New Articles: International Journal of Digital Curation

IJDC is published on a rolling basis. Further papers will be added in due course.

Vol 14 No 1 (2019)

Papers (peer-reviewed)

Digital Curation Education at the Universities of Ibadan and Liverpool
Abiola Abioye, James Lowry, Rosemary Lynch

Progress in Research Data Services
Andrew M Cox, Dr, Mary Anne Kennan, Dr, Elizabeth Josephine Lyon, Dr, Stephen Pinfield, Dr, Laura Sbaffi, Dr

Making Meaning of Historical Papua New Guinea Recordings
Amanda Harris, Steven Gagau, Jodie Kell, Nick Thieberger, Nick Ward

Putting the Trust into Trusted Data Repositories: A Federated Solution for the Australian National Imaging Facility
Andrew James Mehnert, Andrew Janke, Marco Gruwel, Wojtek James Goscinski, Thomas Close, Dean Taylor, Aswin Narayanan, George Vidalis, Graham Galloway, Andrew Treloar

Updating the Data Curation Continuum
Andrew Treloar, Jens Klump

Identifying Topical Coverages of Curricula using Topic Modeling and Visualization Techniques: A Case of Digital and Data Curation
Seungwon Yang, Boryung Ju, Haeyong Chung

Challenges and Directions in 3D and VR Data Curation
Nathan Frank Hall, Juliet Hardesty, Zack Lischer-Katz, Jennifer Johnson, Matt Cook, Julie Griffin, Andrea Ogier, Tara Carlisle, Zhiwu Xie, Robert McDonald, Jamie Wittenberg

Articles
Practices, Challenges, and Prospects of Big Data Curation: a Case Study in Geoscience
Suzhen Chen, Bin Chen, Dr.

Developing a Data Management Consultation Service for Faculty Researchers: a Case Study from a Large Midwestern Public University
Virginia A Dressler, Kristin Yeager, Elizabeth Richardson

Research Data Management in a Cultural Heritage Organisation
Tom Drysdale

Assessing Metadata and Curation Quality
Rebecca Grant, Graham Smith, Iain Hrynaszkiewicz

Human Security Informatics, Global Grand Challenges and Digital Curation
Anne J. Gilliland, James Lowry

Improving the Reproducibility of LaTeX Documents by Enriching Figures with Embedded Scripts and Data
Christian Thomas Jacobs

A Class Focused Approach to Research Outputs and Policy Literature Metadata
Les Kneebone

Building an Aotearoa New Zealand-wide Digital Curation Community of Practice
Jessica Moran, Floran Feltham, Valerie Love

Experimental Data Curation at Large Instrument Facilities with Open Source Software
Line Pouchard, Kerstin Kleese van Dam, Stuart I Campbell

Developing Culturally Competent Data Publication Resources
Ryan Stoker, Gene Melzack, Jennifer McLean

Organising RDM and Open Science Services
Anne Sunikka

 

New/Recent Issue: Provenance

Volume 35, Number 1 (2018)

Front Matter
Heather Oswald

Articles

The Austin Archives Bazaar: A collaborative outreach event
Daniel Alonzo, Amy Rushing, and Kristy Sorensen

“No Rhyme or Reason:” Surveying Legislative Records Retention Practices in the U.S. House of Representatives
Nahali R. Croft

The Library of Virginia, Local Records, and the Civil War
Eddie Woodward

Recovering from Hurricane Sandy: A Municipal Government Archives Role in Disaster Recovery
Bryan J. Dickerson

Journeywoman: A Lone Arranger on the Final Frontier
Laura Frizzell

Book Reviews
Tommy Brown, Amanda Hawk, Joshua Kitchens, Muriel M. Jackson, and Shanee’ Yvette Murrain

Fall/Winter 2019 Issue of American Archivist

Half of the content—including 11 articles and reviews—from the latest American Archivist is now online! Articles examine the roles of archivists and catalogers, consider virtual reality experiences for archival collections, reflect on the adoption of EAD twenty years later, highlight a case study for reassessing audiovisual materials, and more. Start reading now (you’ll need to log in to access the issue).

There’s more in the pipeline. The journal is experimenting with “advance article publication,” meaning that content will continue to be published online as it becomes available for this issue. The print edition, which will include the volume index, is projected to be available by March. View the entire table of contents for the issue.

