Category: Call for Presentations

CFP: Online webinars from Eogan: Energy Archives during COVID-19

As uncertainty reigns over the future, EOGAN would like to organise an online event for archivists, particularly in the energy sector, to informally meet and discuss their fears, solutions, and stories of working from home (or not) during the lockdown.

They would like to hear about new ways to interact with researchers and document collections, the state of digitisation and online access, what future for archives in the era of Coronavirus. In particular, if you work for a company’s archive, what provisions did the company or institution made / is planning for the archive? The energy sector, and the oil sector in particular, is under immense strain: how can archives be useful for developing a historically informed understanding of these processes, and thinking up appropriate strategies for interventions? Have there been requests to access specific files? How is smart working being organised for corporate archives?

The meeting aims to be an informal gathering; if you are interested in speaking, send an email at eogan.network[at]gmail.com with a quick summary of what you would like to discuss, and your availabilities for June.

Ideally they would receive these expressions of interest by the 15th May, so to decide a date for the webinars collectively.

Read more on: https://www.eogan.org/open-call-for-papers

ATALM Presentations available

We have good news! The narrated presentations of nineteen sessions recorded at the 2019 Association of Tribal Archives, Libraries, and Museums (ATALM) Annual Conference, held in Temecula, California, are now available on the Sustainable Heritage Network. Each of these sessions were included in the conference’s Professional Development Certificate program and correlate with either the Library Services and Programs Certificate or the Language Preservation and Revitalization Certificate.

We are pleased to share these ATALM sessions from forty-two experts working in archives, libraries, and museums across the United States. This new set of resources covers language documentation, grant writing and reporting, international collaborations, digital records management, photo digitization, or community engagement, and more. If you were not able to attend one of these ATALM sessions or would like a refresher, visit this collection on the SHN: http://www.sustainableheritagenetwork.org/collection/2019-narrated-presentations

Please note that Professional Development Certificate sessions are organized by their respective focus under the “In this Collection” box in the page linked above.

Thanks to all the session leaders!

Association of Tribal Archives, Libraries, and Museums, Institute of Museum and Library Services, SIL International, Little Big Horn College Library/ Archives, Academy of Motion Picture Arts and Sciences, Northeast Document Conservation Center, Huna Heritage Foundation, National Endowment For Humanities, National Endowment for the Arts, National Park Service, Ziibiwing Center of Anishinabe Culture and Lifeways, National Native American Boarding School Healing Coalition, Sherman Indian Museum, Northern Arizona University, UBC Museum Of Anthropology, Indigenous Library Services, University of Manitoba, Quapaw Tribal Library, Hennepin County Library, Minnesota Department of Education, Historypin, Sustainable Museums, Saginaw Chippewa Indian Tribe Tribal Operations, University of Alaska Fairbanks Rasmuson Library, Alaska State Library, Montana Historical Society, Catawba Cultural Center, Center for Digital Scholarship and Curation

MLA Citation for Canceled Presentation

How do I list on my CV a presentation for a conference that was canceled?

If the conference that accepted your presentation was canceled, you may list the presentation on your CV under a header such as “Accepted Papers” or “Invited Speeches” and note that the conference did not take place. The following provides an example:

Chen, Joanne. “Strategies for Teaching Grammar to First-Year College Students.” Conference on College Composition and Communication, Milwaukee, WI, 25–28 Mar. 2020. Conference canceled.

If you have an abstract or the paper, you might consider depositing it on a noncommercial repository like the MLA’s Humanities Commons so that you can get a DOI, share your work with colleagues, and invite feedback.

How to Create an APA Style Reference for a Canceled Conference Presentation

To help slow the spread of the coronavirus (COVID-19), officials have canceled many public events, including conferences and conventions. This has raised a question for researchers who were planning to present.

Question: How should the APA Style reference for an accepted presentation appear on my CV when the conference has been canceled?

Answer: Include the presentation in your CV, as your work was peer reviewed and accepted, but consider which of the following cases is most applicable.

Note that in the examples shown in this post, the text in brackets varies by the type of contribution, as described in Section 10.5 of the Publication Manual (7th ed.). Options for bracketed text include “Conference session,” “Paper presentation,” “Keynote address,” and so forth. Use the labeling that matches what a user would see in the program or website for the conference.

