CFP: transfer – Journal for Provenance Research and the History of Collection

The online journal transfer is an academic publication platform in the area of provenance research and the history of collection as well as adjacent fields of investigation, like art market studies, reception history, cultural sociology, or legal history. Issues are published semi-annually and exclusively online in Diamond Open Access. Research articles and research reports, to be submitted in English or German, are subject to a double-blind peer-review. All submissions undergo an internal evaluation by the editors supported by the advisory board and receive professional copy-editing before publication. The journal is based at the Research Centre for Provenance Research, Art and Cultural Property Law at the University of Bonn and at the Leipzig Museum of Fine Arts. transfer receives funding from the German Research Foundation (DFG). Webhosting is provided by our partner institution Heidelberg University Library via arthistoricum.net.

Website: https://journals.ub.uni-heidelberg.de/index.php/transfer/index

Editors: Felicity Bodenstein, Ulrike Saß & Christoph Zuschlag

Managing Editor: Florian Schönfuß

Advisory Board: Arbeitskreis Provenienzforschung e.V., dbv-Kommission Provenienzforschung und Provenienzerschließung, Didier Houénoudé, Larissa Förster, Gilbert Lupfer, Antoinette Maget-Dominicé, Barbara K. Murovec, Gesa Vietzen

Open Call for Submissions

transfer is an interdisciplinary, cross-epoch and international journal. It primarily addresses a scholarly audience. Besides experienced researchers, transfer equally aims at early career researchers, including PhD students, offering broad impact and high accessibility for the publication of recent research. Abstaining from any author charges or other publication fees, transfer provides a Diamond Open Access platform assuring research quality as well as transparency, fostering research interconnection and the crossing of disciplinary and institutional boundaries. Authors are invited to submit papers on the following fields of interest:

– Provenance research on individual objects or object groups

– Collections, History of collection

– Translocation of art and cultural assets 

– Art and cultural property law

– Culture of remembrance, Cultural identity, Collective memory

– Art trade, Art market studies

– Art policy, Sociology of art, Cultural sociology

– Restitution, Return, Repatriation

In conjunction with the articles in transfer, corresponding research data sets can be published via the Open Research Data platform heiData. For further information on this and regarding submissions, text categories, peer-review as well as our Style Sheet, please see the journal-website or contact us under redaktion.transfer@uni-bonn.de.

The submission deadline for Volume 5 (2026), No. 1 is 15th January 2026.

Contact Information

Dr. Florian Schönfuß

transfer – Zeitschrift für Provenienzforschung und Sammlungsgeschichte / 

Journal for Provenance Research and the History of Collection

Rheinische Friedrich-Wilhelms-Universität Bonn

Forschungsstelle Provenienzforschung, 

Kunst- und Kulturgutschutzrecht

Kunsthistorisches Institut

Rabinstraße 1

53111 Bonn (Germany)

florian.schoenfuss@uni-bonn.de

Contact Email

redaktion.transfer@uni-bonn.de

URL

https://journals.ub.uni-heidelberg.de/index.php/transfer/index

New Issue: Archeota

Archeota, Spring/Summer 2025

Archeota is a platform for SJSU iSchool students to contribute to the archival conversation. It is written BY students, FOR students. It provides substantive content on archival concerns and issues and promotes professional development in the field of archival studies. Archeota upholds the core values of the archival profession. 

Contents: 

Happy 10th Birthday Archeota! Celebrating Archeota’s 10 Year Anniversary by Gwendolyn Smith 

Beyond Survival: The Fragility of Context in Digital Archives by Nicholas Haynes 

“Records Doulas” and the Case for Patient Records Advocacy: An Emerging Role for Archivists by Stacy L. Vandenput 

Preserving Play: Memory, Meaning, and the Soul of Games by Jesse Jacobs

New Issue: RBM: a Journal of Rare Books, Manuscripts, and Cultural Heritage

Vol 26, No 1 (2025) Spring

Editor’s Note
Editor’s Note: Work Is Work
Diane Dias De Fazio

Articles

“Some Days, My Work Is Unbearable”: The Impact of Chronic Illness and Disability on Recruitment and Retention for Workers in American Archival Repositories and Special Collections Libraries
Melanie Griffin

“But Do They Really Want Me?”: Reflecting on the Language of DEIA Adopted in Entry-Level Job Postings for Special Collections Librarians in 2023
Ruth Xing, Yuzhou Bai

