CFP: Feminist Media Histories – Special Issue on Gender, Media, and DevelopmentalismCFP:

Guest Editors: Dalila Missero & Masha Salazkina 

With this special issue of Feminist Media Histories we invite contributions that explore the historical role of gender within media production explicitly engaged in developmentalist projects. As an ideological and political framework, developmentalism became especially prominent between the 1950s and the 1990s to conceptualize, discuss, and tackle global inequality. Based on the certainty that economic growth inevitably leads to social progress and modernization, it has been a dominant paradigm driving state and inter-governmental support for various institutional media projects, especially in the context of Asia, Africa, and Latin America on both sides of the Iron Curtain. In a more latent way, developmentalist discourses and representational regimes—as well as their critiques—have also been central to much film and media production in these regions, from radical, grassroots, or independent media collectives to commercial filmmaking. With the inauguration of the United Nations Decade of Women (1975-1985), the issue of gender inequality became increasingly central in developmentalist debates and policies, in tandem with and in response to the agenda of the international women’s movement. Media representations and infrastructures have played a key role in shaping these intersecting processes in a way that remains to be fully explored in media history.  

Analysis of developmentalist media, especially with regards to questions of gender, are also in continuity with post-colonial and intersectional inquiry across and beyond film and media studies. The rejection of the basic tenets of developmentalism embedded in the colonial matrix of power (key among them universalism and the belief in economic indicators as a measure of progress) form the core of the decolonial critique, which emerged around the same period. The status of indigeneity as a distinct epistemological  position, political project, and a way of life likewise stands in sharp conflict with developmentalist projects promoted by states and international institutions intended to  overcome “underdevelopment.” Bringing these perspectives together, decolonial feminism’s attention to patriarchal, misogynistic, and homophobic tensions at work in anti-colonial and anti-capitalist struggles has foregrounded intersectional forms of oppression and shifted the locus of knowledge production to the concrete experiences of women’s struggles across the Global South, with indigenous women often offering the most compelling alternatives to the dominant epistemological paradigms.  

Investigating media projects that resulted from the inevitably contradictory intersection of global developmentalist politics (which have increasingly focused on women and indigenous communities) and on-the-ground women’s movements in Asia, Africa, and  Latin America therefore presents a particularly productive area of transnational decolonial feminist media scholarship. Such gendered understandings and narratives of developmentalism, diverse venues of media production, circulation and reception  advancing these notions, and local and transnational responses to them, however, have certainly not been limited to the recent decades. Research on the broader history of  intersections of gender, media, and developmentalism is yet to be integrated within feminist media historiographies. 

To this end, this special issue seeks to foster new knowledge and develop shared theoretical and methodological frameworks for exploring this topic. We welcome scholarship on different types of media (film, television, radio, digital media, etc), situated within a wide historical period, and from a variety of geographic and geopolitical positions. Contributions may focus on specific case studies as well as on broader methodological and theoretical questions. Possible topics include: 

  • Representations of gender, indigeneity, coloniality, and global inequality in developmentalist media 
  • Feminist (mediated) responses to developmentalism 
  • Queer and trans activism and developmentalist media 
  • Developmentalist media and social, political, and anti-colonial movements
  • Differences and similarities in gender politics of developmentalism across the Cold War divides and their corresponding media forms and ideologies 
  • Archives, counter-archives, technologies, and infrastructures of developmentalist media  
  • Developmentalism and mediated representations of the future 
  • Institutions and agencies (United Nations, UNESCO, the World Bank) as well as governments and NGOs as production sites of media content on gender and  development  
  • Developmentalism in the context of contemporary sustainability and environmental programs (i.e., SDG 2030 agenda), and its intersections with today’s ecofeminist movements and digital media practices 
  • Comparative and/or transnational studies of developmentalism and media

Interested contributors should contact guest editors Dalila Missero and Masha Salazkina directly, sending a 500-word proposal and a short bio no later than February  1, 2024 to d.missero@lancaster.ac.uk and salazkina.masha@gmail.com; contributors will be notified by March 1, 2024; article drafts will be due by October 1, 2024 and will then be sent out for peer review.

