CFP: Southern Cultures: The Future of Textiles

Special issue of Southern Cultures
The Future of Textiles (Winter 2024)
Guest Edited by Natalie Chanin
Deadline for Submissions: March 1, 2024

Southern Cultures encourages submissions from scholars, writers, and artists for a special issue, The Future of Textiles, to be published Winter 2024. We will accept submissions for this issue through March 1, 2024.

In a moment when the textile industry is fueled by exploited overseas laborers, toxic chemicals, and artificial intelligence over craft, we ask: What is the future of textiles? What happens to a community, state, or nation when its people no longer make clothing, utilitarian fabrics, and textile-related artifacts? The widely held image of the South as an agrarian economy belies the reality of the region as a cradle for modern industry, unions, and global capitalism. We seek submissions that connect the past, present, and future of textile production, from raw material to finished goods. How might we imagine a progressive way forward for textiles in the United States, with attention to sustainability, craft preservation, cultural heritage, justice and equity, entrepreneurship, creativity, and global economics? Stories should connect the hyperlocal and the global, examining how the act of making has shaped the lives of individuals and communities.

How do we preserve the craft and industrial knowledge of making and producing textiles? What happens when textile manufacturing supply chains are broken? How is the South impacted when our textile goods and services are imported from somewhere else? How can making and manufacturing create stronger southern communities? How do we explore, honor, and document the South’s histories of making and manufacturing textiles? How might one restore dignity to the craft and labor of textiles while honoring its makers and a fragile ecosystem?

Submissions may explore any topic or theme related to textiles. We welcome investigations of the region in the forms Southern Cultures publishes: scholarly articles, memoir, interviews, surveys, photo and art essays, and shorter feature essays. Possible topics and questions to examine might include (but are not limited to):

  • Agriculture and raw materials
  • Machine manufacturing
  • Large- and small-scale factory work
  • Hand work and hand craft
  • Small-town economics and community health
  • Generational knowledge
  • The geography of the factory
  • Living, evolving Indigenous textiles
  • Quilt and other textile arts’ curation and exhibition
  • Examples of radical or activist entrepreneurship
  • Gendered empowerment
  • Sustainability in an era of greenwashing
  • Mission-driven textile production
  • Textiles and food landscapes
  • The meaning of craft preservation
  • How hyperlocal becomes a global story

As Southern Cultures publishes digital content, we encourage creativity in coordinating print and digital materials in submissions and ask that authors submit any potential video, audio, and interactive visual content with their essay or introduction/artist’s statement. We encourage authors to gain familiarity with the tone, scope, and style of our journal before submitting. For full submissions guidelines, please click here.

CFP: Sustainability in Practice: DIY Repair, Reuse and Innovation

Sustainability in Practice: DIY Repair, Reuse and Innovation
30 October–2 November 2024 
Estonian National Museum, Tartu, Estonia
Conference webpage: http://enmconferences.ee/sustainability-2024

This conference addresses ecological sustainability through do it yourself (DIY) practices, and through consumer behaviour and heritage. The focus on DIY repair, reuse and vernacular innovation seeks to examine sustainability in the context of everyday life and domestic and community settings. By bringing together anthropological, ethnological, sociological and craft studies perspectives, the conference aims to show and discuss contemporary, traditional and vernacular sustainable practices.

Repair, reuse and repurpose of diverse commodities and materials, and vernacular innovation, are today increasingly perceived as part of sustainable consumption culture. However, the role and meaning of these practices have changed over time, depending on social, economic and political environments. Facing the global climate crisis, we are looking for lessons from the past and present for more sustainable and resilient ways of life.

Keynote speakers:
Prof. Steven J. Jackson (Cornell University)
Prof. Tomás Errázuriz (Universidad Andrés Bello, Campus Creativo)
Assoc. prof. Ricardo Greene (Universidad de las Américas)

We invite presentations, workshops and documentaries that explore various forms of DIY practice, solutions, innovation and material culture related to sustainability in a variety of settings and regions. Apart from academics, experts from memory institutions and craft scholars, this conference also invites activists, craftsmen and designers to share their experience and knowledge.

