CFP: Digitalisation and (Un)Sustainability: Assessing Digital Waste and Material Pollution in the City

CFP from Urban Planning, open access journal

About the Issue
Recent developments in AI technologies have exacerbated existing concerns about the (un)sustainability of digitalisation and datafication. These concerns are related to the limitations of resources both natural and infrastructure-wise (Dekeyser & Lynch, 2025), to the exhaustion of the latter provoked by the excessive AI-use (Wang & Yorke-Smith, 2025), digital archiving, and mundane data consumption (Vale et al., 2024). This is related to the glut of digital footprints and waste in cities, which has been a problem for both cities and the media for centuries, albeit supercharged in the contemporary moment. What is new is the excessive use and normalisation of an (un)sustainable relationship with digital technology, including the everyday use of tools such as Chat GPT (Hogan, 2024). These tools have severe carbon footprint impacts, using as much water as an average family uses in almost two years for server cooling and electricity generation. For every hundred words generated by the service, an average of three bottles of water are consumed (DeGeurin, 2023).

The smart city and the new digital twins’ tropes—along with prescriptive and acritical perspectives that technologies will be the panacea for any complex issue—are part of the problem (Chiappini, 2020). Discourses around the effectiveness of these types of initiatives and projects often create, semantically and semiotically (Babushkina & Votsis, 2022), a distorted view of digital solutions for fictitious issues, including distortions of key human traits such as knowledge, meaning, and embeddedness into reality. On a smaller scale, the everyday life consumption on search engines, direct messaging, social media addiction, multimedia file exchange, and purchases on big tech logistic platforms pollute not only the environment but the collective consciousness, producing confusion, exhaustion, and fatigue. This constant generation of an amount of information that pollutes the brain becomes what Lovink (2019) defined as “brain-junk.” The number of apps keeps increasing, and so does the data they collect, but users are not always aware and digitally literate about these risks. Hence, both co-dependency on media technologies and a lack of a high degree of digital literacy can be considered societal and spatial issues that might create unevenness. It is unfortunately not possible to control-click emptying the trash from digital waste and material pollution: much of it goes beyond the current understanding and technical capability to take care of. Therefore, there is an urge to overcome the rapid accelerationism of techno-determinism and solutionism and identify tactics and strategies aimed at reducing digital waste.

This thematic issue is concerned with the timely and vital problem of digitalisation and its (un)sustainability, fostering a discussion on the waste and pollution, digital and material, caused by massive datafication and urban platformisation (Cristofari, 2023). The relationship between the geographical scale, socio-political goals, and the technological design of digital infrastructures is of crucial importance to the understanding of the issue of digital waste and its possible reduction (Chiappini & Ferrari, 2024). For instance, data centres account for about two percent of all global energy use, and the raw amount of energy consumed by data centres doubles roughly every four to eight years (International Energy Agency, 2022). Hence, in terms of urban planning, the localisation of data centres has key implications, with direct consequences over the surrounding environment with regard to air pollution and climate change. The thematic issue encompasses inter- and trans-disciplinary perspectives from urban studies and planning, including digital geography, sociology, semiotics, environmental studies, and legal approaches. It aims to engage critically with the normative and prescriptive discourses which favour a techno-determinist view where smart city projects are celebrated. We invite papers that deal with concepts such as waste, noise, and excess in terms of data, materials, time, labour, cultural surplus, chatbots, and AI-powered services, also, but not exclusively, in relation to the uselessness and ineffectiveness of smart city projects and digital twins’ experiments.

References:

Instructions for Authors
Authors interested in submitting a paper for this issue are asked to consult the journal’s instructions for authors and submit their abstracts (maximum of 250 words, with a tentative title) through the abstracts system (here). When submitting their abstracts, authors are also asked to confirm that they are aware that Urban Planning is an open access journal with a publishing fee if the article is accepted for publication after peer-review (corresponding authors affiliated with our institutional members do not incur this fee).

