CFP: Graduate Student Paper/Poster Proposal, SAA Annual Conference

To submit a paper or poster proposal, please complete the proposal form below no later than March 30.  (Proposals received after this date will not be considered.) E-mailed submissions or submissions in any other format will not be accepted.

SAA encourages broad participation in the ARCHIVES*RECORDS 2026. All presenters including speakers, session chairs, commentators, and poster presenters are limited to participating in one session. Please alert the 2026 Student Program Subcommittee if you have agreed to participate in another accepted session.

If presenters wish to attend any portion of the 2026 Annual Meeting, they will need to secure institutional or personal funding to register for the conference. SAA is not able to consider complimentary registration for student presenters.

Proposals are due on March 30.

Proposals received after this date will not be considered. If you have any questions, please contact conference@archivists.org

Submit a proposal.

CFP: Visual Resources Association 2026 Annual Conference

The Visual Resources Association invites proposals for our 2026 Annual Conference, to be held virtually October 5–9th.

The submission deadline is March 29, 2026.

Submit a proposal.

We encourage you to reflect on your experiences, ideas, and expertise! We welcome submissions from VRA members and non-members, seasoned attendees and first-timers, as well as from students, independent scholars, professionals in any stage of their career, and retirees.

Please direct any questions about the submission process to VRA’s Directors for Events & Initiatives at initiatives@vraweb.org.

Important Dates

February 18: Call for Proposals opens
March 29: Call for Proposals closes
On or around May 15: Notification of final decisions
On or around June 8: Tentative programs released

Proposal Types
Individual Papers: Individual presentations that may highlight new research, a case study, or an innovative idea relevant to the VRA community. Papers should aim to provide attendees with fresh tools, strategies, or inspiration they can apply in their own practice. Grouped thematically with other individual papers into moderated sessions with a total run time of 60 to 90 minutes, including a Q&A. Maximum of 2 presenters per paper.

Lightning Talks: Short (5–7 minute) individual presentations. Lightning talks provide attendees the opportunity to hear about a range of innovative projects or ideas from a broad group of colleagues in a short amount of time. Grouped into sessions that may or may not be themed. Maximum of 1 presenter per lightning talk.

Pre-coordinated Panels: Moderated sessions typically consisting of 3–4 presenters speaking for 15 minutes each, followed by a Q&A. Panels provide attendees with diverse perspectives on a single topic, a comparison of tools or methods, or a number of case studies on related subjects. If proposing a panel, it is your responsibility to fill the time with presenters. It is not necessary to identify all potential presenters before submitting your proposal, but conference planners will need names of presenters several months prior to the conference.

Workshops: An opportunity to teach and explore a specific tool, technique, workflow, or concept relevant to the VRA community. Workshops are generally 90 minutes to 3 hours, but can be longer if needed. Maximum of 2 instructors.

Meetings: Committees, chapters, and special interest group meetings, typically an hour in length.

Tours: A virtual tour of your institution or other place of interest. This might include a collections show and tell; a demonstration of your digital asset management, website, or other platform; or a meet and greet with your workplace colleagues.

Social event / other: Be creative! We welcome new ideas in this virtual format. Think along the lines of virtual yoga lessons, arts & crafts time, trivia session, lunch talks, happy hour, etc.

VRA 2026 Virtual Whiteboard
Interested in engaging with the VRA community to develop or refine a proposal or suggest ideas? VRA’s Programming Committee (formerly known as the Education Committee) has set up a Virtual Whiteboard where you can brainstorm collaboratively about potential papers, panels, special interest/user groups, workshops, meetings, and poster sessions.

Reach out to the Programming Committee co-chairs at programming@vraweb.org if you have any questions about the whiteboard.

Suggested Topics
We welcome proposals on a wide range of topics related to visual resources, including case studies, lessons learned (both successes and challenges), practical applications, innovative methods, ongoing projects, ethical considerations, research, and pedagogical practices.

Suggested topics include:

  • Coding
  • Community outreach
  • Copyright/intellectual property
  • Digital asset management, digital curation, digital preservation, etc.
  • Digitization (workflows, digital capture and imaging technologies)
  • Digital scholarship and digital humanities
  • Diversity, equity, inclusion, cultural competencies, social justice
  • Project management (communication, grant writing, prioritization, leadership, etc.)
  • Linked data
  • Materials/objects collections
  • Metadata/cataloging ethics (decolonizing vocabularies, radical cataloging)
  • Storytelling and oral history
  • Technologies (GIS and mapping, 3D imaging, etc.)
  • Tools: open source, evolution, future trends
  • Workplace cultures and professional transitions (academic departments, libraries, cultural heritage institutions, archives, corporate, etc.)