Moving Forward: Membership and the Future of RBMS
Rebecca Bramlett, Eric Friede, Sophia Dahab, Michael Seminara

Getting Inked? A Survey of Current Institutional Marking Practices in Rare Books and Special Collections
Gemma Steele, Hayley Webster

Anthology: Papers from “The Power of New Voices”

Sustainably Critical Cataloging: Maximizing the Impact of Term Funding with the Black Bibliography Project
Mara Caelin

Making Third Spaces Safe Spaces: How Trauma-Informed Care Informs Librarianship
Lyric Grimes

New Issue: Archival Science: International Journal on Recorded Information

Volume 25, Issue 3 September 2025

Fires and floods: records, archives management and destruction in Zimbabwe since the colonial period
George Bishi

Persona creation methods as a step toward user-oriented archival curriculum: a case study of a Polish archival course
Monika CołbeckaAnna Pieczka-Węgorkiewicz

Toward effective digital records management in Oman: key enablers, barriers and policy implications from government institution experiences
Hamad Humoud Hamad Al-HinaiAhmed Maher Khafaga ShehataAbderrazak Mkadmi

Diplomatics and paleography: a study of judges’ signatures in the Mamluk period
Mohamed Hussien Mohamed

Displaced, but not destroyed: archives in the Thirty Years’ War
Natalie Krentz

Development of the trauma-informed archival practices scale
Cheryl Regehr, Wendy Duff, Christa Sato & Jessica Ho

Exploring archival absence: silences, imagined records and materiality in nineteenth-century Europe
Emma Hagström Molin

Authenticity as a travelling concept: from heritage conservation to archives
Heather MacNeil

Parchments on the move. Removed archives and documentary culture in late eighteenth- and early nineteenth-century Italy
Maria Pia Donato

Missing persons document management as disaster response: the case of handling missing persons in Timor Leste
FebriyantoIke Iswary LawandaRahmi

Discoverability, usability, and readability: a framework for assessing accessibility for disabled users of online archives
Elizabeth A. Pineo

Adaptive learning models for efficient and standardized archival processes
J. A. Pryse

Archives and imperial power: archival destruction in the Roman context
Anna Dolganov

Privileged access to archives and the interest of research illustrated by the examples of German and French archival systems
Mikuláš Čtvrtník

Displaced, hence, not lost: the afterlife of private archives from Hellenistic and Roman Egypt
Mario C. D. Paganini

Palestine as provenance: archiving against genocide from Gaza to South Lebanon (Jabal Amil)
J. J. Ghaddar

CFP: Ethical AI in GLAM: Challenges and Opportunities for Digital Stewardship

A Focus Issue of the journal Collections exploring change as well as issues in methods and practices

Guest Edited by Dr. Angela Fritz Assistant Professor, School of Library and Information Science, University of Iowa

During this period of rapid AI development, galleries, libraries, archives, and museums (GLAMs) are facing a generational challenge that calls on practitioners to re-think their roles, re-evaluate policies and practices, and re-envision the ethical contours of their work. As AI-enabled technologies continue to surface, GLAM practitioners will confront a host of challenges relating to how AI can be leveraged to gain the much needed efficiencies necessary to steward digital collections at scale, while upholding their professional codes of ethics to ensure equitable access, mitigate harm, and safeguard the integrity of the historical record.

In the context of GLAM stewardship, the purview of “ethical AI” is expansive. For special collections librarians, archivists, and museum curators, ethical AI encompasses the responsible use of AI in collection stewardship practices as well as the development of new AI literacy frameworks for research, teaching, exhibition and training initiatives. Ethical AI also relates to re-framing the value of human-centered curation as well as the associated concerns relating to digital labor within and outside of GLAM institutions. In addition, GLAM practitioners will confront the complexities of a host of new ethical challenges relating to stewarding AI-generated content in cultural heritage collections. To address these ethical challenges, practitioners will need to balance the transformative power of AI with their professional accountabilities and restorative curatorial commitments to the diverse communities that GLAM institutions serve.

As GLAM practitioners navigate challenges in AI-integrated workspaces, archivists, museum curators, and special collections librarians will need to translate their professional codes of ethics in new contexts and apply this ethical awareness on a case-by-case basis. Recognizing the context-specific nature of these ethical dilemmas, practitioners will need to carefully balance AI innovations with an understanding of both the professional and social implications of its use. At the same time, GLAM practitioners will increasingly be expected to address the ways in which the principles of ethical curation and AI tools can work in tandem to reinforce mindful practices and transformational stewardship initiatives.