Contact Information
Yumo Yan, Managing Editor of Feminist Media Histories: An International Journal

Contact Email
yy2887@uw.edu

URL: https://online.ucpress.edu/fmh/pages/cfp

CFP: 2024 Oral History Australia Biennial Conference

Call for Presentations

Deadline  1 April 2024

Oral history can be powerful in so many ways. Interviews generate potent emotions. Recordings capture the power of voice as well as the power of silence. Multimedia productions engage and connect new audiences with the complexities of the past.

Fundamentally, oral history transforms the historical archive and challenges mainstream histories. It can shift traditional power dynamics, bring forth new voices and perspectives, reshape policies and politics, and shake up old certainties.

Yet those possibilities come with risk as well as reward. Recording sensitive subjects is never easy. Creating an oral history production takes time, skill and care, and sometimes goes wrong. Imaginative re-uses of oral history recordings can raise ethical and legal complexities. And oral histories that disrupt accepted narratives can generate pain and conflict, in families, communities and nations.

Our conference welcomes participants who use oral history in their work across the many fields and disciplines that contribute to community, professional and academic histories. We welcome presenters from Victoria and around Australia, from across the Tasman and throughout the oral history world, from First Nations and culturally diverse backgrounds. We invite proposals for individual presentations, workshops, performances and thematic panels that speak to The Power of Oral History– Risks, Rewards and Possibilities.

Join us in Melbourne in November 2024 for a celebration of the power of oral history. Our conference venue is the state-of-the-art Trinity College Gateway Centre on the campus of the University of Melbourne, in inner city Parkville, close to cafes, restaurants, parks, public transport and accommodation. The venue is accessible with a dedicated lift.

On Thursday 21 November oral history training workshops will be followed by the conference welcome reception in the evening. The main conference will be on Friday 22 and Saturday 23 of November, and on Sunday 24 participants may enjoy a variety of history tours in Melbourne and Victoria.

Conference sub-themes

Conference sub-themes may include, but are not limited to:

  • Indigenous oral histories and oral traditions
  • Oral history, culture and language
  • Interpreting memory in oral history
  • Transgressing boundaries with oral history
  • Documenting diverse voices with oral history
  • Histories of protest, activism and rights
  • Contested memories and histories
  • Oral histories of working lives and social class
  • Migrant and refugee history
  • Gender and oral history
  • LGBTIQA+ oral histories
  • Ethical issues in oral history
  • Technology and oral history
  • Archiving and oral history
  • Giving voice to history through music
  • Oral histories of family, community or place
  • Creative uses of oral history recordings
  • Oral history in galleries, libraries and museums

Requirements

All proposals to present at the conference must be submitted using the conference EasyChair submission portal (see below) no later than 1 April 2024.

We welcome proposals for presentations in a variety of formats and media, including standard paper presentations (typically 20 minutes); short ‘lightning’ accounts of work in progress (typically 5 minutes); participatory workshops; performances; or thematic panels comprising several presenters. Presentations should involve oral history. Contact the Chair of the Conference Program Committee, Professor Alistair Thomson, (alistair.thomson@monash.edu) if you would like to discuss the format or focus of your presentation before you submit it.

Proposals for presentations / papers / panels / posters should be no more than 200 words (single space, 12 point font in Times New Roman) and must include at the top of the page, your name, institutional affiliation (if applicable), postal address, phone number and email address, the title for your presentation/panel, the sub-theme/s your work best connects to, and the presentation format (standard 20 minute paper; 5 minute ‘lightning’ account of work in progress; thematic panel; performance; or participatory workshop).

Presenters will be encouraged to submit papers to the refereed, online Oral History Australia journal, Studies in Oral History.

Submission

New proposals should be uploaded to EasyChair via this link: https://easychair.org/conferences/?conf=oha2024.

To use this online conference management system, you will need to create an author account (a simple process that we have used in previous conferences) and then submit your proposal by uploading it as a PDF document (with full details as listed above).

If you are unfamiliar with EasyChair, please follow the instructions available via a downloadable PDF available at: https://oralhistoryaustralia.org.au/wp-content/uploads/OHA_conference_2024_EasyChair-instructions.pdf.

