Category: Books

Call for submissions: De Gruyter Brill’s Technology and Change in History book series

Call for submissions: De Gruyter Brill’s Technology and Change in History book series

Series editors: Adam Lucas and Phillip Reid

The role played by technology in transforming human societies has been a preoccupation of the modern period. Technology and Change in History is a peer-reviewed series of monographs and edited volumes which surveys the development of technology from a variety of different historical perspectives.

Since 1997, the series has published eighteen volumes, with the nineteenth due out in June 2025. The current editors seek to increase the pace of publication while maintaining the highest standard of original scholarship. 

We invite scholars at all postdoctoral career stages to submit monographs or edited volumes in the history of technology for consideration. We encourage submissions from archaeologists and material culture specialists as well as historians. We are currently exploring the feasibility of commissioning monographs and edited volumes featuring the technologies and techniques of Indigenous people, and welcome proposals that meet those criteria. 

Information and a list of previous publications may be found here. 

Proposals and manuscripts should be submitted to Helena Schöb, Acquisitions Editor, at helena.schoeb@degruyterbrill.com. 

General queries about appropriate topics may be submitted to the series editors at alucas@uow.edu.au and phillipfrankreid@gmail.com. 

Contact Information

Proposals and manuscripts should be submitted to Helena Schöb, Acquisitions Editor, at helena.schoeb@degruyterbrill.com. 

General queries about appropriate topics may be submitted to the series editors at alucas@uow.edu.au and phillipfrankreid@gmail.com. 

Contact Email

helena.schoeb@degruyterbrill.com

URL: https://brill.com/display/serial/TCH

G.L.A.M. Bookworms Book Club for June

You are invited to Miami Dade College’s Wolfson Archives’ next G.L.A.M.* Bookworms Book Club discussion is on Wednesday, June 18, 7pm (EDT) via Zoom. RSVP/information: info@wolfsonarchives.org.

We’re reading NATURAL HISTORY by Carlos Fonseca:

A curator at a natural history museum investigates the mysterious life of a fashion designer. As he unravels her story, he uncovers deep connections between art, politics, and nature, blurring the line between truth and fiction.

*Gallery, Library, Archives and Museum professionals, but anyone is welcome to join!

Call for Contributions: Panoramic and Immersive Media Studies (PIMS) Yearbook

The Panoramic and Immersive Media Studies Yearbook (PIMS Yearbook) invites contributions for publication consideration in its third yearbook. The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC), published by De Gruyter. It surveys the historical and contemporary landscape of panoramic and immersive media. This open call invites scholarly, creative, and practical contributions in seven areas including scholarly essays (peer-reviewed) and creative essays.

Panoramic and Immersive Media Studies (PIMS) Yearbook 3 (2026)

The Panoramic and Immersive Media Studies Yearbook (PIMS Yearbook) invites contributions for publication consideration in its third yearbook. The PIMS Yearbook is the annual yearbook of the International Panorama Council (IPC), published by De Gruyter. It surveys the historical and contemporary landscape of panoramic and immersive media. This open call invites scholarly, creative, and practical contributions in seven areas including scholarly essays (peer-reviewed) and creative essays.

Panoramic & Immersive Media Studies (PIMS) Yearbook 3 (2026)

The Panoramic & Immersive Media Studies (PIMS) Yearbook is the annual yearbook of the International Panorama Council (IPC, Switzerland), published by De Gruyter Oldenbourg (Germany). It surveys the historical and contemporary landscape of panoramic and immersive media. This interdisciplinary field includes—but is not limited to—optical and haptic devices; 360-degree paintings; long-form paintings, photography, and prints; dioramas; museum displays; games; gardens; literature; maps; music; printed matter; still and moving images; virtual and augmented reality; and theatrical productions. Whereas the notion of the panoramic describes extensive, expansive and/or all-embracing vistas, immersion refers to porous interfaces between representation and the real, observer and observed, nature and culture, and past, present, and future. Together, the concepts of panorama and immersion have catalyzed time- and space-bending strategies for creating, experiencing, and transforming culture, ideas, and built and social space across the arc of human history.