Open Access
Readers across the globe will be able to access, share, and download this issue entirely for free. Corresponding authors affiliated with any of our institutional members (over 90 institutions worldwide) publish free of charge. Otherwise, an article processing fee will be charged to the authors to cover editorial costs. We defend that authors should not have to personally pay this fee and encourage them to check with their institutions if funds are available to cover open access publication costs. Further information about the journal’s open access charges can be found here.

CFP: Printing History – Seditious Printing

Call for Papers for Printing History Themed Issue: Seditious Printing

In respect of the 250th anniversary of the printing of the Declaration of Independence, Printing History 38 will examine print as a means of provocation, agitation, and rebellion. We invite author submissions that interrogate print-as-protest across borders and cultural contexts, with a focus on printing’s particular power to foment political and social change. We particularly welcome submissions highlighting the print production of underresearched and/or marginalized groups and individuals. 

We invite interested researchers, professionals, and practitioners to share work engaged with the following topics:

  • Print production as a means of political provocation and rebellion
  • Print and the shaping of American (or other cultural/political) imaginaries
  • Print as a catalyst for social change
  • Activist print cultures: posters, broadsides, zines, ephemera
  • Printed matter as an organizing tool
  • Secret presses; underground printing 
  • Interrogations of print and power

In general, Printing History follows the Chicago Manual of Style. An APHA style guide and further information for contributors can be downloaded here.

Submissions should be emailed to editor@printinghistory.org. If you have questions about this issue, the process, or the journal in general, do not hesitate to write. We do not solicit proposals for articles, but we are happy to discuss ideas and abstracts via email.

Submission deadline: October 31, 2025

CFP: MMDP Fall 2025 Meeting Call for Proposals

The Mid-Michigan Digital Practitioners (MMDP) will come together for an in-person meeting on Thursday, November 20, 2025, at the Library of Michigan in Lansing. 
 
As with all MMDP meetings, we will bring together a wide range of professionals and students engaged in creating and curating digital collections in Michigan and the surrounding region, including librarians, archivists, museum curators, historians, students, educators, and more. The goal of this meeting is to provide an opportunity for the MMDP community to share knowledge and make connections. New attendees are always welcome!
 
Submit Your Proposals for the 2025 MMDP Meeting
The MMDP Planning Group invites you to submit your proposal for our November meeting. Proposals will be accepted for sessions in the following lengths and formats: 

  • Presentation: A single topic or project presented by up to three (3) presenters. Presentations will be slotted into either 30, 45, or 60-minute sessions, including time for Q&A. (30-60 minutes)
  • “Birds-of-a-Feather” Break-out Discussion Topics: Open sessions for discussion around a particular topic or theme. This session provides an opportunity to begin or get feedback on in-progress projects, collaborate on addressing challenges, and discuss thought-provoking questions. (approximately 30 minutes)
  • Demonstrations: Guided training sessions on a specific tool, technique, workflow, or concept. (10 minutes)
  • Lightning Talks: High-energy talks on any topic held in succession in a single session. (5 minutes)
  • Poster: Present research or project findings summarized using brief written statements and graphic materials, such as photographs, charts, graphs, and/or diagrams mounted on poster board. 
  • Panel: A discussion of up to three (3) presenters on a unified topic, plus a moderator. Panels will be slotted into 60-minute sessions, leaving a minimum of 15 minutes for Q&A and discussion at the end of each session. (60 minutes)

This is a great opportunity to reuse a poster shared at another conference! We welcome proposals from anyone, but are particularly interested in proposals from smaller institutions and students. For Presentations, Demonstrations, and Lightning Talks, we invite presenters to join us in-person or via a pre-recorded video. Unfortunately, we cannot accommodate live-streamed presentations.
 
As always, we welcome proposals for demos, talks, or posters on a wide range of topics, including (but not limited to):  

  • Accessibility
  • Artificial Intelligence
  • Collaboration
  • Community Archiving
  • Digital Collections Stewardship
  • Diversity and Inclusion
  • Digital Humanities
  • Outreach
  • Standards, Tools, and Formats
  • Web Archiving 

To submit a proposal, please complete the form with your idea: https://tinyurl.com/MMDP2025-Proposals. If you have any questions, please send us an e-mail (midmichdp@gmail.com).
 
