New/Recent Publications

Books

Chapron, Emmanuelle, and Fabienne Henryot, eds. Archives en bibliothèques, XVIe-XXIe siècles. Lyon: ENS Editions; Institut d’histoire du livre, 2023.

Drawing from the Archives: Comics Memory in the Contemporary Graphic Novel
Crucifix, Benoît
Cambridge University Press, 2023.

Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History
Helton, Laura E.
Columbia University Press, 2023.

On Parchment: Animals, Archives, and the Making of Culture from Herodotus to the Digital Age
Holsinger, Bruce W.
Yale University Press, 2023.

Tactical Publishing: Using Senses, Software, and Archives in the Twenty-First Century
Ludovico, Alessandro
MIT Press, 2023.

Spoils of Knowledge: Seventeenth-Century Plunder in Swedish Archives and Libraries
Molin, Emma Hagström
Brill, 2023.

Digital Humanities in the Library, Second Edition
Arianne Hartsell-Gundy Laura Braunstein Liorah Golomb
ACRL, 2024

Journalism History and Digital Archives
Edited By Henrik Bødker
Routledge, 2021

The Specter and the Speculative: Afterlives and Archives in the African Diaspora
Edited by Mae G. Henderson, Jeanne Scheper and Gene Melton II
Rutgers University Press, 2024

The Pre-Modern Manuscript Trade and its Consequences, ca. 1890–1945
Edited by Laura Cleaver, Danielle Magnusson, Hannah Morcos and Angéline Rais
ARC Humanities Press, 2024

Self-Determined First Nations Museums and Colonial Contestation: The Keeping Place
Robert Hudson, Shannon Woodcock
Routledge, 2022

Welcoming Museum Visitors with Unapparent Disabilities
Beth Redmond-Jones, ed.
Rowman & Littlefield, 2024

Materialities in Dance and Performance: Writing, Documenting, Archiving
Gabriele Klein / Franz Anton Cramer (eds.)
transcript, 2024

Global Voices from the Women’s Library at the World’s Columbian Exposition
Feminisms, Transnationalism and the Archive

Marija Dalbello, Sarah Wadsworth, eds.
Palgrave Macmillan, 2023

Illustration and Heritage
Rachel Emily Taylor
Bloomsbury, 2024

Articles

Jatowt, A., Sato, M., Draxl, S. et al. Is this news article still relevant? Ranking by contemporary relevance in archival search. Int J Digit Libr 25, 197–216 (2024). https://doi.org/10.1007/s00799-023-00377-y

Garg, K., Jayanetti, H.R., Alam, S. et al. Challenges in replaying archived Twitter pages. Int J Digit Libr 25, 217–236 (2024). https://doi.org/10.1007/s00799-023-00379-w

Alenka Kavčič Čolić, Andreja Hari. “Improving accessibility of digitization outputs: EODOPEN project research findings.” Digital Library Perspectives 40, no. 2 (2024)

Podcasts

Archives in Context: Season 8, Episode 3: Maryna Paliienko

CFP: Beta Phi Mu Scholars Series Books by Rowman & Littlefield

The Beta Phi Mu Scholars Series, published by Rowman & Littlefield, an imprint of Bloomsbury, welcomes book proposals that advance knowledge in the discipline and profession of library and information science. The following broad topics are suggestions that future authors may wish to undertake, but is by no means an exhaustive list:

  • The economics of information and libraries
  • Innovative service options in different environments
  • Technologies that facilitate librarians’ and information specialists’ work
  • Examination of the dynamics of communities
  • Complexities of decision making
  • Developing professionals to make differences in organizations
  • Research into communication challenges
  • Serving ethnically, culturally, and/or linguistically diverse populations
  • Creating models for the sustenance of leadership in organizations

More information about the series can be found here. To see our most recent publications, please view the Rowman & Littlefield website.

Authors are asked to submit proposals that include the following:

  1. Working title
  2. Expected publication date and anticipated timeline
  3. Estimated length of manuscript
  4. Summary
  5. Outline of chapters
  6. Drafted chapter (if possible)
  7. Explanation of the significance of the manuscript
  8. Resume or vita addressing author’s qualifications

Inquiries, questions, and proposals should be sent directly to the Editor, Andrea Falcone, at bpmseries@gmail.com.

