Call for Contributions to Notes from the Field: Fall 2025

Notes from the Field, a publication of the TPS Collective, is accepting submissions about teaching and working with primary sources for three series of peer-reviewed blog posts: “Art and Creative Making in Primary Source Instruction,” “Primary Source Kits,” and an Open Call.

These topics are drawn from subjects discussed at the 2025 TPS Fest and Conversations on the TPS Listserv. Grounded in issues your colleagues in the field are exploring, this call is intended to highlight a broad range of voices from all sectors of the TPS community. Please see the calls below for more information.

Art and Creative Making in Primary Source Instruction

Following up on a spectacular session at TPS fest, we want to hear about your experience with integrating art creative making in primary source instruction. Are your students making zines? Are they remixing or crafting creative, visual, or otherwise less conventional outputs than a written worksheet or assignment? For this series, we want to hear about it all. What works, what doesn’t work, or what you hope to explore in the future.

Primary Source Kits

For this series, we want to hear about your experiences with primary source kits, physical, digital, or hybrid. What were the logistics of making such a primary kit (e.g., audience, content, creator, etc.)? What have been the challenges and/or the successes? What are your hopes for the future of these kits? We look forward to hearing your answers to these questions and more to better understand the work being done by our colleagues with this tool for instruction and outreach.

An Open Call!

We are also accepting submissions on topics related to teaching and working with primary sources to be featured in peer-reviewed blog posts. While we ask that contributions fall into either our “Reflective Practice” or “Practical How-To” categories, this fall we are open to reviewing submissions from a range of contexts. Our hope is that this call for miscellaneous submissions will create opportunities for practitioners to submit work that may fall outside our recent thematic calls.


Contributions should be 1000-1200 words and are subject to Notes from the Field’s peer review process.

Posts will be published on a rolling basis beginning in October 2025. Full submission information is available in the Notes from the Field author and peer review guidelines.

Any questions, expressions of interest, or submissions can be sent to the Notes from the Field Lead Editor, Joe Lueck at lueckj@union.edu.

CFP: Digitalisation and (Un)Sustainability: Assessing Digital Waste and Material Pollution in the City

CFP from Urban Planning, open access journal

About the Issue
Recent developments in AI technologies have exacerbated existing concerns about the (un)sustainability of digitalisation and datafication. These concerns are related to the limitations of resources both natural and infrastructure-wise (Dekeyser & Lynch, 2025), to the exhaustion of the latter provoked by the excessive AI-use (Wang & Yorke-Smith, 2025), digital archiving, and mundane data consumption (Vale et al., 2024). This is related to the glut of digital footprints and waste in cities, which has been a problem for both cities and the media for centuries, albeit supercharged in the contemporary moment. What is new is the excessive use and normalisation of an (un)sustainable relationship with digital technology, including the everyday use of tools such as Chat GPT (Hogan, 2024). These tools have severe carbon footprint impacts, using as much water as an average family uses in almost two years for server cooling and electricity generation. For every hundred words generated by the service, an average of three bottles of water are consumed (DeGeurin, 2023).

The smart city and the new digital twins’ tropes—along with prescriptive and acritical perspectives that technologies will be the panacea for any complex issue—are part of the problem (Chiappini, 2020). Discourses around the effectiveness of these types of initiatives and projects often create, semantically and semiotically (Babushkina & Votsis, 2022), a distorted view of digital solutions for fictitious issues, including distortions of key human traits such as knowledge, meaning, and embeddedness into reality. On a smaller scale, the everyday life consumption on search engines, direct messaging, social media addiction, multimedia file exchange, and purchases on big tech logistic platforms pollute not only the environment but the collective consciousness, producing confusion, exhaustion, and fatigue. This constant generation of an amount of information that pollutes the brain becomes what Lovink (2019) defined as “brain-junk.” The number of apps keeps increasing, and so does the data they collect, but users are not always aware and digitally literate about these risks. Hence, both co-dependency on media technologies and a lack of a high degree of digital literacy can be considered societal and spatial issues that might create unevenness. It is unfortunately not possible to control-click emptying the trash from digital waste and material pollution: much of it goes beyond the current understanding and technical capability to take care of. Therefore, there is an urge to overcome the rapid accelerationism of techno-determinism and solutionism and identify tactics and strategies aimed at reducing digital waste.

This thematic issue is concerned with the timely and vital problem of digitalisation and its (un)sustainability, fostering a discussion on the waste and pollution, digital and material, caused by massive datafication and urban platformisation (Cristofari, 2023). The relationship between the geographical scale, socio-political goals, and the technological design of digital infrastructures is of crucial importance to the understanding of the issue of digital waste and its possible reduction (Chiappini & Ferrari, 2024). For instance, data centres account for about two percent of all global energy use, and the raw amount of energy consumed by data centres doubles roughly every four to eight years (International Energy Agency, 2022). Hence, in terms of urban planning, the localisation of data centres has key implications, with direct consequences over the surrounding environment with regard to air pollution and climate change. The thematic issue encompasses inter- and trans-disciplinary perspectives from urban studies and planning, including digital geography, sociology, semiotics, environmental studies, and legal approaches. It aims to engage critically with the normative and prescriptive discourses which favour a techno-determinist view where smart city projects are celebrated. We invite papers that deal with concepts such as waste, noise, and excess in terms of data, materials, time, labour, cultural surplus, chatbots, and AI-powered services, also, but not exclusively, in relation to the uselessness and ineffectiveness of smart city projects and digital twins’ experiments.