New Journal: Unbound: A Journal of Digital Scholarship

from the Digital Humanities Discussion Group (ALA):

Hello, Everyone:

I’m excited this morning to announce the launch of Unbound: A Journal of Digital ScholarshipUnbound publishes work that explores the interstices of digital scholarship, broadly conceived, with an emphasis on digital cultural studies; critical digital humanities; galleries, libraries, archives, and museums; the interpretive social sciences; and socially engaged computational or quantitative methods. This open access journal publishes editorials, essays, reviews, pedagogy and praxis notes (short form works on research in progress, single-institution case studies, and pedagogy), and new media art, music, and performance portfolios. We welcome submissions from scholars and professionals at all stages of professional development in all fields.

In addition to publishing original scholarship, Unbound is the venue for the proceedings of the Digital Frontiers conference, and related satellite events. The first issue features essays and abstracts from Realizing Resistance: An Interdisciplinary Conference on Star Wars, Episodes VII, VIII & IX, which took place May 2-4, 2019 at the University of North Texas.

I am joined on the Editorial Board by John Edward Martin (UNT), Leigh Bonds (Ohio State), Jenn Stayton (UNT), Kevin Jenkins (Penn State), Adetty Pérez de Miles (Texas State), Joshua Jackson (North Carolina State), and Brea Henson (UNT). The journal is published by Digital Frontiers and hosted by the University of North Texas Libraries.
The Call for Contributions is now open, and guidelines are also available for proposing special issues.

Please join me in celebrating this event, and please share the Call for Contributions generously.

With Warm Regards,
Spencer D. C. Keralis, Ph.D.
Assistant Professor, Digital Humanities Librarian
Liaison: Illinois Program for Research in the Humanities
University of Illinois Urbana Champaign
spencerk@illinois.edu
Pronouns: he/they
ORCID: 0000-0003-0903-5587

CFP: Archival Issues

Archival Issues is currently seeking submissions for its next issue.

Archival Issues is published twice each year and has an international readership. The journal is one of the premier outlets for archival literature, and its scope extends well beyond the Midwest. The Editorial Board of the Midwest Archives Conference strives to publish articles that will interest and educate a broad range of information professionals. Acceptable topics for articles cover the full range of archival activity. The journal also publishes reviews of current books on archival theory and practice.

Although Archival Issues publishes contributions from well-established professionals, the Editorial Board particularly encourages submissions from archivists who have not published previously. Editorial Board reviews of articles are conducted in a blind review process, and authors are usually informed of publication decisions within six weeks.

Archival Issues accepts submissions throughout the year. To be considered for issue 40.2, please submit your manuscript by February 1, 2020 to Editorial Board Chair Brandon T. Pieczko at bpieczko@gmail.com.

More info is available at: https://www.midwestarchives.org/archival-issues

New Issue: RBM

Vol 20, No 2 (2019), Fall
Table of Contents

Editor’s Note
Richard Saunders

Research Articles
Teaching Creative Writing in Special Collections
Alison Fraser

The Positive Side of Eliciting Negative Emotions: Survey Results of Visitor Responses to a Library Exhibit
Meg Frost, Caitlyn Towne-Anderson, Kendal Ferguson

An Independent Study Course by an Academic Library Department: Teaching with the Gems of Special Collections
Judy L. Silva, Barbara McIntosh

Book Reviews
Trevor Owens. The Theory and Craft of Digital Preservation.
Dan Noonan

Gerald Vizenor. Native Provenance: The Betrayal of Cultural Creativity.
Ricardo L. Punzalan

CFP: VIEW Journal

Open Call for Article Proposals or Full Articles
Besides our regular themed issues, VIEW Journal now accepts article proposals and full articles for its first open issue. We encourage scholars and audiovisual archivists to use this open call to provide (suggestions for) articles and audiovisual essays, as well as other forms of reflective thought.

Aims and Scope
VIEW Journal of European Television History and Culture is the first peer-reviewed, multi-media and open access e-journal in the field of European television history and culture. It offers an international platform for outstanding academic research and archival reflection on television as an important part of European cultural heritage. The journal is open to many disciplinary perspectives on European television – including television history, media studies, media sociology, cultural studies and television studies. The journal acts as a space for critical reflection on the cultural, social and political role of television in Europe’s past and present. It also provides a multi-media platform for the presentation and re-use of digitized audiovisual material.

