the Television Archive in the Pedagogical Legacy of OU’s A305 History of Architecture and Design (1890-1939)
Marco Manfra, Grazia Quercia

Studio Azzurro and Rai: Retrieving Neglected Histories from Artist Archives
Chiara Borgonovo, Laura Marcolini

Adapting Manchester: Granada Studios, Brideshead Revisited (1981) and the “Performance” of Place
Victoria Lowe

Reconstructing Histories: Mapping Artists’ Film and Video on Channel 4 (1982–1992) through the Archives of LUX, British Artists’ Film and Video Study Collection, and REWIND Artists’ Video Archive
Nicole Atkinson

Mus-Mus-Musica! Videomusic’s Archive at Museo Nazionale del Cinema
Gabriele Angelo Perrone

The Transition Period to Multi-Channel Television Broadcasting in Turkey and the Analysis of Television Programme Guides
Pınar Aslan, Hakan Koluman, Sena Özşirin

Tele-Archives and OTT Platforms between National Recollection and Algorithmic Memory. A Comparison of Three European Models: RaiPlay, RTVE Play, and INA Madelen
Alessia Francesca Casiraghi

“A Public Service Through a Private TV”: Tracing Multidimensional Approaches to Researching Italian Local Television Through the History of TeleRoma56
Giulia Crisanti

Broadcasting the Island: Sardegna 1 and the Archival Reconstruction of a Local Media Story
Myriam Mereu

All Passionately On Stage: Antenna 3’s Creative Journey between Entertainment and Advertising
Luca Barra, Emiliano Rossi

Aliens in Emilia-Romagna: TeleSanterno from Local Roots to National Entertainment
Luca Barra, Matteo Marinello

Our Studio Is the City. Local Broadcasting and Political Information in the Archives of Videogruppo Piemonte
Riccardo Fassone, Paola Zeni

Miscellanea

“It’s Some Revisionist Horseshit From a Fading Director”. Transgender Meanings and Popular Culture: The Case of The Matrix
Claudio Bisoni

New Frontiers for Historical Dissemination: Alessandro Barbero Between Fandom and Performativity
Lucia Di Girolamo, Mariangela Palmieri

Constructing a Stratified Representative Sample of Italian TV Series (2000–2023): A Methodological Framework for Quantitative and Qualitative Research
Greta Iapalucci, Guglielmo Pescatore

Songs from Sanremo, from CD to Streaming: Analysis of Lengths and Introductions
Dino Mignogna

Call for Papers: transfer – Journal for Provenance Research and the History of Collection

The online journal transfer is an academic publication platform in the area of provenance research and the history of collection as well as adjacent fields of investigation, like art market studies, reception history, cultural sociology, or legal history. Issues are published semi-annually and exclusively online in Diamond Open Access. Research articles and research reports, to be submitted in English or German, are subject to a double-blind peer-review. All submissions undergo an internal evaluation by the editors supported by the advisory board and receive professional copy-editing before publication. The journal is based at the Research Centre for Provenance Research, Art and Cultural Property Law at the University of Bonn and at the Leipzig Museum of Fine Arts. transfer receives funding from the German Research Foundation (DFG). Webhosting is provided by our partner institution Heidelberg University Library via arthistoricum.net.

Website: https://journals.ub.uni-heidelberg.de/index.php/transfer/index

Editors: Felicity Bodenstein, Ulrike Saß & Christoph Zuschlag

Managing Editor: Florian Schönfuß

Advisory Board: Arbeitskreis Provenienzforschung e.V., dbv-Kommission Provenienzforschung und Provenienzerschließung, Didier Houénoudé, Larissa Förster, Gilbert Lupfer, Antoinette Maget-Dominicé, Barbara K. Murovec, Gesa Vietzen