References:

Instructions for Authors
Authors interested in submitting a paper for this issue are asked to consult the journal’s instructions for authors and submit their abstracts (maximum of 250 words, with a tentative title) through the abstracts system (here). When submitting their abstracts, authors are also asked to confirm that they are aware that Urban Planning is an open access journal with a publishing fee if the article is accepted for publication after peer-review (corresponding authors affiliated with our institutional members do not incur this fee).

Open Access
Readers across the globe will be able to access, share, and download this issue entirely for free. Corresponding authors affiliated with any of our institutional members (over 90 institutions worldwide) publish free of charge. Otherwise, an article processing fee will be charged to the authors to cover editorial costs. We defend that authors should not have to personally pay this fee and encourage them to check with their institutions if funds are available to cover open access publication costs. Further information about the journal’s open access charges can be found here.

CFP: Printing History – Seditious Printing

Call for Papers for Printing History Themed Issue: Seditious Printing

In respect of the 250th anniversary of the printing of the Declaration of Independence, Printing History 38 will examine print as a means of provocation, agitation, and rebellion. We invite author submissions that interrogate print-as-protest across borders and cultural contexts, with a focus on printing’s particular power to foment political and social change. We particularly welcome submissions highlighting the print production of underresearched and/or marginalized groups and individuals. 

We invite interested researchers, professionals, and practitioners to share work engaged with the following topics:

  • Print production as a means of political provocation and rebellion
  • Print and the shaping of American (or other cultural/political) imaginaries
  • Print as a catalyst for social change
  • Activist print cultures: posters, broadsides, zines, ephemera
  • Printed matter as an organizing tool
  • Secret presses; underground printing 
  • Interrogations of print and power

In general, Printing History follows the Chicago Manual of Style. An APHA style guide and further information for contributors can be downloaded here.

Submissions should be emailed to editor@printinghistory.org. If you have questions about this issue, the process, or the journal in general, do not hesitate to write. We do not solicit proposals for articles, but we are happy to discuss ideas and abstracts via email.

Submission deadline: October 31, 2025

Call for Submissions: Public Services Quarterly

Call for Submissions 

The “Special Libraries, Special Challenges” column in Public Services Quarterly is currently seeking submissions for issues that explore all aspects of working in a special library. Articles generally are approximately 2,000 words and focus on practical ideas rather than theory. Case studies are always welcomed.   

Column Description 

“Special Libraries, Special Challenges” is a column dedicated to exploring the unique public services challenges that arise in libraries that specialize in a particular subject, such as law, medicine, business, special collections, university archives, governmental settings, and so forth. In each column, authors discuss innovative projects, public service issues, and creative solutions that arise specifically in special libraries.

Potential Article Topics

  • Plans to commemorate anniversaries and historic dates
  • Profile of libraries/archives at professional organizations
  • Case studies of operations and scope of work in corporate libraries
  • Profile of libraries supporting the work in various branches of government  
  • Rebuilding library services and facilities after a building disaster (fire, flood, earthquake, hurricane, etc.)
  • Innovative pilot projects 
  • Developing new programs for students and/or faculty
  • Professional and continuing development for library staff
  • AI and library services
  • Emerging trends, such as empirical research, data analytics and alt-metrics 
  • Teaching various literacies (information, media, technology, etc.) 
  • Other ideas welcomed!  

Contact  Special or subject-matter librarians interested in authoring a piece for this column are invited to contact the co-editors, Patti Gibbons (pgibbons@uchicago.edu) or Deborah Schander (deborah.schander@ct.gov).

CFP: transfer – Journal for Provenance Research and the History of Collection

The online journal transfer is an academic publication platform in the area of provenance research and the history of collection as well as adjacent fields of investigation, like art market studies, reception history, cultural sociology, or legal history. Issues are published semi-annually and exclusively online in Diamond Open Access. Research articles and research reports, to be submitted in English or German, are subject to a double-blind peer-review. All submissions undergo an internal evaluation by the editors supported by the advisory board and receive professional copy-editing before publication. The journal is based at the Research Centre for Provenance Research, Art and Cultural Property Law at the University of Bonn and at the Leipzig Museum of Fine Arts. transfer receives funding from the German Research Foundation (DFG). Webhosting is provided by our partner institution Heidelberg University Library via arthistoricum.net.