This open call invites scholarly, creative, and practical contributions in seven areas including scholarly essays (subject to double-blind peer review); visual and creative essays; restoration, management, and field reports; opinion forum pieces; IPC conference reports & papers (this section is open only to IPC conference presenters; contributions subject to single-blind peer review); reviews; and reprints. Contributions may explore a range of ideas in panoramic and immersive media, such as historical and contemporary uses of immersive technologies; innovative methods in preservation and heritage interpretation; tools for applications in museum interpretation and display, contemporary art practices, or educational settings; exploring contested heritage; and analyzing nationalist and imperialist discourses. View the publisher’s PIMS Yearbook page at De Gruyter Oldenbourg.

We welcome contributions from IPC members and non-members alike. The PIMS Yearbook is managed by three Executive Editors, a team of Section Editors, and an IPC Editorial Advisory Board. In addition, each issue invites one or more Guest Editors. Section details appear below. Sections not edited by named section editors are edited by PIMS Executive Editors.

SECTIONS

Scholarly Essays
This double-blind peer reviewed section invites scholarly essays that explore themes in panoramic and immersive media studies. We welcome consideration of historical and contemporary immersive media, technologies, aesthetics, and cultural practices and their continuing influence today. Contributions to the Scholarly Essays section are first reviewed by section editors and then subject to double-blind peer review coordinated by De Gruyter. If accepted for further consideration, the editors will request an anonymized copy for external double-blind peer review with the publisher.

Section Editors

  • Liz Crooks, Director, University of Iowa Pentacrest Museums, Iowa City, Iowa, USA
  • Melissa Wolfe, Curator and Head of American Art, Saint Louis Art Museum, Saint Louis, Missouri, USA

Invited Guest Editors

  • Leen Engelen, LUCA School of Arts, KU Leuven, Belgium
  • Prof. Victor Flores, Lusófona University, Lisbon, Portugal
  • Susana S. Martins, University of Nova Lisbon, Faculdade De Ciências Sociais e Humanas, University of Lisbon, Portugal

Forum
The Forum is responsive to current debates and public conversations surrounding old and new immersive media. It welcomes opinion pieces, interviews, etc. that make an argument, are delivered in the author’s own voice, are based on fact, and are drawn from the author’s research, expertise or experience. For example, contributions may explore the historical and contemporary uses of immersive technologies in preservation and heritage interpretation, as tools for exploring contested heritage, in museum interpretation and display, in educational settings, as entertainment and leisure enhancements, and in the service of promoting nationalist and imperialist discourses.

Reprints
The PIMS Reprints section makes space for revisiting articles, documents, other printed media and objects pertinent to the study of multimodal immersive technologies and media. Subject to permissions, this section features previously published, out-of-print and out-of-copyright materials understood to be significant to the production, reception and study of panoramic and immersive media. Contributions may also include historical and unpublished manuscripts, and/or other archival materials, such as illustrated presentations of objects and optical devices. Please include a short editorial/introductory essay (up to 800 words) to contextualize the proposed article, paper, document, translation, or object. If including images, please ensure they are print-ready and supply evidence of permission to publish.

Restoration, Management, and Field Reports
We invite papers and reports on the preservation, restoration, management and interpretation of historic panoramas and related immersive media formats. Contributions are subject to editing by section editors.

Section Editors

  • Patrick Deicher, President, Bourbaki Panorama Foundation, Lucerne, Switzerland​​
  • Gabriele Koller, Jerusalem Panorama Foundation, Altötting, Germany

Visual and Creative Essays
We invite visual and creative approaches including visual essays, artistic projects, creative writing, and other makerly modes of reflection and material research on immersive media. Contributions are editorially curated and prospective authors for this section are encouraged to contact section editors before submitting full proposals. Direct your message to IRMA360 [at] protonmail [dot] com.