Open Call for Submissions

transfer is an interdisciplinary, cross-epoch and international journal. It primarily addresses a scholarly audience. Besides experienced researchers, transfer equally aims at early career researchers, including PhD students, offering broad impact and high accessibility for the publication of recent research. Abstaining from any author charges or other publication fees, transfer provides a Diamond Open Access platform assuring research quality as well as transparency, fostering research interconnection and the crossing of disciplinary and institutional boundaries. Authors are invited to submit papers on the following fields of interest:

– Provenance research on individual objects or object groups

– Collections, History of collection

– Translocation of art and cultural assets 

– Art and cultural property law

– Culture of remembrance, Cultural identity, Collective memory

– Art trade, Art market studies

– Art policy, Sociology of art, Cultural sociology

– Restitution, Return, Repatriation

In conjunction with the articles in transfer, corresponding research data sets can be published via the Open Research Data platform heiData. For further information on this and regarding submissions, text categories, peer-review as well as our Style Sheet, please see the journal-website or contact us under redaktion.transfer@uni-bonn.de.

The editorial deadline for issue 5 (2026), no. 2, is July 15, 2026.

Contact Information

Dr. Florian Schönfuß

transfer – Zeitschrift für Provenienzforschung und Sammlungsgeschichte / 

Journal for Provenance Research and the History of Collection

Rheinische Friedrich-Wilhelms-Universität Bonn

Forschungsstelle Provenienzforschung, 

Kunst- und Kulturgutschutzrecht

Kunsthistorisches Institut

Rabinstraße 1

53111 Bonn (Germany)

florian.schoenfuss@uni-bonn.de

Contact Email

redaktion.transfer@uni-bonn.de

URL

https://journals.ub.uni-heidelberg.de/index.php/transfer/index

New Issue: Journal of the South African Society of Archivists

Journal of the South African Society of Archivists Vol. 58 (2025)

Editorial Overview
Ngoako Marutha

The impact of archives and records management legislation on administrative transparency and accountability in Sierra Leone Public Archives
Umaru Bangura

Utilisation of Internet of Things technology for managing archives of public universities in South Africa
Zolile Myeko, Edward Dakora

Digital preservation of archival materials at selected university archives in Gauteng Province, South Africa
Lufuno Kgamedi, Isabel Schellnack-Kelly

Privatisation and displacement of armed struggle archives in Zimbabwe
Heather Ndlovu, Sindiso Bhebhe

Record-keeping on smallholder maize farmers’ welfare in Ruvuma region, Tanzania
Donata Kemirembe , Robert Eliakim Katikiro, Maliwaza Mbwana

End-to-end digitisation workflows with intelligent document processing for university theses and historical newspapers
Niklas Zimmer

Maintaining compliance with the Protection of Personal Information Act in Tshwane Healthcare Centres, South Africa
Isaac Mpho Mothiba

Archives and records management Fourth Industrial Revolution skills and competency requirements on the job adverts in Botswana
Olefhile Mosweu, Donald Rakemane

Enhancing recordkeeping in Tanzanian public universities through robust records disaster preparedness
George Firmin Kavishe, Francis Garaba

Managing the electronic records management system at the Workers’ Compensation Fund in Dar Es Salaam, Tanzania
Bertha Maturo

Implementation of a records classification system for proper recordkeeping in the Northwest Provincial Department of Community Safety and Transport Management, South Africa
Refilwe Mpho Malatji, Makutla Mojapelo

Application of the system development life cycle for the implementation of an electronic document and records management system in the public service of Namibia
Aune Iipumbu , Cathrine Nengomasha

CFP: Reimagining the Archive in the Post-Truth Era

“Reimagining the Archive in the Post-Truth Era: An International Interdisciplinary Conference” on 29 June–3 July 2026 at Eden Grove Complex, Rhodes University

Proposal Deadline (Second Call): 15 April 2026 

In an age of distortion and falsification, can the archive claim any mandate to speak the truth? 

With present-day global socio-political and technological developments, we are living in a time where expertise is undermined and the always-tenuous boundaries between “truth” and “fiction” are increasingly blurred. More than ever before, the archive has emerged as both a site of authority and a field of dispute. 