CFP: Historic House Museums: Nordic Perspectives

The anthology Historic House Museums: Nordic Perspectives (tentative title) presents a broad range of perspectives on historic house museums in the Nordic countries – Denmark, Sweden, Norway, Finland, Greenland, Faroe Islands, and Iceland. The book sheds light on how the Nordic countries understand, define, preserve, exhibit, manage, and communicate about our historic house museums. This includes house museums in the broadest sense of the word – from farmhouses, manor houses, artist homes, bunker museums, open air museums, and other types of historic buildings that have been preserved, and where people have lived for shorter or longer periods of time.

Much of the current literature on historic house museums comes from the US or the UK, where many efforts have been made to create overviews, categories, and definitions that clarify a typology for historic house museums and how historic house museums can be understood.

In our anthology, we want to contribute to this literature by presenting perspectives on historic house museums from the Nordic countries, where our unique cultures, history, and climate come into play. In some ways, the Nordic countries are very different from one another, but in other ways we are closely connected, not least through political history, language, culture, and to some extent – climate. This anthology will present perspectives from the Nordic countries regarding the most pressing issues, challenges, and potentials related to historic house museums in this region of the world. This includes perspectives on preservation and conservation, organisational perspectives, interpretation, collections, dissemination and visitor communication, community and identity, material or immaterial heritage, and not least more general discussions of how historic house museums are defined, categorised, and understood in the different Nordic countries.

The anthology targets museum staff, researchers, and academic students who work within the fields of museums & cultural heritage. It aims at giving Nordic house museums and Nordic house museum researchers a voice in international discussions about the definitions and value of this unique category of museums.

More about the call and the topics: https://museologi.au.dk/publikationer/call-for-papers

We ask authors to submit article proposals of between ½ and 2 pages.

The submission date is October 1st, 2024

Information about submissions can also be found at this link:

https://museologi.au.dk/publikationer/call-for-papers

Contact Information
Project manager, Mia Falch Yates
Department of Art History & Museology, Aarhus University
Contact Email: my@cc.au.dk

URL: https://museologi.au.dk/publikationer/call-for-papers

Attachments

Call for Papers. Pdf

CFP: The Anthem Impact in Historic Built Environments and Material Culture

The Anthem Impact in Historic Built Environments and Material Culture series publishes concise, cutting-edge scholarly works on architecture, landscapes, significant cultural artifacts and their respective overlaps and intersections with intangible cultural heritage. This series seeks scholarly works ranging from 20,000 to 30,000 words, delving into the exploration of how cultural traditions imbue meaning into places and artifacts. Given the interdependence between historic built environments, material culture, and ecosystems, we also welcome inquiries examining the role of natural heritage. The unique coverage of this series will be of interest to students, educators, scholars and lifelong learners. 

Series Editor 
Barry L Stiefel, College of Charleston, US. 

Proposals 
We welcome submissions of proposals for challenging and original works from emerging and established scholars and practitioners that meet the criteria of our series. We make prompt editorial decisions. Our titles are published in digital and print editions and are subject to peer review by recognized authorities in the field. Should you wish to send in a proposal for original research, literature review / analytical surveys, advanced tutorials or other reference works, please contact us at: proposal@anthempress.com.

Contact Information

Proposals can be submitted to proposal@anthempress.com

Questions can be submitted to stiefelb@cofc.edu 

Contact Email

proposal@anthempress.com

URL: https://anthempress.com/anthem-impact-in-historic-built-environments-and-material-culture

Call for Book Proposals: Palgrave Studies in Queer Literary, Visual and Material Cultures

NEW SERIES
Call for Proposals
Palgrave Studies in Queer Literary, Visual and Material Cultures

https://link.springer.com/series/17238

Series Editors

  • Michel Bronski, Professor of the Practice in Media and Activism in Studies of Women, Gender, and Sexuality, Harvard University, USA
  • Dominic Janes, Professor of Modern History, Keele University, UK
  • Kate Thomas, K. Lawrence Stapleton Professor of Literatures in English, Bryn Mawr College, USA

Brief Description 

Palgrave Studies in Queer Literary, Visual and Material Cultures tests, contests and expands the boundaries of queer studies in global and transnational contexts and across historical periods. The series engages a wide range of cultural production including literature, graphic narrative, film, performance, architecture, art, virtual design, interior and furniture design, and landscape design. We welcome titles that bring “queer” cultures and sexualities into conversation with related areas of enquiry, especially critical race theory, trans studies, disability studies, feminist theory, eco-criticism, post-colonial theory, and Marxist theory. The series is dedicated to cross-cultural, interdisciplinary and intersectional work across many forms of difference and diversity.

