New/Recent Publications

Articles

Itza A. Carbajal, Tara Saleh, Yubing Tian, Marika Cifor, & Ricardo Gomez. “A Labyrinth of Public Information: A Cross-Case Analysis of Ongoing Research and Advocacy Using Public Records Requests.” The Journal of Civic Information 6, no. 2 (September 2024).

Treasa Harkin. “Interactive Scores at the Irish Traditional Music Archive (ITMA).” Fontes Artis Musicae Volume 71, Number 3 July–September 2024.

Emma C. Beck, Terri L. Holtze, Rachel I. Howard, and Randy Kuehn. “Customizing Open-Source Digital Collections: What We Need, What We Want, and What We Can Afford.” Code4Lib Issue 59, 2024-10-07.

Challen R. Wright & Rayla E. Tokarz. “Analyzing course descriptions and student learning outcomes for digital primary source collection development.” Journal of Electronic Resources Librarianship vol. 36 (2024).

Books

Access to Special Collections and Archives: Bridging Theory and Practice
Jae Jennifer Rossman
Rowman & Littlefield, 2024

Architecture, Media, Archives: The Fun Palace of Joan Littlewood and Cedric Price as a Cultural Project
Ana Bonet Miró
Bloomsbury, 2024

Future Stories in the Global Heritage Industry
Edited By Alia Yunis, Robert Parthesius, NiccolòAcram Cappelletto
Routledge, 2024

Heritage and Wellbeing: The Impact of Heritage Places on Visitors’ Wellbeing
Faye Sayer
Oxford University Press, 2024

Inclusive Cataloging: Histories, Context, and Reparative Approaches
Amber Billey, Elizabeth Nelson, Rebecca Uhl, Core
Facet Publishing, 2024

Yves Pérotin (1922-1981): L’archiviste inimitable (Yves Pérotin (1922-1981): The inimitable archivist)
Anne-Cécile Tizon-Germe, Édouard Vasseur
l’École nationale des chartes – PSL, 2024

Objects in the Archives: Modern Material Culture and Heritage in the North
Edited By Kristján Mímisson, Davið Ólafsson
Routledge, 2024

Digitization, Copyright and the Law: Copyleft and the Future of Intellectual Property
Ettore M. Lombardi
Routledge, 2024

Recruiting and Managing Volunteers in Museums and Other Nonprofit Organizations: A Handbook for Volunteer Management, Second Edition
Kristy Van Hoven and Loni Wellman
Rowman & Littlefield, 2024

Intentional Destruction of Cultural Heritage and the Law: A Research Companion
Edited By Alberta Fabbricotti
Routledge, 2024

Surveillance Law, Data Retention and Human Rights: A Risk to Democracy
Matthew White
Routledge, 2024

Stardust: Cinematic Archives at the End of the World
Hannah Goodwin
University of Minnesota Press, 2024

Human Rights Museums: Critical Tensions Between Memory and Justice
Jennifer Carter
Routledge, 2024

Podcasts

Discover Library and Archives Canada, Porter Talk

Archives & Things, Phil Vassell & Donna McCurvin, Canada Black Music Archives

Reports

A Digital Knowledge Act for Europe
COMMUNIA Association

Call for Feedback: “Digital Preservation: A Critical Vocabulary”

Dear Colleagues,

I am excited to share that Trevor Owens and I are working on an edited volume titled “Digital Preservation: A Critical Vocabulary,” which is currently under contract with MIT Press.

To ensure that this work is both high-quality and impactful, we are opening an online open access preprint/draft for public comment. We invite you to read through the draft chapters and share your feedback. Your insights and suggestions are vital for enhancing this publication and making it as valuable as possible for the community.

How You Can Participate:

  • Read and Comment: Access the draft chapters and leave your comments here: https://digital-preservation-a-critical-vocabulary.pubpub.org/
  • Deadline for Initial Feedback: Comments received by November 1st will be most helpful, but your feedback after this date is still greatly appreciated.
  • Whether you are an expert in the field or simply interested in digital preservation, your participation will make a significant difference. Please take this opportunity to contribute to this important project.