The “post-truth” era – characterised by the rise of misinformation, historical denialism, and digital echo chambers reinforced by social media algorithms – demands a fundamental rethinking of how archives are imagined, constructed, accessed, and interpreted. This conference invites historians, archivists, anthropologists, musicologists, artists, environmental scientists, natural scientists, information systems professionals, scholars and practitioners from a wide range of other disciplines, activists, and publishers, media practitioners and content creators to explore the evolving role of the archive in shaping collective memory, public trust, and historical knowledge in the post-truth era. What does it mean to “reimagine the archive” when truth itself is increasingly contested and under siege? How can archives resist manipulation, amplify marginalized voices, and act as tools for critical engagement in an age of epistemic crisis? Do they have a responsibility to extend their reach, actively sharing information rather than serving as ivory-tower repositories of research? We welcome papers and panels that engage with topics including but not limited to: 

  • The politicization and weaponization of historical records 
  • Archives and other repositories in the age of misinformation and conspiracy theories 
  • Forgery, authenticity, and the ethics of archival evidence
  •  Archives and genealogical fictions
  • The rise of “counter-archives” 
  • Digitization, AI, and the reconfiguration of archival authority 
  • Disinformation, deepfakes, and the future of historical and scientific truth 
  • Post-Colonial, decolonial and anticolonial archival methodologies 
  • Silences, absences, and erasures in traditional archives 
  • Archival justice and truth-telling in transitional societies 
  • Creative, speculative, and performative archival practices
  • The role of curation in archive building
  • Content management strategies for building spaces of truth
  • Policy design and legislative frameworks 
  • The role of archives in repatriation and social justice
  • Epistemologies, ontologies and taxonomies
  • The role of print media in the post-truth era
  • Rights, responsibilities and the ethical use of information in the era of big data
  • Self-curation, social media and algorithm generated archives.

We are especially interested in submissions that critically engage with interdisciplinary approaches, including digital humanities, media studies, cultural memory, fine and performing arts, public history, environmental and natural sciences, ecological challenges, and archival management and practice (including scientific archives and repositories such as herbaria).

Alternative presentation formats such as performative works, film screenings and/or the display of artefacts may be considered depending on the technical requirements and our ability to accommodate them within the programme and venue. 

It is envisaged that a selection of papers will be peer reviewed and submitted to an accredited peer reviewed journal for publication. Other peer reviewed publication possibilities are currently under consideration. 

Submission Guidelines

Please submit a 300-word abstract and a brief biography (100 to 150 words) by 15 April 2026 to archiveconference@ru.ac.za. Panel proposals (3 to 5 presenters) are welcome and should include a panel title, a short overview (250 to 300 words), and individual paper abstracts. Notifications of acceptance will be sent by 30 April 2026. For any queries, please contact the organiser, Prof Alan Kirkaldy, at  archiveconference@ru.ac.za. Updates and additional information will be available at the conference website once it is up and running. 

Costs

  • Professionals (for example, Full-time Academics in employment and Representatives of Organisations) R5000.00
  • Postgraduate/Postdoc Students and Unemployed R3500.00
  • Single Day Professionals R1000
  • Single Day Postgraduate/Postdoc Students and Unemployed R500.00
  • On-Campus Accommodation: 4 Nights Bed and Breakfast Accommodation @R700 per night R2100.00
  • Off-Campus Accommodation: Information will follow once the website is up and running. 
  • Transport – Shuttle from Gqeberha (Port Elizabeth) to Makhanda (Grahamstown) Single: R500.00 Return R1000.

Workshops

The first day of the conference will be devoted to a workshop dealing with the whole process of building a digital archive presented by Africa Media Online. Participation in this highly informative and useful workshop is included in the cost of registration for the conference.

National Festival of the Arts

The conference coincides with this annual Festival. Negotiations are currently in progress to secure cooperative agreements, including discounted or complementary tickets to selected productions. Further details will follow. 