Although the series will focus on Anglophone works we invite research that crosses over from other disciplines and cultural contexts. For example, a book on late Victorian British queer male writers might discuss the influence of the French decadent writers of that period, as well as other aspects of European literary production. Or, again, work that explores British visual and textual cultures from India might usefully contextualise them in relation to subcontinental practices and understandings of sexuality and art.

The editors welcome new book proposals for monographs (70,000-100,000 words) and edited collections (80,000-125,000 words).

If you’re interested in submitting a proposal, please contact the Executive Editor for Literature at Palgrave Macmillan, Molly Beck (molly.beck@palgrave.com). 

Contact Information

Executive Editor for Literature at Palgrave Macmillan, Molly Beck (molly.beck@palgrave.com). 

Contact Email

molly.beck@palgrave.com

URL

https://link.springer.com/series/17238

CFP: Engaging with Big and Small Historical Data

The material that historical research – and humanities scholarship in general – is based on traditionally carries names like ‘archival’ or ‘primary sources’. The ongoing disciplinary movement towards digitization and datafication forces us to engage with our material in new ways: it becomes data. The aim of the volume Engaging with Big and Small Historical Data, under contract with Routledge as a part of their Engaging with… series, is to provide a guide for the scholarly community of historians to reflect on the consequences of these current developments. We invite historians and other scholars with an interest in this topic to contribute to the volume. 

The structure of the volume is based on the following question regarding the datafication of historical scholarship. We are specifically looking for scholars interested in contributing to the named chapters within each of these parts of the volume, although we are open to any other suggestions that fit the aims of this volume:

0. Defining Data. The growing abundance of data has long been celebrated under the guise of ‘big data’. The contributions that this volume will start with will together address the most important debates that underlie this rhetoric. They elaborate on the epistemological consequences of thinking in terms of big data, on the rhetoric of ‘newness’ of big data, and on questions of bias, power, and inequality that come with big data.

Available chapters:

  • Historicizing the data deluge
  • Data (and) inequality: power and ethics

1. Where are data to be found? Data is not always stored in the archives and libraries that we know how to work with. Preconditions for access to data are changing. Historians have to cope with paywalls, versioning, permissions, and formats. They have to learn about OCR, image recognition, and other techniques. Most of all, they are usually not in control of what material is or can be turned into data. This raises crucial questions about what material can be worked with as data in the first place, and what material is being left out, excluded, overseen, or forgotten.

Available chapters:

  • Digitization and the role of heritage institutions

2. How do we engage with data? Working with data impacts the epistemological preconditions of historical scholarship, if only because its methodologies usually originate from other fields of research. Does working with data necessitate a (new) quantitative turn in historical scholarship, or can it be integrated into hermeneutic traditions? How do current developments in artificial intelligence and machine learning, which have a huge potential for historical research, impact traditional views on methodological reflection and source criticism?

Available chapters:

  • Becoming interdisciplinary
  • Data and open science: presenting scholarship in the digital age

3. What can we find in data? Tools and techniques for computational analyses of data are advancing with great speed, and historians and other scholars have been using them in a large variety of ways to study history. These techniques allow for new research questions, as well as new perspectives on familiar questions.

Available chapters:

  • Maps
  • Reconstructions

The title of this volume aims to capture the often intertwining trends that are hidden under these questions. It refers to the various dimensions of scholarship that come with digitization and born digital data. In addition, the juxtaposition of big and small also evokes two widely discussed approaches to using data in a humanities context – which are all but mutually exclusive. A more elaborate introduction to the volume’s aims and design can be found at http://tinyurl.com/BigandSmallData

The volume primarily aims to target the field of history. However, even if based on historical examples, the contributions to this volume are to have relevance for other fields of humanities research. After all, the historical data that is being digitized is used in a wide range of fields, from cultural studies to philosophy and from media studies to linguistics. Therefore, scholars from adjacent fields working with historical data are also warmly invited to contribute.

Contributions are ca. 7000 words long (excl. bibliography) and, ideally, relate to a combination of concepts, key terms/methodologies and case studies. Due date for the first draft of contributors’ chapters is Jan 1, 2025. Revised chapters are due in the Spring of 2025. Expected publication of the volume is the Fall of 2025.

Interested scholars are asked to send proposals of max. 300 words no later than July 1, 2024 to volume editor Pim Huijnen at p.huijnen@uu.nl, who you may also contact with any questions. 