Possible topics include:

  • Repair and maintenance
  • Reuse and repurpose
  • Vernacular innovation and invention
  • The material culture of sustainability
  • Sustainable and resilient lifestyles and communities
  • Forms of activism (for example, repair cafés, the right to repair movement, low-tech, etc.)
  • Heritage and applied heritage
  • The role of museums and memory institutions in maintaining and promoting sustainability
  • Insights from activists and craftsmen or designers

The deadline for submission is 31 March 2024. Please send an abstract (200–300 words) of the presentation, workshop or documentary film with the title and your details. In addition, for workshops please add special requirements, and for documentaries please add online access to the film with English subtitles.

Please send your submission to the conference e-mail: sustainability@erm.ee

The conference is organised by the Estonian National Museum in collaboration with the Washing Machine Made of Beetroot joint exhibition project, curated by the Estonian Road Museum, the Estonian Agricultural Museum, and the Tartu City Museum. The conference programme involves organised tours of the exhibition on invention, ingenuity, recycling and DIY mentality, and visits to various public repair workshops in Tartu.

The conference and the exhibition are part of and supported by the European Capital of Culture Tartu 2024 programme.

Sincerely,
Tenno Teidearu
Estonian National Museum
sustainability@erm.ee

Contact Information
Estonian National Museum, Muuseumi tee 2, Tartu, Estonia
sustainability@erm.ee

Contact Email
sustainability@erm.ee

URL: http://enmconferences.ee/sustainability-2024

CFP: Making Nature: The Labor of Natural History

Inspired by the APS Museum’s upcoming exhibition Sketching Splendor: Natural History in America, 1750-1850 the American Philosophical Society is organizing a daylong conference that will explore the ways humans have imagined, depicted, and constructed representations and knowledge about the natural world over time. The conference aims to bring together an interdisciplinary group of scholars, scientists, naturalists, and collection professionals, as well as artists, filmmakers, climate activists, and others to consider the different forms of labor and expertise that have contributed to shaping past, present, and future understandings of nature as well as the place of humans within it. The conference will be held in-person at the Society in Philadelphia on June 6-7, 2024.

The program committee invites paper proposals from scholars in all fields as well as scientists, curators, artists, educators, collections stewards, and others whose work bears upon this theme. The committee especially welcomes proposals that situate natural history in a wide range of geographic and historical contexts.

Possible topics include but are not limited to:

  • The economic, social, and political implications of natural history collections and collecting practices over time.
  • The role of institutions, including botanical gardens, zoos, arboretums, libraries, museums, aquariums, and others, in shaping scientific and public understandings about the natural world.
  • The impact and contributions of local and Indigenous labor and expertise within natural history projects.
  • Critical studies addressing the relationship between natural history and empire.
  • Studies of how nature and the natural world inform art, music, film, literature, and other creative pursuits in the past and present.
  • The role of images, visualizations, and other non-text based approaches in conveying ideas about nature and natural history.
  • Discussions about specific techniques and craft knowledge used in the preservation and display of natural history.
  • The needs and opportunities of digital tools and platforms for past, present, and future work in natural history.
  • The impact of climate change and extinction narratives on understandings and depictions of nature.
  • Papers exploring decolonial and antiracist approaches to natural history.

Applicants should submit a title and a 250-word proposal along with a C.V. by February 15, 2024 via Interfolio: https://apply.interfolio.com/137229

All presenters will receive travel subsidies and hotel accommodations. Presenters may also have the opportunity to publish revised papers in the APS’s Transactions, one of the longest running scholarly journals in America.

Contact Information
Adrianna Link (alink@amphilsoc.org)
Thomas Johns (tjohns@amphilsoc.org)

Contact Email
alink@amphilsoc.org

URL: https://www.amphilsoc.org/blog/cfp-making-nature-labor-natural-history-june-6-7…

CFP: (Un)archived: Photography Against/Along the Grain of Absence in Global Asias

The Developing Room’s 8th Annual Graduate Student Colloquium on the History and Theory of Photography

Call for Papers

Submission deadline: January 15, 2024

Event date and venue: Friday, April 26, 2024, 12:30–6:30pm
19 University Place, New York University

The Developing Room, a photography working group at Rutgers University’s Center for Cultural Analysis, announces its eighth graduate colloquium in collaboration with the positions: asia critique journal and New York University.