Contact Information

Prof Emeritus Alan Kirkaldy, Rhodes University

Contact Email

a.kirkaldy@ru.ac.za

CFP: IASA–BAAC 2026 Joint Conference: Archives in Times of Peace and War

Archives in Times of Peace and War: Safeguarding Audiovisual Memory, Identity, and Authenticity

Audiovisual archives preserve the voices, images, and sounds that define our shared humanity—but these same records are among the first casualties when a crisis strikes. From the Baltic region to Ukraine and beyond, archives have become both witnesses and targets in conflicts that test the limits of cultural resilience, digital security, and professional ethics.

This joint conference of the International Association of Sound and Audiovisual Archives (IASA) and the Baltic Audiovisual Archival Council (BAAC) invites reflections on how we protect both people and collections before, during, and after conflict.

How do we prepare in peace for the realities of war? How do we preserve the authenticity of digital records in an era of AI-generated misinformation? And how do we ensure that the archives of vulnerable and marginalized communities—especially queer, feminist, and immigrant archives—are not erased when visibility becomes dangerous?

We invite proposals that explore theory, practice, and lived experience across the full spectrum of archival work: from technical preservation to ethical frameworks, from front-line documentation to digital forensics, from regional cooperation to global solidarity.

Conference Sub-Themes

Preparedness in Peace: Building Resilience Before Crisis

  • Integrating risk management and disaster planning into archival practice
  • Regional cooperation, mutual aid, and safe-haven networks
  • Training and simulation for emergency digitization and continuity of access

When War Comes: Protecting People, Collections, and Data

  • Evacuation vs. protection in place—decision frameworks under pressure
  • Staff safety, psychological resilience, and remote coordination
  • Encryption, offsite replication, and secure data handover

Targeted Community Memory: Queer, Feminist, Immigrant Archives Under Threat

  • Strategies for concealment, coded metadata, and distributed preservation
  • Community-based archives as resistance and survival
  • Ethics of visibility and consent under repressive regimes

The Archive as Witness

  • Audiovisual evidence in documenting war crimes and human-rights abuses
  • Chain of custody, verification, and legal admissibility of AV records
  • Preserving dignity and consent in survivor testimonies

Digital Authenticity in the Age of AI

  • Verification and chain of custody for audiovisual evidence
  • Deepfakes, metadata forensics, and watermarking
  • Building institutional capacity for trust and provenance validation

Technical Resilience and Preservation Refresh Strategies

  • Managing LTO transitions, file-format obsolescence, and checksum integrity
  • Balancing cloud, hybrid, and on-prem storage models under duress
  • Sustainable refresh cycles and energy-aware digital preservation planning

Reconstruction, Repatriation, and Healing

  • Restoring collections and infrastructure post-conflict
  • Reconnecting displaced archives and digital repatriation initiatives
  • The role of archives in reconciliation, justice, and cultural renewal

Learning from the Past, Planning for the Future

  • Lessons from conflict-zone archives worldwide
  • Updating archival standards and conventions for an era of uncertainty
  • Reimagining the ethics of stewardship in a volatile digital landscape

Transnational Collaboration and Shared Stewardship

  • Cross-border partnerships for digital preservation and capacity-building
  • Shared infrastructures for validation, metadata exchange, and redundancy
  • Diplomatic and legal frameworks for international cooperation in crisis
  • Collective advocacy for the protection of cultural heritage under threat

As a membership organization, IASA is open to all. We do ask participants to acknowledge and adhere to our code of conduct. We hope you’ll join us this year in Vilnius, to share your stories & lessons learned. 

Please submit your proposal in English, by completing the form below, before April 13th 2026.

Description of Formats

Peer-Reviewed Contributions

All contributions must report on novel efforts. We do appreciate an honest and investigative view on your process, learning from failures matters as much as, if not more than, celebrating success! While we welcome service providers to tell their story, we will prioritize presentations that include the story of an implementation from the patron’s perspective. Should you choose to participate from a distance, please kindly indicate so on the form. To support a collaborative conference atmosphere, we will prioritize a critical number of on-premises presentations.