Section Editors

  • Ruby Carlson, Director/Co-Curator, Velaslavasay Panorama, Los Angeles, California, USA
  • Sara Velas, Director/Co-Curator, Velaslavasay Panorama, Los Angeles, California, USA

33rd IPC Conference Report & Papers
This single-blind peer reviewed section publishes the IPC conference program, abstracts, keywords, and presenter biographies. It also invites conference presenters to contribute papers of up to 3,000 words that reflect the substance of their presentations. Conference presenters are welcome to contribute to this section or any other section. Contributions to the Conference Reports & Papers section are subject to single-blind peer review.

Section Editors

  • Liz Crooks, Director, University of Iowa Pentacrest Museums, Iowa City, Iowa, USA
  • Melissa Wolfe, Curator and Head of American Art, Saint Louis Art Museum, Saint Louis, Missouri, USA

Reviews
This section invites reviews of recent books, exhibitions, events, performances, archives, and products of a panoramic and/or immersive nature.

GENERAL NOTE
Contributions to the Scholarly Essays section are first reviewed by section editors and then subject to double-blind peer review coordinated by De Gruyter. Contributions to the Conference Reports & Papers section are subject to single-blind peer review. All other sections are reviewed by the PIMS Yearbook editorial board. Following the initial review of submitted materials, PIMS Yearbook editors may re-assign a submission for consideration in another section. On occasion, a submission will be recommended for publication in a succeeding volume.

Executive Editors

  • Prof. Dr. Molly Briggs, School of Art & Design, University of Illinois Urbana-Champaign, USA
  • Prof. Dr. Thorsten Logge, University of Hamburg, Germany
  • Prof. Nicholas C. Lowe, John H. Bryan Chair of Historic Preservation, School of the Art Institute of Chicago, USA

Section Editors

  • Ruby Carlson, Velaslavasay Panorama, Director/Co-Curator, Los Angeles, California, USA
  • Liz Crooks, Director, University of Iowa Pentacrest Museums, Iowa City, Iowa, USA
  • Patrick Deicher, President of the Bourbaki Panorama Foundation, Lucerne, Switzerland​​
  • Prof. Victor Flores, Lusófona University, Lisbon, Portugal
  • Leen Engelen, LUCA School of Arts, KU Leuven, Belgium
  • Susana S. Martins, University of Nova Lisbon, Faculdade De Ciências Sociais e Humanas, University of Lisbon, Portugal
  • Gabriele Koller, Curator, Museum Panorama Altötting, Altötting, Germany
  • Sara Velas, Velaslavasay Panorama, Director/Co-Curator, Los Angeles, California, USA
  • Dr. Melissa Wolfe, Curator and Head of American Art, Saint Louis Art Museum, Saint Louis, Missouri, USA

Editorial Advisory Board

  • Prof. Dr. Thiago Leitão de Souza, Universidade Federal do Rio de Janeiro, Brazil
  • Dr. Blagovesta Momchedjikova, Expository Writing Program, New York University, USA
  • Robin Skinner, Te Herenga Waka—Victoria University Wellington, New Zealand
  • Suzanne Wray, Independent Scholar & Researcher, New York City, New York, USA

SUBMISSION GUIDELINES
The PIMS Yearbook accepts original and complete illustrated manuscripts written in the English language.

How to Submit
Please send your initial submission to pimsyearbookipc [at] gmail [dot] com

Please indicate which section you are submitting to:

  • Scholarly Essays (double-blind peer review)
  • Forum (edited)
  • Restoration, Management, and Field Reports (edited)
  • Visual and Creative Essays (edited)
  • International Panorama Council Conference Report 2024 (single-blind peer review)
  • Reviews (edited)
  • Reprints (edited)

Contributions need not be anonymized at the initial submission stage

Word limits

Scholarly Essays: Abstract up to 300 words plus 4 to 7 keywords (do not include title words); main text up to 10,000 words including notes, references, image captions, and author bio (in exceptional cases we can accommodate up to 15,000 words).