This is not an exhaustive list. Do not hesitate to propose something new or highlight an area of concern that you feel has not been adequately addressed in the past!

Past conference schedules can give you an idea of the range of topics presented in previous years.

CFP: International Conference – Museums Beyond the Beaten Track. Challenges from the Periphery, Communities and Local Heritage

deadline for submissions:  March 18, 2026

full name / name of organization: 
Universidad Rey Juan Carlos

contact email: 
congreso.museos@urjc.es

Throughout its consolidation as an academic discipline, museum studies have tended to gravitate around major national and international museums, their emblematic collections, and the management models they have established as standards. These institutions, mostly located in urban centers and supported by solid structures of funding, research, and public outreach, have shaped a “canon” that has influenced not only academic agendas but also collective imaginaries about what a museum is (and what it should be).

However, beyond this centralized focus there exists a vast and heterogeneous museum universe that has historically remained at the margins of scientific discourse and cultural policy. Small archaeological, ecclesiastical, community and local museums, ethnographic and anthropological institutions, and medium-sized collections, often located in peripheral or rural areas, actually constitute the largest part of today’s museum landscape. Far from being residual spaces, these museums safeguard heritage that is deeply connected to the communities that sustain them and to the social, cultural, and symbolic environments from which they emerge.

The relative “marginality” of these institutions is not only geographical or budgetary, but also epistemological. Their practices, challenges, and potential have been scarcely addressed in academia, despite the fact that they directly confront key issues for contemporary museums: sustainabilitycommunity participationintergenerational transmission of heritagemanagement of limited resourcesprofessionalization in precarious contexts, and the redefinition of their social function in the 21st century. In these contexts, the museum appears as an active agent of cultural mediation, living memory, and identity construction, moving beyond the notion of a mere monumental container of objects.

The International Conference Museums Beyond the Beaten Track. Challenges from the Periphery, Communities and Local Heritage, organized by students and faculty of the Master’s Degree in Museums Curation of the Universidad Rey Juan Carlos, aims to shift the focus and open a space for critical reflection on these frequently overlooked museums. It is conceived as an interdisciplinary and intergenerational forum in which researchers, professionals, and cultural agents may share experiences, methodologies, and theoretical frameworks to rethink the role of museums from the periphery.

The International Conference Museums Beyond the Beaten Track. Challenges from the Periphery, Communities and Local Heritage welcomes proposals for on-site oral presentations in Spanish and English that may fall within one of the following thematic areas:

1. Management and funding strategies in peripheral museums.

Proposals focused on specific management models of museums located outside major cultural centers, considering legislative frameworks, public and private funding formulas, working conditions, and institutional sustainability. Critical reflections on structural precariousness and center-periphery asymmetries in resource allocation are particularly welcome.

2. Community participation, education, and cultural action.

Contributions analyzing the role of peripheral museums as educational and cultural agents, in dialogue with local communities, educational institutions, and associations. This includes mediation experiences, educational programs, temporary exhibitions, and participatory projects that position the public as an active actor in museum planning and local cultural action.

3. Territorial outreach, sustainability, and rural environments.

Studies on strategies through which museums extend their impact beyond their physical headquarters, contributing to the cultural, social, and economic development of rural environments. Special attention will be given to sustainable initiatives, territorial networks, and cultural policies addressing imbalances between urban centers and peripheries.

4. Collection preservation, digitization, and technological integration.

Contributions devoted to preventive conservation, documentation, and digitization of collections in small and medium-sized museums, as well as the incorporation of technological resources, digital platforms, virtual or augmented reality, and web developments. Legal, technical, and economic challenges that shape innovation in peripheral contexts will be considered.

5. Local tangible and intangible heritage and its management.

Proposals highlighting the diversity of local heritage in rural and peripheral contexts, including oral traditions, agricultural practices, craft techniques, and intangible expressions. Analyses of their management, intergenerational transmission, heritagization processes, risks of disappearance, and the museum’s role as cultural mediator are especially welcome.

6. Case studies, ongoing projects, and best practices.

Presentations of concrete experiences, ongoing projects, and best practices promoted by peripheral museums, individually or in networks. This includes applied research, new curatorial dynamics, temporary exhibitions, as well as academic work (doctoral theses, TFM, and TFG) related to these museum realities.