Contact Information

Pim Huijnen, Utrecht University

Contact Email

p.huijnen@uu.nl

URL

http://tinyurl.com/BigandSmallData

Call for Proposals/Contributions for Emergent Strategy in Library Instruction: Stories, Reflections, and Imaginings

Call for Proposals/Contributions for Emergent Strategy in Library Instruction: Stories, Reflections, and Imaginings

Working Title: Emergent Strategy in Library Instruction: Stories, Reflections, and Imaginings

Editors: Leah Morin and Hazel McClure

Submission Deadline: June 21, 2024

Publisher: Library Juice Press

Book Description

Have you ever experienced a teaching moment where a subtle shift in attention or a choice to value presence over the plan resulted in an unexpectedly meaningful learning experience? You were likely engaging in emergent strategy, and we invite you to share your story and voice in a new collection, Emergent Strategy in Library Instruction, anticipated in 2026 from Library Juice Press.

Background

adrienne marie brown’s emergent strategy is a feminist, afrofuturist exploration of human relationships, responses to change, and our capacity to dream for more just and beautiful futures. These concepts naturally align with library instruction, allowing students to learn through information and integrate it into new knowledge, understanding, and action.

Principles of Emergent Strategy

The principles of emergent strategy, as outlined in brown’s works, are summarized as follows:

  • Change is constant. Be like water.
  • Small is good, small is all. The large is a reflection of the small.
  • Less prep, more presence.
  • What you pay attention to grows.
  • There is a conversation in the room that only these people in this moment can have. Find it.
  • Move at the speed of trust: focus on critical connection more than critical mass.
  • Trust the people. If you trust them, they become trustworthy.
  • Never a failure, always a lesson.
  • There is always enough time for the right work.

Call for Contributions

We invite submissions of varying lengths, genres, and formats, including but not limited to:

  • Stories
  • Lesson plans
  • Curricula
  • Doodles/Sketches
  • Creative writing (poetry, song, flash fiction)
  • Scholarly writing
  • Interviews/conversations

In all pieces, we encourage authors to demonstrate the connection to emergent strategy and how this approach led to learning.

Submission Guidelines

Please submit your story or idea using the provided form by June 21, 2024. Submissions should be accompanied by a brief abstract outlining the proposed content.

About the Editors

Leah Morin (she/her) is an Information Literacy Librarian at Michigan State University, focusing on first-year writing students. Her research interests include incorporating the feminist ethic of care and emergent strategy concepts into teaching.

Hazel McClure (she/her) serves as the Head of Liberal Arts Programs at Grand Valley State University. Her scholarship explores high-impact practices, information literacy, collaboration with faculty, and teaching information literacy in professional writing contexts.

Contact and Submission

For questions and submissions, please contact the editors via email at editors.emergentstrategy@gmail.com. Submissions can be made using the provided form: Submission Form Link

Call for Proposals: Disability Heritage: Participatory and Transformative Engagement (Key Issues in Heritage Studies, Routledge)

Editors: 

Manon S. Parry, Professor of Medical and Nursing History at VU Amsterdam and Associate Professor of American Studies and Public History at the University of Amsterdam

and

Leni Van Goidsenhoven, Assistant Professor of Critical Disability Studies at the University of Amsterdam and Visiting Professor of Critical Disability Studies at Ghent University

Call for Proposals:

Disability is “everywhere and nowhere” in heritage.[1] Even in settings where disability is obviously embedded, as in collections and sites associated with war, medicine, and industry, the experiences of disabled people often go unacknowledged or uncritically presented in the service of another story. When they are included, their stories have often been pushed to the margins. Framing disabled people in this way, as a small (yet diverse) group separate from mainstream society, ignores the mutual constitution of the categories of disability and able-bodied or neurotypical and neurodivergent, and minimizes the presence and contribution of disabled people throughout history and across society. By reinforcing boundaries between the disabled and the non-disabled, such an approach not only obscures the ways we are connected, but furthermore contributes to disability illegibility in heritage and history, as well as to enduring stigma and ableism.

The inclusion of cultural participation in the 2008 UN Convention on the Rights of Persons with Disabilities generated widespread attention to disability in the heritage sector.[2] The majority of this work has focused on museums, and primarily on accessibility, with a smaller but expanding emphasis on the representation of disabled lives in collections and exhibitions, and among a diversified staff.[3] Yet more radical participatory approaches have the potential to transform heritage at every level, from institutions, people and practices to events, archives, and memories. The proposed volume moves beyond existing work to consider a broader range of cultural contexts, including archives, monuments, (in)tangible cultural heritage such as art and performance, and the built environment, and to address preservation, participation, and engagement rather than the more common focus on heritage consumption. 