With a special focus on Global Asias, this year’s colloquium is organized by three PhD students, from Comparative Literature and Art History at Rutgers and East Asian Studies at NYU. We invite doctoral students—at any stage and from any field of study—whose research critically engages with photography in/as/and/against the archive around the issues of Asia and its diasporas. The colloquium will open with a keynote speech, and each graduate participant will give a 20 to 25-minute presentation and engage in a faculty-led panel discussion. Selected papers will also be considered for publication in positions politics, the online platform of positions.

The optical field of photography paradoxically leaves open as much as it forecloses the possibility of interpretive reimagination and speculation. It is this opening, the utterance that draws attention to what the photograph does not show, that lies at the heart of our concerns. With its line of inquiry oriented toward the discourses on historiography, futurities, temporalities, and contingencies in relation to photography, the “(Un)archived” colloquium turns to the archival absence and silence within, on the edge of, and/or in excess of the visual documents. In so doing, we seek to break with the ideology of empiricism and positivist demands of history, instead making room for what Saidiya Hartman refers to as “critical fabulation.” We call on our participants to consider, without limiting themselves to, the following questions:

– How do absences and silences register in photography?

– How do we attend to and articulate that which is invisible, yet present, in the photograph? How might we do this by turning to the archive?

– What are the instances where photography and the archive stand at odds with one another? What can we learn from such dissonances?

– How do certain photographs activate alternative ways of engaging with the archive?

– What kind of image emerges when we move away from the optical realm of photography? In other words, how does photography engage extra-visual senses?

– What is at stake when we embrace imagination and speculation as viable methods in the face of archival absences?

– How do artists, filmmakers, writers, and other cultural practitioners respond to such absences through photography?

– How do the material and archival conditions of certain photographs speak to or unsettle our notions of the (un)photographed?


To apply:

Please submit the following materials to this web form no later than January 15, 2024:

–  An abstract of 250 words or less

– a summary of your larger project or dissertation progress, 250 words or less

– A short bio of 150 words or less

– CV

CFP: 2024 NAGARA Annual Conference

At the 2024 NAGARA Annual Conference we believe your experiences, guidance, and stories are invaluable and worth sharing!

The Call for Session Proposals is ONGOING through January 12, 2024 and NAGARA seeks your insights, successes, and even failures! We invite submissions from presenters across ALL government levels, backgrounds, and life experiences. Come celebrate 40 years of NAGARA with us in Atlanta, Georgia next July!

1. BRAINSTORM Session Ideas Now

Proposals on all topics and subjects are desired and welcomed, but give extra consideration to some of these hot topics, which members have expressed a desire to learn more about:

  • Archives Community Outreach
  • Development of Policies, Standards, Workflows, and Tools
  • Diversity and Inclusion in Archives and Records Programs
  • Developing and Launching RIM Programs (working with a limiting budget and low maturity)
  • Electronic Records Preservation and Access
  • Intellectual Property (IP) and Copyright Concerns
  • Managing SharePoint and/or Shared Drives
  • Microsoft 365 (implementation, labels, policies, retention, etc.)
  • NARA’s Federal Electronic Records Modernization Initiative (FERMI) or the Dept. of Defense Manual 8180.01 Requirements
  • Privacy and Ethics in Archives

2. CONNECT with Other Possible Presenters

We’ve created a special Google Spreadsheet as an informal tool to connect individuals who are seeking ideas and/or collaboration on session proposals. While it is not monitored by NAGARA or the 2024 Program Committee, nor is it part of the official submission process, we encourage you to check it out and begin connecting with other interested presenters. So much good can happen when you link up with others in our community! 