Visual & Creative Essays: Abstract up to 300 words plus 4 to 7 keywords (do not include title words); main text up to 5,000 words plus works cited; author biography up to 150 words. Contributions to this section may be more image-rich and may be shorter in word count.

Forum, Restoration, and Conference sections: Abstract up to 300 words plus 4 to 7 keywords (do not include title words); main text up to 5,000 words plus works cited; author biography up to 150 words.

Reviews: Title as the “[Book/Exhibition/Event] Review: [Title of Book/Exhibition/Event (plus author/maker name if applicable)]”; main text up to 3,000 words.

Reprints: Accompany the content to be reprinted with an original introduction, up to 1,500 words plus 4 to 7 keywords.

Manuscript Preparation & Formatting
Please use MS Word.docx file format if possible. If you don’t have access to MS Word, use Google.docs to prepare as a .docx file.

All submissions must be formatted in compliance with the PIMS Style Sheet, and the PIMS Manuscript Template, and the Chicago Manual of Style 18th Edition.

Download and use the PIMS-ManuscriptTemplate as your starting point; follow all instructions and examples provided therein. Again, if you do not have access to MS Word, we recommend composing as a .docx file in Google docs.
Also, download the PIMS Yearbook v3 StyleSheet and refer to it as you work.

Images
Only include images that are central and necessary to your argument; do not include images solely for the purposes of illustration.

Contributions to the Visual and Creative Essays and Reviews sections can be more image-rich.

All images must be accompanied by in-text image callouts. Images not referred to in the text, e.g. without callouts, cannot be published.

Contributions to the Visual and Creative Essays and Reviews sections may not require image in-text callouts

Image files are not required upon initial submission. However, we strongly recommend gathering print-ready image files now, so that if accepted for publication you will be prepared to move forward. Minimum specifications for file size and quality:

  • 7 in / 17 cm in longest dimension
  • 300 dpi (600 dpi preferred)

If your contribution is accepted for publication, you will be required to provide legal proof of image permissions for each image, even open source images. Now is a good time to begin gathering that information.

Contributions for v3 are due 3 October 2025

Send inquiries and contributions to pimsyearbookipc [at] gmail [dot] com

PIMS Yearbook at De Gruyter Oldenbourg

Contact Information

Executive Editors

  • Dr. Molly Briggs, School of Art & Design, University of Illinois Urbana-Champaign, USA
  • Prof. Dr. Thorsten Logge, Universität Hamburg, Germany
  • Nicholas C. Lowe, Professor, John H. Bryan Chair of Historic Preservation, School of the Art Institute of Chicago, USA

Contact Email: pimsyearbookipc@gmail.com

Call for Chapter Proposals: Navigating Archival Backlogs: Strategies for Success

Title: Navigating Archival Backlogs: Strategies for Success
Editors: Heather Gilbert, College of Charleston and Claudia F. Willett, Stanford University
Publisher: Bloomsbury

We are excited to invite chapter proposals for Navigating Archival Backlogs: Strategies for Success, a double-blind peer reviewed edited volume to be published by Bloomsbury. Please email the editors at navigatingarchivalbacklogs@gmail.com with any questions.

About the Book

Nearly every archive has an accessioning and/or processing backlog.  It is an almost universal truth accepted by the profession. This situation reflects long-standing issues in the profession: limited staffing, resourcing, space, and institutional support. We know the consequences of archival backlogs: they prevent accessibility and discoverability of our collections and, therefore, our history, and they contribute to archival silences and obstruct researchers. However, the practical and physical extent of this problem is often left undiscussed, and the residual issues are left unaddressed. 