Scope of the Focus Issue

For this focus issue of the journal, we seek contributions from practitioners, scholars, and researchers who can further our understanding of the meaning of “ethical AI” in the context of GLAM collection stewardship. Our intentions are sparked by a sense of urgency in sharing experiences, understanding common challenges and concerns, contemplating possibilities and paths forward, and inspiring new ways of thinking about AI-enhanced stewardship practices. Because the meaning of ethical AI is multifaceted, complex, and ever-evolving, we see this issue as an opportunity to engage in proactive dialogue, foster interdisciplinary connections as well as advocate for an ethics of collection care—all of which will be essential for the successful implementation of enhanced AI technologies in GLAM stewardship settings.

We are interested in, but not restricted to, case studies, research projects, or scholarly reflections concerned with the intersection between ethical AI and:

  • Collection management policies, principles, guidelines, and best practices
  • Description methods and practices, including reparative description initiatives
  • Accessioning, registration, and processing integrations and strategies
  • Collections development, acquisition strategies, and donor engagement
  • Implementation or enhancement of cultural protocols in digital stewardship practices
  • GLAM digital convergence, digital collection building, digitization initiatives
  • Digital repatriation
  • Exhibition development and visitor/user experience
  • Instructional frameworks and AI literacy initiatives
  • Collections or technology assessment
  • Governance and community of practice initiatives
  • Equitable access initiatives
  • Privacy guidelines and access restrictions
  • Human/AI alignment in stewardship workflows and team development
  • Digital provenance and paradata
  • Digital labor, precarity, and value of human-centered stewardship
  • Efforts to prioritize environmental sustainability
  • Digital preservation strategies, practices and challenges
  • Computational methods in appraisal and enhanced acquisition models
  • Literacy frameworks relating to “upskilling” or “reskilling” GLAM faculty and staff
  • Community building, outreach and engagement
  • Stakeholder responses to AI implementation and use
  • AI detection tools and authentication methodologies relating to GLAM collection stewardship
  • Advocacy plans, strategies or networks that extend across national and cultural boundaries
  • Other projects that address the dimensions of ethical AI in GLAM stewardship

For this issue, we are seeking case studies and research articles not to exceed 5,000 words as well as scholarly reflection essays not to exceed 2500 words. Topics should address ethical AI in the context of the topics above or a related area in GLAM digital stewardship.

Submission Process

Authors should express their interest by submitting completed articles, case studies, and scholarly reflections to the Guest Editor, Angela Fritz aifritz465@gmail.com and the Journal Editor, Juilee Decker, jdgsh@rit.edu by October 20, 2025. Notifications of acceptance will be made by November 24, 2025.

Author submission guidelines can be found here: https://journals.sagepub.com/authorinstructions/CJX.

Submitted articles must not have been previously published, nor should they be under consideration for publication anywhere else while under review for this special focus issue.

Anticipated Timeline

  • October 20, 2025-Paper submission deadline
  • November 24, 2025-Notification of manuscript decision
  • January 9, 2026-Revise and resubmit articles
  • March 15, 2026-Enter production

April 15, 2026 on-Articles begin appearing online in the “Online First” portal of the Collections journal. Metrics are keyed to the appearance of the article.

Following the publication of papers online first, all of them will be gathered up into the Focus Issue of the journal in 2026 (anticipated publication date of June 2026).

Guest Editor Biography

Dr. Angela Fritz is assistant professor at the School of Library and Information Science at the University of Iowa. Her research explores digital stewardship in GLAM institutions through the lens of digital convergence, artificial intelligence, and an archival ethics of care. Prior to her time at the University of Iowa, she held leadership positions at the Wisconsin Historical Society, the University of Notre Dame, and the Office of Presidential Libraries and Museums at the National Archives and Records Administration (NARA). Currently, she serves in several national service roles relating to GLAM digital stewardship advocacy and outreach. She is the author of Sustainable Enterprise Strategies for Optimizing Digital Stewardship: A Guide for Libraries, Archives, and Museums (Rowman and Littlefield, 2021). Her forthcoming book, entitled Digital Leadership and AI: Transforming Libraries, Archives, and Museums for the Future (Bloomsbury, 2025), explores the intersection between AI, leadership studies, organizational development, and digital convergence within the GLAM field.