3. REVIEW the Session Submission Questions

Great proposal submissions inform by transferring knowledge, improve by offering actionable insights, inspire with innovative ideas, and involve the audience. Begin preparing your session proposal submission by reviewing the submission form and questions and consider the various range of session formats suggested that might make your presentation more fun and exciting.

Proposals will be evaluated on completeness, speaker expertise, tangible takeaways, relevance to NAGARA’s membership, and diversity of experience and thought. Presenters will also receive a 25% registration discount to help offset costs.

We encourage your submissions and look forward to seeing you shine at next year’s 2024 NAGARA Annual Conference!

Event: SAA Write Away Forum

Wondering what it takes to write a research article? Draft a book proposal? Prepare a case study on archival practice? Review a professional resource? Define terminology in the archival lexicon?

Join SAA to find out how! There are a wide range of opportunities to write for SAA and contribute to its newsletters, blogs, case, studies series, reviews portal, magazine, journal, dictionary, and books. Whether you are a novice writer, an experienced voice, or anything in between, learn how to share your experiences and expertise through SAA’s writing opportunities at this free virtual forum on Tuesday, January 9, 2024, from 12:00 to 1:30 p.m. CT.

Register Here

RSVP required for Zoom security.

At the forum, SAA publications staff Hannah Stryker will kick-off a discussion with Publications Editor Stacie Williams, American Archivist Editor Amy Cooper Cary, Journal Reviews Editors Rose Buchanan and Stephanie Luke, SAA staff Julia Pillard on Archival Outlook, and members of the Committee on Data, Research, and Assessment (CORDA) as well as the Dictionary Working Group. Each speaker will highlight their respective publishing outlet and address how to submit content, topic trends, and new directions. There will be a Q&A session following the presentations, as well as more information on how to connect with the editors after the forum.

Join SAA and “write away”!

New/Recent Publications

Books

Mooring the Global Archive: A Japanese Ship and its Migrant Histories
Part of Cambridge Oceanic Histories
Martin Dusinberre
Cambridge University Press, 2023

The Materiality of the Archive: Creative Practice in Context
Edited By Sue Breakell, Wendy Russell
Routledge, 2023

Fugitive Archives: A Sourcebook for Centring Africa in Histories of Architecture
CCA/Jap Sam Books, 2023

Hip-Hop Archives: The Politics and Poetics of Knowledge Production
Mark V. Campbell and Murray Forman
Intellect Books, 2023

Indigenous Cultural Property and International Law: Restitution, Rights and Wrongs
Shea Elizabeth Esterling
Routledge, 2023

Distant Viewing: Computational Exploration of Digital Images
Taylor Arnold and Lauren Tilton
The MIT Press, 2023

Privacy Is Hard and Seven Other Myths: Achieving Privacy through Careful Design
Jaap-Henk Hoepman
The MIT Press, 2023

Metanarratives of Disability: Culture, Assumed Authority, and the Normative Social Order (Autocritical Disability Studies). 
David Bolt, ed. 
Routledge, 2021

Safeguarding Cultural Property and the 1954 Hague Convention: All Possible Steps. 
Emma Cunliffe, Paul Fox, eds. 
Heritage Matters Series. Boydell Press, 2022

New World Objects of Knowledge: A Cabinet of Curiosities.
Thurner, Mark; Pimentel, Juan, eds.
University of London Press, 2021. Open Access (pdf)

Articles

Piotrowski, D. M., & Marzec, P. (2023). Digital curation and open-source software in LAM-related publications. Journal of Librarianship and Information Science55(4), 935-947. https://doi.org/10.1177/09610006221113372

Mallea, Claudia A. “Using Metadata To Mitigate The Risks Of Digitizing Archival Photographs Of Violence And Oppression.” Journal of Contemporary Archival Studies elischolar.library.yale.edu/jcas/vol10/iss1/14

Podcasts

New Episodes EHRI Podcast: For the Living and the Dead. Traces of the Holocaust

Estonia: How to Digitize an Entire Government

H2O Talk Podcast: The Water Archivist

Reports

Guide to Managing Rights and Risks in Audiovisual Archives: A Value, Use and Copyright Commission report
Dominique Daniel