Website: https://journals.ub.uni-heidelberg.de/index.php/transfer/index

Editors: Felicity Bodenstein, Ulrike Saß & Christoph Zuschlag

Managing Editor: Florian Schönfuß

Advisory Board: Arbeitskreis Provenienzforschung e.V., dbv-Kommission Provenienzforschung und Provenienzerschließung, Didier Houénoudé, Larissa Förster, Gilbert Lupfer, Antoinette Maget-Dominicé, Barbara K. Murovec, Gesa Vietzen

Open Call for Submissions

transfer is an interdisciplinary, cross-epoch and international journal. It primarily addresses a scholarly audience. Besides experienced researchers, transfer equally aims at early career researchers, including PhD students, offering broad impact and high accessibility for the publication of recent research. Abstaining from any author charges or other publication fees, transfer provides a Diamond Open Access platform assuring research quality as well as transparency, fostering research interconnection and the crossing of disciplinary and institutional boundaries. Authors are invited to submit papers on the following fields of interest:

– Provenance research on individual objects or object groups

– Collections, History of collection

– Translocation of art and cultural assets 

– Art and cultural property law

– Culture of remembrance, Cultural identity, Collective memory

– Art trade, Art market studies

– Art policy, Sociology of art, Cultural sociology

– Restitution, Return, Repatriation

In conjunction with the articles in transfer, corresponding research data sets can be published via the Open Research Data platform heiData. For further information on this and regarding submissions, text categories, peer-review as well as our Style Sheet, please see the journal-website or contact us under redaktion.transfer@uni-bonn.de.

The submission deadline for Volume 5 (2026), No. 1 is 15th January 2026.

Contact Information

Dr. Florian Schönfuß

transfer – Zeitschrift für Provenienzforschung und Sammlungsgeschichte / 

Journal for Provenance Research and the History of Collection

Rheinische Friedrich-Wilhelms-Universität Bonn

Forschungsstelle Provenienzforschung, 

Kunst- und Kulturgutschutzrecht

Kunsthistorisches Institut

Rabinstraße 1

53111 Bonn (Germany)

florian.schoenfuss@uni-bonn.de

Contact Email

redaktion.transfer@uni-bonn.de

URL

https://journals.ub.uni-heidelberg.de/index.php/transfer/index

CfP: Human Rights Archives and the Problems of Provenance

Human Rights Archives and the Problems of Provenance

Special Issue of The Journal of Critical Library and Information Studies

Editors: Michelle Caswell, UCLA and Jess Melvin, University of Sydney

Records documenting human rights abuse raise a host of critical challenges for archivists, scholars, activists, survivors, and source communities. Who owns such records? Which stakeholders have the legal and/or ethical authority to make decisions about their stewardship? When should community-based collections, personal records, oral histories or artistic expressions comment on, respond to, or fill in the gaps left by official state documentation?

Dominant Western archival theories trace the provenance of records to their creators. By this narrow estimation, many records documenting human rights abuse belong to the abusers who created them or successor states. However, recent developments in critical archival studies challenge dominant Western notions of provenance, expanding it (as in community or social provenance) (Bastian 2009, Douglas 2017), retooling it for liberatory aims such as crip provenance (Brilmyer 2022), land as provenance (Ghaddar 2022), or provenancial fabulation (Lapp 2023), or abandoning it altogether (Drake 2021). A recent special issue of Archival Science edited by Jeannette Bastian, Stanley Griffin, and James Lowry addresses emerging conceptions of provenance in detail.

This renewed interest in provenance has opened up critical questions as provenance relates specifically to the ownership, stewardship, and uses of records documenting human rights abuse. This special issue of The Journal of Critical Library and Information Studies will exclusively feature papers produced at the Human Rights Archives and the Problems of Provenance symposium at the University of Sydney in June 2025. The symposium was organized as part of the Indonesia Trauma Testimony Project made possible with support from the Australian Research Council.

Submission due date: September 1, 2025 (Contact jclis@litwinbooks.com to submit a paper.)

Anticipated publication date: Spring 2026

References

Bastian J (2006) Reading colonial records through an archival lens: the provenance of place, space and creation. Arch Sci 6: 267-284.

Brilmyer G (2022) Toward a crip provenance: centering disability in archives through its absence. J Contemporary Arch Stud 9:1-25

Douglas J (2017) Origins and beyond. In: MacNeil H & Eastwood T (eds.) Currents of Archival Thinking (2nd. ed) Libraries Unlimited, California. pp 25-52

Drake J (2016) RadTech Meets RadArch: Towards A New Principle for Archives and Archival Description. Medium. https://medium.com/on-archivy/radtech-meets-radarch-towards-a-new-principle-for-archives-and-archival-description-568f133e4325

CFP: Ethical AI in GLAM: Challenges and Opportunities for Digital Stewardship

A Focus Issue of the journal Collections exploring change as well as issues in methods and practices

Guest Edited by Dr. Angela Fritz Assistant Professor, School of Library and Information Science, University of Iowa

During this period of rapid AI development, galleries, libraries, archives, and museums (GLAMs) are facing a generational challenge that calls on practitioners to re-think their roles, re-evaluate policies and practices, and re-envision the ethical contours of their work. As AI-enabled technologies continue to surface, GLAM practitioners will confront a host of challenges relating to how AI can be leveraged to gain the much needed efficiencies necessary to steward digital collections at scale, while upholding their professional codes of ethics to ensure equitable access, mitigate harm, and safeguard the integrity of the historical record.