This edited volume will provide contemporary case studies of the development and implementation of successful backlog reduction strategies. It will address a range of backlog material types (including both physical and digital backlogs) and a spectrum of resource availability (including institutions with little to no budget to address their backlog issue). Readers should come away fortified with practical and accessible solutions that they can use to address their specific backlog problem(s). 

Call for Chapter Proposals

Proposals are invited from individuals working in archival and cultural heritage institutions who have experience navigating, working with, managing, or addressing archival backlogs. Case studies and exploratory research are invited and welcome, as are essays that incorporate scholarly writing with personal narratives. Final chapters should be between 2,500 – 5,000 words. All selected chapters will undergo double-blind peer review prior to publication. This is not an exhaustive list, so do not feel limited by the following suggested topics.

Section 1: Physical backlog strategies

Themes for this section could include: 

  • Processing, accessioning, deaccessioning, and/or proactive collecting practices and strategies as a function of backlog management.
  • “More product, less process” processing style (MPLP) and/or extensible/efficient processing as a means of addressing a backlog.
  • Backlog workflow creation, implementation, and management and/or software and/or tools used in these processes.   

Section 2: Digital backlog strategies

Themes for this section could include: 

  • Born digital processing, accessioning, deaccessioning, and/or proactive collecting practices and strategies as a function of digital backlog management.
  • Building cross departmental collaborations and workflows.
  • Software and/or tools used in addressing digital backlogs.

Section 3: Hybrid backlog strategies

Themes for this section could include: 

  • Discussion of the extent of hybrid collections (and their backlogs) and the unique challenges they present
  • Resource and knowledge sharing that leverage collaborative solutions
  • Personnel proficiency requirements for successful hybrid backlog resolution.

Section 4: Leadership & Management 

Themes for this section could include: 

  • Change management related to backlog management
  • Large scale project management for backlogs
  • Conflict resolution and personnel and donor management as related to backlog issues
  • Impacts of having an archival backlog

Proposal Instructions

Please submit your proposals using the Call for Chapter Proposals Google Form by June 2, 2025. The proposal should include all contributing authors, a working title, 3-5 keywords describing your proposed topic, which book section you believe your proposal fits best, and a description of your proposed chapter that does not exceed 500 words.  

Authors will be notified of acceptance by August 15, 2025. See below for the full project timeline. Please email the editors at navigatingarchivalbacklogs@gmail.com with any questions.

Project Timeline

  • CFP closes June 2, 2025
  • Authors notified of acceptance by August 15, 2025
  • Chapter outlines sent to editor by September 15, 2025
  • First drafts due January 1, 2026
  • Draft reviews completed and feedback provided to authors by March 2, 2026
  • Final drafts due April 1, 2026
  • Publication anticipated August 2026

Virtual Book Discussion: Access in the Trends in Archives Practice Series

Approach privacy protected records with confidence! Join Megan K. Friedel and Ashlyn Velte, authors of the recently released Providing Access to Privacy-Protected Records at Public Institutions in the Age of Radical Empathy: Cases and Considerations, in conversation with Menzi L. Behrnd-Klodt, author of Modules 5 and 6 in Rights in the Digital Era, for a conversation about modern considerations surrounding privacy laws and professional ethical standards.

The panel takes place April 11, 12:00–1:00 p.m. CT, and will conclude with a Q&A session with all three authors.
Register Now

CFP: Grant Writing Collaborations in Academic Librarianship

Grant Writing Collaborations in Academic Librarianship

Editor

Dr. Addison Lucchi

Instructional & Research Librarian | Professor
MidAmerica Nazarene University

About this Edited Collection

This edited collection focuses on effective strategies and best practices for fostering collaborative grant-writing initiatives among academic libraries, faculty, and external organizations. In many institutions, grant proposals are developed in isolation, often without direct collaboration with the library as an academic unit. However, through collaboration between academic libraries and other departments across campus, transformative projects can be designed to provide lasting change for the entire academic community. Drawing on a rich array of case studies from diverse academic libraries nationwide, the book highlights successful collaborations that have resulted in meaningful change. It also offers a wealth of practical guidance on best practices, templates, checklists, writing tools, and frameworks for developing innovative grant proposals that center on strategic collaboration.