Please feel free to share this with colleagues who may be interested.

Thank you in advance for your time and valuable input!

Rebecca & Trevor

——————————
Rebecca Frank
Assistant Professor
University of Michigan
frankrd@umich.edu

Call for Chapters: Remembering and (Re)remembering Social Justice in the 21st Century

Remembering and (Re)remembering Social Justice in the 21st Century

deadline for submissions: October 20, 2024
full name / name of organization: Ben Alexander. Columbia University
contact email: bea3@columbia.edu

Call for Papers
New Volume: Remembering and (Re)remembering Social Justice in the 21st Century 
Publisher: FACET

Please Submit a 500 word Abstract by October 20.    

We are looking for 3, maybe 4, chapters to complete our volume that is in-contract with FACET.  Verne Harris will be authoring our Forward, Trudy Peterson our Introduction and Verne Harris our Afterword.  Chapter titles include:

  • Bending the Arc of History Toward Justice: The Romero Institute and the Digital Transformation of Social Justice Work in the Twenty-First Century – Indigenous Rights and Environmental Justice
  • Justice as Morality, Morality as Justice: Cultivating a Moral Vision of Archival Capabilities and Human Dignity
  • Out of the Institutional Archive and on to the “Digital Streets”: Restoring Community Access to the Squatters’ Collective Oral History Project
  • The US Opioid Crisis through the Records Lens: Corporate Malfeasance and Justice Seeking.
  • The Archimedes Palimpsest, They Shall Not Grow Old and Shoah’s Interactive Holograms: Making Social Justice History Contemporary 
  • Recordkeeping for Menstrual Data: Privacy, Mobile App Analytics, and Consent

From the end of World War II through the change in millennia intersections between the evolution of the post-modern archive and the formation of post-modern historical discourses intersected concerns for social justice within complex geo-political landscapes composed of fractious post-colonial environments, Cold War interests, and often violent confrontations (within western democracies) centering on demands for inclusion and plurality.  In general, the archive created precedent for the extension of Activisms around the world by incorporating new forms of material remembrance that provided precedent for newly imagined forms of collective memory.  Indeed, while it may seem quaint today, archives struggled to preserve unprecedented quantities of visual materials (both moving image and static) as well as new forms of manuscript materials (mimeographs, Zines etc.) that in their day seemed dangerously ephemeral but were absolutely essential to social justice movements.  Further, the archivist had to imagine new ways to engage new forms of civil rights actions and movements. 

Scholars, archivists and activists today are confronted with similar challenges.  Activist cultures are now largely immaterial.  Activist movements are often global in reach but shaped by geographically specific cultures.  The archivist today must assume new agencies to engage and document social justice actions and movements.  Indeed, the distinction between archivisms and activisms is decidedly blurred. 

Our volume seeks collaborative and international discussion among scholars (from a breadth of interests), as well as activists and archivists to engage the tremendous challenges that threaten the historicity of 21st century social justice movements around the world.  

We are especially interested in 6 categories of research.

1)    What distinguishes 21st century social justice actions from 20th century activisms?  What unities and agencies remain consistent among movements including Occupy, The Arab Spring, and BLM?     

2)    Has the evolution in the very nature of social justice advanced expectations of the archivist?  Must the 21st century archivists assume activist agencies?  Might 21st century archivists require sensitivities (perhaps training) that is additional to 20th century models?  

3)    What will distinguish a 21st century social justice archive from its 20th century counterparts?  It would seem that the very core of archival practice will require careful revaluation in new and unique 21st century contexts.

4)    Certainly, we are experiencing an unprecedented loss of faith in authenticity – a troubling advent for the archive.  How will records produced within complex 21st century digital matrices assume accustomed authority (based on their authenticity).  These are concerns that were vastly limited within the scope and reach of material world. 