Building on existing scholarship and concepts such as “inclusive capital” “archival autonomy,” “disability gain,” and  “crip technoscience,” chapters will critically analyse the benefits and challenges of embedding disability perspectives and examine the impact on heritage, organisations, and career trajectories.[4] The collection will demonstrate the wide relevance of disability history and its traces across all forms of heritage, from archeological, industrial, military, medical, and educational to cultural, digital, and intangible. 

The editors are particularly interested in submissions from disabled authors and co-authored chapters where heritage professionals and artists, activists, and representatives of disability organisations reflect critically on the theme. Scholarly essays, for example analysing heritage concepts or trends, are also welcome. The volume is international in scope and aims for intersectional analyses.

Possible topics include:

-transforming and transformative heritage

-erasure in heritage collections and sites

-at-risk materials, spaces, and histories

-strategies for intervening and challenging misrepresentation

-processes and products of co-creation and community-building

-training, mentoring, and leadership work

-integrating feminist or healthcare perspectives with critical disability studies approaches

-cripping heritage

-embodied heritage engagement

-heritage activism, including interventions, happenings, and protest

-contested heritage/institutional heritage/dark heritage

Timeline:

Chapter proposals due 15 June 2024: 500 words (not including references) 

To be submitted along with a brief biographical statement, via email to m.s.parry@uva.nl and l.vangoidsenhoven@uva.nl with the subject heading “DISABILITY HERITAGE PROPOSAL.” Respondents will be notified of the editors’ decision by 15 July 2024.

First full chapter drafts due 1 December 20246500 words (including references)

Returned withfeedback from the editors by the end of January 2025. Revised chapters will then be due with 2-4 months, depending on the extent of suggested revisions.

[1] Douglas C. Baynton, “Disability and the Justification of Inequality in American History,’ in (eds.) Paul K. Longmore and Lauri Umansky, The New Disability History: American Perspectives, (New York: New York University Press, 2001); Research Centre for Museums and Galleries and National Trust, “Everywhere and Nowhere: Guidance for Ethically Researching and Interpreting Disability Histories,” (2023), https://le.ac.uk/rcmg/research-archive/everywhere-and-nowhere.

[2] Neža Šubic & Delia Ferri, “National Disability Strategies as Rights-

Based Cultural Policy Tools, International Journal of Cultural Policy, 29:4 (2023), 467-483.

[3] Richard Sandell, Jocelyn Dodd and Rosemarie Garland-Thomson (eds.) Re-Presenting Disability: Activism and Agency in the Museum (London/New York: Routledge, 2010).

[4] Simon Hayhoe, Cultural Heritage, Ageing, Disability, and Identity Practice, and the Development of Inclusive Capital (London/New York: Routledge 2019); “Archival autonomy is here defined as the ability for individuals and communities to participate in societal memory, with their own voice, becoming participatory agents in recordkeeping and archiving for identity, memory and accountability purposes.” Joanne Evans, Sue McKemmish, Elizabeth Daniels, and Gavan McCarthy, “Self-determination and Archival Autonomy: Advocating Activism,” Archival Science 15 (2015), 337–368, quoted in Chloe Brownlee-Chapman, Rohhss Chapman, Clarence Eardley, Sara Forster, Victoria Green, Helen Graham, Elizabeth Harkness, Kassie Headon, Pam Humphreys, Nigel Ingham, Sue Ledger, Val May, Andy Minnion, Row Richards, Liz Tilley, Lou Townson, “Between Speaking Out in Public and Being Person-Centred: Collaboratively Designing an Inclusive Archive of Learning Disability History,” International Journal of Heritage Studies, 24 (8), 889-903; Kelly Fritsch, Aimi Hmaraie, Mara Mills, David Serlin, “Introduction to Special Secion on Crip Technoscience,” in: Catalyst Vol 5:1 (2019).

Contact Information

Prof. dr. Manon S. Parry

Medical and Nursing History, VU Amsterdam

American Studies and Public History, University of Amsterdam

http://www.uva.nl/profiel/p/a/m.s.parry/m.s.parry.html

Mailing Address:

Department of History, European Studies and Religious Studies

University of Amsterdam

PO Box 1610, 1000 BP Amsterdam

Contact Email

m.s.parry@uva.nl

Call for poems, stories, personal essays, and images about archives

For the past year or so, we have been gathering poems, essays, art, and other creative works about archives, archival work, and recordkeeping and posting them to https://imagesofarchives.org.