Readers will discover how to identify potential collaborators, navigate the complexities of joint proposals, and leverage library resources to enhance project outcomes. By centering on strategic collaboration, this collection equips librarians and faculty with the insights and skills needed to craft impactful grant projects that not only secure funding but also advance institutional goals and enrich the academic experience for the entire community.

Publisher

ACRL Press

Chapter Topics

Chapter topics may focus on, but are not limited to the following:

Case Studies in Successful Grant Writing Collaboration & Project Implementation:

  • Mini-grants
  • Library-centered grants
  • Broader academic grant projects
  • Community-centered grant projects
  • Large, multi-year grant projects
  • Etc.

Grant Writing Tools and Resources:

  • Resources for grant-writing
  • Templates and checklists for successful grant proposals
  • How to find available grants
  • Potential workshops and training for librarians and other grant-writing collaborators

Other topics are welcome, and you are encouraged to submit your proposals.

We welcome proposals from any authors who have written and managed grant projects as a part of their academic library, or who have collaborated with academic libraries on their campuses. Particularly, we are searching for clear examples and case studies of grant-writing collaborations, including how academic libraries have collaborated with external departments and organizations to create meaningful change in their communities. Case study chapters will include details on the grant search process, project development, grant writing process, and project implementation. Additionally, we seek chapters that provide a variety of practical tips and tools for academic library grant-writers, drawing upon experience, including practical templates, checklists, toolkits, etc.

Each case study chapter (4,000 to 8,000 words) should also include practical lessons learned through experiences and advice for future grant-writers. Each tools and resources chapter (2,000 to 6,000 words) should include usable resources, tools, lists, etc. to facilitate and improve the grant-writing process.

Proposals for all chapters should include 1) a proposed title for the chapter; 2) an abstract for the chapter; 3) a brief outline for the chapter; and 4) a list of practical takeaways, lessons learned, or action steps for the reader.

Tentative Timeline: 

  • March 10, 2025 – CfP opens
  • June 30, 2025 – CfP closes 
  • July 31, 2025 – Notification of submission status (accepted or declined) sent
  • May 1, 2026: 1st draft due

How to Submit Your Proposal

Please note that a 400-500 word abstract is required (and must be submitted via a shared Google doc in the submission form) and should include an overall outline of the proposed chapter with clearly labeled relevant headings that address the topic of the edited collection as described in this CfP. Please make sure to also address, even if only at a high level, what lessons learned / practical actionable next steps readers can take away from your chapter to hopefully help address similar concerns they may be facing. Specifically, the proposal should include: 1) a proposed title for the chapter; 2) an abstract for the chapter; 3) a brief outline for the chapter; and 4) a list of practical takeaways, lessons learned, or action steps for the reader.

Please submit your proposal by completing the proposal submission form available by visiting 

https://docs.google.com/forms/d/e/1FAIpQLScKm5qHgNUB_XbW8P4u0qEpqO0c2TGqd6BDcMnPFj_3nrWACw/viewform?usp=header. Alternatively, you are welcome to email your proposal directly to amlucchi@mnu.edu. 

Questions

Questions or concerns? Please submit let us know by emailing Dr. Addison Lucchi at amlucchi@mnu.edu. 

Book Launch Event: Ways of Knowing: Oral Histories on the Worlds Words Create

Join us May 6, 2025 at 7pm Eastern for virtual book launch for the new title Ways of Knowing: Oral Histories on the Worlds Words Create edited by Amanda Belantara and Emily Drabinski.

