CFP: Feminist Media Histories – Special Issue on Gender, Media, and DevelopmentalismCFP:

Guest Editors: Dalila Missero & Masha Salazkina 

With this special issue of Feminist Media Histories we invite contributions that explore the historical role of gender within media production explicitly engaged in developmentalist projects. As an ideological and political framework, developmentalism became especially prominent between the 1950s and the 1990s to conceptualize, discuss, and tackle global inequality. Based on the certainty that economic growth inevitably leads to social progress and modernization, it has been a dominant paradigm driving state and inter-governmental support for various institutional media projects, especially in the context of Asia, Africa, and Latin America on both sides of the Iron Curtain. In a more latent way, developmentalist discourses and representational regimes—as well as their critiques—have also been central to much film and media production in these regions, from radical, grassroots, or independent media collectives to commercial filmmaking. With the inauguration of the United Nations Decade of Women (1975-1985), the issue of gender inequality became increasingly central in developmentalist debates and policies, in tandem with and in response to the agenda of the international women’s movement. Media representations and infrastructures have played a key role in shaping these intersecting processes in a way that remains to be fully explored in media history.  

Analysis of developmentalist media, especially with regards to questions of gender, are also in continuity with post-colonial and intersectional inquiry across and beyond film and media studies. The rejection of the basic tenets of developmentalism embedded in the colonial matrix of power (key among them universalism and the belief in economic indicators as a measure of progress) form the core of the decolonial critique, which emerged around the same period. The status of indigeneity as a distinct epistemological  position, political project, and a way of life likewise stands in sharp conflict with developmentalist projects promoted by states and international institutions intended to  overcome “underdevelopment.” Bringing these perspectives together, decolonial feminism’s attention to patriarchal, misogynistic, and homophobic tensions at work in anti-colonial and anti-capitalist struggles has foregrounded intersectional forms of oppression and shifted the locus of knowledge production to the concrete experiences of women’s struggles across the Global South, with indigenous women often offering the most compelling alternatives to the dominant epistemological paradigms.  

Investigating media projects that resulted from the inevitably contradictory intersection of global developmentalist politics (which have increasingly focused on women and indigenous communities) and on-the-ground women’s movements in Asia, Africa, and  Latin America therefore presents a particularly productive area of transnational decolonial feminist media scholarship. Such gendered understandings and narratives of developmentalism, diverse venues of media production, circulation and reception  advancing these notions, and local and transnational responses to them, however, have certainly not been limited to the recent decades. Research on the broader history of  intersections of gender, media, and developmentalism is yet to be integrated within feminist media historiographies. 

To this end, this special issue seeks to foster new knowledge and develop shared theoretical and methodological frameworks for exploring this topic. We welcome scholarship on different types of media (film, television, radio, digital media, etc), situated within a wide historical period, and from a variety of geographic and geopolitical positions. Contributions may focus on specific case studies as well as on broader methodological and theoretical questions. Possible topics include: 

  • Representations of gender, indigeneity, coloniality, and global inequality in developmentalist media 
  • Feminist (mediated) responses to developmentalism 
  • Queer and trans activism and developmentalist media 
  • Developmentalist media and social, political, and anti-colonial movements
  • Differences and similarities in gender politics of developmentalism across the Cold War divides and their corresponding media forms and ideologies 
  • Archives, counter-archives, technologies, and infrastructures of developmentalist media  
  • Developmentalism and mediated representations of the future 
  • Institutions and agencies (United Nations, UNESCO, the World Bank) as well as governments and NGOs as production sites of media content on gender and  development  
  • Developmentalism in the context of contemporary sustainability and environmental programs (i.e., SDG 2030 agenda), and its intersections with today’s ecofeminist movements and digital media practices 
  • Comparative and/or transnational studies of developmentalism and media

Interested contributors should contact guest editors Dalila Missero and Masha Salazkina directly, sending a 500-word proposal and a short bio no later than February  1, 2024 to d.missero@lancaster.ac.uk and salazkina.masha@gmail.com; contributors will be notified by March 1, 2024; article drafts will be due by October 1, 2024 and will then be sent out for peer review.