In the context of GLAM stewardship, the purview of “ethical AI” is expansive. For special collections librarians, archivists, and museum curators, ethical AI encompasses the responsible use of AI in collection stewardship practices as well as the development of new AI literacy frameworks for research, teaching, exhibition and training initiatives. Ethical AI also relates to re-framing the value of human-centered curation as well as the associated concerns relating to digital labor within and outside of GLAM institutions. In addition, GLAM practitioners will confront the complexities of a host of new ethical challenges relating to stewarding AI-generated content in cultural heritage collections. To address these ethical challenges, practitioners will need to balance the transformative power of AI with their professional accountabilities and restorative curatorial commitments to the diverse communities that GLAM institutions serve.

As GLAM practitioners navigate challenges in AI-integrated workspaces, archivists, museum curators, and special collections librarians will need to translate their professional codes of ethics in new contexts and apply this ethical awareness on a case-by-case basis. Recognizing the context-specific nature of these ethical dilemmas, practitioners will need to carefully balance AI innovations with an understanding of both the professional and social implications of its use. At the same time, GLAM practitioners will increasingly be expected to address the ways in which the principles of ethical curation and AI tools can work in tandem to reinforce mindful practices and transformational stewardship initiatives.

Scope of the Focus Issue

For this focus issue of the journal, we seek contributions from practitioners, scholars, and researchers who can further our understanding of the meaning of “ethical AI” in the context of GLAM collection stewardship. Our intentions are sparked by a sense of urgency in sharing experiences, understanding common challenges and concerns, contemplating possibilities and paths forward, and inspiring new ways of thinking about AI-enhanced stewardship practices. Because the meaning of ethical AI is multifaceted, complex, and ever-evolving, we see this issue as an opportunity to engage in proactive dialogue, foster interdisciplinary connections as well as advocate for an ethics of collection care—all of which will be essential for the successful implementation of enhanced AI technologies in GLAM stewardship settings.

We are interested in, but not restricted to, case studies, research projects, or scholarly reflections concerned with the intersection between ethical AI and:

  • Collection management policies, principles, guidelines, and best practices
  • Description methods and practices, including reparative description initiatives
  • Accessioning, registration, and processing integrations and strategies
  • Collections development, acquisition strategies, and donor engagement
  • Implementation or enhancement of cultural protocols in digital stewardship practices
  • GLAM digital convergence, digital collection building, digitization initiatives
  • Digital repatriation
  • Exhibition development and visitor/user experience
  • Instructional frameworks and AI literacy initiatives
  • Collections or technology assessment
  • Governance and community of practice initiatives
  • Equitable access initiatives
  • Privacy guidelines and access restrictions
  • Human/AI alignment in stewardship workflows and team development
  • Digital provenance and paradata
  • Digital labor, precarity, and value of human-centered stewardship
  • Efforts to prioritize environmental sustainability
  • Digital preservation strategies, practices and challenges
  • Computational methods in appraisal and enhanced acquisition models
  • Literacy frameworks relating to “upskilling” or “reskilling” GLAM faculty and staff
  • Community building, outreach and engagement
  • Stakeholder responses to AI implementation and use
  • AI detection tools and authentication methodologies relating to GLAM collection stewardship
  • Advocacy plans, strategies or networks that extend across national and cultural boundaries
  • Other projects that address the dimensions of ethical AI in GLAM stewardship

For this issue, we are seeking case studies and research articles not to exceed 5,000 words as well as scholarly reflection essays not to exceed 2500 words. Topics should address ethical AI in the context of the topics above or a related area in GLAM digital stewardship.

Submission Process

Authors should express their interest by submitting completed articles, case studies, and scholarly reflections to the Guest Editor, Angela Fritz aifritz465@gmail.com and the Journal Editor, Juilee Decker, jdgsh@rit.edu by October 20, 2025. Notifications of acceptance will be made by November 24, 2025.

Author submission guidelines can be found here: https://journals.sagepub.com/authorinstructions/CJX.

Submitted articles must not have been previously published, nor should they be under consideration for publication anywhere else while under review for this special focus issue.

Anticipated Timeline

  • October 20, 2025-Paper submission deadline
  • November 24, 2025-Notification of manuscript decision
  • January 9, 2026-Revise and resubmit articles
  • March 15, 2026-Enter production

April 15, 2026 on-Articles begin appearing online in the “Online First” portal of the Collections journal. Metrics are keyed to the appearance of the article.