Researchers interested in participating with an on-site oral presentation (Madrid) at the International Conference Museums Beyond the Beaten Track. Challenges from the Periphery, Communities and Local Heritage must submit their abstract through this digital application before March 18, 2026. Any questions or inquiries will be addressed via email at congreso.museos@urjc.es.

CFP: 2026 Oral History Network of Ireland Annual Conference, “Oral History & Movement”

Call for Participation: ‘Oral History and Movement‘

The Oral History Network of Ireland (OHNI) is pleased to announce its 2026 meeting, taking place on 18–19 June 2026 at the Meadowlands Hotel in Tralee, County Kerry. The annual meeting is a gathering of practising oral historians and all those with an interest in the recording, collecting and preserving oral history and heritage.

This two-day event offers interactive workshops, presentations and project showcases that are designed to inspire discussion, learning, knowledge and to create greater networking amongst our community. Whether you are experienced in oral history or just beginning your journey, we invite you to join us and share your insights and ideas.

Mary Stewart, Lead Curator of Oral History at the British Library, will deliver the keynote address at this year’s meeting. Mary is Director of the oral history fieldwork charity National Life Stories, and a trustee of OHNI’s UK equivalent, the Oral History Society. Her research interests include family histories and narratives and their use as a tool for academic research and oral history and their reception by family members of interviewees. She has also been exploring the ‘biography’ of the oral history archive: contextualising collections, capturing information about the research process and exploring ethical debates about the re-use archived oral history material.

Contributions are welcome in a range of formats:

Standard Papers (20 minutes)
Posters and Visual Presentations
Community Project Showcases & Moments (10 minutes) – this shorter format allows for presentations that offer an overview of new or developing projects, or that reflect on outstanding or memorable interviews, experiences, and/or incidents that influenced or changed the way the presenter practices oral history.

This year’s theme, ‘Oral History and Movement’, invites reflection on the many ways movement shapes human experience and storytelling. Movement can be understood broadly, and we invite reflections on how movement shapes human experience and storytelling: the physical movement of people across places and borders; social and political movements that bring people together/divide them; movement through time, memory, and the generations; movement of voices from the private spaces/spheres into public archives; those memories which emerge from our journeys taken, changes endured, and moments of transition.

Movement is central to how stories are told and remembered. Oral histories frequently unfold through accounts of travel, migration, work, protest, displacement, and return, but also through quieter movements: daily routines, changing neighbourhoods, or shifts in identity and belonging. This conference aims to create an inclusive and welcoming space for academics, community historians and OHNI members to explore how movement, in all its forms, is recorded, interpreted, and shared through oral history.

Possible Themes and Topics

We welcome proposals that engage with the theme Oral History and Movement in creative, reflective, or practical ways. Topics may include, but are not limited to:

Migration, emigration, immigration, and diaspora experiences
Asylum, refuge, displacement, forced movement and borders
Social, political, and labour movements
Everyday mobility: work, commuting, travel, and local journeys
Borders, boundaries, and crossing points
Movement across generations: memory, inheritance, and change over time
Rural and urban change, including housing, land, and community movement
Walking interviews, mobile methods, and place-based storytelling
Music, performance, sport and embodied movement
Movement from private memory to public archive: ethics and access
Digital movement: sharing oral histories online and across platforms

We welcome proposals from community groups, educators, archivists, academics, early career researchers, heritage professionals and anyone engaged in oral history practice or research.

Submissions highlighting collaborative or community-based projects are particularly encouraged.

Submission Guidelines

To participate, please submit an abstract (of not more than 250 words) along with your contact details using the form on our website no later than 20th March 2026

Contact Information

David Ryan, Communications Chair, Oral History Network of Ireland

Contact Email

info@oralhistorynetworkireland.ie

URL https://oralhistorynetworkireland.ie/events/2026-meeting/

CFP: Witnessing State Violence: Oral History and Liberatory Praxis (OHMAR Conference 2026)

Witnessing State Violence: Oral History and Liberatory Praxis
Oral History in the Mid-Atlantic Region (OHMAR) Conference 2026

Conference Dates: May 7-8, 2026

Location: Arlington, Virginia. The conference will be in person with no virtual/hybrid option.

Deadline for Submissions: Friday, March 27 by 11:59pm Eastern

Theme: Oral History in the Mid-Atlantic Region (OHMAR) and The Alexandria Oral History Center invite you to submit individual and session proposals for the 2026 Annual Meeting, themed “Witnessing State Violence: Oral History and Liberatory Praxis.” The theme encourages attendees to think critically about the role that oral history has in documenting and resisting state violence, to include municipal, provincial/state and federal forms of violence—via two key aspects of oral history practice: witnessing and power. Both national and internationally focused proposal topics are welcome, as well as viewpoints from across the ideological spectrum.