Contact Information
Yumo Yan, Managing Editor of Feminist Media Histories: An International Journal

Contact Email
yy2887@uw.edu

URL: https://online.ucpress.edu/fmh/pages/cfp

New Issue: Journal of Folklore and Education

“Teaching with Folk Sources,” now available at https://jfepublications.org

This 10th Volume of the Journal of Folklore and Education offers two issues packed with resources and content. Expanding mainstream notions that primary sources are historical documents housed in hard-to-access archives, this volume showcases archival items that expand our vision of community, self, the past, the future, art, pedagogical opportunities—and, yes, history.

Vol. 10 Issue 1: Teaching with Folk Sources

What if young people saw themselves in an archive? Recognized their families and the arts of their communities in a folklife collection? Grew curious about documenting what is going on in their communities? Explore these possibilities in Issue 1: “Teaching with Folk Sources: Listen, Observe, Connect.”

Vol. 10 Issue 2: The Curriculum Guide

Issue 2 features work by our consortium project Teaching with Folk Sources, funded by the Library of Congress Teaching with Primary Sources (TPS) program. Find frameworks and detailed lesson plans from Local Learning’s TPS consortium project members and their educator partners, organized as a Curriculum Guide.

New Issue: Oral History Review

Oral History Review, Fall/Winter 2023
(subscription)

Special Issue: Disrupting Best Practices

Editorial
Editors’ Introduction
Abby Perkiss, Janneken Smucker, and David Caruso

Research Articles
Money Talks: Narrator Compensation in Oral History
By Fanny Julissa García and Nara Milanich

Oral History Indexing
By Douglas Lambert

The Evolution of Best Practice at the University of Alaska Fairbanks Oral History Program “(Special Focus on Best Practices)”
By Leslie McCartney

Learning about Sharing Authority With the Gathered Voices of Malmö
By Robert Nilsson Mohammadi and Sima Nurali Wolgast

Getting it Right: Safeguarding a Respected Space for Indigenous Oral Histories and Truth Telling
By Rhonda Povey, Susan Page, and Michelle Trudgett

Book Reviews
The Language of Russian Peasants in the Twentieth Century: A Linguistic Analysis and Oral History
Reviewed by Orel Beilinson

Once Upon a Time in Iraq: History of a Modern Tragedy
Reviewed by Mia Martin Hobbs

Remembering Theodore Roosevelt: Reminiscences of His Contemporaries
Reviewed by Rachel B. Lane

Children’s Voices from the Past: New Historical and Interdisciplinary Perspectives Reviewed by Kimberly Redding

Fly Until You Die: An Oral History of Hmong Pilots in the Vietnam War
Reviewed by Troy Reeves

Survival Schools: The American Indian Movement and Community Education in the Twin Cities.
Reviewed by Cameron Vanderscoff

CFP: Studies in Oral History

Studies in Oral History, Issue No. 46, 2024

Joint Editors: Skye Krichauff and Carla Pascoe Leahy

Working Lives & Workplaces

Peer-reviewed articles

Contributions are invited from Australia and overseas for the peer-reviewed articles section of the 2024 issue of Studies in Oral History, the journal of Oral History Australia (OHA).

This special issue will explore oral histories of working lives, workplaces and work, all broadly defined to incorporate histories of volunteering, military service and other types of service. Papers that employ or interrogate oral history methodologies and illuminate aspects of working life, workplaces, and workplace culture are invited.

Contributions are invited across the following themes (though are not limited to these):

  • How the experience of work is mediated by gender, ethnicity, class, and generation
  • How technological innovation changed the nature of work
  • How workers have sought to protect their employment rights and conditions
  • Migrants’ experience of the workplace
  • Occupational health and safety
  • Multi-generations of families working at the same workplace
  • Unfree work
  • Work and the environment
  • Workplace closures, redundancies and lay-offs.

As all articles are subject to anonymous peer review, pleasure ensure your submission contains no identifying material. Articles submitted to the Oral History Australia Editorial Board for peer review will first be assessed for suitability by the Editorial Board. Please consult the Guidelines for Contributors and Journal Style Guide for further information.

Word limits and deadlines

To be considered for peer review, articles should be no more than 8000 words, including references. Publication of the issue is anticipated in late 2024.

Deadline for submissions: Friday 1 December 2023.

Submission

Send submissions to: Dr Alexandra Dellios, Chair, Oral History Australia Editorial Board, email editorialboard.journal@oralhistoryaustralia.org.au.