5)    From a most contemporary point of view, we will want to consider the tensions between recent political evolutions and assumptions about the very nature of private information specifically and who controls information that is intended to hold government accountable more generally. 

6)    Finally, we are looking for a broad international perspective.  The examples of 21st century social justice referenced above (Occupy, Arab Spring, and BLM) are definitively international in their reach.  How might the experience of these previous revolutionary actions inform approaches to documenting more contemporary social dispensation.  We are especially interested in perspectives from activists and archivists from around the world.  

New/Recent Publications

Books

The Specter and the Speculative: Afterlives and Archives in the African Diaspora
Edited by Mae G. Henderson, Jeanne Scheper and Gene Melton II
Rutgers University Press, 2024

Journalism History and Digital Archives
Bødker, Henrik (Ed.)
Routledge, 2023

New Approaches to the Archive in the Middle Ages: Collecting, Curating, Assembling
Edited By Emily N. Savage
Routledge, 2024

Mind Museums: Former Asylums and the Heritage of Mental Health
Francesca Lanz
Routledge, 2024

Articles

Jatowt, A., Sato, M., Draxl, S., Duan, Y.,  Campos, R., & Yoshikawa, M.  (2024). Is this news article still relevant? Ranking by contemporary relevance in archival search. International Journal on Digital Libraries, 25, 197–216. https://doi.org/10.1007/s00799-023-00377-y

Zhao, Y., Wu, X., & Li, S. (2024). Perceived values to personal digital archives and their relationship to archiving behaviours: An exploratory research based on grounded theory. Journal of Librarianship and Information Science56(3), 677-697. https://doi.org/10.1177/09610006231161327

Pierce, Rachel. “Sustainability and Swedish Women’s History: Digitizing Photographs from the KvinnSam Archives.” Digital Humanities Quarterly
Volume 18 Number 3, 2024.

Sony Prosper, Alexandria Rayburn, Yvette Ramirez, Ricardo L. Punzalan. “Indigenous Digital Projects: An Assessment Framework.” Information & Culture Volume 59, Number 1, 2024.

New/Recent Publications

Books

Chapron, Emmanuelle, and Fabienne Henryot, eds. Archives en bibliothèques, XVIe-XXIe siècles. Lyon: ENS Editions; Institut d’histoire du livre, 2023.

Drawing from the Archives: Comics Memory in the Contemporary Graphic Novel
Crucifix, Benoît
Cambridge University Press, 2023.

Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History
Helton, Laura E.
Columbia University Press, 2023.

On Parchment: Animals, Archives, and the Making of Culture from Herodotus to the Digital Age
Holsinger, Bruce W.
Yale University Press, 2023.

Tactical Publishing: Using Senses, Software, and Archives in the Twenty-First Century
Ludovico, Alessandro
MIT Press, 2023.

Spoils of Knowledge: Seventeenth-Century Plunder in Swedish Archives and Libraries
Molin, Emma Hagström
Brill, 2023.

Digital Humanities in the Library, Second Edition
Arianne Hartsell-Gundy Laura Braunstein Liorah Golomb
ACRL, 2024

Journalism History and Digital Archives
Edited By Henrik Bødker
Routledge, 2021

The Specter and the Speculative: Afterlives and Archives in the African Diaspora
Edited by Mae G. Henderson, Jeanne Scheper and Gene Melton II
Rutgers University Press, 2024

The Pre-Modern Manuscript Trade and its Consequences, ca. 1890–1945
Edited by Laura Cleaver, Danielle Magnusson, Hannah Morcos and Angéline Rais
ARC Humanities Press, 2024

Self-Determined First Nations Museums and Colonial Contestation: The Keeping Place
Robert Hudson, Shannon Woodcock
Routledge, 2022

Welcoming Museum Visitors with Unapparent Disabilities
Beth Redmond-Jones, ed.
Rowman & Littlefield, 2024