In bridging the gap between academic and archival concerns for television and in analyzing the political and cultural importance of television in a transnational and European perspective, the journal aims at establishing an innovative platform for the critical interpretation and creative use of digitized audio-visual sources. In doing so, it challenges a long tradition of television research that was – and to a huge amount still is – based on the analysis of written sources.

Submitting an Article Proposal or Full Article

For our forthcoming open issue (publication in spring 2021), co-edited by Mari Pajala and Liam Wylie, we invite both creative article ideas in the form of extended proposals and full articles for peer review.

  • Send in your article proposals in the form of extended abstracts at the latest by Feb 1st, 2020, via e-mail, to journal [at] euscreen.eu. Selected abstracts will receive an invitation for full articles within a few weeks.
  • It is also possible to submit full articles up until Jun 1st, 2020, at the very latest. Please submit full articles via the VIEW Submissions form

Audience

The journal aims at stimulating new narrative forms of online storytelling, making use of the rich digitized audiovisual collections of television archives around Europe. Authors are encouraged to make use of audio-visual sources to be embedded in the narrative of the articles: not as “illustrations” of a historical or theoretical argumentation, but as problematized evidence of a research question.

VIEW Journal of European Television History and Culture addresses the scientific community as well as a wider audience interested in television as a cultural phenomenon. Broadcast historians, media studies scholars, audiovisual archivists, television professionals as well as the large group of enthusiastic fans of “old” television will have the opportunity to dive into the history and presence of European television by means of multi-media texts.

Contact

If you have questions about the process, do not hesitate to get in touch with managing editor Rieke Böhling or co-editors Mari Pajala and Liam Wylie via the journal’s main contact address: journal [at] euscreen.eu

We are looking forward to receiving your creative proposals (through e-mail) or full articles (here)!

New Issue: Archives and Records

Archives and Records, Vol. 40 no. 3 2019
(subscription)

Articles

From a silent past to a spoken future. Black women’s voices in the archival process
Ria van der Merwe

Records and farmer workers – a unique Chinese case
Sherry L. Xie, Huiling Feng & Linqing Ma

The digital return of ILAM’s Zimbabwean recordings: revitalization of the sound archive through postcolonial engagement between ILAM and African universities
Luis Gimenez Amoros

Formation and development of the Central State Archive of cinema, photographic materials and sound records of the Kazakh SSR (1943–1991)
Gulzira Seksenbayeva

Book Reviews

Metadata for information management and retrieval: understanding metadata and its use
by David Haynes, 2nd edition, London, Facet Publishing, 2018, xiv + 267 pp., £59.95 (paperback), ISBN 978-1-85604-824-8
Paul V. Dudman

Digital curation projects made easy: a step-by-step guide for libraries, archives and museums
by Carmen Cowick, Lanham, Maryland and London, Rowman and Littlefield, 2018, vii + 125 pp., £23.95 (paperback), ISBN 978-1-5381-0351-7 (Library Information Technology Association Guides)

The oral history manual
by Barbara W Sommer and Mary Kay Quinlan, 3rd edition, Lanham, Maryland and London, Rowman and Littlefield, 2018, viii + 145 pp., £24.95 (paperback), ISBN 978-1-4422-7079-4 (American Association for State and Local History Book Series)

The international directory of national archives
edited by Patricia C. Franks and Anthony Bernier, London, Rowman & Littlefield Publishing, 2018, xii + 433 pp., $150/£100 (hardback), ISBN 978-1-442277-434-427
Elizabeth Shepherd

Records and information management
by Patricia C. Franks, 2nd edition, Chicago, ALA/Neal-Schuman, 2018, xxiv + 497 pp., $84.99, ISBN 978-0-8389-1716-9
Geoffrey Yeo

Digital archives: management, use and access
edited by Milena Dobreva, London, Facet Publishing, 2018, xv + 183 pp., £69.95 (paperback), ISBN 978-1-85604-934-4
Alexandra Eveleigh

The complete guide to personal digital archiving
edited by Brianna H Marshall, London, Facet Publishing, 2018, xxii + 275 pp., £59.95 (paperback), ISBN 978-1-78330-266-6
Paul Campbell