….

Established in 2004 and published by SAGE, Collections is an international, peer-reviewed, multidisciplinary journal addressing all aspects of handling, preserving, researching, interpreting, and organizing collections. Scholars, archivists, curators, librarians, collection managers, preparators, registrars, educators, emerging professionals, and others encouraged to submit their work for this focused issue. See https://journals.sagepub.com/home/cjxa for more information about the journal.

Any questions about the Focus Issue may be directed to the guest editor, Angela Fritz aifritz465@gmail.com and journal editor, Juilee Decker, jdgsh@rit.edu. Questions about the journal only may be directed to the journal editor.

CFP: Academizines

Dr. Spencer D. C. Keralis and Professor Zach Frazier, editors

Call for Proposals

We invite proposals for Academizines, a special issue of Unbound: A Journal of Digital Scholarship. Zines have evolved as a form of scholarly communication that reaches wider publics than traditional academic publishing, and allows for a greater degree of creativity and innovation than conventional forms (Vong, 2016; Weida, 2020). Zines are featured in the special collections of research libraries including Barnard, the University of Minnesota, NYU, Duke, Texas A&M, Harvard, and many others, illustrating their value as cultural artifacts and works of creative and literary art (Darms, 2013; Joseph and Sawyer, 2024), and provide accessible forms of scholarly publishing, community-building, and resource-sharing among our personal and research communities (Etengoff, 2015; Ingram, 2024; Thomas, 2018). This special issue invites contributors from across the disciplines to share their research and creative scholarship in zine form. We welcome contributions in the language, vernacular, and forms used by the scholars and communities the zines serve, and encourage international perspectives, particularly from the global South and other regions not well represented in US-based scholarly journals and archives. 

PDFs or physical copies of completed zines may be submitted with the 250-word abstract. We’re interested in collaborating with contributors on how to best present their work online, but we encourage printable PDFs to help readers print and share your work.

Physical copies of zines will be placed, at the creators’ discretion, in the LaBudde Special Collections and Archives Zine Collection at the University of Missouri – Kansas City. We encourage contributors to place their zines in other zine libraries as well.

As a community, contributors will have the opportunity to celebrate the launch of the issue and their contributions in a Virtual Zine Con hosted by the UMKC ZineLab in January of 2026.

Submit your 250-word Abstract

Key Dates & Deadlines

CFP Opens: August 1, 2025
Deadline for Abstracts: September 15, 2025
Acceptance notifications: September 30, 2025
Deadline for Completed Accepted Zines: November 15, 2025
Issue Launches: January 15, 2026
Academizines Virtual Zine Con Issue Virtual Launch Party: January 31, 2026

Some Possible Formats:

  • Saddle-stitch (staple or sewn) half-letter booklets
  • One-sheet folded zines
  • Accordion books
  • Cartonera
  • Digital zines, explainer decks, and other alternative zine forms

Some Possible Topics

We welcome zines representing scholarship in any discipline, and we’re particularly enthusiastic about:

  • Accessibility in/for zines
  • Cartonera as scholarly communication
  • Design Justice and zines
  • Integrated computing and zines – Raspberry Pi, Arduinos, minimal computing, haptics
  • Perzines as narrative writing 
  • Queer(ing) and Trans(ing) zines
  • Zine libraries and archives
  • Zines against AI and accelerationism
  • Zines and/as book history
  • Zines and/as comics studies
  • Zines and/as critical making
  • Zines and/as data visualization
  • Zines and/as digital humanities
  • Zines and/as media archaeology
  • Zines and/as public humanities
  • Zines and/as social justice activism
  • Zines for public health and wellness
  • Zines in and for your discipline
  • Zine research in zine form

About the Editors

Dr. Spencer Keralis is a scholar of the past, present, and future of the book. Their work in book and media history has appeared in Book History, American Periodicals, and hyperrhiz: new media cultures. They are the co-editor with Cait Coker (Illinois) of the essay collection DH+BH: Digital Humanities and Book History (IOPN, 2025). Dr. Keralis currently serves as Head of Digital Scholarship Services and Co-Director of the Center for Digital and Public Humanities at the University of Missouri – Kansas City.

Zach Frazier is a graphic designer, educator, and small-press publisher. Zach is the founder of Astringent Press, a low-to-no-cost, small-volume publisher that seeks to produce physical and digital texts from visual/textual narratives belonging to historically minoritized and underserved communities. Zach’s work is featured in book shops and galleries across the U.S. Along with these roles, Zach also serves as Assistant Professor of Graphic Design in UMKC’s Department of Media, Art and Design.