Reports

Submissions are also invited for the reports section of the 2024 issue of Studies in Oral History. Reports may describe oral history projects conducted by academic researchers, museum curators, heritage professionals, consulting historians, community historians and more. Projects may have resulted in public outcomes such as websites, exhibitions, podcasts, theses, articles or books. Please note the reports section is not peer-reviewed; notes from the field, updates on exciting new work, or reflections on the process and/or outcomes of oral history projects are encouraged. Reports which relate to the issue theme of ‘Working Lives and Workplaces’ are welcome but not mandatory.

Word limit: 1,500 words.

Deadline for report submissions: Monday 30 April 2023.

Please send reports to Alexandra Mountain, Reports Editor of Studies in Oral Historyreports.journal@oralhistoryaustralia.org.au

Please note that while the reports are not peer-reviewed, we cannot accept all reports for publication and accepted reports will need to be edited for length, clarity and adherence to the Style Guide. Reports will be selected on the basis of quality of writing, the diversity of oral history perspectives showcased across the reports section and relevance to the special issue theme. Please consult the Guidelines for Contributors and Style Guide for further information.

New/Recent Publications

Articles

Neville Vakharia, Alex H. Poole, “Knowledge management in museums: enhancing organizational performance and public value,” Journal of Documentation 75 no. 1, 2023

Cheryl Klimaszewski, “Towards a vernacular aesthetics of liking for information studies,” Journal of Documentation 75 no. 1, 2023

Jonathan Furner, Birger Hjørland, “The coverage of information science and knowledge organization in the Library of Congress Subject Headings,” Journal of Documentation 75 no. 1, 2023

Amber L. Cushing, “PIM as a caring: Using ethics of care to explore personal information management as a caring process,” Journal of the Association for Information Science and Technology, 1–11

Garg, K., Jayanetti, H.R., Alam, S. et al. “Challenges in replaying archived Twitter pages.” Int J Digit Libr (2023).

Brady Lund and Amrollah Shamsi, “Women authorship in library and information science journals from 1981 to 2020: Is equitable representation being attained?” Journal of Information Science, 49(5), 1335–1343

Ya-Ning Chen, “An investigation of linked data catalogue features in libraries, archives, and museums: a checklist approach,” The Electronic Library 41 no. 5

Books

Allemagne et généalogie : retrouver ses ancêtres allemands (Germany and Genealogy)
Sandrine Heiser

The Anticolonial Museum: Reclaiming Our Colonial Heritage
Bruno Brulon Soares
Routledge, 2023

The Routledge Handbook of Heritage Destruction
Edited by José Antonio González Zarandona, Emma Cunliffe, Melathi Saldin
Routledge, 2023

Tied and Bound: A Comparative View on Manuscript Binding
Edited by: Alessandro Bausi and Michael Friedrich
Volume 33 in the series Studies in Manuscript Cultures

Remnants: Embodied Archives of the Armenian Genocide
Elyse Semerdjian
Stanford University Press, 2023

Archive of Tongues: An Intimate History of Brownness
Moon Charania
Duke University Press, 2023

The Power of Oral History Narratives: Lived Experiences of International Global Scholars and Artists in their Native Country and After Immigrating to the United States
Edited by: Toni Fuss Kirkwood-Tucker, Frans H. Doppen
Information Age Publishing, 2023

Queer Exhibition Histories
Edited by: Bas Hendrikx
Valiz, 2023

Sound Writing: Voices, Authors, and Readers of Oral History
Shelley Trower
Oxford University Press, 2023

Dimensions of Curation: Considering Competing Values for Intentional Exhibition Practices
Edited by Ann Rowson Love and Pat Villeneuve
Rowman & Littlefield, 2023

Podcast

Treasures Revealed Episode 12 – Pregnancy Photos

Talking Archives Episode 8 – Archivist Melissa J. Nelson

Reports

Towards a Glossary for Web Archive Research: Version 1.0
https://cc.au.dk/fileadmin/dac/Projekter/WARCnet/Healy_et_al_Towards_a_Glossary.pdf

Scholarly Use of Web Archives Across Ireland: The Past, Present & Future(s)
https://cc.au.dk/fileadmin/dac/Projekter/WARCnet/Healy_Byrne_Scholarly_Use_01.pdf

Understanding the history of national domain crawls: mapping and archiving the national web domain in Denmark and France
https://cc.au.dk/fileadmin/dac/Projekter/WARCnet/Teszelszky_Understanding_the_history.pdf

