United Kingdom

Stitched Together: Needlework Making and Research
21st-22nd August 2025
Royal School of Needlework, Hampton Court Palace

CALL FOR PAPERS

Keynote speakers: Dr Lynn Hulse, Raisa Kabir, Rose Sinclair MBE, Hannah Sutherland ACR

The Royal School of Needlework and Pasold Research Fund invite papers for the Royal School of Needlework’s first conference on historical needlework, ‘Stitched Together: Needlework Making and Research’. This conference will imagine needlework in its broadest sense, classified as all art and craft involving a needle, hook, or shuttle. This includes embroidery, plain sewing, lace making, knitting, crocheting, and weaving.

Needlework is universal, made around the world in countless ways for nearly all of human history. Through needles, hooks, and shuttles, we see economic, social, political, religious, and cultural changes. Needlework demonstrates who had access to what materials, how designs and stitches travelled the world via the Silk Road and across oceans, how the rise and fall of empires affected design and resources, how technology influenced changing aesthetics and craft practices, and how people have spent their time in business and leisure. 

Though needlework has long been the subject of academic, socioeconomic, and object-centric study, there have been very few opportunities for those who create needlework and those who research needlework to collaborate and learn from one another. It is the hope that this conference will bridge the gap between visual and historiographical analysis and knowledge of the historical, socioeconomic, and literary contexts of needlework with embodied knowledge of materials, techniques, and artistic choices. 

This conference is a meeting place for anyone working on topics related to historical embroidery to present their work and research. This includes work happening in academia, museums and heritage institutions, art studios, classrooms, and independent research environments. We encourage proposals from established and emerging scholars, makers, curators, conservators, and anyone whose work is relevant to discussions about historical needlework in any capacity.  

We invite proposals for 15-minute presentations. These can take any format, such as academic papers, conversations between makers and researchers, or demonstrations. We are especially interested in presentations that explore the potential of collaboration between those who use historical needlework in different ways. Topics may include but are not limited to: 

• New discoveries in the field of historical needlework 
• The relationship between making and research
• Conservation of historical needlework
• Curating historical needlework
• Marginalised needleworkers (race, gender, class, region, technique) 
• Historic needlework networks, especially global ones 
• Studying historical needlework through making 
• Potential for collaboration between various stakeholders in the world of historical embroidery

Proposal deadline: Monday, 14th April 2025

Please send a paper title, abstract (maximum 250 words), and bio (maximum 50 words) to collection@royal-needlework.org.uk. Decisions will be made by mid-May.

The conference will allow for virtual attendance via Zoom webinar but only in-person presentations will be considered.

Contact Email

collection@royal-needlework.org.uk

URL: https://royal-needlework.org.uk/stitched-together-conference-call-for-papers/

Conference: Out of Scale: From “Miniature” Material Cultures to the Anthropic Principle
London, June 16-18, 2025
 

Conveners: Wenjie Su (Princeton University; CASVA), Yizhou Wang (Hong Kong Baptist University), Stephen Whiteman (The Courtauld Institute of Art)

Dates and Venue: June 16-17, 2025 (conference at The Courtauld Institute of Art, London)
                                June 18, 2025 (optional viewing sessions in or around London)

Keynote speakers: Andrew James Hamilton (The Art Institute of Chicago), Wei-Cheng Lin (The University of Chicago)

Call for Paper: 
Scale—the relative dimension, magnitude, or scope of objects, and their proportional relationship to the observer—is often understood through the lens of individual or collective visual assumptions. As inhabitants of the terrestrial sphere, we tend to rely on our bodies and cultural paradigms to interpret the scale of geographical terrain, human-made structures, material artifacts, social phenomena, and historical events. Technological advancements—from maritime expeditions to space exploration, from telescopic and microscopic investigations to the detection of cosmic microwave background—have urged humanity to redefine its scale of existence. Meanwhile, various philosophical and religious traditions have long pondered humanity’s place and purpose in relation to natural and supernatural realms.