The editors are the co-founders of ZineLab, an interdisciplinary book arts lab in UMKC Libraries’ Digital Collaboration Studio.

Bibliography

Darms, Lisa. 2013. The Riot GRRRL Collection. Feminist Press.

Etengoff, Chana. 2015. “Teaching Note: Using Zines to Teach about Gender Minority Experiences and Mixed-Methods Research.” Feminist Teacher: A Journal of the Practices, Theories, and Scholarship of Feminist Teaching 25 (2–3): 211–18. doi:10.5406/femteacher.25.2-3.0211.

Ingram, Noël. 2024. “Using Zines to Teach Literary Analysis in a Post ChatGPT World.” Teaching American Literature: A Journal of Theory and Practice 13 (3): 53–64.

Joseph, Branden W. and Drew Sawyer. 2024. Copy Machine Manifestos: Artists Who Make Zines. Phaidon.

Thomas, Susan. 2018. “Zines for Teaching: A Survey of Pedagogy and Implications for Academic Librarians.” portal: Libraries and the Academy 18 (4): 737–58. doi:10.1353/pla.2018.0043.

Vong, Silvia. 2016. “Reporting or Reconstructing? The Zine as a Medium for Reflecting on Research Experiences.” Communications in Information Literacy 10 (1): 62–80.Weida, Courtney Lee. 2020. “Zine Objects and Orientations in/as Arts Research: Documenting Art Teacher Practices and Identities through Zine Creation, Collection, and Criticism.” Studies in Art Education: A Journal of Issues and Research in Art Education 61 (3): 267–81. doi:10.1080/00393541.2020.1779570.

CFP: A Critical Study of Training in the Field of Heritage

A Critical Study of Training in the Field of Heritage
Deadline for submission of proposed contributions: September 15, 2025

Plan

Special issue editors (scientific coordination):
Call for proposals
General framework and issues considered
Axis 1 – In Situ: training in the right place at the right time
Axis 2 – Into the heart of heritage training
Axis 3 – Trials as revelations, self-celebratory narratives examined
Contribution proposals (abstracts)

Special issue editors (scientific coordination):

Christian Hottin : conservateur en chef du patrimoine, direction générale des Patrimoines et de l’Architecture, membre du CTHS, membre associé d’Héritages (UMR 9022)

Gaspard Salatko : enseignant statutaire en sciences sociales à l’École supérieure d’art d’Avignon, membre du projet ANR « Sacralités par destination. Mises en récits et mises en scène des matérialités de Notre-Dame de Paris – SACRADE »

Michelle L. Stefano : Folklife Specialist, American Folklife Center, Library of Congress; adjunct professor, Cultural Heritage Management Master’s Program, Johns Hopkins University, Washington, DC

Call for proposals

This call for contributions invites attention to institutions and programs which, through training, contribute to the development of authorized discourses on heritage. Authorized discourses and views on heritage are expressed in a variety of ways. They are enshrined in international and national legislation and policy, and are promoted and staged by museums and institutions for the conservation of sites and monuments, among others. They are also at the heart of knowledge transmission processes that organize the permanence or variation of the right ways of saying, seeing, or doing heritage. A critical analysis of these mechanisms must therefore include a study of the institutions of higher education that help train future professionals in the field: What grammars of heritage are taught? How, and by whom, are the modalities of its treatment defined, and according to what horizons of expectations, as well as for what purposes and audiences?

In the last decades of the 20th century, as heritage became a category of public action defined in significant part by international standards, and as an economic resource in line with the growth of mass tourism, training in heritage professions – either at the university level or in specialized schools that had long been exclusive and/or elitist – became increasingly widespread. At the time they were founded, these courses were strongly rooted in the ways in which higher education was organized via different national traditions. Like all university programs, they have recently undergone a process of codification, standardization, and normalization that, while making them more easily comparable, also encourages their promoters to diversify and certify them: the challenge now, in a global context of increased competition between universities, is to make their programs more attractive.

For teachers and students alike, these training courses are places where discourses on heritage are demarcated, structured, and standardized, although sometimes tinged with different national traditions and influences. Students are familiarized with the economic and professional environment of their chosen field. And, with the support provided by professionals from heritage establishments, as teachers or internship tutors, they also lay the foundations for their own network of professional contacts.