Materialities in Dance and Performance: Writing, Documenting, Archiving
Gabriele Klein / Franz Anton Cramer (eds.)
transcript, 2024

Global Voices from the Women’s Library at the World’s Columbian Exposition
Feminisms, Transnationalism and the Archive

Marija Dalbello, Sarah Wadsworth, eds.
Palgrave Macmillan, 2023

Illustration and Heritage
Rachel Emily Taylor
Bloomsbury, 2024

Articles

Jatowt, A., Sato, M., Draxl, S. et al. Is this news article still relevant? Ranking by contemporary relevance in archival search. Int J Digit Libr 25, 197–216 (2024). https://doi.org/10.1007/s00799-023-00377-y

Garg, K., Jayanetti, H.R., Alam, S. et al. Challenges in replaying archived Twitter pages. Int J Digit Libr 25, 217–236 (2024). https://doi.org/10.1007/s00799-023-00379-w

Alenka Kavčič Čolić, Andreja Hari. “Improving accessibility of digitization outputs: EODOPEN project research findings.” Digital Library Perspectives 40, no. 2 (2024)

Podcasts

Archives in Context: Season 8, Episode 3: Maryna Paliienko

CFP: Beta Phi Mu Scholars Series Books by Rowman & Littlefield

The Beta Phi Mu Scholars Series, published by Rowman & Littlefield, an imprint of Bloomsbury, welcomes book proposals that advance knowledge in the discipline and profession of library and information science. The following broad topics are suggestions that future authors may wish to undertake, but is by no means an exhaustive list:

  • The economics of information and libraries
  • Innovative service options in different environments
  • Technologies that facilitate librarians’ and information specialists’ work
  • Examination of the dynamics of communities
  • Complexities of decision making
  • Developing professionals to make differences in organizations
  • Research into communication challenges
  • Serving ethnically, culturally, and/or linguistically diverse populations
  • Creating models for the sustenance of leadership in organizations

More information about the series can be found here. To see our most recent publications, please view the Rowman & Littlefield website.

Authors are asked to submit proposals that include the following:

  1. Working title
  2. Expected publication date and anticipated timeline
  3. Estimated length of manuscript
  4. Summary
  5. Outline of chapters
  6. Drafted chapter (if possible)
  7. Explanation of the significance of the manuscript
  8. Resume or vita addressing author’s qualifications

Inquiries, questions, and proposals should be sent directly to the Editor, Andrea Falcone, at bpmseries@gmail.com.

CFP: Historic House Museums: Nordic Perspectives

The anthology Historic House Museums: Nordic Perspectives (tentative title) presents a broad range of perspectives on historic house museums in the Nordic countries – Denmark, Sweden, Norway, Finland, Greenland, Faroe Islands, and Iceland. The book sheds light on how the Nordic countries understand, define, preserve, exhibit, manage, and communicate about our historic house museums. This includes house museums in the broadest sense of the word – from farmhouses, manor houses, artist homes, bunker museums, open air museums, and other types of historic buildings that have been preserved, and where people have lived for shorter or longer periods of time.

Much of the current literature on historic house museums comes from the US or the UK, where many efforts have been made to create overviews, categories, and definitions that clarify a typology for historic house museums and how historic house museums can be understood.

In our anthology, we want to contribute to this literature by presenting perspectives on historic house museums from the Nordic countries, where our unique cultures, history, and climate come into play. In some ways, the Nordic countries are very different from one another, but in other ways we are closely connected, not least through political history, language, culture, and to some extent – climate. This anthology will present perspectives from the Nordic countries regarding the most pressing issues, challenges, and potentials related to historic house museums in this region of the world. This includes perspectives on preservation and conservation, organisational perspectives, interpretation, collections, dissemination and visitor communication, community and identity, material or immaterial heritage, and not least more general discussions of how historic house museums are defined, categorised, and understood in the different Nordic countries.