If you are unable to use this system, please email your proposal as a PDF attachment to ohavictoria2024@gmail.com.

Further information

In launching this website we are also inviting submissions for Presentations. Go to our Call for Presentations to find out more about the conference theme and the guidelines for submitting a proposal.

For conference information or to join the conference mailing list, email our Oral History Victoria hosts at: ohavictoria2024@gmail.com.

CFP: Record, Document, Archive: Constructing the South Out of Region

Record, Document, Archive: Constructing the South Out of Region [edited collection]

Under advance contract with Louisiana State University Press
Editors: Stephanie Rountree, Lisa Hinrichsen, and Gina Caison
Proposals (500 words): November 1, 2023
Completed Chapters (7,000 words): March 15, 2024

As the double meaning of our title suggests, this collection intends “record, document, archive” as a triad of both verbs and nouns. Record, Document, Archive seeks projects investigating processes that record, document, or archive “event in place and time” as well as projects examining artifacts themselves, those records, documents, and archives that evince various souths within the region. Through examining the technologies and traces of recording, documenting, and archiving the U.S. South across disciplines and historical context, this collection asks what it means for the region to be both defined and imagined as a place of documentation.

In particular we welcome contributions that engage with processes and products that are im/material, un/documented, un/collected, or more-than-/human. We invite a wide temporal and disciplinary array of studies on, in, or about multiple iterations and scales of the South (American, Hemispheric, Global, U.S.): whether in recorded time (e.g., archival or media studies), time immemorial (e.g., Indigenous studies), and/or deep time (e.g., geology). 

Guiding questions might include:

  • What un/recorded, un/documented, or un/archived souths exist within or beyond hegemonic concepts? 
  • Within what constitutive or erasing systems have records, documents, and/or archives emerged or endured? 
  • How is “region” a humanist heuristic, one that scholars have perhaps reverse-engineered in our methodologies (broadly defined)? 
  • What alternate ways of knowing the region emerge when earth, life, and information sciences are brought in conversation with southern studies? 
  • What can documentary arts tell us about the dialectics of seeing as they apply to the region? 
  • What do archives cataloged as “southern” reveal about the limits of colonial and capitalist knowledge regimes of nation? 
  • What does the archive, as a collection of documents, a set of practices, and an institution, illuminate about the formation and continued domination of certain ways of understanding the South? 
  • How might the archive (broadly conceived) be a site for reclamation, narrative storytelling, ancestral recalling, and historical revisioning? 
  • How have queer, feminist, and postcolonial studies called into question southern archives or necessitated new documentary practices?

We encourage submissions that challenge Eurocentric documenting practices in disciplines with hegemonic legacies – such as studies in U.S. history, archive, anthropology, geography, literature, and media, and we prioritize scholarship from interdisciplinary approaches such as Indigenous, diasporic, transnational, queer, and environmental studies, among others. We especially welcome contributions interrogating un/documentation and immigration in context of what John-Michael Rivera calls in Undocuments (2021) “the spectral logic of undocumentality” (9). Contributions that engage with “un/documenting” in the broadest sense – conceptually, materially, organically, politically, bureaucratically, technologically, and otherwise – are highly encouraged.

Other Possible Topics Include: 