By exploring designs and creations conceived on a micro-scale or as small-sized, this conference invites discussion on human creativity and human existence through the theme of scale. Examples abound across diverse human traditions, including burial and ritual objects, microarchitecture, portrait miniatures, and accessorial items such as netsukes, snuff boxes, and pocket watches. These objects appear diminutive when compared to the human body, the “worlds” they represent, or their counterparts within more dominant socio-cultural systems. At times dismissed as frivolous and superficial, these streamlined and recontextualized objects can evoke out-of-scale resonances, transcending the original limitations of data or resources.

This conference connects studies that examine the art historical, historiographical, and ideological significance of scaled objects. First, we aim to deepen discussions on the sensorial, spiritual, intellectual, and technical implications of scaling. Particularly understudied are ephemeral objects and repositioned sites, such as lab settings and festival stagings. Second, we seek to investigate how the scale—of originals, reproductions, or paradigms—has shaped the central or peripheral status of specific objects and sites in art historical scholarship.

Third, we aim to highlight the unique contributions that humanities and art historical scholars can make in addressing cutting-edge intellectual challenges in fields including AI and space exploration. Throughout the global history of visual and material cultures, creatively re-scaled objects have played a central role in conceiving and simulating worlds that surpass our optical and epistemological thresholds. By exploring how humans have continually shifted scales to position themselves within and across realms, this conference reflects on humanity’s inherently limited yet endlessly creative perspective and envisions pathways to launch beyond boundaries.  

Further questions and topics include but are not limited to: 
– Material, aesthetic, sensory and affective qualities unique to small-scale objects.
– Practices of modeling and scaling in the production of scientific knowledge, such as mapping and laboratory experiments.
– The dialectics of miniature and monumentality.
– Relationships between scale, virtuality, and reality.
– Critical reflections on the interpretational framework of “miniaturization”, such as the so-called miniature paintings of various Asian and Islamic traditions.
– Challenges posed by small-scale objects or fragments in archaeological, museum, and pedagogical contexts.
– The role of scale-shifting in methodological turns, such as global history, gender criticism, and eco-criticism.

We invite proposals from scholars in a range of disciplines, including art and architecture history, museum studies, cultural history, intellectual history, and the history of science, and on any geographic region and any period of time.

Please send an abstract (ca. 250 words) for a 20-min presentation and a 150-word bio as a single PDF file by March 15, 2025 to conference convenors: w-su@nga.gov ; yizhouwang@hkbu.edu.hk ; stephen.whiteman@courtauld.ac.uk 

Acceptance notification: March 30, 2025

Event details:
The symposium will be held June 16-17, 2025 at the Courtauld Institute of Art, London. Optional group viewing sessions will be arranged on June 18. Accepted speakers will be invited to propose objects from London-based collections or sites that resonate with the themes of scale and the miniature.

Contact Email

yizhouwang@hkbu.edu.hk

The Royal Geographical Society-Institute of British Geographers conference will be held in Birmingham, UK, from August 27-29, 2025 on the theme of Creative Geographies/Geographies of Creativity. 

For those working on social and cultural geography with an interest in aging, intergenerational learning, and place, please consider submitting a proposal to this online session – accepted papers will be notified by February 28, and the session will be submitted to the RGS-IBG team for consideration by March 7.