Read more

CFP: Multiple conferences, CLIR’s Digital Library Federation

CLIR’s Digital Library Federation is pleased to announce that we have opened Calls for Proposals for our conferences happening over a week this November in Baltimore, Maryland: the DLF Forum, Learn@DLF, Digital Preservation 2020, and this year, CLIR’s Digitizing Hidden Collections Symposium.

For all events, we welcome submissions from members and nonmembers alike. Students, practitioners, and others from any related field are invited to submit for one conference or multiple (though, different proposals for each, please).

  • The DLF Forum (#DLFforum, November 9-11), our signature event, includes digital library practitioners and others from member institutions and the broader community, for whom it serves as a meeting place, marketplace, and congress. In these respects, the event is a chance for attendees to conduct business, present work, share experiences, practices and information, and assess DLF’s programs and progress with community participation and input. Learn more and check out the CFP here: https://forum2020.diglib.org/call-for-proposals
  • Learn@DLF (#LearnAtDLF, November 8) is our dedicated pre-conference workshop day for digging into tools, techniques, workflows, and concepts. Through engaging, hands-on sessions, attendees will gain experience with new tools and resources, exchange ideas, and develop and share expertise with fellow community members. Learn more and check out the CFP here: https://forum2020.diglib.org/learnatdlf/
  • Digital Preservation (#digipres20, November 11-12), NDSA‘s major meeting and conference, will help to chart future directions for both the NDSA and digital stewardship, and is expected to be a crucial venue for intellectual exchange, community-building, development of best practices, and national-level agenda-setting in the field. Learn more and check out the CFP for this year’s event, with the theme Get Active with Digital Preservation, here: https://ndsa.org/digital-preservation-2020-cfp/
  • CLIR’s Digitizing Hidden Collections Symposium (#digHC, November 11-12), is a two-day event for CLIR’s Digitizing Hidden Collections grant recipients and the wider library and archives communities to celebrate and reflect on five years of project work. Recipients’ collective experiences will create opportunities to discuss the current state and future potential of digitization practice in collecting institutions, including how the digital cultural record can better reflect the diversity of human experience, how law and ethics affect strategies for access, and how technologies and standards can improve discovery and learning. Learn more and check out the CFP here: https://www.clir.org/hiddencollections/2020-symposium/call-for-proposals/.

Please keep in mind that submissions for the Digitizing Hidden Collections Symposium should come from current or former participants in CLIR Digitizing Hidden Collections grant projects.

Session options range from 2-minute lighting talk sessions at DigiPres to half-day workshops at Learn@DLF, with many options in between.

New this year, we’ve put together a video with some tips for successful conference proposals. We encourage everyone to watch and incorporate these suggestions clearly into your submissions. Watch the video here: https://youtu.be/xxrIQ273q30

The deadline for all three opportunities is Monday, April 27 at 11:59pm Eastern Time.

If you have any questions, please write to us at forum@diglib.org. We’re looking forward to seeing you in Baltimore.

P.S. Want to stay updated on all things #DLFforum? Subscribe to our Forum newsletter or follow us at @CLIRDLF on Twitter.

CFP: Time/Location/Mode of Participation Changes: JCDL 2020 Practitioners Track

Due to the COVID-19 outbreak in Wuhan,  JCDL 2020 Organizing Committee has
made the following changes:

• Delay the conference date to August 1-5, 2020, which is right after ACM
SIGIR 2020 (July 25-30, 2020)
• Move the conference site to Xi’an China, which is at the same site as ACM
SIGIR 2020
• Allow virtual attendance/presentation of papers
• Not enforce the “no show” policy

These changes allow JCDL 2020 and SIGIR 2020 to be two conferences that are
back to back. Therefore, it is possible for attendees to attend two important
and relevant conferences with just one trip. The Organizing Committee of JCDL
2020 are working with that of SIGIR 2020 to explore further collaboration
between the two conferences.

JCDL 2020 continues to invite submissions to a newly created Practitioners
Track.

Practitioners Track Proposals

The practitioners track emphasizes innovation, insight, and vision in the
practice of digital libraries. It provides opportunities for libraries,
archives, museums, publishers, and digital content industry partners to
showcase their latest novel, speculative, and even provocative ideas,
practices, case studies, technologies, productions, strategies, datasets, and/
or designs related to digital library practices and services. Topics include
but are not limited to

• practice of emergency planning and response for libraries, archives, and
museums
• digital repositories
• digital collections development and management
• metadata and discovery services
• open access and scholarly communication
• open educational resources
• teaching and learning support
• digital publishing
• big data and library cyberinfrastructure
• research data management, digital curation, and stewardship
• digital humanities
• digital preservation
• information service
• information/data literacy
• digital heritage/culture

Authors must label their submissions with at least one of the following four
streams. Submissions will be evaluated using criteria set forth in the
respective stream. There is no expectation that a submission must cover all
four streams.