New Issue: Journal of the South African Society of Archivists

Journal of the South African Society of Archivists Vol. 56 (2023)

The utilisation of mobile technologies in outreach services at the National Archives of Zimbabwe
Victor Nduna, Antonio Rodrigues, Isabel Schellnack-Kelly

A framework for development of digital records preservation in the cloud in Botswana
Olefhile Mosweu

Management of electronic records to support judicial systems at Temba Magistrates’ Court in the North West Province of South Africa
Dikeledi Teffo , Kabelo Given Chuma

Management of human resource records to support functions in the Ministry of Health, Kenya
Aloice Olali Sudhe

The effect of converted buildings on the management of records and archives in the Eastern Cape Provincial Archives of South Africa
Vuyolwethu Ethel Feni-Fete , Festus E. Khayundi

Records management practice to support patients’ treatments in selected public clinics of Mankweng in Limpopo Province, South Africa
Linkie M Ramaphoko , Lefose Makgahlela

The proficient use of Enterprise Content Management systems for access and use of records for decision-making
Nikiwe Momoti

Keeping to your lane
Resolving the impasse between records and ICT officers in managing email
Samson Mutsagondo

Machine learning for document classification in an archive of the National Afrikaans Literary Museum and Research Centre
Susan Brokensha , Eduan Kotzé, Burgert Senekal

Management of inactive records by cooperatives in Lake Zone, Tanzania
John Jackson Iwata

New Issue: Archives and Records

Archives and Records, Volume 44, Issue 2 (2023)
(subscription)

Probing archivists’ perceptions and practices in privacy
Virginia Dressler & Jodi Kearns

Traditional village digital archival conservation: a case study from Gaoqian, China
Tianjiao Qi, Linqing Ma, Wenhong Zhou & Linxu Dai

Reconstituting and rebuilding lost and missing institutional records at Tate
Sarah Haylett

Book Reviews
Up against the wall: art, activism and the AIDS poster
edited by William M. Valenti, MD, Jessica Lacher-Feldman and Donald Albrecht
RIT Press, New York, 2021
Marika Cifor

Monks Eleigh Manorial Records, 1210–1683
edited by Vivienne Aldous, Suffolk, Suffolk Records Society
LXV, 2022
Mark Bailey

The Register of the Goldsmiths’ Company: Deeds and Documents, c. 1190 to c. 1666, 3 Volumes
edited and translated by Lisa Jefferson
The Boydell Press, 2022
Daniella M. Gonzalez

The handbook of archival practice
edited by Patricia C. Franks
Rowman & Littlefield, 2021
Caroline Brown

New Issue: Archivaria

Archivaria 96 (Fall/Winter 2023)
(subscription)

Articles

Family Archives, Fateful Options
Michael Piggott

Tacit Narratives in the Manuscript Collections of Matthew Parker and Robert Cotton
Heather MacNeil

Be Kind Rewind
Navigating Issues of Access and Practising an Ethics of Care for Magnetic Media from Vulnerable Communities
Julia Gilmore

Studies in Documents

Probing a Dark Decade
Recordkeeping in the Indian Affairs Branch, 1937–1947
Bill Russell

Notes and Communications

CCPERB Perturbed
Fair Market Value in the Canadian Cultural Property Export Review Board’s 2020 Guide for Monetary Appraisals
Loryl MacDonald

Book Reviews

GEOFFREY YEO. Record-Making and Record-Keeping in Early Societies.
Nicole Kapphahn

Exhibition Reviews

Archives de Quarantaine. Exposition virtuelle en ligne réalisée par l’Association des archivistes francophones de Belgique.
Yousra Riahi

Apparition Room. Western Front, Vancouver, BC.
Emma Metcalfe Hurst

Evergon: Theatres of the Intimate. Musée national des beaux-arts du Québec, Québec.
Marie-Lise Drapeau-Bisson

Woven In: Indigenous Women’s Activism and Media. Art Gallery of Greater Victoria, Victoria, BC.
Genevieve Weber