Aging and the ‘crafts of place’: creative engagements in practice and method 

In a 1981 lecture, Clifford Geertz used the term “crafts of place” to describe practices and systems that “work by the light of local knowledge” (1981, 167). This evocative terminology highlights the relationship between knowing, doing, and place – a nexus for interdisciplinary consideration of land-based knowledge, place-making, and place-based cultural production. Indigenous ways of knowing have long emphasized the role of land as pedagogy (Betasamosake Simpson 2014), while attention to sustainability has given new impetus to studies of place-based and vernacular skills, products, and practices (Paneels 2023; Watson 2019). Placemaking, too, might be conceptualized as a ‘craft of place,’ with recent scholarship beginning to outline the role of creativity in placemaking (Courage and McKeown 2019; Courage 2020) and underscoring the relationship between regional ecologies, cultural landscapes and cultural heritage practices (Gillett 2022; Luckman and Thomas 2024). Given that these frameworks highlight the importance of spending time with a place and the validity of embodied and relational ways of learning and knowing, how do they intersect with the real or imagined effects of time on human bodies and communities – with aging? How does engagement with the ‘crafts of place’ evolve throughout the life course? What is the role of intergenerational relationships in sustaining local knowledge and place-based practices? Might the elements of time and aging challenge or broaden the notions of local knowledge or crafts of place? Might thinking of aging in relation to these themes provide a lens through which to consider it as a socially, culturally and spatially-delineated process? How might research itself become a ‘craft of place’ that engages creatively with practices, places and (aging) demographics whose ways of knowing have been historically marginalized by institutions?

This single-session online panel invites speakers to submit abstracts for 10-15 minute presentations that engage with themes of aging and ‘the crafts of place,’ broadly interpreted, with particular consideration given to those that use case studies to highlight creative and innovative practices and methods. Speakers are invited to share ideas for how best to facilitate conversation around their presentation topics and will be able to upload additional material as well as questions for the audience ahead of the session. It is anticipated that the session will include an opportunity for discussion in themed breakout rooms. 

Research Group Sponsorship: Social and Cultural Geography Research Group Sponsorship application submitted, not yet confirmed

Convenor and Affiliation: Dr. Molly-Claire Gillett, Postdoctoral Fellow, Trent Centre for Aging and Society, Trent University (Canada) & School of Geography, Archaeology and Irish Studies, University of Galway (Ireland)

Guidelines for prospective authors: please upload an abstract of ~250 words along with a short bio of ~50 words to this form: https://forms.office.com/r/iiNZwUcdaW by February 21, 2025.

Questions can be directed to Molly-Claire Gillett (mollyclairegillett@trentu.ca) Selected authors will be notified by February 28, with the complete panel proposal sent to RGS for consideration by March 7.

References:

Betasamosake Simpson, Leanne. 2014. “Land as pedagogy: Nishnaabeg intelligence and rebellious     transformation.” Decolonization: Indigeneity, Education & Society 3 no. 3: 1-25.            https://jps.library.utoronto.ca/index.php/des/article/view/22170/17985 

Courage, Cara. 2020. The art of placemaking: a typology of art practices in placemaking. London:     Routledge.

Courage, Cara and Anita McKeown. 2019. Creative Placemaking: Research, Theory, and Practice. London:  Routledge.

Cutchin, Malcolm and Graham D. Rowles, eds. 2024. Handbook on Aging and Place. Cheltenham and   Northampton: Edgar. 

Geertz, Clifford. 2000. Local Knowledge: Further Essays In Interpretive Anthropology. E-book. New York:   Basic Books.

Gillett, Molly-Claire. 2022. “‘Storying’ Landscape and Material Practice: Clones Crochet Lacemaking            as Irish Intangible Cultural Heritage.” New Hibernia Review 26, no. 4: 36-   64. https://dx.doi.org/10.1353/nhr.2022.0045.

Luckman, Susan and Nicola Thomas. 2024. Craft Communities. London: Bloomsbury Visual Arts.

Panneels, Inge. 2023. “The Quintuple Bottom Line: A Framework for Place-Based Sustainable          Enterprise in the Craft Industry.” Sustainability 15, no. 4: 3791.     https://doi.org/10.3390/su15043791

Skinner, Mark, Rachel Winterton and Keiran Walsh eds. 2021. Rural Gerontology: Towards Critical       Perspectives on Rural Ageing. London and New York: Routledge.

Watson, Julia. 2019. Lo—TEK. Design by Radical Indigenism. London: Taschen.

Contact Information

Molly-Claire Gillett
Postdoctoral Fellow, Trent University and University of Galway

Contact Email

mollyclairegillett@trentu.ca