Following the publication of papers online first, all of them will be gathered up into the Focus Issue of the journal in 2026 (anticipated publication date of June 2026).

Guest Editor Biography

Dr. Angela Fritz is assistant professor at the School of Library and Information Science at the University of Iowa. Her research explores digital stewardship in GLAM institutions through the lens of digital convergence, artificial intelligence, and an archival ethics of care. Prior to her time at the University of Iowa, she held leadership positions at the Wisconsin Historical Society, the University of Notre Dame, and the Office of Presidential Libraries and Museums at the National Archives and Records Administration (NARA). Currently, she serves in several national service roles relating to GLAM digital stewardship advocacy and outreach. She is the author of Sustainable Enterprise Strategies for Optimizing Digital Stewardship: A Guide for Libraries, Archives, and Museums (Rowman and Littlefield, 2021). Her forthcoming book, entitled Digital Leadership and AI: Transforming Libraries, Archives, and Museums for the Future (Bloomsbury, 2025), explores the intersection between AI, leadership studies, organizational development, and digital convergence within the GLAM field.

….

Established in 2004 and published by SAGE, Collections is an international, peer-reviewed, multidisciplinary journal addressing all aspects of handling, preserving, researching, interpreting, and organizing collections. Scholars, archivists, curators, librarians, collection managers, preparators, registrars, educators, emerging professionals, and others encouraged to submit their work for this focused issue. See https://journals.sagepub.com/home/cjxa for more information about the journal.

Any questions about the Focus Issue may be directed to the guest editor, Angela Fritz aifritz465@gmail.com and journal editor, Juilee Decker, jdgsh@rit.edu. Questions about the journal only may be directed to the journal editor.

CFP: Academizines

Dr. Spencer D. C. Keralis and Professor Zach Frazier, editors

Call for Proposals

We invite proposals for Academizines, a special issue of Unbound: A Journal of Digital Scholarship. Zines have evolved as a form of scholarly communication that reaches wider publics than traditional academic publishing, and allows for a greater degree of creativity and innovation than conventional forms (Vong, 2016; Weida, 2020). Zines are featured in the special collections of research libraries including Barnard, the University of Minnesota, NYU, Duke, Texas A&M, Harvard, and many others, illustrating their value as cultural artifacts and works of creative and literary art (Darms, 2013; Joseph and Sawyer, 2024), and provide accessible forms of scholarly publishing, community-building, and resource-sharing among our personal and research communities (Etengoff, 2015; Ingram, 2024; Thomas, 2018). This special issue invites contributors from across the disciplines to share their research and creative scholarship in zine form. We welcome contributions in the language, vernacular, and forms used by the scholars and communities the zines serve, and encourage international perspectives, particularly from the global South and other regions not well represented in US-based scholarly journals and archives. 

PDFs or physical copies of completed zines may be submitted with the 250-word abstract. We’re interested in collaborating with contributors on how to best present their work online, but we encourage printable PDFs to help readers print and share your work.

Physical copies of zines will be placed, at the creators’ discretion, in the LaBudde Special Collections and Archives Zine Collection at the University of Missouri – Kansas City. We encourage contributors to place their zines in other zine libraries as well.

As a community, contributors will have the opportunity to celebrate the launch of the issue and their contributions in a Virtual Zine Con hosted by the UMKC ZineLab in January of 2026.

Submit your 250-word Abstract

Key Dates & Deadlines

CFP Opens: August 1, 2025
Deadline for Abstracts: September 15, 2025
Acceptance notifications: September 30, 2025
Deadline for Completed Accepted Zines: November 15, 2025
Issue Launches: January 15, 2026
Academizines Virtual Zine Con Issue Virtual Launch Party: January 31, 2026

Some Possible Formats:

  • Saddle-stitch (staple or sewn) half-letter booklets
  • One-sheet folded zines
  • Accordion books
  • Cartonera
  • Digital zines, explainer decks, and other alternative zine forms

Some Possible Topics

We welcome zines representing scholarship in any discipline, and we’re particularly enthusiastic about:

  • Accessibility in/for zines
  • Cartonera as scholarly communication
  • Design Justice and zines
  • Integrated computing and zines – Raspberry Pi, Arduinos, minimal computing, haptics
  • Perzines as narrative writing 
  • Queer(ing) and Trans(ing) zines
  • Zine libraries and archives
  • Zines against AI and accelerationism
  • Zines and/as book history
  • Zines and/as comics studies
  • Zines and/as critical making
  • Zines and/as data visualization
  • Zines and/as digital humanities
  • Zines and/as media archaeology
  • Zines and/as public humanities
  • Zines and/as social justice activism
  • Zines for public health and wellness
  • Zines in and for your discipline
  • Zine research in zine form

About the Editors

Dr. Spencer Keralis is a scholar of the past, present, and future of the book. Their work in book and media history has appeared in Book History, American Periodicals, and hyperrhiz: new media cultures. They are the co-editor with Cait Coker (Illinois) of the essay collection DH+BH: Digital Humanities and Book History (IOPN, 2025). Dr. Keralis currently serves as Head of Digital Scholarship Services and Co-Director of the Center for Digital and Public Humanities at the University of Missouri – Kansas City.