Furthermore, although varying from country to country, these training courses are linked to research institutions of all disciplinary horizons that have contributed, over the same period, to establishing heritage as an object of academic study. As a result, a social sciences perspective on heritage training requires us to abandon – at least for a moment – the presumed universalist aims of authorized heritage discourses and outlook, and to approach these processes from a casuistic angle, attentive to the local contexts that organize the transmission of professional discourse, gestures, and outlooks.

General framework and issues considered

The issue brings needed attention to the critical study of wide-ranging programs in institutions of higher education dedicated to training future scholars and professionals in the cultural heritage discipline and sector. Contributions can shed critical light on the following perspectives, among others, in relation to the initial establishment, development, and/or continued facilitation (and modification) of heritage training programs over time:

  • Political contexts and influences, whether at international, national, or more local levels;
  • Historical contexts and influences;
  • Disciplinary contexts and influences, including foundational theories and/or scholarship used;
  • Geographical, including increasingly global, contexts and influences;
  • Components of programs, such as curricula, methodologies, skills taught, and expected learning outcomes;
  • The balance between theory and practice, and the practical or ‘applied’ emphasis of instruction and student placement in the sector;
  • Current challenges and related effects, including economic pressures; and
  • Commemorative discourses and activities pertaining to certain longstanding institutions and programs.

The following outlines thematic axes within which contributions can fall.

Axis 1 – In Situ: training in the right place at the right time
In particular, the issue seeks to examine the circumstances that led to the creation of training courses dedicated to heritage professions and scholarship, with all possible variations in scale and influence. As such, we welcome contributions that explore the development of such training and heritage programs from a political perspective, such as with the emergence of the earliest formations in a global framework that saw the affirmation of nation-states in fierce competition with one another, both in Europe and in their colonial expansion territories.

Moreover, examinations can focus on the scientific context, such as in relation to disciplinary influences, including prominent theorization or discourse, at the time of program establishment, including art history, archaeology, ethnology, and museology, as examples. Similarly, examinations may explore disciplinary influences in how programs may have developed (or changed) over time, such as with respect to related advancements in law or economics, as well as in the hard sciences. In addition, contributions may also shed light on the gradual affirmation of allied disciplines that were intended to be both techniques for treating (e.g. conserving and preserving) certain categories of cultural property and fields of research and work in their own right, such as museum studies, archival theory and practice, library science, and later ‘heritage studies’ or ‘heritage sciences’ (defined less by their own methodology than by their object). Indeed, particular attention may be paid to the role that the teaching of museology has played – in France and elsewhere – in preceding and, in a way, paving the way for heritage studies over the past several decades.

Finally, the geopolitical context and associated influences may also be the focus of examinations. For instance, needed are analyses of the strategies for establishing programs on a global scale and with a global scope, where in the past certain institutions were established during periods of colonial/imperial domination, and more recently, they may be subject to market competition between universities, including via the growth of online (virtual) degree-granting or certification programs. Relatedly, examinations may concentrate on the impact of international heritage policies, such as promoted by UNESCO, on the organization and content of teaching.

From this angle, raised are also debates on the search for the most appropriate positioning for these programs and courses: are universities most suitable, or should they be as close as possible to curatorial and other heritage conservation, preservation, and dissemination institutions (e.g. operating from within them)? On a similar note, important questions are also raised on the circulation of knowledge, of those who transmit it and those who receive it, among and between training programs and other heritage institutions, organizations, and centers of activity.

Axis 2 – Into the heart of heritage training
Of equal importance are analyses that delve into the heart of heritage training schemes to examine their operation and various components. Aspects of heritage programs include:

the methods used to select students, such as in terms of the skill level required, the learning outcomes expected, and the ways in which they are assessed;

their curricula, such as the disciplines drawn on and taught and the exercises considered for their canonical value (e.g. engagement with certain scholarship, condition reports);

the balance between theory and practice, with particular attention paid to the question of internships, and the place given to scientific research in the course of training; and

the conditions under which students enter the job market, and any follow-up carried out by the institution about their career development and working life.

Indeed, among the most characteristic features of many of courses are their ‘practical’ or ‘applied’ approaches to studying and working within the heritage sector in various capacities, as well as the desire of those in charge to pass on managerial skills to students. Here, questions are raised on how, and to what extent, do managerial discourses and practices influence the way in which these courses, historically rooted in the humanities, are designed and delivered?

