CFP: Academic Libraries Creating Global Community

Academic Libraries Creating Global Community:
Operating Outside of Traditional Roles and Spaces

To support our students and faculty as global citizens, academic libraries are increasingly engaging with broader community efforts to affect positive change. We want to hear about your approaches to addressing inequality, censorship, climate change, misinformation, low civic engagement, and other stressors that impact our students and the world. Examples include, but are not limited to:

  • Responses to censorship, anti-intellectualism, or misinformation
  • Collection development in coordination with public or school libraries
  • Community-inclusive service or events
  • Collaborations with non-profits or local businesses
  • Involvement in community sustainability or literacy projects 
  • Social justice collaborations 
  • Indigenous science collaborations
  • Efforts to foster civic engagement
  • Community development in special collections and archives
  • Expanding access to graduates and/or community members

The Humboldt Journal of Social Relations is a historic peer-reviewed, open-access, interdisciplinary journal dedicated to academic discussions of the major issues of our age. We are honored that the editorial board has chosen academic libraries as the topic of their 46th volume and we hope this volume will share our library efforts to outside audiences. We are accepting case studies, research articles, book reviews, and opinion pieces. Only case studies and research articles will be processed through peer review.

Send an abstract* of your proposed article to press@humboldt.edu. The abstract deadline is April 7, 2023. Abstracts should include::

  • Article title
  • Abstract 200-400 words
  • Author information:
    • Name
    • Title
    • Affiliation (ex. University name)
    • Email

If your abstract is accepted, the article deadline will be September 1, 2023. Word count for final article submissions are:

  • Case studies and research articles: 3,000-6,000 words
  • Book reviews: 500-2,000
  • Opinion pieces: 1000-3,000 words

ASA or APA citation styles are recommended.

*The abstracts are for our editorial team review only.

Call for 2023 Graduate Student Program Proposals

The application has opened for Graduate Student Program Proposals for the 2023 Joint Annual Meeting. Work from both master’s and doctoral students will be considered. This call encompasses proposals for sessions – presentations or posters – to be presented during the hybrid meeting.

Graduate Student Presentation

The work of three current archives students and/or SAA student chapters will be selected for presentation. Each speaker will be allotted fifteen minutes to present a paper. Be creative! Proposals from individual students as well as SAA student chapter groups will be considered. Proposals may relate to the student’s applied or theoretical research, research about the archives profession itself, or even practical/internship experiences. Student chapters may consider presenting on projects or initiatives conducted in the current term (Fall 2022 through Summer 2023). Participant selection will be based on the quality of proposals submitted.

Graduate Student Poster

The 23rd annual Graduate Student Poster Session will showcase the work of both individual students and SAA Student Chapters. All posters will be presented in-person and virtually in PDF format. More information about preparing posters will be shared upon acceptance. Posters will be available to all meeting attendees throughout the week of the conference and in the virtual platform. 

To submit a paper or poster proposal, please complete the proposal form no later than March 15

Learn more and submit.

Call for Papers EXTENDED: “Book: Re-imagined and Re-born”

On 29 -30 May 2023, Canada’s bibliographical and book studies community will gather for the Annual Conference of the Bibliographical Society of Canada at the Congress of the Humanities and Social Sciences for our first in-person conference since 2019. 

The third decade of the twenty-first century has ushered in unprecedented and challenging events. The Truth and Reconciliation Commission and the Black Lives Matters movement, alongside escalating climate emergencies, have brought home the urgent need for collective action in support of racial and climate justice. Against this backdrop, our conference theme invites you to explore and reflect critically on the past, present, and future of the book. We invite submissions that pertain, but are not limited, to: 

  • Revisions in bibliography and book history as reflections of decoloniality, anti-racism, and social justice 
  • Traditions, innovations, and responses to societal challenges in the practice of bibliography, book history, and special collections curation 
  • Books and print media as vehicles for inclusion, participation, and belonging 
  • Material and digital cultures of the book in relation to climate change, sustainability, and post-industrial technology-driven society 
  • Book creation, production, consumption, and collecting in personal, social, and institutional contexts 
  • Human interactions with books and print media and their diversity
  •  Partnering and collaboration beyond the book: galleries, libraries, archives and museums in partnership with custodians of aural, visual and other forms of knowledge 