While submissions on the conference theme are encouraged, all topics related to the Mid-Atlantic region, or proposals from oral historians active in the Mid-Atlantic region, are welcome and will be considered equally.

Please view the Call for Proposals document for more details about the conference theme and to view full submission guidelines.

The deadline for all submissions is Friday, March 27 by 11:59pm Eastern. All submissions should be emailed with attachments to ohmar.conference@gmail.com.

Contact Email

ohmar.conference@gmail.com

Call for Proposals for the 2026 SAA Research Forum, due May 1, 2026

May 1 DEADLINE FOR SUBMISSION OF ABSTRACTS FOR THE SAA RESEARCH FORUM 

On behalf of the 2026 Research Forum Committee, we invite you to submit abstracts (of 300 words or fewer) for either 10-minute platform presentations or 5-minute lightning talks. Topics may address research on, or innovations in, any aspect of archives practice or records management in government, corporate, academic, scientific, or other settings.

The 2026 Research Forum will be conducted as two Zoom-based virtual sessions, each four hours long, on July 8 from 12:00 – 4:00 pm CT and July 15, 12:00 – 4:00 pm CT.

The 2026 Research Forum will be made up of 10-minute platform presentations and 5-minute lightning talks. A limited number of presentations will be accepted to allow for longer presentation times, extended Q&A periods, and opportunities for discussion between attendees. An abstract submission rubric will be used by the Committee to evaluate submissions. Before submitting, please review and adhere to the Norms and Recommendations of the American Archivist Generative AI Statement. The Research Forum webpage provides additional information about the schedule and links to past Forum proceedings.

The Research Forum Committee and CORDA encourage submissions on a range of topics, including:

  • Rethinking archival training
  • Demonstrating the value of archives
  • Collaborating with communities
  • Making archives more accessible
  • Engaging with technology
  • Responding to the climate crisis

These themes can be found in the SAA Research Agenda (first draft available here).

Abstracts will be evaluated by the 2026 Research Forum Committee convened by Emily Lapworth (University of Massachusetts Boston) and Jane Fiegel (Tulane University).

Deadline for submission of abstracts: May 1, 2026.

Proposals can be submitted online here. On the submission form, please indicate whether you intend a platform presentation or a lightning talk.

Best,

Emily Lapworth and Jane Fiegel

2026 SAA Research Forum Coordinators

CFP: BitCurator Consortium

The BitCurator Consortium (BCC) invites proposals for the 2026 BitCurator Forum to be held virtually on June 17th, 2026. An international, community-led organization representing 31 member organizations, the BCC promotes and supports the application of free and open-source digital archives tools and practices in libraries, archives, museums, and other cultural heritage organizations.

The 2026 conference theme, Hitting Reset, reflects the challenges and changes of the past several years and the importance of pausing to reflect on our practices before moving forward. This theme invites us to reassess how we work, what we prioritize, and how we adapt in a rapidly evolving professional landscape. Hitting Reset also encourages us to respond intentionally to new opportunities, expanding responsibilities, and changing environments.

Within the context of digital archives tools and practices, how are you “hitting reset” in areas including, but not limited to, the following?

We welcome proposals that explore reflection, reinvention, and practical approaches to moving forward with intention.

This year’s call is for 5 or 10 minute “lightning talks.” Lightning talks are a great format for case studies, digital archives “success stories” or “tales of woe,” research updates, practices and procedures, and short demos or how-tos. Options include:

·  One presenter for 5 minutes 

·  Up to two presenters for 10 minutes

The Forum Committee welcomes participation from organizations and individuals working outside of academic and special collections libraries and archives, members from BIPOC communities, students, and new professionals.

For more information, see the Call for Proposals page on our website.

Submission deadline: Sunday, March 8th, 2026

The BitCurator Forum is open to all. You do not need to be a BCC member or BitCurator user to submit a proposal and/or attend the event.

CFP: Permanence/Impermanence: Collecting and archiving contemporary clay practices

Permanence / Impermanence: Collecting and archiving contemporary clay practices 

Conference: In-person, London, 24-26 June 2026

Deadline for proposals: 16 March 2026

Conference organisers: Ceramics Research Centre-UK, CREAM, University of Westminster, in partnership with the Victoria and Albert Museum.