  • Artifacts and relics (im/material or un/collected); un/written or un/recorded correspondence; oral histories; etc.
  • Archival collection development, acquisitions, and access (copyright, paywalls, open access)
  • Activism in archival studies, museum studies, and information sciences; “liberatory memory work”; community archives
  • Indigenous archives and counter-archives, Indigenous data sovereignty, Indigenous earthworks
  • Undocumented souths and southerners
  • Geological or ecological formations that complicate dominant notions of “the South” or “southern”
  • Lost, erased, ephemeral, speculative or contested archives
  • Ecologies of the archive, the archive as an ecosystem, documenting climate change in the South, archive as conservation, archival migration/assemblage
  • Social and psychological acts of collecting, the emotional and affectual labor of documentary work, ethical and practical issues of curation
  • Digital documentary practices in the South
  • Diverse forms of documentary arts, including but not limited to television, feature and short documentaries, audio recordings, documentary photography and other audiovisual archives about the South
  • Data recovery and digital restoration, archive hacking
  • Recording corporeal testimonies and trauma, the body as archive
  • Disability justice, medical recordkeeping, accessibility issues, the archive as a space of resistance (i.e. the reclamation of knowledge systems, ontologies, and identities structured by disability)
  • Documentary as activism: feminist, trans*, and queer archives in the South, Civil Rights archives, labor archives, documenting the BLM movement, documenting environmental racism
  • Fake archives, mockumentaries, forgery and fabrication, hoaxes, archival appropriation
  • Interactive archives, documentary performances
  • Legal and financial documents, documenting evidence; contracts, policy memos, public records, and balance sheets as archive
  • Official government and/or historical records or recording systems 
  • Memorials and monuments, artifacts and material histories, museums, archival sites and spaces
  • Pedagogies of archival research
  • The role of literature in cataloging, archiving, remembering, and documenting, the memoir as documentary, auto-ethnography
  • Unruly or accidental archives, radical or revolutionary recordkeeping, anarchives, living archives

500-word proposals should be sent to Stephanie Rountree, Lisa Hinrichsen, and Gina Caison at Record.Document.Archive@gmail.com by November 1, 2023. Please also direct any questions about possible submission topics to this email.

For those asked to contribute to the collection, completed essays of approximately 7,000 words will be due by March 15, 2024. Submissions from both established and emerging scholars are welcomed, as is work from multiple perspectives and disciplines. Anticipated publication year is 2025.

Contact Information
Stephanie Rountree (she/her/hers)
Associate Professor of English
University of North Georgia

Contact Email: Record.Document.Archive@gmail.com

CFP: Studies in Oral History

Studies in Oral History, Issue No. 46, 2024

Joint Editors: Skye Krichauff and Carla Pascoe Leahy

Working Lives & Workplaces

Peer-reviewed articles

Contributions are invited from Australia and overseas for the peer-reviewed articles section of the 2024 issue of Studies in Oral History, the journal of Oral History Australia (OHA).

This special issue will explore oral histories of working lives, workplaces and work, all broadly defined to incorporate histories of volunteering, military service and other types of service. Papers that employ or interrogate oral history methodologies and illuminate aspects of working life, workplaces, and workplace culture are invited.

Contributions are invited across the following themes (though are not limited to these):

  • How the experience of work is mediated by gender, ethnicity, class, and generation
  • How technological innovation changed the nature of work
  • How workers have sought to protect their employment rights and conditions
  • Migrants’ experience of the workplace
  • Occupational health and safety
  • Multi-generations of families working at the same workplace
  • Unfree work
  • Work and the environment
  • Workplace closures, redundancies and lay-offs.

As all articles are subject to anonymous peer review, pleasure ensure your submission contains no identifying material. Articles submitted to the Oral History Australia Editorial Board for peer review will first be assessed for suitability by the Editorial Board. Please consult the Guidelines for Contributors and Journal Style Guide for further information.

Word limits and deadlines

To be considered for peer review, articles should be no more than 8000 words, including references. Publication of the issue is anticipated in late 2024.

Deadline for submissions: Friday 1 December 2023.

Submission

Send submissions to: Dr Alexandra Dellios, Chair, Oral History Australia Editorial Board, email editorialboard.journal@oralhistoryaustralia.org.au.

Reports

Submissions are also invited for the reports section of the 2024 issue of Studies in Oral History. Reports may describe oral history projects conducted by academic researchers, museum curators, heritage professionals, consulting historians, community historians and more. Projects may have resulted in public outcomes such as websites, exhibitions, podcasts, theses, articles or books. Please note the reports section is not peer-reviewed; notes from the field, updates on exciting new work, or reflections on the process and/or outcomes of oral history projects are encouraged. Reports which relate to the issue theme of ‘Working Lives and Workplaces’ are welcome but not mandatory.

Word limit: 1,500 words.

Deadline for report submissions: Monday 30 April 2023.