It is a wide net we have cast but fun and thought-provoking.

We are now looking for others to join us. We seek especially archivists who are poets, storytellers, and essayists; we seek archivists who would be willing to put down on paper their reactions to other writers, within or outside the archives. Submissions will be considered for the website and, ultimately, for a book.

In terms of the images, we encourage those with backgrounds in art history to respond not only with images they select but also to those images chosen by Barbara Craig and James O’Toole in “Looking at Archives in Art” (2000) or those in the recent project of José Luís Bonal and his investigation of the representations of archival documents in art in the National Gallery (UK). Visual images (photographs or artwork showing records, record keepers, or settings) should be submitted as low-resolution copies.

To recap, acceptable submissions may include, but are not limited to:

• Your fiction, poetry, creative nonfiction, or mixed media;

• Personal essays that explore the history, architecture, practices, locations, and representation of archives in the cultural imagination, whether in fiction, poetry, recordings, images, art, or film;

• Images of records and recordkeeping as seen and interpreted by archivists;

• The examination of particular documents or sets of records that move archivists to consider the broader meanings of our profession or the utilization of documents to inspire poetics or literature;

• And finally, other creative work you can suggest pursuing.

Please send submissions, ideas, and queries, by July 1, to:

Susan Tucker and Camille Craig, via visionsofarchives@gmail.com. As we proceed, we will organize a peer review process under other readers.

Best wishes,

Susan Tucker, CA., PhD. (she/her/hers)

Co-editor, The Letters of Josephine Louise Newcomb

504-616-8297

susannah@tulane.edu

and

Camille Craig (she/her/hers)

Graduate Student, LSU School of Information Science

Poet and Aspiring Archivist

ccrai34@lsu.edu

New/Recent Publications

Articles

Silva, P. I., & Terra, A. L. (2024). The role of users in the organization of digital information: A Portuguese experience in an academic museum and archive setting. IFLA Journal50(1), 64-74. https://doi.org/10.1177/03400352231219667

Silva, A. L., & Terra, A. L. (2024). Cultural heritage on the Semantic Web: The Europeana Data Model. IFLA Journal50(1), 93-107. https://doi.org/10.1177/03400352231202506

Milošević, M., Horvat, I., & Hasenay, D. (2024). Open educational resources on preservation: An overview. IFLA Journal50(1), 138-150. https://doi.org/10.1177/03400352231219660

Makarova, O., & Ashcraft, K. (2024). Integrating print reference materials, curated digital collections, and information needs. IFLA Journal50(1), 151-159. https://doi.org/10.1177/03400352231219670

Gibson, R.C., Chowdhury, S. & Chowdhury, G. User versus institutional perspectives of metadata and searching: an investigation of online access to cultural heritage content during the COVID-19 pandemic. Int J Digit Libr 25, 105–121 (2024). https://doi.org/10.1007/s00799-023-00385-y

Skare, R. (2024), “The importance of a complementary approach when working with historical documents”, Journal of Documentation, Vol. 80 No. 3, pp. 618-631. https://doi.org/10.1108/JD-03-2023-0060

Wulf, Karin. “ARCHIVAL SHOUTING: Silence and Volume in Collections and Institutions.” Perspectives on History April 2024.

Pettinger, Sara and Foster, Anne L. (2024) “Documenting Wonderland: Conducting a Collection Survey to Inform Collecting Policies,” Journal of Western Archives: Vol. 15: Iss. 1, Article 4. Available at: https://digitalcommons.usu.edu/westernarchives/vol15/iss1/4

Milenkiewicz, Eric L. (2024) “Leveraging the Protocols for Native American Archival Materials to Support Indigenous Digital Collections: A Case Study from the Sherman Indian Museum Digital Project,” Journal of Western Archives: Vol. 15: Iss. 1, Article 3.
Available at: https://digitalcommons.usu.edu/westernarchives/vol15/iss1/3

Birrell, L. (2024). More Than Just Boxes and Lines on a Page: Stories from a Special Collections Department Reorganization. Library Leadership & Management, 37(4). https://doi.org/10.5860/llm.v37i4.7585

Books

Jo Guldi. The Dangerous Art of Text Mining: A Methodology for DigitalHistory. 
Cambridge University Press, 2023