The conference addresses how artworks in the ‘expanded field of clay’ can be made accessible and visible to current and future audiences.

Artists’ practices in the expanded field of clay can result in raw clay artworks, large-scale site-specific installations, performance-based events and involve audience participation (Brown, Stair and Twomey, 2016). Due to their ephemeral or mutable nature, such works pose significant challenges to museums, which have more often acquired permanent ceramic objects due to the complexities of capturing live or transient clay artworks. 

The conference takes place in the context of important recent work on collecting performance, installation and live art (Tate, 2018-22; Hölling, Feldman & Magnin, 2023-4)and on the politics and practices of museum collecting (Jones, 2021; Krmpotich & Stevenson, 2024).

Proposals are invited from artists, academics and museum professionals, including archivists, conservators, curators, collection managers, learning officers and others. Proposals may take any of the following formats: 10-minute provocations that ignite debate, 25-minute papers and 60-minute panel discussions. We particularly welcome case studies of artworks, acquisitions, exhibitions, interventions or other museum projects. Presenters may address issues relating to, although by no means limited to, the following themes and questions:

Artists / Artworks / Projects: 

  • How can artists be active in the process of their artworks being represented in collections?
  • Object, concept, experience, process? What is it that museums are collecting?
  • Can the re-performance of a work or its translation to a different medium be a productive, rather than reductive, process?
  • Outside of documentation through photography and videography, how might the physical sensations of interacting with a work, beyond sight, be preserved when it no longer exists in the same form?

Museums: 

  • How are museums engaging with the expanded field of clay practice through collections, learning programmes and other activities?
  • What are the implications if these artworks are not collected in a sufficiently meaningful way?
  • What is the impact on visitors and institutions when working with ephemeral, performance-based, participatory and site-specific ceramic or clay artworks?
  • What are the challenges of stewarding and/or documenting contemporary clay artworks, including issues of care, ethics and long-term availability, and how can museums meet them?
  • How can museums welcome, accommodate or document intentional decay in ephemeral artworks?

Collections / Archives:

  • What can be learned from the strategies of collecting other kinds of ephemeral art practices, such as performance, digital and hybrid objects? 
  • Do the nuances of materiality inherent in experimental clay and ceramic practices pose particular challenges?
  • Collections or archives? Where can transient artworks be best represented for the future?

Timeline

16 March 2026: Deadline for proposals (max. 300 words + 100-word biography per presenter/panel member).

Submit proposals to: Ceramics@westminster.ac.uk   

Early April 2026: Notification of acceptance. 

Mid-April 2026: Registration opens.

The conference is staged in the first year of the AHRC-funded Future Ecologies of Clay research project (August 2025-July 2028) with the objective of gathering information on the experiences and needs of artists, museums and researchers. It is the first event of a ‘long conference’, which reconceptualises the notion of the conference-as-catalyst and functions as a means to develop ideas and approaches within a follow-on seminar series and summit day. Conference presenters will initially be invited to contribute to the project website, and selected conference papers and research findings will be published in an edited book of essays in 2028. 

The Future Ecologies of Clay research involves creating four new artworks with four UK museums, including the V&A. These practice-based case studies of ephemeral, site-specific, participatory and live art will provide new content for each museum’s collection. An Open Call for museums interested in participating will be publicised in Spring 2026. 

The Future Ecologies of Clay research is being undertaken by the Ceramics Research Centre-UK in partnership with the V&A. This work is supported by the Arts and Humanities Research Council [grant number UKRI748].

References:

Brown, C., Stair, J., & Twomey, C. (eds.) (2016), Contemporary Clay and Museum Culture, Routledge.

Hölling, H. B., Feldman, J. P., & Magnin, E. (eds.) (2023-4), Performance: The Ethics and the Politics of Conservation and Care, Vols. 1 & 2, Routledge.

Jones, M. (2021), Artefacts, Archives and Documentation in the Relational Museum, Routledge.

Krmpotich, C., & Stevenson, A. (eds.) (2024), Collections Management as Critical Museum Practice, UCL Press.

Tate (2018-22), Reshaping the Collectible: When Artworks Live in the Museum: https://www.tate.org.uk/research/reshaping-the-collectible 

Contact Information

Ceramics Research Centre -UK, CREAM, University of Westminster, UK

Contact Email

Ceramics@westminster.ac.uk

URL: https://cream.ac.uk/ceramics-research-centre-uk/

CFP: SAA Records Management Section Annual Colloquium

This colloquium is a great way to share your records management expertise and connect with your colleagues! We are seeking proposals for short presentations (6-12 minutes) on records management topics. The colloquium will be held virtually and is scheduled for Thursday, April 30, 2026 from 2-3:30 PM ET.