Presentations

We invite two kinds of presentations:

  • Long presentations (60 mins. including Q&A) must be novel, reporting on previously unpublished work.
  • Short presentations (30 mins. including Q&A) focus on new challenges and work in progress. 

Panel sessions  

Proposals for thematic panels to be held during the main conference program. Panel proposals will be judged on the merits of the proposal and relevance for the expected audience. 

Please detail the subject and desired outcomes for the panel discussion as well as the proposed panelists in your proposal. The Program Committee may identify individual thematic papers and invite submitters to form a panel or invite panelists to join a thematic panel. We encourage and prioritize panel proposals and panelists that reflect our diversity, equity and inclusion commitment to broaden subject matter content.  A respectful debate panel structure on a theme or topic is also very much encouraged.

Posters

Posters are ideal for reporting on emerging issues and on works in progress. Your abstract should clearly describe the topic to be presented and states its unique contribution to the field. Posters should aim to improve knowledge, show new technical capabilities, or share solutions and experience in the field.

Workshops and Tutorials

We welcome proposals for workshops and/or tutorials that address the conference themes for IASA.

Workshops are intended to be hands-on and interactive, and proposers are free to decide how to structure and design them. Workshops usually involve the development of a skill, related to the topic covered in the workshop. While workshops involve more hands-on learning, they should also allow for discussion, interaction and debate on the topic of the class.

Tutorials should focus on a single topic and designate whether it aims at an introductory level or an expert level. Tutorials allow time for group discussion of content and debate on the themes and concepts covered in the class. Tutorials need not be hands-on. Proposers are free to decide how to structure them.

Process

The selection of presentations will be made by June 1st by the Programme Committee. The presenters will receive their notification via email after this selection. The Programme Committee reserves the right to propose to the candidates to present under the Conference or the Forum parts of the event and/or in a different format.

Please note: All presenters will be required to register before the early bird deadline.

Submission form.

CFP: FIAT/IFTA World Conference

FIAT/IFTA World Conference 2026
São Paolo, Brazil – October 6-9

Deadline: March 24, 2026

Screen Memories in Dialogue: Learning from Diversity Memórias Audiovisuais em Diálogo: Aprendendo com a Diversidade

Media archives operate today in an environment shaped by constant transformation. Technological change, evolving media ecosystems, shifting institutional frameworks and growing social expectations challenge how audiovisual memory is preserved, managed, accessed and understood. In this context, archives are not only repositories of content, but active spaces where knowledge, practices and perspectives meet.

Under the theme Screen Memories in Dialogue: Learning from Diversity, the FIAT/IFTA World Conference invites professionals, researchers and practitioners to reflect on audiovisual archives as spaces of exchange, collaboration and mutual learning. Dialogue is understood here as a working principle: between institutions and communities, between regions, between professional cultures, and between past experiences and future challenges.

Learning from diversity means recognising that valuable knowledge emerges from different contexts, scales and traditions of practice. Across the FIAT/IFTA community, archives operate under highly diverse institutional, technological and cultural conditions. These differences are not obstacles to be overcome, but sources of insight that can enrich global archival thinking, inspire adaptation and foster more resilient and inclusive practices.

The conference seeks to create a shared space where experiences from broadcasters, film archives, sound archives, community initiatives, research environments and hybrid institutions can be discussed on equal terms. By bringing together perspectives from Ibero-America and beyond, the conference encourages contributions that highlight situated practices, regional innovations and collaborative approaches, while engaging with broader questions relevant to the international audiovisual archival field.