Congress 2023 will be held at York University. Many Indigenous Nations have longstanding relationships with the territories upon which their campuses are located that precede the establishment of the University. The area known as Tkaronto has been taken care of by the Anishinabek Nation, the Haudenosaunee Confederacy, and the Huron-Wendat. It is now home to many First Nation, Inuit and Métis communities. We acknowledge the current treaty holders, the Mississaugas of the Credit First Nation. This territory is the subject of the Dish with One Spoon Wampum Belt Covenant, an agreement to peaceably share and care for the Great Lakes region. 

Please submit a 250-word abstract proposal and brief biography in English or French (including your full name, professional designation, institutional affiliation, or place) no later than 28 February 2023 to proposals@bsc-sbc.ca


Du 29 au 30 mai 2023, la communauté bibliographique et des études du livre du Canada se réunira pour la Conférence annuelle de la Société bibliographique du Canada au sein du Congrès des sciences humaines et sociales, la première en personne depuis 2019. 

La troisième décennie du XXIe siècle a apporté des bouleversement et défis sans précédent. La Commission vérité et réconciliation, le mouvement Black Lives Matters, ainsi que l’accélération des changements climatiques, ont mis en évidence le besoin urgent d’une action collective pour la justice raciale et climatique. Dans ce contexte, le thème de notre conférence vous invite à explorer et à réfléchir de manière critique sur le passé, le présent et l’avenir du livre. Nous invitons des propositions de communications qui abordent, mais ne sont pas limitées, à : 

  • La révision en bibliographie et de l’histoire du livre pour refléter la décolonisation, l’antiracisme et la justice sociale 
  • Tradition, innovation et réponses aux défis sociétaux dans la pratique de la bibliographie, de l’histoire du livre et des collections spéciales 
  • Le livre et l’imprimé comme les vecteurs d’inclusion, de participation et d’appartenance 
  • Cultures du livre matériel et numérique en relation du changement climatique, l’avenir durable et la société post-industrielle axée sur la technologie 
  • Création, production, consommation et collection des livres dans des contextes personnels, sociaux et institutionnels 
  • Interactions entre la personne et le livre et l’imprimé et leur diversité 
  • Partenariat et collaboration au-delà du livre : galeries, bibliothèques, archives et musées en partenariat avec des gardiens de connaissances auditives, visuelles et autres 

Le Congrès 2023 se tiendra à l’Université York. De nombreuses nations autochtones entretiennent des relations de longue date et qui précèdent la création de l’Université avec les territoires sur lesquels se trouvent ses campus. Le territoire connu sous le nom de Tkaronto a été objet des soins de la Nation Anishinabek, la Confédération Haudenosaunee et les Hurons-Wendat. Il abrite maintenant de nombreuses communautés des Premières nations, inuites et métisses. Nous reconnaissons les titulaires actuels du traité, la première Nation des Mississaugas de Credit. Ce territoire est soumis au traité de la ceinture wampum (« Dish with One Spoon »), entente définissant le partage et la préservation pacifiques de la région des Grands Lacs. 

Veuillez soumettre un résumé de 250 mots et une courte biographie en anglais ou en français (y compris votre nom complet, titre professionnel, institution ou affiliation) au plus tard le 28 fevrier 2023 à propositions@bsc-sbc.ca

CFP: How to Work with Academic Faculty: Partnerships, Collaborations, and Services in the Academic Library (ACRL Book Proposal)

Though this call doesn’t specifically mention archives, the topics are directly related to academic archivists.

Editors

  • Amy Dye-Reeves, Associate Education and History Librarian, Texas Tech University, Lubbock, Texas, USA
  • Erica Watson, Electronic and Technical Services Librarian, Contra Costa College, California, USA
  • Published: Association of College & Research Libraries

Introduction:

We are excited to invite chapter proposals for our forthcoming ACRL book, How to Work with Academic Faculty ), with an anticipated publication date of summer 2025. This edited volume aims to help readers provide support and innovation when working with academic faculty in physical and online spaces. The book will focus on case studies that support collegiality and collaboration. Each section will contain case studies the reader can incorporate based on the size of one’s campus. We welcome creativity and innovative approaches to library collaboration. 