Proposal Evaluation
The Planning Group will review the proposals and come up with a program for the MMDP meeting. 
 
Please submit proposals by Tuesday, September 30 for the MMDP Meeting on November 20. Individuals with proposals chosen for inclusion in the Fall MMDP Meeting will be notified by the end of business on October 14.

Registration
As with all MMDP events, attendance is free but registration is required. To register, please complete the registration form: https://tinyurl.com/MMDP2025-Registration.

More details about MMDP and past events are available on our website, MidMichDP.wordpress.com.

Call for Submissions: Public Services Quarterly

Call for Submissions 

The “Special Libraries, Special Challenges” column in Public Services Quarterly is currently seeking submissions for issues that explore all aspects of working in a special library. Articles generally are approximately 2,000 words and focus on practical ideas rather than theory. Case studies are always welcomed.   

Column Description 

“Special Libraries, Special Challenges” is a column dedicated to exploring the unique public services challenges that arise in libraries that specialize in a particular subject, such as law, medicine, business, special collections, university archives, governmental settings, and so forth. In each column, authors discuss innovative projects, public service issues, and creative solutions that arise specifically in special libraries.

Potential Article Topics

  • Plans to commemorate anniversaries and historic dates
  • Profile of libraries/archives at professional organizations
  • Case studies of operations and scope of work in corporate libraries
  • Profile of libraries supporting the work in various branches of government  
  • Rebuilding library services and facilities after a building disaster (fire, flood, earthquake, hurricane, etc.)
  • Innovative pilot projects 
  • Developing new programs for students and/or faculty
  • Professional and continuing development for library staff
  • AI and library services
  • Emerging trends, such as empirical research, data analytics and alt-metrics 
  • Teaching various literacies (information, media, technology, etc.) 
  • Other ideas welcomed!  

Contact  Special or subject-matter librarians interested in authoring a piece for this column are invited to contact the co-editors, Patti Gibbons (pgibbons@uchicago.edu) or Deborah Schander (deborah.schander@ct.gov).

New Issue: Comma

Volume 2023, Issue 1
(subscription)

Preface
Forget Chaterera-Zambuko

Guest Editorial
Margaret Crockett

Education and Training/Éducation et Formation
Tatuoca Magnetic Observatory Brazil: Records, Interdisciplinary Work, and AI in the Amazon for Archivists’ Education
Cristian Berrío-Zapata, Cristiano Mendel Martins, Jacquelin Teresa Camperos Reyes, Vinicius Augusto Carvalho de Abreu, Raissa Moraes Baldez, …

Archivistas en los archivos: Normativa sobre reconocimiento técnico-profesional en la región latinoamericana
Carolina Katz

Archivos Comunitarios y Comunidades Patrimoniales: Experiencias y proyecciones educativas del Taller de Archivística Comunitaria para cantores y cantoras “a lo poeta” en la Región de O’Higgins (Chile)
Javiera Montecinos Díaz, Leonardo Cisternas Zamora, Héctor Sancho Reverté, Clemencia González Tugas, and Javier Peña Espinoza

Archives Curriculum in the Global South: A Caribbean Perspective
Stanley H. Griffin, Jeannette A. Bastian, and John A. Aarons

Reaching Equilibrium for Cutting-Edge Content in the Training of Archivists and Records Managers in a Comprehensive Open Distance E-Learning Environment: A “glonacol” Approach
Makutla Mojapelo, Mpho Ngoepe, and Lorette Jacobs

A Provenance Pedagogy Exchange Across North and South American Archival Education Programs
Sarah A. Buchanan, Natália Bolfarini Tognoli, and Clarissa Schmidt

The 21st Century Archival Practitioner
Patricia C. Franks

Archivistes tout-terrain: Les chantiers-école d’Archivistes sans Frontières
Pauline Lemaigre-Gaffier, Christine Martinez, and Marc Trille