1. “I have a dream”. Submissions to this stream should focus on the vision,
speculation, or prophetic prediction of trends on a) the future environment
and/or ecosystem for libraries, museums, archives and related industry and b)
how do we adapt and flourish. Proposals will be mainly evaluated on vision,
novelty, and potential impact. We particularly encourage high-risk high-reward
ideas, as long as the risks are clearly articulated and assessed.

2. “Told you so”. Submissions to this stream provide theoretical,
experimental, computational, synthetic, or empirical proof or myth rebuttal
related to popular and current digital library trends and practices. Proposals
are expected to be well-referenced and balanced, and also offer nuance and
clearly laid-out limitations. The evaluation will be focused on the merits of
the arguments, as well as their potential impacts on the practices.

3. “We can do it”. Submission to this steam showcase exemplary projects,
products, or services that have already been launched. Proposals may be
further broken down into substreams such as a) “We did it first”, where
novelty and differentiation factors are highlighted; b) “We do it best”, which
focuses on the overall value gained by the patrons, communities, and the
society; or c) “We can do better”, which highlights critical improvements.
Proposals in this stream will be evaluated on the verifiable benefits these
projects bring.

4. “Together we’ll go far”. Submissions to this stream emphasize broad
collaborations, e.g., those beyond boundaries of departments, libraries,
institutions, academic disciplines, communities, regions, or even countries.
Authors should clearly articulate what, how, and why the collaboration works
and what values the collaboration brings to each partner.

Proposals should consist of a title, extended abstract, and contact
information for the authors, and should not exceed 2 pages. As indicated in
the JCDL 2020 Call for Submissions, Practitioners Track submissions should use
the ACM Proceedings template
(http://www.acm.org/publications/proceedings-template) and are to be submitted
in electronic format via the conference’s EasyChair submission page
(https://easychair.org/my/conference?conf=jcdl2020).

Accepted proposals to the Practitioners Track will be included in the
conference proceedings and will be presented at the conference in visual
formats including but are not limited to posters, videos, or system and
production demonstrations. At least one author of each accepted proposal is
expected to give a one-minute presentation.

All questions concerning the practitioners track proposals should be discussed
with the track co-chairs prior to the submission deadline of April 6, 2020.
Notification of acceptance is April 27, 2020 . This year’s practitioners track
co-chairs are:

Zhiwu Xie, Virginia Tech Libraries, USA zhiwuxie@vt.edu
Long Xiao, Peking University Library, China, China lxiao@lib.pku.edu.cn
Wei Liu, Shanghai Library, China kevenlw@gmail.com

Call for Papers: Intimacy and Interaction The 2020 Meeting of the American Society for Ethnohistory

Though this call does not mention archives, it may be of interest to those who work with tribal collections.

___________________________________________

Intimacy and Interaction

The 2020 Meeting of the American Society for Ethnohistory

Durham, North Carolina

The program committee of the 2020 ASE conference invites submissions for the annual meeting to take place on November 4-8, 2020 in downtown Durham, North Carolina.  We invite panel proposals on any topic related to ethnohistory and especially within this year’s theme: Intimacy and Interaction.  The program committee encourages thematic panels that include perspectives from both North and Latin America, as well as panels that include perspectives from other areas of the world.

As you think about the topic of Intimacy and Interaction, we note that the re-structuring to which this CFP refers includes religious ceremonialism, language, re-adjustments of spatial configurations of families and communities, and the simple exigencies of material and cultural survival. We ask you to consider such questions as: How have indigenous peoples structured notions of intimacy and intimate relationships? How have colonial rule, settler colonialism, and empire formation forced a restructuring of intimate interactions between people both within indigenous communities and between indigenous and non-indigenous peoples? How have extended families, family networks, and communities been altered or disrupted (often violently) by colonial and neocolonial forces? How has the law been used to alter, limit, control, or outlaw intimate relationships within indigenous societies or between indigenous and non-indigenous peoples? How have capitalism, neoliberalism, globalization and other institutional forces altered notions of intimate relationships among indigenous peoples? How have indigenous and non-indigenous peoples responded to these structural forces?