Zach Frazier is a graphic designer, educator, and small-press publisher. Zach is the founder of Astringent Press, a low-to-no-cost, small-volume publisher that seeks to produce physical and digital texts from visual/textual narratives belonging to historically minoritized and underserved communities. Zach’s work is featured in book shops and galleries across the U.S. Along with these roles, Zach also serves as Assistant Professor of Graphic Design in UMKC’s Department of Media, Art and Design.

The editors are the co-founders of ZineLab, an interdisciplinary book arts lab in UMKC Libraries’ Digital Collaboration Studio.

Bibliography

Darms, Lisa. 2013. The Riot GRRRL Collection. Feminist Press.

Etengoff, Chana. 2015. “Teaching Note: Using Zines to Teach about Gender Minority Experiences and Mixed-Methods Research.” Feminist Teacher: A Journal of the Practices, Theories, and Scholarship of Feminist Teaching 25 (2–3): 211–18. doi:10.5406/femteacher.25.2-3.0211.

Ingram, Noël. 2024. “Using Zines to Teach Literary Analysis in a Post ChatGPT World.” Teaching American Literature: A Journal of Theory and Practice 13 (3): 53–64.

Joseph, Branden W. and Drew Sawyer. 2024. Copy Machine Manifestos: Artists Who Make Zines. Phaidon.

Thomas, Susan. 2018. “Zines for Teaching: A Survey of Pedagogy and Implications for Academic Librarians.” portal: Libraries and the Academy 18 (4): 737–58. doi:10.1353/pla.2018.0043.

Vong, Silvia. 2016. “Reporting or Reconstructing? The Zine as a Medium for Reflecting on Research Experiences.” Communications in Information Literacy 10 (1): 62–80.Weida, Courtney Lee. 2020. “Zine Objects and Orientations in/as Arts Research: Documenting Art Teacher Practices and Identities through Zine Creation, Collection, and Criticism.” Studies in Art Education: A Journal of Issues and Research in Art Education 61 (3): 267–81. doi:10.1080/00393541.2020.1779570.

CFP: A Critical Study of Training in the Field of Heritage

A Critical Study of Training in the Field of Heritage
Deadline for submission of proposed contributions: September 15, 2025

Plan

Special issue editors (scientific coordination):
Call for proposals
General framework and issues considered
Axis 1 – In Situ: training in the right place at the right time
Axis 2 – Into the heart of heritage training
Axis 3 – Trials as revelations, self-celebratory narratives examined
Contribution proposals (abstracts)

Special issue editors (scientific coordination):

Christian Hottin : conservateur en chef du patrimoine, direction générale des Patrimoines et de l’Architecture, membre du CTHS, membre associé d’Héritages (UMR 9022)

Gaspard Salatko : enseignant statutaire en sciences sociales à l’École supérieure d’art d’Avignon, membre du projet ANR « Sacralités par destination. Mises en récits et mises en scène des matérialités de Notre-Dame de Paris – SACRADE »

Michelle L. Stefano : Folklife Specialist, American Folklife Center, Library of Congress; adjunct professor, Cultural Heritage Management Master’s Program, Johns Hopkins University, Washington, DC

Call for proposals

This call for contributions invites attention to institutions and programs which, through training, contribute to the development of authorized discourses on heritage. Authorized discourses and views on heritage are expressed in a variety of ways. They are enshrined in international and national legislation and policy, and are promoted and staged by museums and institutions for the conservation of sites and monuments, among others. They are also at the heart of knowledge transmission processes that organize the permanence or variation of the right ways of saying, seeing, or doing heritage. A critical analysis of these mechanisms must therefore include a study of the institutions of higher education that help train future professionals in the field: What grammars of heritage are taught? How, and by whom, are the modalities of its treatment defined, and according to what horizons of expectations, as well as for what purposes and audiences?

In the last decades of the 20th century, as heritage became a category of public action defined in significant part by international standards, and as an economic resource in line with the growth of mass tourism, training in heritage professions – either at the university level or in specialized schools that had long been exclusive and/or elitist – became increasingly widespread. At the time they were founded, these courses were strongly rooted in the ways in which higher education was organized via different national traditions. Like all university programs, they have recently undergone a process of codification, standardization, and normalization that, while making them more easily comparable, also encourages their promoters to diversify and certify them: the challenge now, in a global context of increased competition between universities, is to make their programs more attractive.

For teachers and students alike, these training courses are places where discourses on heritage are demarcated, structured, and standardized, although sometimes tinged with different national traditions and influences. Students are familiarized with the economic and professional environment of their chosen field. And, with the support provided by professionals from heritage establishments, as teachers or internship tutors, they also lay the foundations for their own network of professional contacts.