We seek case studies representing all types of institutions and focusing on implications for the future of academic libraries as agenda for change. Case studies featuring empirical research and alternative ways of knowing would be particularly welcome. 

Target Audience:

The editors seek submissions from new to veteran library professionals currently working (or who previously worked) at all-size institutions. We also welcome suggestions from other higher education disciplines and departments.

Objective and Focus:

This volume aims to share narratives from all-size institutions, from varied library staff perspectives (librarians, para-professionals, library techs) that work directly with academic faculty, on campus, and virtually. Chapters should include planning for change and effective communication with faculty; some questions for inspiration might consist of:

  • Have you ever experienced telling your faculty about discontinuing services due to budgetary restrictions? How would you approach it now?
  • Are you stirring the boat when it comes to technology? How can we work with faculty members to map out a plan to meet their needs?
  • Have you ever experienced crickets when it comes time to collaborate on a workshop or instructional session with a faculty member? What are your next steps? 

Book Sections – We invite proposals on non-exclusive topics, focusing on faculty and librarian collaboration. 

Chapter Layout: 

  • Introduction: Literature Review- Overview of the current landscapes of academic librarian collaboration with faculty members
  • Section 1: Instruction
  • Section 2: Collection Development
  • Section 3: Outreach and Engagement Programming Efforts
  • Section 4: Technology 
  • Section 5: Professional Development/Trainings/Workshops

Each submission will contain background information, goals and objectives, collaboration outcomes, program assessment, and takeaways to give readers practical application steps and generate new ideas for their programs.

Submit your proposal: https://docs.google.com/forms/d/e/1FAIpQLSc7aNxTIWPus38__m5xprbxVajBmIMBEqe5YGshMz8XCgRtdw/viewform?usp=sharing

The form will require the following:

  • Author names, job titles, emails, and institutional affiliations
  • A working chapter title
  • An abstract of up to 500 words
  • Link to a current CV or list of publication

Timeline:

  • February 28, 2023: Chapter proposals due
  • April 6, 2023: Authors notified of acceptance of chapter proposals
  • July 10, 2023: Chapter drafts due
  • Late September 2023: Chapter drafts returned to authors for revisions

For all inquiries and submissions, please contact the editors at acrlfacultycollaborationbook@gmail.com

CFP: Imperial Lives Conference

Extended deadline for Call for Papers:
NEW: February 12th, 2023

Date: 30.-31.3.2023

Place: Online
For reasons of greater accessibility and sustainability, the conference will be held completely online.

After years of struggle, deflection, and hesitation, ethnographic museums are increasingly accepting the need for decolonization. Often, this is framed in terms of diversity and empowerment and with a special focus on creator communities and their diaspora. We agree: the victims of imperial violence and their descendants need to be at the centre of any fruitful decolonization process.

However, this leaves a momentous gap: what about the creators of the museum, the collectors who often violently amassed the collections, as well as those who are implicated in their legacy today? Whose acts of perpetration, violence, transgression, betrayal, superiority, exploitation, and misunderstanding lie at the foundation of the museum? When it comes to the actors in question and their agency, what prevails is often absence or a retreat into abstraction, both in academia and the museum.

The “Imperial Lives” conference wants to widen this perspective and offer a complementary approach: it aims at exploring ways of overcoming this colonial aphasia by focussing on the concrete, often messy biographies behind the institution “ethnographic museum”. We propose that the encounter with the personified past of empire – the biographies of imperial collectors – creates a space of unsettlement in which the personal implication of all members of a post-imperial democratic society can be explored and collective memory transformed.

Ethnographic museums, as one of the most visible sites of imperial continuity, offer an exemplary field for the exploration of imperial perpetration and implication that goes beyond the bounds of anthropology – especially when it comes to the interaction with broader audiences. This is why the conference will focus on both research and narration, inviting transdisciplinary perspectives from history, cultural, and literary studies as well as artistic, journalistic and activist practices.