We will consider proposals for multiple formats including panels, roundtables, and public workshops, but we strongly encourage creativity, moving beyond the typical 20-minute paper presentation format. We also strongly encourage individuals who have paper ideas to get together with others through various forums in order to meet other people working on related topics.  If you are thinking about an individual paper, please post on H-AmIndian, H-LatAm, H-Borderlands, or similar listservs to find others who are interested in presenting related papers.

If you have any questions about proposals, please email the program committee assistant at ethnohistory@duke.edu.

Please note that panels can consist of three to four papers, while roundtables and “working-groups/workshops” can be more loosely formatted by each organizer, but all need to adhere to each session’s 90-minute time slot.  Please ensure your proposal has a designated chair.  You may include a separate commentator before audience discussion, or you may designate the panel chair as commentator or discussion facilitator.  To maximize time for audience discussion, we ask papers to be 15-20 minutes (in a three-paper panel) or 10-15 minutes (in a 4-paper panel), with formal commentary no longer than 5 minutes.  Complete panel proposals with a chair and/or a commentator are preferred, but individual paper proposals will also be considered.

Submission Deadline: May 1, 2020

For each submission, organizers need to include:

  1. The session’s title
  2. Organizer’s name, title, and institutional affiliation
  3. Participant’s names, titles, and institutional affiliations

In addition, for each type of session listed below, the organizer must submit the relevant material:

  • Panels: panel abstract, titles and abstracts of all papers, abstracts not to be longer than 150 words
  • Roundtables: 300 word description of the topic and goals of the discussion
  • Working-groups/workshops: 300 word description of the topic and goals of the workshop

To submit, please have all required documentation collated into a single pdf file, named with the last name of the session’s organizer. It is not necessary to register for the conference in order to have a paper or panel accepted. Once papers and panels are accepted, however, each participant must register as an ASE member.

Email all proposals to: ethnohistory@duke.edu

CFP: Collaborate, Connect, Transform: A partnership of world experts in media and audiovisual archives, The joint 2020 IASA – FIAT/IFTA conference

Call for presentations

Collaborate, Connect, Transform: A partnership of world experts in media and audiovisual archives”

The joint 2020 IASA – FIAT/IFTA conference

Call for Proposals
(submission deadline: 16 March 2020)

In an age where global audiovisual communication has become a highway of social media traffic, audiovisual records offer us the opportunity to transcend the limitations of time and place.  Audiovisual archives convey messages from one era to another. It is the audiovisual archivist’s responsibility that the messages captured are reliable, authentic, persistent and complete. The convergence of technical, organisational and social-political realities are now challenges that can no longer be tackled in isolation. With an explosion of content creation audiovisual archive experts are a vital connector between publishers, industry, technology, policy makers and cultural heritage bodies.

Technological advancements help archives collect, manage and share their collections more efficiently. Audiovisual media archivists need to be open to this evolution. It is the job of the archive industry to redefine heritage and future access methods in this new technology driven multimedia landscape. Therefore, for the first time in 25 years, the FIAT/IFTA Executive Council and the IASA Board have decided to join forces and organize a joint conference with an integrated programme. The 51st IASA Conference will unite with the 44th FIAT/IFTA World Conference. Together with our host RTÉ, a long-standing and active member of both, we bring together the two leading associations in broadcast, media, sound and audiovisual archiving.

Dublin is widely recognized as a hub of technological innovation, it is like much of Ireland, a vibrant destination that boasts a young progressive demographic while steeped in the maturity of a learning and artistic culture, revered internationally. For the goals of the FIAT/IFTA – IASA Joint Conference 2020 our host venue, Trinity College Dublin is an excellent fit.  From the Book of Kells to the Oscar Wilde Collection, it is home to ancient as well as recent cultural icons. Since its founding in the 16th century, Trinity aims to grow, preserve and disseminate knowledge, a mission it shares with IASA and FIAT/IFTA alike.