The theory and craft of digital preservation
by Trevor Owens, Baltimore, John Hopkins University Press, 2018 x + 226 pp., £26 (paperback) ISBN 978-1-4214-2697-6
Adrian Brown

Digital preservation in libraries: preparing for a sustainable future
edited by Jeremy Myntti and Jessalyn Zoom, Chicago, American Library Association, 2019, xii + 379 pp., $84.99 (paperback), ISBN 978-0-8389-1713-8
Maureen Pennock

The cartulary and charters of the priory of Saints Peter and Paul, Ipswich, part I the Cartulary
edited by David Allen, Woodbridge, The Boydell Press for the Suffolk Records Society, 2018, xix + 292 pp., £60 (hardback), ISBN 978-1-78327-354-6 (Suffolk Records Society, Suffolk Charters)
Anthony Smith

The business of archives: a labour of love
compiled and edited by Tony Slaven and Kiara King, Johnstone, The Ballast Trust, 2018, 83 pp., £5 (paperback), ISBN 978-1-5272-3179-5
Paul J Sillitoe

Records, information and data: exploring the role of record-keeping in an information culture
by Geoffrey Yeo, London, Facet Publishing, 2018, xvi + 208 pp., £69.95 (Paperback), ISBN: 978-1-78330-226-0
Susan Graham

Review

Online guidance on oral history from Manchester Histories Historical Research Project and East Midlands Oral History Archive
Sarah-Joy Maddeaux

Obituary

(Brian) Bernard Ignatius Trainor (1928–2018)
Stephen Scarth

Brian Stanley Smith (1932–2018)
Heather Forbes

Antony David Carr (1938–2019)
Nia Powell

New Issue: Journal of Archival Organization

Journal of Archival Organization, Vol. 16 no. 1 2019
(subscription)

Shifting the Model: Pre-Donation Processing of the New York Foundation for the Arts Records
Weatherly A. Stephan & Nicholas J. Martin

Bridging the Digital and Physical: Increasing Engagement with the Grateful Dead Archive at UC Santa Cruz
Alix Norton, Kristina Golubiewski-Davis, Ann Hubble & Reed Scriven

Stakeholder Interviews and University Collections: An Exploratory Methodology
Kristen Iemma, Maddie Mott, Julia Renaud & Nicole Sintetos

Successful Management of an Outsourced Large-Scale Digitization Newspaper Project
Tips for Effective Collaboration, Increased Productivity, and Outstanding Deliverables
Marina Georgieva

Blockchain Is Already Here. What Does That Mean for Records Management and Archives?
Sharmila Bhatia & A. D. Wright de Hernandez

CFP: KULA Special Issue: Indigenous Knowledges

Call for Papers – Special Issue: Indigenous Knowledges

KULA: Knowledge Creation, Dissemination, and Preservation Studies
Special Issue: Indigenous Knowledges

Guest Editors
Ry Moran, Director, National Centre for Truth and Reconciliation

Carey Newman, OBC, Multidisciplinary Artist, Master Carver, and Audain Professor of Contemporary Art Practice of the Pacific Northwest in the Department of Visual Arts, University of Victoria

Shelagh Rogers, OC, Broadcast Journalist, Host and a producer of CBC Radio’s The Next Chapter, Honorary Witness for the Truth and Reconciliation Commission of Canada, and Chancellor, University of Victoria

Andrea Walsh, PhD, Associate Professor of Anthropology, University of Victoria

Guest Advisor
Rob Hancock, PhD, LE,NOṈET Academic Manager, Office of Indigenous Academic and Community Engagement and Adjunct Assistant Professor of Anthropology and Environmental Studies, University of Victoria

Editorial Assistant
Samantha MacFarlane, PhD, Associate Editor, KULA: Knowledge Creation, Dissemination, and Preservation Studies and Publications Assistant, University of Victoria Libraries

Abstracts and expressions of interest: rolling, through 30 November 2019
Notice of acceptance of abstracts: February 2020
Deadline for final submissions: June 2020
Anticipated publication: Spring 2021

Contact email: kulajournal@uvic.ca

KULA: Knowledge Creation, Dissemination, and Preservation Studies (https://kula.uvic.ca/) is a peer-reviewed, open-access online journal that publishes multidisciplinary scholarship about the creation, dissemination, and preservation of knowledge. We invite abstracts for contributions to a special issue of KULA on Indigenous Knowledges, to be published in 2021.