Please send reports to Alexandra Mountain, Reports Editor of Studies in Oral Historyreports.journal@oralhistoryaustralia.org.au

Please note that while the reports are not peer-reviewed, we cannot accept all reports for publication and accepted reports will need to be edited for length, clarity and adherence to the Style Guide. Reports will be selected on the basis of quality of writing, the diversity of oral history perspectives showcased across the reports section and relevance to the special issue theme. Please consult the Guidelines for Contributors and Style Guide for further information.

Call for Proposals: AI in OH Online Symposium

AI in OH: How New and Evolving Technologies Will Impact the Profession

Since the release of OpenAI’s ChatGPT in the fall of 2022, artificial intelligence, or AI for short, has pervaded our shared discourse and lexicon. Myriad organizations and sectors are at once hurriedly embracing and cautiously considering the impacts large language models and complex algorithms might have on their industries. Oral history is not immune to AI’s influence, and in certain cases the profession might already hold extant examples of its effects on practice.

For this online symposium, OHA invites oral history practitioners and scholars from all disciplines who utilize oral history in their work to submit paper or roundtable proposals detailing any number of intersections between artificial intelligence and oral history. Topics could include, but are not limited to:

  • Augmenting/Improving oral history workflows with AI tools
  • Impacts of utilizing oral histories for large language model training
  • Influences of AI in representations of racial/ethnic identity or racial power structures
  • Creative/Productive uses of oral history material via AI tools
  • Ethical considerations regarding AI behaviors or products
  • Ruminations on the future of the field in an AI-driven world

The symposium is tentatively set for the work week of July 15, 2024, with its ultimate timing/length determined by the strength of the submission field. Proposals may either be submitted as stand-alone papers/presentations, a panel of topically coherent papers/presentations, a roundtable centered around a central theme, or a two-hour workshop. Your proposal should include:

  • The title of each paper, presentation, and/or proposed panel/roundtable/workshop
  • An abstract of no more than 500 words for each individual paper/presentation/workshop, or a single abstract for a proposed roundtable
  • Name, affiliation, and email address for each prospective participant
  • A short bio of no more than 250 words for each prospective participant

For those looking to find fellow presenters for their panel, roundtable, or workshop idea, feel free to use OHA’s collaborative Google Doc for the symposium found HERE.

Submit your proposals within the OHA Symposium Portal by January 1st, 2024. If you have any questions about the submission process, please reach out to AI in OH program co-chairs Steven Sielaff (steven_sielaff@baylor.edu) & Sarah Milligan (sarah.milligan@okstate.edu).

Proposals will be reviewed by a program committee in early 2024, with applicants being informed of their acceptance or declination by March 1st, 2024. The full program will be released and registration for the symposium will open shortly thereafter. For future news and updates, please visit the official symposium website: https://oralhistory.org/ai

Contact Information

Steven Sielaff – Associate Director, Oral History Association

Contact Email

Steven_Sielaff@baylor.edu

URL

CfP (Special Issue): Culturally-Specific Museums and Archives: Between Diasporic Culture and Australian Heritage

Call for Papers

Culturally-Specific Museums and Archives: Between Diasporic Culture and Australian Heritage

To migrant communities in Australia and their descendants, dedicated archives and museums documenting culturally-specific material and experiences have been significant spaces for activism, integration, reflexion and community identity. These archives and museums first emerged in the 1950s and 60s, possibly fulfilling similar roles to community associations. Some may have been inspired by a growing interest in local Australian history at this time when many historical societies in regional areas were established; others adopted a more explicitly activist role, viewing their diaspora and its cultural maintenance as a form of opposition to homeland political developments. These early museums and archives include the Estonian Archives in Australia (Sydney, 1952), Lobethal Archives and Historical Museum (Loebethal, 1956), Lithuanian Museum (Adelaide, 1961), Jindera Pioneer Museum and Historical Society (Jindera, 1968), Latvian Museum, (Adelaide, 1970), Ukrainian Museum (Adelaide, 1979), and the Jewish Museum of Australia (Melbourne, 1982).