Full Call for Papers

CFP: Children’s Tesmonies. Unveiling historical and art-historical archives

Conference at the University of Bonn/Center for Slavery and Dependency Studies (BCDSS) Oct 22nd -24th 2026

PDF of full CFP

Children around the world witness brutal violence: in wars, through displacement or migration, and increasingly also through climate disasters. At the same time, children worldwide are threatened by physical violence and experience it as emotional and psychological violence (distress). Children leave behind a wide range of testimonies of their experiences of violence, which are only belatedly becoming the focus of research and children are thus becoming increasingly important as witnesses to violence. This shift in the importance attached to children as witnesses affected by extreme violence has been aided by a revaluation of children as future adults. The planned conference aims to complement this contemporary observation with a historical dimension, bringing different approaches into dialogue with one another. Understanding children as witnesses inevitably raises methodological issues. These have been far less widely addressed in historical research than in law and psychology.[1] For this reason, the conference will be fullheartedly interdisciplinary and aims at visual, material, archeological and textual archives of childhood, trauma, and violence.

[1] fundamental: Gail S. Goodman, ‘Children’s Testimony in Historical Perspective’, Journal of Social Issues, 40.2 (1984), pp. 9–31; Yuille, John C.: THE SYSTEMATIC ASSESSMENT OF CHILDREN’S TESTIMONY. In: Canadian Psychology/Psychologie Canadienne, 1988, 29:3, S. 247-263.

Contact Information

The conference is held by Claudia Jarzebowski and Birgit U. Muench, both of the UNiversity of Bonn, at the University of Bonn’s Center for Slavery and Dependency Studies.

Contact Email: claudia.jarzebowski@uni-bonn.de

URL: https://www.dependency.uni-bonn.de/en/about-us/people/principal-investigators/claudia-jarzebowski

New Issue: South African Journal of Libraries and Information Science

Vol. 92 No. 1 (2026): Stewardship of Documentary Heritage in Lesotho: Reflections from the Basotho Bicentennial Conference
(open access)

Editorial
Stewardship of documentary heritage in Lesotho: reflections from the Basotho Bicentennial Conference

Research Articles
Preserving and indigenising chieftainship cultural heritage in Lesotho: the case of Royal Archives and Museum
Matseliso Moshoeshoe-Chadzingwa

Safeguarding Basotho heritage: the role of Lesotho National Library Srvices in the digital preservation of national collection
Wole Michael Olatokun, Mamoeletsi Cecilia Monyane

Preserving the past, present and future: the case of Lesotho National Broadcasting Services
Ts’epo Joseph Rafoneke

Cloud computing as a disaster management tool for documentary heritage management: reflections by the National University of Lesotho
Tahleho Tseole, Olefhile Mosweu

Preservation management framework in library and archival institutions: a conceptual framework
Thatayaone Segaetsho

Preserving language through digital neologisms: a study of word-formation processes in the digital age
Beatrice Ekanjume, Maboleba Kolobe, Thuso Leoisa

Language and translation as tools for the archiving and preservation of Indigenous knowledge: the case of Lesotho
Mosisili Sebotsa

A case for black sartorial history: the role of orality, archives, museums, and libraries
Khaya Mchunu, Maneo Ralebitso, Kiara Gounder

Generating knowledge for archives, libraries and museums: oral history research methodology in the twenty first century
Neo Lekgotla laga Ramoupi, Maneo Ralebitso

Orality as a mechanism of preserving SeMoshoeshoe Basotho History
Keneuoe Anacletta Motšoene

The complexities of shared digital curation: a case study relating to Lesotho material held in the Royal Commonwealth Society collection at Cambridge University Library
Sally Kent

CFP: International Conference – Museums Beyond the Beaten Track. Challenges from the Periphery, Communities and Local Heritage

deadline for submissions:  March 18, 2026

full name / name of organization: 
Universidad Rey Juan Carlos

contact email: 
congreso.museos@urjc.es

Throughout its consolidation as an academic discipline, museum studies have tended to gravitate around major national and international museums, their emblematic collections, and the management models they have established as standards. These institutions, mostly located in urban centers and supported by solid structures of funding, research, and public outreach, have shaped a “canon” that has influenced not only academic agendas but also collective imaginaries about what a museum is (and what it should be).