If you are interested in presenting, please complete the following proposal form no later than Friday, February 27, 2026. Late proposals will not be accepted. We will review proposals and notify presenters by the end of February.

The event will be free!

Send any questions or concerns to the section chair, Autumn Oakey, at oakeyaf13@uww.edu.

Please find the form here: docs.google.com/forms/d/e/…

SAA RMS Committee

Call for Participation: Visual Culture Papers at the 2026 American Studies Association Conference

Call for Participation:
Visual Culture Papers at the 2026 American Studies Association October 22-25, 2026 in Chicago, Illinois

The Visual Culture Caucus (http://www.theasa.net/caucus_visual/) of the American Studies Association (ASA) promotes the participation of visual culture scholars at the ASA annual meeting. Within the theme “Improvisation” we are looking for papers and panels that investigate or interrogate visual culture in its many forms. We link potential panelists with shared interests in visual culture topics to encourage the formation of strong visual culture-related panels. We aim to host three proposed sessions, with one of these explicitly about the politics of racial representation. If you, your colleagues, or graduate students are considering proposals for the conference, please email us your panel idea or paper abstract and we will work to connect you with similar panelists and papers. We are also happy to offer suggestions on complete panel proposals. Topics might include a variety of visual practices outside of the art world as well as those that seek to transform what is possible within the privileged space of the gallery, creative films, filmmaking, and television; the Internet and social media; methods of studying visual culture; and the instruction of visual culture across various disciplines and cultural contexts.

Please read about each of the submission options below and, if interested, send the materials requested to both co-chairs of the Visual Culture Caucus, Rebecca Kumar (rebecca.kumar@spelman.edu) and Carmen Merport Quiñones (cmerport@oberlin.eduby February 15, 2026. Please put either “ASA proposal for scholarly paper/panel” or “ASA proposal politics of racial representation roundtable ” in the subject line. If you are particularly interested in helping locate other potential participants in a panel, please reach out as soon as possible.

The VCC will provide its decision on sponsored panels and roundtable participants by February 25. Panelists will then be responsible for following all posted instructions and for submitting their own panels or papers in proper ASA format to the ASA by the ASA deadline (March 1). For more ASA instructions on proposal submission, see: https://www.theasa.net/node/5681

Visual Culture Caucus Panel Sessions:

The “Improvisation” theme of this year’s conference asks us to consider “the ruins of what has been broken” while still “dar[ing] to imagine what might be built next.” It focuses on collaboration, experimentation, and creativity in light of the intersecting catastrophes of the present, on the urgent need for transformation. We hope to form two panels:

1. The Visual Culture Caucus invites proposals for conference papers/panels, especially from emerging scholars, that address this wide-ranging conference theme through analysis of visual practices that reflect past, present, and even future forms of creative interventions responding to injustice and social crisis. Please submit a paper abstract (maximum of 500 words per abstract), a 350-word (or less) biographical statement, and an abbreviated CV.

Some possible themes include, but are not limited to: 

-Resistant and/or reparative mass cultural representation
-Speculative and futurist practice in the margins
-Social change through social media
-Alternative and community print and broadcasting media
-Collaboration and collective artistry
-Visuality and vision in sacred spaces
-Visual representations of activists and activism
-Creative approaches to counter-surveillance
 

2. The VCC also invites proposals for conference papers/panels, especially from emerging scholars, that address the conference theme with an eye toward film and television. Not only are we seeking work delineating the contours of the current visual order but we also welcome submissions on the material conditions/limitations/possibilities of visual cultural production. 

3. Visual Culture Caucus – Politics of Racial Representation Roundtable: The VCC welcomes brief proposals (including individual submissions) for participation in a roundtable on visual culture centered on the politics of racial representation, broadly speaking. Topics might include classroom methods, exhibitions, film festivals, televisual culture, museum culture, social media, news media, and AI. We particularly welcome work that thinks about how visual culture is documenting and contesting our political moment. We also welcome alternative format presentations, i.e. show-and-tell or visual play. The session will feature short presentations by participants followed by a moderated discussion. Please submit a proposal or paper abstract (max 500 words), a 350-word (or less) biographical statement, and an abbreviated CV.

Contact Information

Carmen Merport Quiñones

Contact Email

cmerport@oberlin.edu

URL

https://www.theasa.net/communities/caucuses/visual-culture-caucus