After the introduction of multicultural policies from the 1970s onwards—in response to grassroots activism emanating from the migrant rights movement and ethnic welfare societies—local and state governments have also funded culturally specific museums as a part of tourism initiatives, particularly in culturally specific precincts, including the Museum of Chinese Australian History (Melbourne, 1984) and the Museo Italiano (Melbourne, 2010), which grew from Co.As.It. Italian Historical Society. At other times, policies around social cohesion in the wake of major events like September 11, 2001 led to the funding of culturally specific museums by Federal and State governments, such as the Islamic Museum of Australia (Melbourne, 2014).

A great deal has been written on the question of community engagement and cultural diversity in museums, as well as diasporic heritage and memory in the Australian context (Szekeres 2011; Darian-Smith and Hamilton 2019; Dellios and Henrich 2021; Kornfeld 1997; Witcomb 2013). The special edition of Humanities Research edited by Claire Farago and Donald Preziosi in 2009, for example, was instrumental in thinking critically about the tensions between multiculturalism, pluralism, and the dictates of national cohesiveness in Australian museums. It was in this context of inquiry that further attention started to be paid to culturally-specific museums and archives, with seminal contributions documenting their history in Australia and the specific place they hold in the museum landscape (Viv Szekeres 2011; Light 2016). Conversations about migrant heritage, however, has remained primarily focused on state-funded museums, often overlooking how these dynamics unfold within community-operated, culturally-specific museums and archives.

We are seeking contributions about culturally-specific museums and archives in Australia, the social roles they have played for migrant and diasporic communities in Australia and beyond, the multilayered identities they promote, their relationship to multiculturalism (as a prescriptive policy framework and as a descriptor of the social milieu), as well as the opportunities and the challenges they represent for the communities that operate them. We are also interested in contributions that examine their relations to local government, state and national museums, libraries and archives dedicated to social history in Australia, exploring differences and similarities in terms of curatorial practices (collecting, preserving and exhibiting), community engagement and institutional features.

Questions underlying this special edition include:

  • How and why did culturally-specific museums and archives emerge in Australia?
  • What do museums or archives have to offer to migrant/diaspora communities in Australia that other means of representations do not?
  • How can culturally-specific museums and archives act as both cultural repositories and dynamic spaces to continue national, transnational, and cross-cultural imagining?
  • To what extent do culturally-specific museums and archives share in a common discourse of interculturality, or alternatively, respond to localised debates and frames of reference?
  • How specific is museum and archival practice in a culturally-specific/community-operated museum?
  • What engagement have culturally-specific museums and archives make with First Nations’ heritage and experiences?
  • How have culturally-specific museums and archives handled relationships with the governments of their places of origin, which can include being involved with Australia’s diplomatic relations with those governments?

Interested participants, please submit your abstract by 20 December to Dr. Virginie Rey at virginie.rey@deakin.edu.au; cc Dr Alexandra Dellios alexandra.dellios@anu.edu.au and Dr Karen Schamberger at kschamberger@nla.gov.au

Contact Information

Contact Email: alexandra.dellios@anu.edu.au

Rejoinder Call for Submissions — The Archival is Political

The Archival is Political

This issue of Rejoinder addresses the power and politics of the archive as an object of fascination for feminist/queer scholars and activists. Carolyn Steedman states that “you find nothing in the Archive but stories caught half way through: the middle of things; discontinuities” (2002, 45), while Gracen Brilmyer argues that archives are assemblages of “people, places, policies, attitudes, environments, and materials across time” (2018, 98). At the same time that archives can be sites of radical hope for the preservation of the histories of women, queer folks, people of color, and otherwise marginalized groups, they are also institutions that have historically enacted immense violence. As Saidiya Hartman asks: “is it possible to exceed or negotiate the constitutive limits of the archive?” (2008, 11). In other words, what is the past, present, and future of feminist and queer archival practice?

We invite interdisciplinary submissions that address the “archival turn” in feminist and queer studies. Submissions may include essays, commentary, criticism, fiction, poetry, and artwork from any discipline. We particularly welcome work that connects archival practice to activism, whether this be archival collections focused on activist history or archival collection as a political project for historical redress. Other topics may include digital archives, fictional archives, archival silences and violence, archival management, and information sciences. Together these contributions will reflect the contradictions of, and aspirations for, feminist and queer archives.