However, beyond this centralized focus there exists a vast and heterogeneous museum universe that has historically remained at the margins of scientific discourse and cultural policy. Small archaeological, ecclesiastical, community and local museums, ethnographic and anthropological institutions, and medium-sized collections, often located in peripheral or rural areas, actually constitute the largest part of today’s museum landscape. Far from being residual spaces, these museums safeguard heritage that is deeply connected to the communities that sustain them and to the social, cultural, and symbolic environments from which they emerge.

The relative “marginality” of these institutions is not only geographical or budgetary, but also epistemological. Their practices, challenges, and potential have been scarcely addressed in academia, despite the fact that they directly confront key issues for contemporary museums: sustainabilitycommunity participationintergenerational transmission of heritagemanagement of limited resourcesprofessionalization in precarious contexts, and the redefinition of their social function in the 21st century. In these contexts, the museum appears as an active agent of cultural mediation, living memory, and identity construction, moving beyond the notion of a mere monumental container of objects.

The International Conference Museums Beyond the Beaten Track. Challenges from the Periphery, Communities and Local Heritage, organized by students and faculty of the Master’s Degree in Museums Curation of the Universidad Rey Juan Carlos, aims to shift the focus and open a space for critical reflection on these frequently overlooked museums. It is conceived as an interdisciplinary and intergenerational forum in which researchers, professionals, and cultural agents may share experiences, methodologies, and theoretical frameworks to rethink the role of museums from the periphery.

The International Conference Museums Beyond the Beaten Track. Challenges from the Periphery, Communities and Local Heritage welcomes proposals for on-site oral presentations in Spanish and English that may fall within one of the following thematic areas:

1. Management and funding strategies in peripheral museums.

Proposals focused on specific management models of museums located outside major cultural centers, considering legislative frameworks, public and private funding formulas, working conditions, and institutional sustainability. Critical reflections on structural precariousness and center-periphery asymmetries in resource allocation are particularly welcome.

2. Community participation, education, and cultural action.

Contributions analyzing the role of peripheral museums as educational and cultural agents, in dialogue with local communities, educational institutions, and associations. This includes mediation experiences, educational programs, temporary exhibitions, and participatory projects that position the public as an active actor in museum planning and local cultural action.

3. Territorial outreach, sustainability, and rural environments.

Studies on strategies through which museums extend their impact beyond their physical headquarters, contributing to the cultural, social, and economic development of rural environments. Special attention will be given to sustainable initiatives, territorial networks, and cultural policies addressing imbalances between urban centers and peripheries.

4. Collection preservation, digitization, and technological integration.

Contributions devoted to preventive conservation, documentation, and digitization of collections in small and medium-sized museums, as well as the incorporation of technological resources, digital platforms, virtual or augmented reality, and web developments. Legal, technical, and economic challenges that shape innovation in peripheral contexts will be considered.

5. Local tangible and intangible heritage and its management.

Proposals highlighting the diversity of local heritage in rural and peripheral contexts, including oral traditions, agricultural practices, craft techniques, and intangible expressions. Analyses of their management, intergenerational transmission, heritagization processes, risks of disappearance, and the museum’s role as cultural mediator are especially welcome.

6. Case studies, ongoing projects, and best practices.

Presentations of concrete experiences, ongoing projects, and best practices promoted by peripheral museums, individually or in networks. This includes applied research, new curatorial dynamics, temporary exhibitions, as well as academic work (doctoral theses, TFM, and TFG) related to these museum realities.

Researchers interested in participating with an on-site oral presentation (Madrid) at the International Conference Museums Beyond the Beaten Track. Challenges from the Periphery, Communities and Local Heritage must submit their abstract through this digital application before March 18, 2026. Any questions or inquiries will be addressed via email at congreso.museos@urjc.es.