Moreover, particular attention can be paid to the material conditions for acquiring and transmitting heritage knowledge, know-how and interpersonal skills, such as the location of teaching facilities, layout of workshops, laboratories, documentation centers, development of distance learning opportunities. Furthermore, the examination of small ‘workshops’ – e.g. field schools and other intensive, short courses – involved in the production of heritage discourse should extend to their integration in political, administrative, and academic networks, as well as at national and international levels.

Axis 3 – Trials as revelations, self-celebratory narratives examined
Times of great economic, political, and social challenge, as we are in now, can also provide valuable opportunities to analyze the identity of an institution or social group. In the case of heritage training, programs, and courses, we are thinking in particular of: jurisdictional conflicts between professions operating in the same sector, but linked to different training courses; administrative reforms that have the direct or indirect effect of devaluing certain diplomas in relation to others; recruitment or job market crises, of which the reasons can be multiple; or even relocation of programs, which are often the result of material constraints that have become weakening factors, but that always constitute moments of great institutional stress.

In particular, we welcome examinations on issues and developments in the wake of the 2020 pandemic, as well as the development of online heritage programs over recent decades. What impact are these having on the heritage training market? Such studies reveal the evolution of training programs in a higher education sector that is increasingly subject to competitive pressures: upward or downward trajectories; crises overcome at the cost of mergers; and conquest of new markets, among others.

As for the oldest and most recognized heritage training programs, including those that have spanned centuries, they too are entering the age of commemoration. It is in this occasion that the historical narratives of celebration are produced, often with rigor but not always with distance. Just as in times of hardship, these moments of self-celebration – from which, as a matter of principle, all forms of tension must be absent, so as to not spoil the party – should be questioned: what narratives of origin are being put forth and taking center stage? Which figures are particularly celebrated, and who is forgotten? How and where do we celebrate, and where are the blind spots and skeletons in the closet?

By exploring these different axes, this issue of In situ au regard des sciences sociales will examine how each heritage training program responds to the question, “What does it mean to be a school?”, with original answers, drawing on founding narratives, continuities and also points of rupture in relation to the universalist aims of what ‘heritage’ is or what should be passed on. In this respect, it’s important to emphasize that a call for papers on the history of sociology of heritage training will, almost necessarily for many potential respondents, include a dimension of self-analysis, both reflexive and critical. Similarly, dialogue between researchers and heritage professionals can be a fruitful avenue for research, as long as the pitfall of ‘feedback’ is avoided. International openness is encouraged when responding to this call, as is a comparative approach between training courses in different countries. Cross-cutting thematic approaches are preferred; however, case studies focusing on a certain school or program, an instructor or groups of instructors, students or groups of current students are also welcome. Contributions may address both initial and continuing training, and the relationships between the two.

Contribution proposals (abstracts)
The journal of the Ministry of Culture of France, In situ au regard des sciences sociales (In Situ in the Social Sciences), is seeking contributions to the special issue, A Critical Study of Training in the Field of Heritage, to be published in early 2027.

Abstracts will be subject to a blind review by journal/issue editors and editorial board members, after which authors will be invited to submit the full contribution by March 1, 2026.

500-word abstract deadline: September 15, 2025

If you would like to contribute to this issue, please send an abstract of no more than 500 words, along with a short CV, by September 15, 2025.

By email: insitu.arss@culture.gouv.fr

By mail:

Ministère de la Culture

Direction générale des Patrimoines et de l’Architecture,

Revue In Situ. Au regard des sciences sociales

à l’attention de Nathalie Meyer

182, rue Saint-Honoré

75001 Paris – FRANCE

The texts of the articles corresponding to the selected proposals are expected by March 1, 2026. Texts may be written in French or in a native language. The proposed articles must contain a new contribution of research, hypothesis, or updates; they cannot reproduce the entirety of a text already published.

It will be published in its original version and in its French translation. The length of the articles will be between 3000-7000 words, including notes and bibliography (references cited).

Guidelines for authors regarding the number of pages, illustrations, the inclusion of notes and links, etc., are available on the journal’s website:

https://journals.openedition.org/insituarss/310

CFP: Library Trends Special Issue, “Cultural Heritage in Crisis”

CFP – Special issue, “Cultural Heritage in Crisis” to be published in Library Trends, 75(1), 2026.