For manuscript preparation details, please see our website at: https://irw.rutgers.edu/about-rejoinderRejoinder is published by the Institute for Research on Women at Rutgers University in partnership with The Feminist Art Project.

This special issue of Rejoinder will be edited by Alexandra Southgate (Temple University). Please send completed written work (2,000-2,500 words max), jpegs of artwork, and short bios to irw@sas.rutgers.edu with “Rejoinder Submission” in the subject line by December 15, 2023.

CFP: Cultural Heritage Institutions SWPACA 2024

Call for Papers: Cultural Heritage Institutions, Southwest Popular / American Culture Association (SWPACA)
45th Annual Conference, February 21-24, 2024
Marriott Albuquerque
Albuquerque, New Mexico
http://www.southwestpca.org

Submissions open on September 1, 2023

Proposal submission deadline: October 31, 2023

Proposals for papers and panels are now being accepted for the 45th annual SWPACA conference. One of the nation’s largest interdisciplinary academic conferences, SWPACA offers nearly 70 subject areas, each typically featuring multiple panels.  For a full list of subject areas, area descriptions, and Area Chairs, please visit http://southwestpca.org/conference/call-for-papers/

The Cultural Heritage Institutions area solicits proposals from librarians, archivists, curators, graduate students, faculty, collectors, writers, independent scholars, and other aficionados (yes! including people who use libraries, archives, and museums!) of popular culture and cultural heritage settings of all types. We also encourage proposals for slide shows, video presentations, panels, and roundtables organized around common themes.

Some suggested topics include:

  • Histories and profiles of popular culture resources and collections in cultural heritage institutions; a chance to show off what you’ve got to scholars who might want to use it
  • Intellectual freedom or cultural sensitivity issues related to popular culture resources
  • Book clubs and reading groups, city- or campus-wide reading programs
  • Special exhibits of popular culture resources, outreach programs, etc. of cultural heritage institutions
  • Collection and organization of popular culture resources; marketing and ethical issues
  • Web 2.0, gaming, semantic web, etc. and their impact on libraries, archives, museums, and digital humanities collections
  • The role of public libraries, archives, museums, and other cultural heritage institutions in economic hard times and natural disasters
  • Oral history projects
  • Digital humanities and other digital/data-based projects on popular culture, the Southwest, and other relevant subjects, both those based in cultural heritage institutions and those in academia or other organizations.

We encourage proposals for panels and roundtables organized around common themes.

All proposals must be submitted through the conference’s database at http://register.southwestpca.org/southwestpca

For details on using the submission database and on the application process in general, please see the Proposal Submission FAQs and Tips page at http://southwestpca.org/conference/faqs-and-tips/

Individual proposals for 15-minute papers must include an abstract of approximately 200-500 words. Including a brief bio in the body of the proposal form is encouraged, but not required.  

For information on how to submit a proposal for a roundtable or a multi-paper panel, please view the above FAQs and Tips page.  

The deadline for submissions is October 31, 2023.  

SWPACA offers monetary awards for the best graduate student papers in a variety of categories. Submissions of accepted, full papers are due January 1, 2024.  SWPACA also offers travel fellowships for undergraduate and graduate students. For more information, visit http://southwestpca.org/conference/graduate-student-awards/

Registration and travel information for the conference will be available at http://southwestpca.org/conference/conference-registration-information/

For 2023, we are excited to be at a new venue, the Marriott Albuquerque (2101 Louisiana Blvd NE, Albuquerque, NM 87110), which boasts free parking and close proximity to dining, shopping, and other delights.

In addition, please check out the organization’s peer-reviewed, scholarly journal, Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, at http://journaldialogue.org/

If you have any questions about the Cultural Heritage Institutions area, please contact its Area Chair, Suzanne Stauffer, Louisiana State University, stauffer@lsu.edu. If you have general questions about the conference, please contact us at support@southwestpca.org, and a member of the executive team will get back to you.