We welcome proposals on the following topics:

A. Turning the temporary into the everlasting

While time is running out for analogue sound and moving image carriers to be digitized, the challenges of the digital domain are already awaiting us: do we just continue to carefully collect, monitor, and document, or are we already venturing into large-scale transcoding, rewrapping, and normalisation? And isn’t it about time to start working on that big pile of films that we have always pushed back? We’d love to hear you talk about:

  • Accept, ignore, transform or discard? Strategies to cope with unsustainable file formats
  • Obsolete digital carriers: efficient approaches for mixed media collections
  • Your best 5 dollars spent in preservation: stories of optimising cost and quality as well
  • Advocating, planning and realising film digitisation at large

B. Increasing efficiency in media management and metadata creation

With ever higher quantities of objects and files acquired, stored, edited and accessed, keeping control of the traffic running on your archival highways is paramount. To all these processes, metadata is crucial and artificial intelligence is helping us with that, but introducing it into your archive brings technical, ethical and organisational questions. Our audience will be interested in a presentation tackling:

  • Efficiency measurement and comparison of methods of metadata creation
  • Working with the big ones in AI: wolves in sheep’s clothing or unmissable opportunity?
  • From monolith to Lego set: build-your-own, modular and open source in media management
  • Player, coach or referee? Archivist’s and media manager’s roles in the news and sports rooms of the future

C. As open as possible, but not more than that

Free and open to all is definitely a commendable goal, but it’s hardly ever applicable to a complete collection. Ethical, commercial and legal rules are indispensable in the operation of audiovisual archives and therefore deserve our attention. How to answer questions about who gets access to what, how, when, and where?

  • Justified inaccessibility: access restriction for ethical reasons
  • Copyright: raising awareness about rules, opportunities and threats
  • Making audiovisual archival content accessible for people with disabilities
  • Role divisions or collaborations? Audiovisual digitisation, preservation and access between broadcasters and national (audiovisual) archives

D. The social role of archives here and now

What we preserve carries the truths and values of the past. In addition, many social movements accumulate their own audiovisual archive, thus shaping their own image and a set of historical sources for the future. This makes the archive nolens volens an actor that cannot stay on the sidelines, especially in a time of polarisation. But how do we respond to what is happening around us? When do we come to the fore? Do we offer a forum for debate, or do we also take a position, and for what purpose?

  • Storytelling, new and interactive forms such as podcasts, vlogs and other contemporary means to tell and prove archival value(s)
  • Archives as (big) data: mining the audiovisual collections for unexplored narratives
  • Strongholds of trust: the audiovisual archive’s role in fact checking and unmasking fake news
  • The value of public service in public service broadcasting archives: a matter of independence, neutrality or diversity?
  • Users and user practices: new practices of archival access in the digital age, addressing academic, educational and public communities

E. Future proofing the archive: towards new structures and skill sets

To gain global recognition of their profession, audiovisual archivists have to conquer their place. But a credible claim that audiovisual archiving is a profession in its own right can’t be supported by expensive words only. Professionalization and continuous adaptation of the archive as an organization have become a necessity. Therefore we’d welcome papers about:

  • Academic training and certification in audiovisual archiving: necessity or luxury?
  • Radio and TV collections under the same roof: between shared solutions and respect for specificity.
  • Audiovisual collections in archives with a broader scope: no longer the odd one out?
  • Redesigning audiovisual heritage landscapes: regional, national, continental collaborations
  • The broadcast archive in the public media landscape

F. The business of archives

Media archives form part of global enterprises today, with demand for content on new platforms and services continuing to grow and be re-invented. Where does the archive process fit into this model? We welcome insights into the sector from traditional and new business perspectives, services and the impacts of technologies through case studies which enhance the use and value of archives.

  • What are the business imperatives of managing archives for revenue generation in different organisations? Who are the new players?
  • What are the latest trends and tools which promote archive value in the commercial and professional markets?
  • Is the market contracting or expanding? Where do archives and commercial libraries meet? Is there a correlation?

Send us your proposal

We welcome presentations based on user experiences, new initiatives or perspectives, striking conclusions, successes but also failures. Your story is welcome, also if you’re sure that it is not amongst the world’s most advanced ones. The main objective is to share knowledge and results with audiovisual archives professionals in order to understand the lessons learned and new challenges or solutions arising. The topics mentioned above reflect current interests and evolutions. Suggestions for subjects not mentioned are equally welcome but should be contextualised thoroughly.