Furthermore, although varying from country to country, these training courses are linked to research institutions of all disciplinary horizons that have contributed, over the same period, to establishing heritage as an object of academic study. As a result, a social sciences perspective on heritage training requires us to abandon – at least for a moment – the presumed universalist aims of authorized heritage discourses and outlook, and to approach these processes from a casuistic angle, attentive to the local contexts that organize the transmission of professional discourse, gestures, and outlooks.

General framework and issues considered

The issue brings needed attention to the critical study of wide-ranging programs in institutions of higher education dedicated to training future scholars and professionals in the cultural heritage discipline and sector. Contributions can shed critical light on the following perspectives, among others, in relation to the initial establishment, development, and/or continued facilitation (and modification) of heritage training programs over time:

  • Political contexts and influences, whether at international, national, or more local levels;
  • Historical contexts and influences;
  • Disciplinary contexts and influences, including foundational theories and/or scholarship used;
  • Geographical, including increasingly global, contexts and influences;
  • Components of programs, such as curricula, methodologies, skills taught, and expected learning outcomes;
  • The balance between theory and practice, and the practical or ‘applied’ emphasis of instruction and student placement in the sector;
  • Current challenges and related effects, including economic pressures; and
  • Commemorative discourses and activities pertaining to certain longstanding institutions and programs.

The following outlines thematic axes within which contributions can fall.

Axis 1 – In Situ: training in the right place at the right time
In particular, the issue seeks to examine the circumstances that led to the creation of training courses dedicated to heritage professions and scholarship, with all possible variations in scale and influence. As such, we welcome contributions that explore the development of such training and heritage programs from a political perspective, such as with the emergence of the earliest formations in a global framework that saw the affirmation of nation-states in fierce competition with one another, both in Europe and in their colonial expansion territories.

Moreover, examinations can focus on the scientific context, such as in relation to disciplinary influences, including prominent theorization or discourse, at the time of program establishment, including art history, archaeology, ethnology, and museology, as examples. Similarly, examinations may explore disciplinary influences in how programs may have developed (or changed) over time, such as with respect to related advancements in law or economics, as well as in the hard sciences. In addition, contributions may also shed light on the gradual affirmation of allied disciplines that were intended to be both techniques for treating (e.g. conserving and preserving) certain categories of cultural property and fields of research and work in their own right, such as museum studies, archival theory and practice, library science, and later ‘heritage studies’ or ‘heritage sciences’ (defined less by their own methodology than by their object). Indeed, particular attention may be paid to the role that the teaching of museology has played – in France and elsewhere – in preceding and, in a way, paving the way for heritage studies over the past several decades.

Finally, the geopolitical context and associated influences may also be the focus of examinations. For instance, needed are analyses of the strategies for establishing programs on a global scale and with a global scope, where in the past certain institutions were established during periods of colonial/imperial domination, and more recently, they may be subject to market competition between universities, including via the growth of online (virtual) degree-granting or certification programs. Relatedly, examinations may concentrate on the impact of international heritage policies, such as promoted by UNESCO, on the organization and content of teaching.

From this angle, raised are also debates on the search for the most appropriate positioning for these programs and courses: are universities most suitable, or should they be as close as possible to curatorial and other heritage conservation, preservation, and dissemination institutions (e.g. operating from within them)? On a similar note, important questions are also raised on the circulation of knowledge, of those who transmit it and those who receive it, among and between training programs and other heritage institutions, organizations, and centers of activity.

Axis 2 – Into the heart of heritage training
Of equal importance are analyses that delve into the heart of heritage training schemes to examine their operation and various components. Aspects of heritage programs include:

the methods used to select students, such as in terms of the skill level required, the learning outcomes expected, and the ways in which they are assessed;

their curricula, such as the disciplines drawn on and taught and the exercises considered for their canonical value (e.g. engagement with certain scholarship, condition reports);

the balance between theory and practice, with particular attention paid to the question of internships, and the place given to scientific research in the course of training; and

the conditions under which students enter the job market, and any follow-up carried out by the institution about their career development and working life.

Indeed, among the most characteristic features of many of courses are their ‘practical’ or ‘applied’ approaches to studying and working within the heritage sector in various capacities, as well as the desire of those in charge to pass on managerial skills to students. Here, questions are raised on how, and to what extent, do managerial discourses and practices influence the way in which these courses, historically rooted in the humanities, are designed and delivered?

Moreover, particular attention can be paid to the material conditions for acquiring and transmitting heritage knowledge, know-how and interpersonal skills, such as the location of teaching facilities, layout of workshops, laboratories, documentation centers, development of distance learning opportunities. Furthermore, the examination of small ‘workshops’ – e.g. field schools and other intensive, short courses – involved in the production of heritage discourse should extend to their integration in political, administrative, and academic networks, as well as at national and international levels.