This will be a fully in-person conference. If you’re looking for an online option to present your work, keep an eye out for details about the 2024 SWPACA Summer Salon, a completely virtual conference to take place in June 2024. However, do keep in mind that the Summer Salon is a smaller conference with limited presentation slots and no student funding assistance.

Call for Submissions: Collaborative Librarianship

Countering Weaponized Tradition: Libraries and Archives Using Collaboration and Tradition as a Catalyst for Progress

Guest edited by Erin Renee Wahl and Arlene Schmuland

A lot has been written on the benefits of understanding the history and traditions of organizations when you join the team, but not a lot has been written on the ways history and tradition can be used to affect an organization negatively, or what actual tangible progress comes from understanding this history and using it to instigate positive change. This special issue seeks to open a dialogue that might offer a broader, honest perspective of progress informed by organizational history and traditions in libraries and archives. This issue will explore how librarians or archivists have taken institutional history and tradition and pivoted the narrative towards progressive changes. A relevant topic even prior to 2020, the onslaught of the COVID-19 pandemic showed libraries and archives where their organizations were weakest and has left even the strongest organizations wondering how to leverage tradition for future diversification…and who else to bring into the process. In addition, library and archives employees who were already taxed by the tough realities of work are now asking more serious questions about their work environments and wondering how to leverage traditions and collaborations to create a more progressive work environment.

Some topics you might want to consider include:

  • How do you create buy-in in your library/archives/department to change legacy practices?
  • What pre-COVID traditions has your library/archives shifted as you return to normal? What led you to make this change?
  • What assessment methods do you use to inform shifting traditional practices? Where is your change originating from?
  • How do you encourage new librarians and staff members to utilize their expertise to implement change?
  • Legacy and tradition are not necessarily bad. What legacy practices have you deliberately maintained and why? What led you to this decision?
  • How do you create balance between legacy practices and progressive momentum?
  • It’s not just about planning for shifts: almost every practice shift requires significant labor to achieve. Whether that’s temporary work or changing existing workloads: how have you managed the labor costs of practice changes?
  • How do you work flexibility for change into strategic planning and core library documents?
  • And any other topics you think might be relevant to this!

Don’t forget the collaborative focus…

In keeping with the overall focus of the journal Collaborative Librarianship, all proposals and articles must focus on collaborative approaches to changing weaponized traditions. These approaches will have utilized cooperation between multiple departments, organizations, libraries, archives, etc. rather than an approach handled by single entities. Collaborating entities can be from the same institution but it must be made clear how this cooperation entailed working outside of what departments, etc. have done in the past, and what is “typical” in our field. In addition, we hope to prioritize articles written by co-authors in different libraries, archives, departments, and other disciplines who did this work together.

Please make sure you familiarize yourself with what Collaborative Librarianship prefers to publish by perusing recently published issues and visiting these webpages:

Authors should submit proposals or fully finished articles using the form and instructions to the guest editors via this link: https://forms.gle/QPC1GxbhKe1c5sfo8

CFP: Reimagining Libraries: Exploring the AI & VR Revolution in Library Services

Artificial intelligence (AI) and virtual reality (VR) have emerged as powerful tools that enhance and expand the role of libraries, empowering them to provide innovative services and experiences to their patrons. Delve into the myriad ways AI, VR, and other emerging realities intersect with library services and learn how libraries leverage these developments to redefine their work.

Amigos Library Services is now accepting presentation proposals for the November 30, 2023, online conference, “Reimagining Libraries: Exploring the AI & VR Revolution in Library Services.”

Potential presentation topics can include, but are not limited to:

  • Impact of AI and VR on information literacy and library instruction
  • Intellectual property, privacy, and ethical considerations and challenges
  • AI-driven information retrieval
  • Virtual collections, repositories, and archives
  • Collaborative opportunities and partnerships with AI and VR
  • Automated cataloging and metadata tagging
  • Enhancing user experience

If you are interested in sharing your knowledge and experiences, please submit your proposal by September 20, 2023: https://forms.office.com/r/u9ea0ViSPT(link is external).

For more information about this conference, contact Jodie Borgerding, borgerding@amigos.org(link sends e-mail) or (972) 340-2897.