The conference will have different presenting formats:

FORMAT TYPE DURATION FORMAT INFORMATION
Keynote 45 minutes Keynote speakers will be decided by the Programme Committee
Parallel session presentation 25 minutes A presentation with 5 minutes for Q&A, selected by the Programme Committee from the proposals submitted.
Workshop 3 or 6 hours An in-depth, interactive session, with a strong hands-on component, selected by the Programme Committee from the proposals submitted.
Expert led discussion panel 1 hour An in-depth discussion among more than 2 experts, introduced briefly and led by 1 moderator expert in the subject discussed. Selected by the Programme Committee from the proposals submitted.
Poster To be decided A poster option may be offered to present a summary of a project or key insights through texts, schemes and images, on a poster in a central location of the conference venue at an appointed time slot. Selected by the Programme Committee from the proposals submitted.

If you would like to present your work during the 2020 FIAT/IFTA – IASA Joint Conference, we ask you to submit:

  1. a working title of your proposal
  2. an abstract of your proposal (300 words max)
  3. the name(s) and a short bio of the proposed speaker(s), moderator or author(s) (150 words max.)
  4. the kind of format you’d like to see your contribution included in (see above)

Please submit your proposal by completing the form below
by Monday 16 March 2020

The selection of presentations will be made in April by the Programme Committee. The presenters will receive their notification via email after this selection, in the last week of April 2020. The Programme Committee reserves the right to propose to the candidates to present in a different format.

Please note:

  • Speakers are required to cater for their own costs related to travel, stay and conference registration. In order to avoid late speaker withdrawals as much as possible, speakers will be required to register before the early bird deadline passes.
  • FIAT/IFTA and IASA intend to award a number of grants allowing less financially privileged speakers to attend the conference. More details will be announced in the following months. To stay informed please keep an eye on the FIAT/IFTA and IASA websites and social media channels.
  • Commercial companies are welcome to the stage, but their proposals are will only be accepted if they are presenting dual-client case studies, technological breakthroughs, or academically generalized topics. Presentations with an overly commercial tone of voice are generally not appreciated by our audience and will not be accepted by the Programme Committee..
  • All presentations at the conference may be recorded via audiovisual media and photos, in accordance with section 8 of the FIAT/IFTA Privacy and Data Processing Statement. If you explicitly would like to avoid this, please let us know via conferences@iasa-web.org.
  • By submitting the form below, you confirm that you have read and agree to the terms stated on this page.

Form available on their website.

CFP: ICHORA 2020 Archives and the Digital World

Call for Papers

The 9th International Conference on the History of Records and Archives (ICHORA) will be held at the University of Michigan in Ann Arbor, Michigan, U.S.A. from October 29 to 31, 2020. Submit paper proposals to ICHORA2020@umich.edu by March 30, 2020.

ICHORA 9 will focus on Archives and the Digital World. Digital technologies have been in use for over 70 years and were, in fact, late additions to a whirlwind of new record-making and -keeping technologies that began a century before that transformed the creation, transmission, preservation, representation, and interpretation of records and archives. Digital technologies mediate how the past is documented, remembered, and commemorated. Digital recordkeeping and society are mutually constituted, a relationship that is far-reaching and challenging to predict. Despite claims of ubiquity, digital infrastructures are culturally, linguistically and historically specific, often maintaining and reinscribing longstanding power imbalances that have favoured some groups and marginalized others; but sometimes affording new opportunities for resistance to the mainstream, used by subcultures to advance their survivance, and by other groups to maintain cultural diversity.

The Program Committee seeks contributions to ICHORA 9 that will stimulate critical reflection on the evolution and development of records, archives, archival forms/genres and archival institutions in relation to the histories of digital technologies and ongoing digital transformations. Examinations of the relationship of digital technologies to indigenous communities and knowledge systems, the use of digital technologies to enhance equality or further reinforce inequality for marginalized and underrepresented communities, as well as the deployment of digital technologies in archives of resistance, activism and resurgence, are especially welcome. Areas of focus and possible topics may include:

  • Archives, digital studies, media studies and histories of the digital;
  • Non-digital media precursors of digital record making and keeping technologies;
  • Future(s) of electronic incunabula;
  • Digitization, surrogacy, and materiality of digital objects (and the reimagined future of the non-digital archive);
  • Evolution of access and preservation infrastructures, systems, platforms and analytical tools including the cloud, emulation and data visualizations;
  • Development of standards, guidelines and approaches for digital recordkeeping and digital preservation;
  • Algorithmic appraisal, acquisition, and description, including building and sustaining social media archives, and approaches to their analysis and use;
  • Histories of digital recordkeeping including punched card preservation, EDRMS, Web archiving, blockchain, and whole platform preservation;
  • Recordkeeping technologies in surveillance and policing (and how this has affected marginalized communities);
  • Postcolonialism and decolonization, particularly the role of the digital in reflecting alternative ideological approaches to archives and records;
  • Intersection of digital archiving, maintenance work, and historical trajectory of digital archival labor; and
  • Implications of the digital for copyright, privacy, ownership, trust and ethics.