We call for contributions addressing issues of biographic knowledge generation and representation, including questions such as:

How can biographic approaches to the legacy of empire contribute to the decolonisation of ethnographic museums?
What may be the archival foundation for biographic approaches to the imperial past? How can imperial personas be portrayed if the only archival material available was produced by themselves? What is the role of ethnographic collections as archives?
What kind of biographies are suited for such decolonial biographic research?
Who should be doing this research? How does the personal situatedness of the researcher affect the outcome?
What forms of representation, what narrative strategies should be used to depict imperial biographies?
With museums as the sites of a society’s collective memory: Which narrative approaches are fruitful contributions to the “work of remembrance”?
What is the relationship between historical factuality and biographic fiction, especially concerning the archival inequalities of empire?
In how far can artistic research and practice enrich modes of biographic display?

Conference language: English

There will be a recording of all papers, keynotes, and panels.

We are inviting scholars from the fields of:

ethnography, anthropology, literary studies, historical science, cultural studies, museology, art history, arts (e.g. fine arts, film, literature etc.), provenance research, journalism.

CfP:

Please hand in your abstract of max. 500 words (in English, + short bio) until 2023/02/12 via:

https://tinyurl.com/abstract-imperiallives2023

For any questions, feel free to get in touch via mail@imperiallives.com

Call for Proposals: Archives and Primary Source Handbook Deadline Extended to February 14th

Please see the call for proposals below and the deadline to submit has been extended to February 14th!

Working Title: Archives and Primary Source Handbook, open-access textbook published via New Prairie Press, a unit of Kansas State University Libraries, on the Pressbooks platform

Edited by: Veronica Denison, Digital Archivist and Special Collections Librarian, Rhode Island College, Sara K. Kearns, Professor and Academic Services Librarian, Kansas State University, Ryan Leimkuehler, University Archivist, Kansas State University, and Irina Rogova, Digital Resources Archivist, Kansas State University

Please send questions to the editors: Sara K. Kearns skearns@ksu.edu; Irina Rogova irogova@ksu.edu; Veronica Denison vdenison@ric.edu; Ryan Leimkuehler rleimkue@ksu.edu

Link to Form: newprairiepress.org/archives_handbook

Librarians, archivists, and educators are invited to submit chapter proposals for a peer-reviewed open-access textbook for university level students and continuing learners handling archival and primary source materials. The textbook will be divided in two sections. The first explores the myriad of primary and archival sources that students and researchers may encounter in archives, museums, and other cultural heritage institutions. Encyclopedia style outlines or lesson plans dealing with a variety of formats are encouraged. The second section will be a collection of pedagogical content for educators to implement in classes or outreach experiences, focusing on specific skills and tools and/or teaching in different learning environments. Submissions that explore working with materials related to marginalized groups or content that addresses accessibility accommodations are especially sought. Volunteer reviewers are also sought, and those submitting chapters will be encouraged to review as well. 

View the full call for submissions here.

We invite chapters for the following sections and categories (please do not feel limited by suggested topics):

Section 1: Reading, handling, and contextualizing primary source materials.

We seek two types of chapters in this section:

  1. General reference overview that outlines key concepts that would help a learner engage with the format. Consider this the – “my students are working with newspapers today, what foundational information should they know about newspapers before we start handling and reading them?” section. Anticipated length: 500-3000 words.
  2. Lesson plans focused on a specific source, or sources. Our goal is to either embed digital representation of sources discussed in the textbook or link out to them.  The source should be publicly accessible. These lessons should include an introduction that contextualizes the source and includes citations. Anticipated length: 1000-3000 words.

Types of formats we would like to explore include, but are not limited to:

  • Documents
  • Languages
  • Photographs
  • Film/video
  • Music
  • Oral histories
  • Material culture
  • Textiles

Section 2: How to Teach

These chapters are written for the educator and intended to help identify pedagogical and practical approaches to teaching with primary sources. Anticipated length: 750-2000 words.