Using a National Web Archive for the Study of Web Defacements? A Case-study Approach
http://cc.au.dk/fileadmin/dac/Projekter/WARCnet/Kurzmeier_Using_a_national.pdf

Arts and Humanities Research Council and Research Libraries UK – Protecting Dispersed Collections: a Framework for Managing the At-Risk Heritage Assets of Catholic Religious Institutes
https://castrial.files.wordpress.com/2023/08/ahrc-rluk-fellowship-report-1-1.pdf

New Issue: Restaurator. International Journal for the Preservation of Library and Archival Material

Restaurator. International Journal for the Preservation of Library and Archival Material, vol. 44 issue 3
subscription

Some Practical Aspects of Nanocellulose Film: Characterization, Expansion and Shrinking Tests, and Techniques to Create Remoistenable Nanocellulose
Robin Canham, Alison Murray, Rosaleen Hill

Hidden Players: Small Paper Nails—Manufacture and Application of Paper Nails in Chinese Double-Leaved Books
Rong Yu, Zhewei Shen, Peng Liu

Barriers to Preservation for Digital Information Resources in University Libraries of Pakistan
Rafiq Ahmad, Muhammad Rafiq, Muhammad Arif

Intelligent Repair Method for Archival Videos Based on the Super-SloMo Technology
Hui Li

New Issue: Code4Lib

Code4Lib, Issue 57, 2023-08-29
open access

There are several articles of interest to archivists:

Evaluating HTJ2K as a Drop-In Replacement for JPEG2000 with IIIF
Glen Robson, Stefano Cossu, Ruven Pillay, Michael D. Smith

From DSpace to Islandora: Why and How
Vlastimil Krejčíř, Alžbeta Strakošová, and Jan Adler

Creating a Full Multitenant Back End User Experience in Omeka S with the Teams Module
Alexander Dryden and Daniel G. Tracy

The Forgotten Disc: Synthesis and Recommendations for Viable VCD Preservation
Andrew Weaver and Ashley Blewer

Breathing Life into Archon: A Case Study in Working with an Unsupported System
Krista L. Gray

Seeking Managing Editor and Book Review Editor for the Oral History Review

OHA is pleased to announce the first two members of the 2024-26 editorial team for its journal, Oral History Review: Holly Werner-Thomas as editor, and Robert LaRose as copy editor. Holly and Robert bring impressive experience and expertise to lead the next era of this leading oral history research journal published for OHA by Routledge/Taylor and Francis.

The OHA is searching for two additional team members to join Holly & Robert on the new editorial team in the roles of Managing Editor and Book Review Editor. Learn more and apply by September 15th here: https://oha.memberclicks.net/ohr-editor-app

This call is open to oral history practitioners – including oral historians, librarians, archivists, freelance/independent historians, instructors, trainers – located worldwide.

Contact Information

Oral History Association

Contact Email

oha@oralhistory.org

URL

CfP (Special Issue): Culturally-Specific Museums and Archives: Between Diasporic Culture and Australian Heritage

Call for Papers

Culturally-Specific Museums and Archives: Between Diasporic Culture and Australian Heritage

To migrant communities in Australia and their descendants, dedicated archives and museums documenting culturally-specific material and experiences have been significant spaces for activism, integration, reflexion and community identity. These archives and museums first emerged in the 1950s and 60s, possibly fulfilling similar roles to community associations. Some may have been inspired by a growing interest in local Australian history at this time when many historical societies in regional areas were established; others adopted a more explicitly activist role, viewing their diaspora and its cultural maintenance as a form of opposition to homeland political developments. These early museums and archives include the Estonian Archives in Australia (Sydney, 1952), Lobethal Archives and Historical Museum (Loebethal, 1956), Lithuanian Museum (Adelaide, 1961), Jindera Pioneer Museum and Historical Society (Jindera, 1968), Latvian Museum, (Adelaide, 1970), Ukrainian Museum (Adelaide, 1979), and the Jewish Museum of Australia (Melbourne, 1982).

After the introduction of multicultural policies from the 1970s onwards—in response to grassroots activism emanating from the migrant rights movement and ethnic welfare societies—local and state governments have also funded culturally specific museums as a part of tourism initiatives, particularly in culturally specific precincts, including the Museum of Chinese Australian History (Melbourne, 1984) and the Museo Italiano (Melbourne, 2010), which grew from Co.As.It. Italian Historical Society. At other times, policies around social cohesion in the wake of major events like September 11, 2001 led to the funding of culturally specific museums by Federal and State governments, such as the Islamic Museum of Australia (Melbourne, 2014).