Submission and Proposal Deadline: Proposals for 20 minute papers are invited. Abstracts of 450-500 words and a short bio should be sent to ICHORA2020@umich.edu by March 30, 2020. We will advise acceptance by May 8, 2020. Following the conference, presenters may be invited to submit their contributions for a peer-reviewed publication.

Previous ICHORA conferences took place in Toronto (2003), Amsterdam (2005; 2015), Boston (2007), Perth (2008), London (2010), Austin (2012), and Melbourne (2018).

Program Committee:

  • Ricardo L. Punzalan, Program Committee Chair, University of Michigan, U.S.A.
  • Greg Bak, University of Manitoba, Canada
  • Iyra Buenrostro-Cabbab, University of the Philippines Diliman, Philippines
  • Jenny Bunn, University College London, U.K.
  • Stanley Griffin, University of the West Indies, Jamaica
  • Anthea Josias, University of the Western Cape, South Africa
  • James Lowry, University of Liverpool, U.K.
  • Heather MacNeil, University of Toronto, Canada
  • Gillian Oliver, Monash University, Australia
  • Valentina Rojas Rojo, National Archives of Chile, Chile
  • Eric Stoykovich, Trinity College, U.S.A.
  • Naya Sucha-xaya, Chulalongkorn University, Thailand
  • Tonia Sutherland, University of Hawai’i at Mānoa, U.S.A.
  • Ciaran Trace, University of Texas at Austin, U.S.A.

Call for Speakers: Futurizing: People, Technology & Communities

Call for Speakers: Futurizing: People, Technology & Communities

There are so many positive possible futures for libraries in every community – campuses, municipalities, hospitals, schools, corporate and non-profit enterprises, governments, and more! The trick is to channel the passion that librarians have into building awareness and relationships in their communities; taking action and not waiting for citizens, students, researchers, business folks or faculty to come to them; creating and experimenting with innovative programs and services using new technologies; securing solid partnerships to expand programs and resources; and futurizing strong, collaborative and successful communities! Internet Librarian 2020 highlights how libraries are using artificial intelligence and machine learning to save time for new programs, dealing with big data to pinpoint insights, using sensors and other “internet of things” devices to improve and extend services, experimenting with augmented and virtual reality to delight their communities, tracking and sharing applications of smart technology with their campuses, organizations and neighborhoods. Internet Librarians never, however, lose sight of people in their communities as they futurize and transform to make sure they are relevant and valuable in their communities.

Join us at the most comprehensive conference for library and information professionals interested in technology to discover the insights, strategies and practices that allow us to push the envelope in expanding the net, building solid connections to the Internet of Things, managing libraries and digital information, and enhancing the information sharing and learning experience of people in our communities. Internet Librarian 2020 provides attendees with lots of opportunities to meet and hear from leading “movers and shakers” in the information industry in all types of environments – leaders in the information industry are integrating content and delighting their clients, organizing and managing digital content in creative ways, setting the context for excellence in information utilization in their organizations, revolutionizing the roles of info pros, creating new learning and discovery areas with makerspaces, building strong collaborative communities among their customers, colleagues, and partners, as well as using new technologies in exciting ways. This conference encourages you to bring and share your ideas and champion new practices – this is where ideas and action come together, catalysts are born, and where innovation ignites.

Information Today, Inc., a key provider of technology conferences for more than thirty years, is pleased to announce the 24th annual Internet Librarian – the ONLY conference for information professionals who are using, developing, and embracing Internet and Web-based strategies in their roles as information architects and navigators, webmasters and web managers, content evaluators and curators, digital managers, developers and integrators, taxonomists, searchers, community builders and managers, information providers, trainers, guides, and more. This comprehensive conference and exhibition offers a wide-ranging program designed to meet the needs of librarians, information managers, systems professionals, researchers, content managers, curators and information specialists.

Conference Topics

Internet Librarian 2020 caters to all interests and all levels of knowledge with five simultaneous tracks, including Internet@Schools, plus many workshop and networking opportunities.