The anthology targets museum staff, researchers, and academic students who work within the fields of museums & cultural heritage. It aims at giving Nordic house museums and Nordic house museum researchers a voice in international discussions about the definitions and value of this unique category of museums.

More about the call and the topics: https://museologi.au.dk/publikationer/call-for-papers

We ask authors to submit article proposals of between ½ and 2 pages.

The submission date is October 1st, 2024

Information about submissions can also be found at this link:

https://museologi.au.dk/publikationer/call-for-papers

Contact Information
Project manager, Mia Falch Yates
Department of Art History & Museology, Aarhus University
Contact Email: my@cc.au.dk

URL: https://museologi.au.dk/publikationer/call-for-papers

Attachments

Call for Papers. Pdf

CFP: The Anthem Impact in Historic Built Environments and Material Culture

The Anthem Impact in Historic Built Environments and Material Culture series publishes concise, cutting-edge scholarly works on architecture, landscapes, significant cultural artifacts and their respective overlaps and intersections with intangible cultural heritage. This series seeks scholarly works ranging from 20,000 to 30,000 words, delving into the exploration of how cultural traditions imbue meaning into places and artifacts. Given the interdependence between historic built environments, material culture, and ecosystems, we also welcome inquiries examining the role of natural heritage. The unique coverage of this series will be of interest to students, educators, scholars and lifelong learners. 

Series Editor 
Barry L Stiefel, College of Charleston, US. 

Proposals 
We welcome submissions of proposals for challenging and original works from emerging and established scholars and practitioners that meet the criteria of our series. We make prompt editorial decisions. Our titles are published in digital and print editions and are subject to peer review by recognized authorities in the field. Should you wish to send in a proposal for original research, literature review / analytical surveys, advanced tutorials or other reference works, please contact us at: proposal@anthempress.com.

Contact Information

Proposals can be submitted to proposal@anthempress.com

Questions can be submitted to stiefelb@cofc.edu 

Contact Email

proposal@anthempress.com

URL: https://anthempress.com/anthem-impact-in-historic-built-environments-and-material-culture

Call for Book Proposals: Palgrave Studies in Queer Literary, Visual and Material Cultures

NEW SERIES
Call for Proposals
Palgrave Studies in Queer Literary, Visual and Material Cultures

https://link.springer.com/series/17238

Series Editors

  • Michel Bronski, Professor of the Practice in Media and Activism in Studies of Women, Gender, and Sexuality, Harvard University, USA
  • Dominic Janes, Professor of Modern History, Keele University, UK
  • Kate Thomas, K. Lawrence Stapleton Professor of Literatures in English, Bryn Mawr College, USA

Brief Description 

Palgrave Studies in Queer Literary, Visual and Material Cultures tests, contests and expands the boundaries of queer studies in global and transnational contexts and across historical periods. The series engages a wide range of cultural production including literature, graphic narrative, film, performance, architecture, art, virtual design, interior and furniture design, and landscape design. We welcome titles that bring “queer” cultures and sexualities into conversation with related areas of enquiry, especially critical race theory, trans studies, disability studies, feminist theory, eco-criticism, post-colonial theory, and Marxist theory. The series is dedicated to cross-cultural, interdisciplinary and intersectional work across many forms of difference and diversity.

Although the series will focus on Anglophone works we invite research that crosses over from other disciplines and cultural contexts. For example, a book on late Victorian British queer male writers might discuss the influence of the French decadent writers of that period, as well as other aspects of European literary production. Or, again, work that explores British visual and textual cultures from India might usefully contextualise them in relation to subcontinental practices and understandings of sexuality and art.

The editors welcome new book proposals for monographs (70,000-100,000 words) and edited collections (80,000-125,000 words).

If you’re interested in submitting a proposal, please contact the Executive Editor for Literature at Palgrave Macmillan, Molly Beck (molly.beck@palgrave.com). 