Register Here

Ways of Knowing: Oral Histories on the Worlds Words Create sits at the heart of the library project, shaping how materials are described and organized and how they can be retrieved. The field has long understood that normative systems like Dewey Decimal and Library of Congress do this inadequately and worse, deploying language and categories that are rooted in white supremacy, patriarchy, and U.S. imperialism. Ways of Knowing presents unique and timely oral histories of alternative thesauri created in response to the inadequacies and biases embedded within widely adopted standards in libraries. The oral histories tell the stories behind the thesauri through the narratives of the people who created them, revealing aspects of thesauri work that ordinarily are overlooked or uncovered.

The set of oral histories included in the volume document the Chicano Thesaurus, A Women’s Thesaurus, and Homosaurus. The authors recorded hour-long oral histories with two representatives from each project, documenting the origins of each thesaurus, the political and social context from which they emerged, and the processes involved in their development and implementation. Introductory essays provide a context for each thesaurus in the history of information and activism in libraries. The book and accompanying digital files constitute the first primary source of its kind and a unique contribution to the history of metadata work in libraries. Capturing these stories through sound recording offers new ways of understanding the field of critical cataloging and classification as we hear the joy, frustration, urgency, and seriousness of critical metadata work.

Learn more and purchase the book here.

New/Recent Publications

Articles

Rebecca Carlson, Emily P. Jones, Christopher S. Wisniewski, Jennifer N. Wisniewski, Emma Barrett-Catton, Michael Wolcott, Fei Yu. “Librarians’ contributions to and impact on pharmacy scholarship: A bibliometric analysis using a systematic approach.” The Journal of Academic Librarianship, Volume 51, Issue 2, 2025

Fleischhacker, D., Kern, R. & Göderle, W. “Enhancing OCR in historical documents with complex layouts through machine learning.” International Journal on Digital Libraries 26, 3 (2025). https://doi.org/10.1007/s00799-025-00413-z

Books

Preservation in Perspective: International Strategies for the Preservation of Written Cultural Heritage
Edited by: Koordinierungsstelle für die Erhaltung des schriftlichen Kulturguts (KEK)
De Gruyter, 2024

The Routledge Companion to Libraries, Archives, and the Digital Humanities
Edited By Isabel Galina Russell, Glen Layne-Worthey
Routledge, 2024

Reconstructing Performance Art: Practices of Historicisation, Documentation and Representation
Edited By Tancredi Gusman
Routledge, 2024

Art Collecting and Gifts to Museums: An Anthropology of Donations
By Paul van der Grijp
Routledge, 2024

Collecting Practices and Opisthographic Collections in Qumran and Herculaneum
Ayhan Aksu
Brill, 2025

Trends in Archive Archaeology: Current Research on Archival Material from Fieldwork and its Implications for Archaeological Practice
Jon Frey, Rubina Raja (eds)
Brepols, 2024

Sonic Pasts: Acoustical Heritage and Historical Soundscapes
By Mariana J López
Routledge, 2024

Curating Worlds: Museum Practices in Contemporary Literature
by Emma Bond
Northwestern University Press, 2024

Working with Conservation Data
By Athanasios Velios
Routledge, 2024

UNESCO, Religious Cultural Heritage and Political Contestation: Conflict of Values or Values in Conflict?
Clizia Franceschini
Springer Nature, 2024

Streaming Media and Cultural Memory in a Postdigital Society
By Renira Rampazzo Gambarato, Johannes Heuman
Routledge, 2024

3D Research Challenges in Cultural Heritage V: Paradata, Metadata and Data in Digitisation
Marinos Ioannides, Drew Baker, Athos Agapiou, Petros Siegkas
Springer Nature, 2025

Visualizing Film History: Film Archives and Digital Scholarship
by Christian Gosvig Olesen
Indiana University Press, 2025

Collections, archives sonores et objets musicaux : un patrimoine à préserver
Europe-Amériques, XIX-XXIe siècles
Collections, sound archives and musical objects: a heritage to preserve
Europe-Americas, 19th-21st centuries
Rivalan Guégo Christine (dir.) , Borras Gérard (dir.) , Oleksiak Julie (preface)
Rennes University Press, 2025