A great deal has been written on the question of community engagement and cultural diversity in museums, as well as diasporic heritage and memory in the Australian context (Szekeres 2011; Darian-Smith and Hamilton 2019; Dellios and Henrich 2021; Kornfeld 1997; Witcomb 2013). The special edition of Humanities Research edited by Claire Farago and Donald Preziosi in 2009, for example, was instrumental in thinking critically about the tensions between multiculturalism, pluralism, and the dictates of national cohesiveness in Australian museums. It was in this context of inquiry that further attention started to be paid to culturally-specific museums and archives, with seminal contributions documenting their history in Australia and the specific place they hold in the museum landscape (Viv Szekeres 2011; Light 2016). Conversations about migrant heritage, however, has remained primarily focused on state-funded museums, often overlooking how these dynamics unfold within community-operated, culturally-specific museums and archives.

We are seeking contributions about culturally-specific museums and archives in Australia, the social roles they have played for migrant and diasporic communities in Australia and beyond, the multilayered identities they promote, their relationship to multiculturalism (as a prescriptive policy framework and as a descriptor of the social milieu), as well as the opportunities and the challenges they represent for the communities that operate them. We are also interested in contributions that examine their relations to local government, state and national museums, libraries and archives dedicated to social history in Australia, exploring differences and similarities in terms of curatorial practices (collecting, preserving and exhibiting), community engagement and institutional features.

Questions underlying this special edition include:

  • How and why did culturally-specific museums and archives emerge in Australia?
  • What do museums or archives have to offer to migrant/diaspora communities in Australia that other means of representations do not?
  • How can culturally-specific museums and archives act as both cultural repositories and dynamic spaces to continue national, transnational, and cross-cultural imagining?
  • To what extent do culturally-specific museums and archives share in a common discourse of interculturality, or alternatively, respond to localised debates and frames of reference?
  • How specific is museum and archival practice in a culturally-specific/community-operated museum?
  • What engagement have culturally-specific museums and archives make with First Nations’ heritage and experiences?
  • How have culturally-specific museums and archives handled relationships with the governments of their places of origin, which can include being involved with Australia’s diplomatic relations with those governments?

Interested participants, please submit your abstract by 20 December to Dr. Virginie Rey at virginie.rey@deakin.edu.au; cc Dr Alexandra Dellios alexandra.dellios@anu.edu.au and Dr Karen Schamberger at kschamberger@nla.gov.au

Contact Information

Contact Email: alexandra.dellios@anu.edu.au

Rejoinder Call for Submissions — The Archival is Political

The Archival is Political

This issue of Rejoinder addresses the power and politics of the archive as an object of fascination for feminist/queer scholars and activists. Carolyn Steedman states that “you find nothing in the Archive but stories caught half way through: the middle of things; discontinuities” (2002, 45), while Gracen Brilmyer argues that archives are assemblages of “people, places, policies, attitudes, environments, and materials across time” (2018, 98). At the same time that archives can be sites of radical hope for the preservation of the histories of women, queer folks, people of color, and otherwise marginalized groups, they are also institutions that have historically enacted immense violence. As Saidiya Hartman asks: “is it possible to exceed or negotiate the constitutive limits of the archive?” (2008, 11). In other words, what is the past, present, and future of feminist and queer archival practice?

We invite interdisciplinary submissions that address the “archival turn” in feminist and queer studies. Submissions may include essays, commentary, criticism, fiction, poetry, and artwork from any discipline. We particularly welcome work that connects archival practice to activism, whether this be archival collections focused on activist history or archival collection as a political project for historical redress. Other topics may include digital archives, fictional archives, archival silences and violence, archival management, and information sciences. Together these contributions will reflect the contradictions of, and aspirations for, feminist and queer archives.

For manuscript preparation details, please see our website at: https://irw.rutgers.edu/about-rejoinderRejoinder is published by the Institute for Research on Women at Rutgers University in partnership with The Feminist Art Project.

This special issue of Rejoinder will be edited by Alexandra Southgate (Temple University). Please send completed written work (2,000-2,500 words max), jpegs of artwork, and short bios to irw@sas.rutgers.edu with “Rejoinder Submission” in the subject line by December 15, 2023.