Programa de Formación Archivística de la ALA: Contribuyendo al desarrollo profesional de nuestra comunidad
Anna Szlejcher and Marco Antonio Enríquez Ochoa

Self-Help, History, and Civic Pride: The Origins of Professional Archival Education in England
Margaret Procter

New Issue: Collections: A Journal for Museum and Archives Professionals

Collections: A Journal for Museum and Archives Professionals
Volume 21 Issue 3, September 2025
(partial open access)

Articles

Exploring the Use of Artificial Intelligence in Museums: A Case Study Within the Context of Its Applicability to Collections Management of Documentation
Melissa LaFortune, Eileen Johnson

The Importance of Diversity in Cultural Heritage Conservation Staff: Perspectives on Current Museum Epistemology and the Understanding of Cultural History
Jennifer Hain Teper

Archives in University Science Museums: Proposals for Their Museological Transformation
Camila Belén Plaza Salgado, Luz María Narbona Medina

Access to Oral History Content in South Africa: Metadata Skills Matter
Matlala Rachel Mahlatji, Mpho Ngoepe

Reclaiming Lost Memory: Reflections on the Restitution of Cultural Material Within the Local Context, with Specific Reference to Zimbabwe
Bright Mutyandaedza

Case Study

Collaborative Strategies for Enhancing Public Awareness of Tanzania’s Cultural Heritage: Insights from National Museum of Tanzania Professionals
Gwakisa A. Kamatula, N. B. Lwoga, N. Saurombe

Review

Best Practices for Textile Collections About Documentation and Digital Data Curation
Ester Alba, Mar Gaitán, Arabella León, Jorge Sebastián

Book Reviews

Book Review: Understanding Use: Objects in Museums of Science and Technology
Dee Stubbs-Lee

Book Review: Review of Nazi-era Provenance of Museum Collections: A Research Guide by Jacques Schuhmacher
Susan A. Barrett

New Issue: International Association of Sound and Audiovisual Archives (IASA) Journal

Issue 55 of the International Association of Sound and Audiovisual Archives (IASA) Journal
(open access)

How the German National Library Migrated 770,000 Compact Discs and Digitized 50,000 Audiocassettes
Ruprecht Langer

The Digitisation of Audiovisual Assets Salvaged from the Jagger Library Fire: A Practical Overview
Andrea Walker, Susan Mvungi

Building Audio Preservation Capacities for Georgian Ethnographic Recordings at the Tbilisi State Conservatoire
David M. Walker, Crystal Sanchez

“To Prove to You I Haven’t Forgotten My Norwegian”: The Audio Letters of Owen Veum
Karl Peder Mork

Unveiling Southeast Asian Musical Data in Europe with the Pratinada Platform: Functions, Origins, and Cultural Perspectives
Joséphine Simonnot, Dana Rappoport

Uncovering Aspects of Azerbaijani Traditional Music within Early Caucasian Music Discography
Sanubar Baghirova

CFP: transfer – Journal for Provenance Research and the History of Collection

The online journal transfer is an academic publication platform in the area of provenance research and the history of collection as well as adjacent fields of investigation, like art market studies, reception history, cultural sociology, or legal history. Issues are published semi-annually and exclusively online in Diamond Open Access. Research articles and research reports, to be submitted in English or German, are subject to a double-blind peer-review. All submissions undergo an internal evaluation by the editors supported by the advisory board and receive professional copy-editing before publication. The journal is based at the Research Centre for Provenance Research, Art and Cultural Property Law at the University of Bonn and at the Leipzig Museum of Fine Arts. transfer receives funding from the German Research Foundation (DFG). Webhosting is provided by our partner institution Heidelberg University Library via arthistoricum.net.