Axis 3 – Trials as revelations, self-celebratory narratives examined
Times of great economic, political, and social challenge, as we are in now, can also provide valuable opportunities to analyze the identity of an institution or social group. In the case of heritage training, programs, and courses, we are thinking in particular of: jurisdictional conflicts between professions operating in the same sector, but linked to different training courses; administrative reforms that have the direct or indirect effect of devaluing certain diplomas in relation to others; recruitment or job market crises, of which the reasons can be multiple; or even relocation of programs, which are often the result of material constraints that have become weakening factors, but that always constitute moments of great institutional stress.

In particular, we welcome examinations on issues and developments in the wake of the 2020 pandemic, as well as the development of online heritage programs over recent decades. What impact are these having on the heritage training market? Such studies reveal the evolution of training programs in a higher education sector that is increasingly subject to competitive pressures: upward or downward trajectories; crises overcome at the cost of mergers; and conquest of new markets, among others.

As for the oldest and most recognized heritage training programs, including those that have spanned centuries, they too are entering the age of commemoration. It is in this occasion that the historical narratives of celebration are produced, often with rigor but not always with distance. Just as in times of hardship, these moments of self-celebration – from which, as a matter of principle, all forms of tension must be absent, so as to not spoil the party – should be questioned: what narratives of origin are being put forth and taking center stage? Which figures are particularly celebrated, and who is forgotten? How and where do we celebrate, and where are the blind spots and skeletons in the closet?

By exploring these different axes, this issue of In situ au regard des sciences sociales will examine how each heritage training program responds to the question, “What does it mean to be a school?”, with original answers, drawing on founding narratives, continuities and also points of rupture in relation to the universalist aims of what ‘heritage’ is or what should be passed on. In this respect, it’s important to emphasize that a call for papers on the history of sociology of heritage training will, almost necessarily for many potential respondents, include a dimension of self-analysis, both reflexive and critical. Similarly, dialogue between researchers and heritage professionals can be a fruitful avenue for research, as long as the pitfall of ‘feedback’ is avoided. International openness is encouraged when responding to this call, as is a comparative approach between training courses in different countries. Cross-cutting thematic approaches are preferred; however, case studies focusing on a certain school or program, an instructor or groups of instructors, students or groups of current students are also welcome. Contributions may address both initial and continuing training, and the relationships between the two.

Contribution proposals (abstracts)
The journal of the Ministry of Culture of France, In situ au regard des sciences sociales (In Situ in the Social Sciences), is seeking contributions to the special issue, A Critical Study of Training in the Field of Heritage, to be published in early 2027.

Abstracts will be subject to a blind review by journal/issue editors and editorial board members, after which authors will be invited to submit the full contribution by March 1, 2026.

500-word abstract deadline: September 15, 2025

If you would like to contribute to this issue, please send an abstract of no more than 500 words, along with a short CV, by September 15, 2025.

By email: insitu.arss@culture.gouv.fr

By mail:

Ministère de la Culture

Direction générale des Patrimoines et de l’Architecture,

Revue In Situ. Au regard des sciences sociales

à l’attention de Nathalie Meyer

182, rue Saint-Honoré

75001 Paris – FRANCE

The texts of the articles corresponding to the selected proposals are expected by March 1, 2026. Texts may be written in French or in a native language. The proposed articles must contain a new contribution of research, hypothesis, or updates; they cannot reproduce the entirety of a text already published.

It will be published in its original version and in its French translation. The length of the articles will be between 3000-7000 words, including notes and bibliography (references cited).

Guidelines for authors regarding the number of pages, illustrations, the inclusion of notes and links, etc., are available on the journal’s website:

https://journals.openedition.org/insituarss/310

Call for Papers: Library Careers for Medievalists (A Roundtable)

The International Society of Medievalist Librarians seeks speakers with an academic background in Medieval Studies to join a *hybrid* roundtable taking place at the International Congress on Medieval Studies taking place May 14-16, 2026, at Western Michigan University in Kalamazoo, MI.

Session Description: Many Medieval Studies students express an interest in library careers, but they are often unsure what qualifications are needed for positions in the cultural heritage sector. Similarly, traditional teaching faculty often don’t have enough information to advise students on becoming a librarian or searching for entry-level library jobs. Using their own career paths as a starting point, librarians and archivists will share up-to-date advice about cultural heritage work and engage in a productive discussion with attendees about how medievalists can break into this field.

We welcome contributions from established and emerging professionals in libraries, archives, and other cultural heritage institutions. Similarly, we welcome representatives from across this diverse field, from curators to catalogers, from acquisitions staff to digital media specialists, and from reference librarians to program developers. The preponderance of time in the session will be spent responding to questions from attendees about training, qualifications, and career pathways for the cultural heritage sector.

Anyone interested must submit through the conference portal (icms.confex.com/icms/2026/prelim.cgi/Session/7119). Please include information about your job and your Medieval Studies background in your abstract, as well as if you expect to participate in person, virtually, or are undecided. Proposals are due by Monday, September 15th.