In a recent issue of Nationalism and Ethnic Politics, Aronson et al write: “Cultural heritage represents the physical manifestation of the culture and history of a social group and forms a major component of its identity.”1 A people’s culture, history, and social identity can be destroyed, censored, suppressed, purged, or rewritten through attacks on their cultural heritage as well as the institutions and systems that support and preserve the creation of knowledge, free speech, and artistic expression. Within the last three years alone, we have witnessed attempts by individuals, governments, and extremist groups to destroy a people’s culture and identity – whether through deliberate action or ignorance – with the invasion of Ukraine in February 2022, war in Gaza in October 2023, and in 2025 the intentional removal and revision of content about the history of women, LGBTQIA+ people, immigrants, and people of color from government pages in the United States.

For this special issue of Library Trends, we interpret cultural heritage broadly, it may include physical tangible artifacts, such as books, manuscripts, art, sculpture, monuments, or buildings, as well as intangible artifacts, such as language, knowledge, folklore, and traditions. We also include digital cultural heritage, which may include websites, data, digital images, 3D models or visualizations, multimedia, etc. Proposals for this issue should focus on how cultural heritage professionals working in organizations with a mission to preserve and make cultural heritage accessible have engaged in activities such as digital activism, culturally responsive curation, preservation of physical or digital cultural heritage, or community-centered archives and collections within the context of cultural heritage in crisis. We are also interested in approaches, case studies, or theoretical approaches on how cultural heritage is created, preserved, or reconstructed before, during, or after crises within the library and archives profession.

Potential topics may include:

  • Activism and community engagement
  • Supporting open culture
  • Culturally responsive curation/metadata practices
  • Centering community and care in preservation of cultural heritage
  • Anti-colonial practices in approaches to digital curation, metadata, archives, etc.
  • Digital approaches to preserving or reconstructing cultural heritage (e.g. 3D modeling, machine learning, AI, linked data, etc.)
  • Developing institutional collaboration and partnership with damaged libraries and archives
  • Digital repatriation of cultural heritage
  • Crisis documentation and rapid response archiving
  • Countering disinformation

Prospective authors are invited to submit an abstract outlining their proposed article by July 25, 2025. Decisions about the abstracts will be communicated by August 1, 2025. Final articles should be 7,500-9,500 words (including bibliographic references). The issues will use an open peer review process in which article authors review two manuscripts by other contributors. As part of submitting an article proposal, authors will be asked to commit to participation in this process as both an author and a reviewer.

Inquiries about the planned issues and ideas for articles should be directed to Anna Kijas (Tufts University) and Andreas Segerberg (University of Gothenburg), Guest Co-Editors of Library Trends (anna.kijas at tufts.edu / andreas.segerberg at gu.se). Proposals for articles should be submitted via an online proposal form

Full CfP with details is available at https://annakijas.com/news/cfp_2026-librarytrends/. 

Contact Information

Guest Co-Editors of Library Trends 

Anna Kijas (Tufts University), anna.kijas@tufts.edu

Andreas Segerberg (University of Gothenburg), andreas.segerberg@gu.se

Contact Email

anna.kijas@tufts.edu

URL

https://annakijas.com/news/cfp_2026-librarytrends/

New Issue: Archival Science

Archival Science volume 25 issue 2, 2025
(partial open access)

Accessibility of archives for people with disabilities in Oman: current state and challenges
Abderrazak Mkadmi, Faten Hamad, Sallam Al-Yaarabi

AI-powered visual classification in archives: a computer vision approach to facial recognition in historical archives
Muslum Yıldız, Fatih Rukancı

An archive in numbers: the pulse of the Dutch Ministry of Colonies, 1813–1900
Nico Vriend

Overcoming data siloes in cultural heritage crime research: a consolidated OSINT-derived dataset on art, antiquities, and the trade in cultural goods
Madison Leeson, Riccardo Giovanelli, Sara Ferro, Michela De Bernardin, Arianna Traviglia

A Saharan archive and its afterlives
Fiona Mc Laughlin

An ecologically just future for personal digital heritage: three guiding statements
Marije Miedema, Susan Aasman, Anne Beaulieu, Sabrina Sauer

Addressing the free-rider problem in collectively built online archives
Jinfang Niu

Inconsistencies, inaccuracies, and inappropriateness: examining the representation of Chinese students in university archives with radical empathy
Ruohua Han, Yingying Han

The provenance of trans/gender: on the subject’s willful disappearance from the record
L. Wynholds