The Building Reconciliation Forum is an annual national forum that works toward implementing the Truth and Reconciliation Commission of Canada’s Calls to Action within post-secondary institutions. In November 2018, the University of Victoria hosted the fourth annual forum, the theme of which was Ts’its’u’ watul tseep, a Hul’q’umi’num teaching that means “to help one another.” In direct response to the forum, as part of its commitment to implementing the TRC’s Calls to Action in universities, the University of Victoria Libraries made “Building Reconciliation through Archives” the topic of its annual University Librarian’s Lecture. The 2019 lecture presented a panel discussion with Ry Moran, Carey Newman, and Shelagh Rogers about the past, present, and future of Indigenous documentary heritage. The panelists considered questions such as: What is the relationship between documentary heritage and oral history, land, and historical context? Does ceremony have a role in animating archives? Should documentary heritage held by institutions be returned to communities? How can our approach to Indigenous archives deepen our understanding of the meaning of truth and reconciliation?

Some of the issues the panelists raised during this discussion include:

  • the complicity of archives in the deliberate, violent erasure of Indigenous languages and cultures and the myth of archives as an antidote to the “loss” of cultural heritage
  • the importance of living heritage, particularly the knowledge of Elders (e.g., in addressing inaccuracies in colonial narratives about the history of land and land use, which are preserved in the written record of agencies such as Parks Canada), and the need to create space in libraries and archives for the preservation of intangible cultural heritage as well as documentary heritage
  • the Indigenous perspective of land as a source of knowledge and wisdom, connected to culture, language, and world view–a kind of archival record–and environmental destruction as a threat to the land and the knowledge it holds.
  • the challenge of building a future based on reconciliation when many non-Indigenous people still do not understand Canada’s colonial history or how the concentric harms of colonial genocide continue to affect the lives Indigenous Peoples
  • the various ways that individual Indigenous communities view ownership of tangible objects/land and intangible stories/songs

This special issue is inspired by the panelists’ discussion, and it aims to expand the scope of that conversation by considering the broader category of Indigenous Knowledges. We have deliberately titled the issue Indigenous Knowledges, and we seek to include a range of diverse contributions that reflect this plurality, both in subject and format. We encourage submissions on diverse aspects of Indigenous Knowledges and ways of knowing, including but not limited to:

  • Language; language revitalization; translation
  • Art, literature, and music
  • Governance, laws, Protocols, and justice systems
  • Educational systems
  • Traditional Knowledges, including medicinal and environmental knowledge
  • Oral Traditions
  • Spiritual beliefs and practices
  • Preservation, protection, and custodianship of documentary heritage, intangible cultural heritage, and cultural and ceremonial sites
  • Repatriation of documentary and cultural heritage, including ceremonial objects and human remains
  • Ethics of exhibiting and digitising documentary and cultural heritage; the right to privacy
  • Teaching methods in elementary, secondary, and post-secondary education, including content development and best practices for teaching curricula about the history and legacy of residential schools, the United Nations Declaration on the Rights of Indigenous Peoples, and Treaties and Indigenous rights
  • Librarianship
  • Methods, politics, and ethics of data collection and access to data related to Indigenous Peoples
  • Research practices and methodologies
  • Knowledge systems and policy design in academic and research institutions
  • Editing and publishing
  • Media
  • Health and healthcare
  • Gender and sexuality
  • Architecture
  • Histories of suppressed or destroyed knowledge
  • Citational practices and politics

We are seeking contributions in diverse formats: short- to medium-length scholarly articles; book reviews; project reports; teaching reflections and syllabi; and creative text, image, video, and audio pieces. We invite submissions that incorporate or propose innovative citational practices. We also welcome submissions from youth contributors. Please note that proposals about any non-Indigenous-led projects that do not express clear Indigenous participation, consultation, and relationship from inception will not be considered.

Please submit abstracts of 300-500 words to kulajournal@uvic.ca by 30 November 2019. Based on these abstracts, we will then invite authors to submit full pieces for editorial consideration and, if applicable, peer review.

KULA is an open-access journal requiring no author publication charges (APCs). Authors retain full copyright to their works, which will be published under a Creative Commons license: https://kula.uvic.ca/about/submissions/