Website: https://journals.ub.uni-heidelberg.de/index.php/transfer/index

Editors: Felicity Bodenstein, Ulrike Saß & Christoph Zuschlag

Managing Editor: Florian Schönfuß

Advisory Board: Arbeitskreis Provenienzforschung e.V., dbv-Kommission Provenienzforschung und Provenienzerschließung, Didier Houénoudé, Larissa Förster, Gilbert Lupfer, Antoinette Maget-Dominicé, Barbara K. Murovec, Gesa Vietzen

Open Call for Submissions

transfer is an interdisciplinary, cross-epoch and international journal. It primarily addresses a scholarly audience. Besides experienced researchers, transfer equally aims at early career researchers, including PhD students, offering broad impact and high accessibility for the publication of recent research. Abstaining from any author charges or other publication fees, transfer provides a Diamond Open Access platform assuring research quality as well as transparency, fostering research interconnection and the crossing of disciplinary and institutional boundaries. Authors are invited to submit papers on the following fields of interest:

– Provenance research on individual objects or object groups

– Collections, History of collection

– Translocation of art and cultural assets 

– Art and cultural property law

– Culture of remembrance, Cultural identity, Collective memory

– Art trade, Art market studies

– Art policy, Sociology of art, Cultural sociology

– Restitution, Return, Repatriation

In conjunction with the articles in transfer, corresponding research data sets can be published via the Open Research Data platform heiData. For further information on this and regarding submissions, text categories, peer-review as well as our Style Sheet, please see the journal-website or contact us under redaktion.transfer@uni-bonn.de.

The submission deadline for Volume 5 (2026), No. 1 is 15th January 2026.

Contact Information

Dr. Florian Schönfuß

transfer – Zeitschrift für Provenienzforschung und Sammlungsgeschichte / 

Journal for Provenance Research and the History of Collection

Rheinische Friedrich-Wilhelms-Universität Bonn

Forschungsstelle Provenienzforschung, 

Kunst- und Kulturgutschutzrecht

Kunsthistorisches Institut

Rabinstraße 1

53111 Bonn (Germany)

florian.schoenfuss@uni-bonn.de

Contact Email

redaktion.transfer@uni-bonn.de

URL

https://journals.ub.uni-heidelberg.de/index.php/transfer/index

New Issue: Archeota

Archeota, Spring/Summer 2025

Archeota is a platform for SJSU iSchool students to contribute to the archival conversation. It is written BY students, FOR students. It provides substantive content on archival concerns and issues and promotes professional development in the field of archival studies. Archeota upholds the core values of the archival profession. 

Contents: 

Happy 10th Birthday Archeota! Celebrating Archeota’s 10 Year Anniversary by Gwendolyn Smith 

Beyond Survival: The Fragility of Context in Digital Archives by Nicholas Haynes 

“Records Doulas” and the Case for Patient Records Advocacy: An Emerging Role for Archivists by Stacy L. Vandenput 

Preserving Play: Memory, Meaning, and the Soul of Games by Jesse Jacobs

New Issue: RBM: a Journal of Rare Books, Manuscripts, and Cultural Heritage

Vol 26, No 1 (2025) Spring

Editor’s Note
Editor’s Note: Work Is Work
Diane Dias De Fazio

Articles

“Some Days, My Work Is Unbearable”: The Impact of Chronic Illness and Disability on Recruitment and Retention for Workers in American Archival Repositories and Special Collections Libraries
Melanie Griffin

“But Do They Really Want Me?”: Reflecting on the Language of DEIA Adopted in Entry-Level Job Postings for Special Collections Librarians in 2023
Ruth Xing, Yuzhou Bai

Moving Forward: Membership and the Future of RBMS
Rebecca Bramlett, Eric Friede, Sophia Dahab, Michael Seminara

Getting Inked? A Survey of Current Institutional Marking Practices in Rare Books and Special Collections
Gemma Steele, Hayley Webster

Anthology: Papers from “The Power of New Voices”

Sustainably Critical Cataloging: Maximizing the Impact of Term Funding with the Black Bibliography Project
Mara Caelin

Making Third Spaces Safe Spaces: How Trauma-Informed Care Informs Librarianship
Lyric Grimes