Types of content include, but is not limited to:

Virtual Instruction

  • Teaching instruction sessions online
  • Plugins or software
  • Tools and equipment
  • Asynchronous

In Person

  • Hands-on
  • Group projects
  • Small classes
  • Large classes
  • It’s a tour, but interactive!
  • You have 30 minutes notice

Digital

  • Teaching with digital objects
  • Teaching people how to digitize
  • Teaching how to preserve born digital sources

 Proposal Instructions

Please submit a chapter proposal (250-500 words) for consideration by February 1, 2023. Anticipated chapter submission deadline of May 31, 2023

Schedule for Publication

  • Proposals close by February 14, 2023
  • Chapter outlines sent to editors for review by mid February
  • Chapter draft due May 31, 2023
  • Editor reviews completed by end of August, 2023 and contributors informed of any outstanding issues
  • Final draft published January 2024

Call for Presenters: Annual Meeting for SMA

The Society of Mississippi Archivists (SMA) invites submissions of session proposals for the 2023 Annual Meeting, especially those based on the theme “You Are Here: Plotting New Pathways.” The theme can be broadly interpreted, and relevant topics of discussion might include (but certainly are not limited to) innovative approaches to archives, special collections, museums, and public history:

• Advocacy and outreach
• Archival education and training
• Archival management and labor
• Collaborative/community archives
• Collection processing
• Digital humanities
• Digitization• Disaster preparedness and climate change
• Exhibit design and execution
• Recruitment and retention of archival workers
• Reference and instruction
• Role of the archivist
• Social justice and Diversity, Equity, Inclusion, and Access initiatives
• Strategic planning and long-term goals

Submission Guidelines
This call is open to SMA members, non-members, and students. Please share your proposal in roughly 250 words. Proposals are not restricted to the conference theme, and all proposals related to archives will be considered. Proposals are due no later than February 15, 2023. Please submit proposals at forms.gle/MBgQw13zw6auaN3M9.

Annual Meeting Details
The SMA Board of Directors are planning for a hybrid conference where attendees and presenters can participate in the manner that they feel most comfortable. In-person presentations and meetings will take place at Mississippi State University Libraries April 20-21. Schedule and lodging information are forthcoming. All plans are subject to change.

CFP: Best Practices Exchange

Submit your proposal via this short form (https://forms.gle/vHpTmZ8yuSwXAcoZ7) by Monday March 6, 2023.

Our theme this year is The Future of Digital Preservation. What are you excited or concerned about? What are you doing now to prepare for future challenges or opportunities? What about our current professional practices should we take forward into the future and what isn’t working that should be left behind?

Proposals can be in a variety of formats and may focus on any aspect of the future, things like (but certainly not limited to) technology, funding, environmental impact and sustainability, ethics, computational archives and archives as data, or the trend towards outsourcing and working with vendors. We also encourage proposals related to any subject of interest to you, even if they are not directly related to the theme.

A strong proposal for BPE is one that is based on real-world examples and experiences, honestly and openly examines successes and failures, includes practical take-ways, and encourages active participation from attendees. We also invite you to be creative about the format of your proposal.

To connect with others about potential proposals: BPE Proposals Brainstorming Spreadsheet

Call for Expressions of Interest: The Bloomsbury Oral History Handbook

Co-editors Alistair ThomsonAlexander Freund, and Erin Jessee are inviting expressions of interest to contribute chapters to the forthcoming Bloomsbury Oral History Handbook.The Handbook is a substantial English-language volume of approximately 25 essays written by oral historians from around the world and speaking to the practice of oral history in different international contexts. The book will offer an international overview of contemporary oral history theory and practice. It is primarily intended as a scholarly work for academics, postgraduate researchers and advanced level undergraduates, while also being of interest to oral historians working outside the academy.