Contact Information

Executive Editor for Literature at Palgrave Macmillan, Molly Beck (molly.beck@palgrave.com). 

Contact Email

molly.beck@palgrave.com

URL

https://link.springer.com/series/17238

CFP: Engaging with Big and Small Historical Data

The material that historical research – and humanities scholarship in general – is based on traditionally carries names like ‘archival’ or ‘primary sources’. The ongoing disciplinary movement towards digitization and datafication forces us to engage with our material in new ways: it becomes data. The aim of the volume Engaging with Big and Small Historical Data, under contract with Routledge as a part of their Engaging with… series, is to provide a guide for the scholarly community of historians to reflect on the consequences of these current developments. We invite historians and other scholars with an interest in this topic to contribute to the volume. 

The structure of the volume is based on the following question regarding the datafication of historical scholarship. We are specifically looking for scholars interested in contributing to the named chapters within each of these parts of the volume, although we are open to any other suggestions that fit the aims of this volume:

0. Defining Data. The growing abundance of data has long been celebrated under the guise of ‘big data’. The contributions that this volume will start with will together address the most important debates that underlie this rhetoric. They elaborate on the epistemological consequences of thinking in terms of big data, on the rhetoric of ‘newness’ of big data, and on questions of bias, power, and inequality that come with big data.

Available chapters:

  • Historicizing the data deluge
  • Data (and) inequality: power and ethics

1. Where are data to be found? Data is not always stored in the archives and libraries that we know how to work with. Preconditions for access to data are changing. Historians have to cope with paywalls, versioning, permissions, and formats. They have to learn about OCR, image recognition, and other techniques. Most of all, they are usually not in control of what material is or can be turned into data. This raises crucial questions about what material can be worked with as data in the first place, and what material is being left out, excluded, overseen, or forgotten.

Available chapters:

  • Digitization and the role of heritage institutions

2. How do we engage with data? Working with data impacts the epistemological preconditions of historical scholarship, if only because its methodologies usually originate from other fields of research. Does working with data necessitate a (new) quantitative turn in historical scholarship, or can it be integrated into hermeneutic traditions? How do current developments in artificial intelligence and machine learning, which have a huge potential for historical research, impact traditional views on methodological reflection and source criticism?

Available chapters:

  • Becoming interdisciplinary
  • Data and open science: presenting scholarship in the digital age

3. What can we find in data? Tools and techniques for computational analyses of data are advancing with great speed, and historians and other scholars have been using them in a large variety of ways to study history. These techniques allow for new research questions, as well as new perspectives on familiar questions.

Available chapters:

  • Maps
  • Reconstructions

The title of this volume aims to capture the often intertwining trends that are hidden under these questions. It refers to the various dimensions of scholarship that come with digitization and born digital data. In addition, the juxtaposition of big and small also evokes two widely discussed approaches to using data in a humanities context – which are all but mutually exclusive. A more elaborate introduction to the volume’s aims and design can be found at http://tinyurl.com/BigandSmallData

The volume primarily aims to target the field of history. However, even if based on historical examples, the contributions to this volume are to have relevance for other fields of humanities research. After all, the historical data that is being digitized is used in a wide range of fields, from cultural studies to philosophy and from media studies to linguistics. Therefore, scholars from adjacent fields working with historical data are also warmly invited to contribute.

Contributions are ca. 7000 words long (excl. bibliography) and, ideally, relate to a combination of concepts, key terms/methodologies and case studies. Due date for the first draft of contributors’ chapters is Jan 1, 2025. Revised chapters are due in the Spring of 2025. Expected publication of the volume is the Fall of 2025.

Interested scholars are asked to send proposals of max. 300 words no later than July 1, 2024 to volume editor Pim Huijnen at p.huijnen@uu.nl, who you may also contact with any questions. 

Contact Information

Pim Huijnen, Utrecht University

Contact Email

p.huijnen@uu.nl

URL

http://tinyurl.com/BigandSmallData