This year’s tracks encompass such topics as: Discovery & Navigation, Makerspace Strategies & Creative Services, Smart Tools & Technologies, Integrating “Internet of Things”, Ebooks, User Experience, Curating Digital Assets, Inspiring Innovation, Web Presence Development & Management, Enterprise Trends, Social Media & Networking, Streaming Media, Finding & Collaborating with New Community Partners, Content Management and more. Speakers are knowledgeable, authoritative and focus on practical applications, new tools and techniques, case studies as well as technical and managerial issues. Please consider sending us a proposal to speak. Following is a list of some topics we hope to cover, but don’t let this list limit your imagination! We look forward to hearing from you.

  • Inspiring Connections & Partnerships
  • IoT: Internet of Things
  • ROI Tips & Tools for Libraries
  • Customer Engagement & Service
  • Action for Impact – Case Studies
  • Innovation & Excellence in Libraries
  • Attention-Grabbing Engagement Strategies
  • Facilitating Knowledge Sharing & Learning
  • Business Practices for Library Excellence
  • Revolutionizing Roles & Services
  • Makerspaces & Libraries
  • Creative Community Connections
  • Creative Funding of Tech Initiatives
  • Web Publishing
  • Information Discovery
  • Leading Edge Technologies & Libraries
  • Integrating Content for Creative Products
  • Streamlining User Online Experiences
  • User Generated Content & Services
  • New Roles for Info Pros
  • Leading Edge Digital Library Practices
  • Mobile Campuses & Communities
  • Improving Digital Info Flows & Access
  • Identifying & Working with Information Partners
  • Usability & Web Site Functionality
  • Navigating & Search Tools
  • Social Media Strategies & Practices
  • Semantic Web Strategies & Applications
  • New Workspace/place Concepts & Cases
  • Next Gen Ebook Strategies & Policies
  • Designing for Web Devices & Appliances
  • Knowledge Management Strategies
  • Distance Learning Technologies
  • Navigating Strategies & Techniques
  • Integrating K-12 Curriculum & Net Technology
  • Web Development Tools & Techniques
  • Magic Sauce Recipes for Library Success
  • Smart Campuses, Cities & Companies
  • New Funding Strategies & Practices
  • Empowering Conversations
  • What’s Next for the Future?
  • Smart Libraries & Practices
  • User Experience (UX)
  • Tech Tools for Collaboration
  • Impact & Value for Libraries
  • Harnessing Social Media
  • Digital Strategies & Practices
  • Mobile & Libraries
  • Digital Preservation
  • Digital Content Curation
  • Managing Devices & Gadgets
  • Content Streaming
  • Social Media Apps for Libraries
  • Discovery Platforms
  • Tips for Web Redesign
  • Creating & Testing New Ideas
  • New & Converging Technologies
  • Search Engine Nuts & Bolts
  • Hot Trends for Internet Librarians
  • Podcasting & Videocasting – Tips
  • Cool Video Applications
  • Shifting Roles & Strategies
  • Intranet Politics & Web Teams
  • Search Engine Tips
  • Cutting Edge Tech & Apps
  • Negotiating for E-resources
  • Visual Interfaces
  • Elearning Tips & Tools
  • Digital Rights Management
  • Digital Library Services & Archiving
  • Digital Ethnography
  • Building Customer Relationships

 

How to Submit a Proposal

If you would like to participate in Internet Librarian 2020 or Internet@Schools as a speaker or workshop leader, please complete the submission form here.

Or contact the Program Chair at the email address listed below as soon as possible (by March 15, 2020 at the latest). Include the following brief details of your proposed presentation: title, abstract, a few sentences of biographical information that relate to the topic, and full contact information (job title, address, e-mail, phone & fax) for you and any co-presenters. All abstracts will be reviewed by the Organizing/Review Committee and notification regarding acceptance will be made by June.

Jane I. Dysart, Program Chair
Dysart & Jones Associates
phone: 416/903-9306
email: jane@dysartjones.com

Organizing/Review Committee
Susan Broman, Los Angeles Public Library
Cindy Hill, Federal Reserve Bank of San Francisco
David Lee King, Topeka & Shawnee County Public Library
Chad Mairn, St. Petersberg College
Brian Pichman, Evolve Project
Marydee Ojala, Editor, Online Searcher
Donna Scheeder, Library Strategies International
Jeff Wisniewski, University of Pittsburgh