We are looking for chapters (7500 words) that speak to the following topics:

·Thematic interpretation of interview sets

·Explores how oral historians develop social and historical interpretations using sets of oral history interviews, in combination with other data, and the challenges and contributions of thematic interpretation

·Making oral history exhibitions and place-based installations 

·Explores issues and approaches in the range of practices and places when we make located oral histories that combine different media in multi-sensory ‘memoryscapes’ that engage users and audiences in distinctive ways

·Making audio visual histories

·Explores issues and approaches in making podcasts, website productions, radio programs and filmed documentaries

·Teaching oral history

·Explores approaches and issues in teaching and creating oral history in school, university and community settings, and the use of ‘witnesses’ and witness testimony in educational settings

We are keen to include authors from different parts of the world. We especially encourage submissions that bring creative practitioners into conversation with academic and/or community-based oral historians and related experts, as well as incorporate authors from a range of career stages. To facilitate this, Bloomsbury has agreed to pay a small honorarium to unsalaried contributors.

If interested, please send a revised title (if relevant), 250-word abstract, brief (3-4 sentence) biography for each proposed author, a list of your oral history publications, and a link to your personal or professional website to alistair.thomson@monash.edualexanderfreund9@gmail.com; and erin.jessee@glasgow.ac.uk by 15 February 2023.

Successful authors will be notified of their abstract’s acceptance by early March and will then be expected to submit their draft chapters for review by 1 October 2023.

Call for Papers: Design History and Digital Material Culture, A Special Issue of the Journal of Design History

Guest Editor: Anna K. Talley, Doctoral Researcher, University of Edinburgh

This Special Issue of the Journal of Design History is dedicated to promoting the study of digital material culture. The study of digital material culture is a growing topic of interest in design history, and this Special Issue will form the first foundations for its entry into the field. The issue aims to have a mix of theoretical papers on the study of digital material culture and case-studies of digital objects. The issue will define different kinds of digital artefacts, propose new methods for studying non-analogue and hybrid objects, and hopes to include papers that address museological challenges in curating and collecting digital design, histories of digital design and digital cultural heritage and existing interdisciplinary efforts that have been undertaken to study digital material culture.

Within the academic design community, there is a recognition that digital objects are different. Design theorists Johan Redström and Heather Wiltse wrote in 2018 that ‘the ways things are made and used have fundamentally changed’ because they ‘do not take only physical form’ (Redström and Wiltse, p.6). The cultural significance of these new things has also been recognised by institutions such as museums, galleries, archives and libraries. In early 2022, the UK Arts and Humanities Research Council supported two studies on digital objects as part of their Towards a National Collection initiative: One, titled ‘Preserving and sharing born-digital and hybrid objects from and across the National Collection’, a collaboration between the V&A, Birkbeck University of London and the British Film Institute sought to ‘instigate a conversation and build confidence across the museum sector to support the collecting of born-digital objects, and to lay the foundations for future research in the field’ (Arrigoni et al., p.4). The second, a digital collections audit aimed to ‘understand the number, scale and attributes of digitally-accessible collections across the UK cultural heritage sector that might form part of a future national digital collection infrastructure’ (Gosling and Cooper, 2022, p.1).

Pressingly, researchers have noted that the ephemerality of digital makes it especially prone to disappearance. It is the responsibility of historians, in part, to preserve digital culture heritage through research. This SI is concerned with theoretical papers outlining methods for studying and understanding ontologies of digital material culture. It also is interested in object-focused histories of digital design and institutional critique of the place of digital design in design history and cultural heritage institutions. Potential paper topics might include:

• Histories of digital material culture/digital objects and artefacts.

• Methods for studying non-analogue and hybrid objects.

• Museological challenges in curating and collecting digital design.

• Pedagogy of digital material culture.

• Institutional critiques of the place of digital design in design history and cultural heritage institutions.

This SI is not a “how-to” guide for conducting online research of digital design. Rather, it is concerned with the ontology of digital artefacts and how this affects their study by design historians. This issue will also not address the technical conservation of digital object as such, though discussions about the ephemerality of digital objects is very welcome.

If you would like to discuss an idea for a paper, please contact the guest editor Anna Talley at anna.talley@ed.ac.uk . Please submit abstracts of c.300 words along with a working title, your name and institutional affiliation to anna.talley@ed.ac.uk . The submission deadline for abstracts is 15 May 2023.