Archival Research in Historical Organisation Studies: Theorising Silences
Gabrielle Durepos, Amy Thurlow
Emerald Publishing, 2025

Amending Our Pasts and Futures: Observing Media and Place as Means to Memory
Edited by Nina Gjoci
Rowman & Littlefield, 2024

Conference Proceedings

Document et Archivage: Pratiques Formelles et Informelles dans les Organisations
Document and Archiving: Formal and Informal Practices in Organizations
Proceedings of the 23rd international conference on digital documents (CiDE.23)
Laurence Balicco, Viviane Clavier and Aude Inaudi (under the direction)

Reports

Vanishing Culture: A Report on Our Fragile Cultural Record
by Luca Messarra; Chris Freeland; Juliya Ziskina
Internet Archive, 2024

Theses/Dissertations

Archiving Social Media: a Comparative Study of the Practices, Obstacles, and Opportunities Related to the Development of Social Media Archives
Beatrice Cannelli
Ph. D. Thesis (University of London)

Linked Open Usable Data for Cultural Heritage: Perspectives on Community Practices and Semantic Interoperability
Julien Antoine Raemy
Ph. D. Thesis (University of Basel)

Call For Chapter Proposals: Student Workers in Academic Libraries (ACRL Publication)

The editors of book project Student Workers in Academic Libraries, a forthcoming title from ACRL, invite library professionals from all levels – library student workers, library staff, librarians, and administration alike – to share their work and submit chapter proposals for the volume. 

Several years out from the COVID-19 pandemic, there is a renewed focus on mentorship, career readiness, pedagogical approaches, and empathy-forward leading when it comes to higher education and student employment in academic libraries. Student workers don’t fit a mold; they are a diverse group ranging from first generation students to student athletes to parents. Student workers are the heart of the library and integral to its operations. Student Workers in Academic Libraries serves as a community space to showcase the whole student worker experience and help readers create high-impact work experiences. 

We invite chapter proposals that can take a variety of forms: case studies, best practices, pedagogical theory, or novel and unique program models. Chapters are strongly encouraged to include practical sample documentation for readers to modify and adapt such as job descriptions, applications and interview questions, contracts, orientation and training plans, budget templates, as well as reflections from current or recent library student workers.  

Potential topics include, but are not limited to: 

  • Developing job descriptions, recruiting, and hiring  
  • Orientation and training 
  • Project management and creating meaningful work for student employees 
  • Budgeting for student worker programs including federal work-study and non-work-study students 
  • Communicating expectations, performance evaluations, coaching, and feedback 
  • Incorporating transferrable professional skills and career-readiness 
  • Scaffolded work experience 
  • A mentorship approach to supervision of student workers  
  • Leadership philosophy as a supervisor  
  • Connecting your student worker program to your institution’s goals 
  • Program models such as student supervisor programs, graduate student programs, or internships 
  • Case studies on student workers in different academic library departments such as: Reference, Access or Public Services, Special Collections, Technical Services, Archives 
  • Equity and accessibility in the workplace in the context of library student workers 
  • Working with and within labor unions 

Timeline: 

  • Chapter proposals due April 1, 2025 
  • Notifications sent by May 1, 2025 
  • Final chapters submitted July 11, 2025 
  • Feedback and revisions September and October 2025 

Chapter proposals should include the names of all contributing authors, a contact email for the main author, a working title, 3-5 keywords describing your proposed topic, a description of your proposed chapter that does not exceed 500 words, and a list of potential sample documents your chapter would include. 

In the proposal review process, we will prioritize practical applications of proposals that focus on critical perspectives such as (but not limited to): gender and sexuality theory, critical race and ethnicity studies, disability studies, neurodiversity, decolonization, and other perspectives and experiences underrepresented in both libraries and academia. We also encourage those new to publishing to submit. 

Chapters should be no more than 5,000 words in Times New Roman, 12-point font, double-spaced, and citations in Chicago Manual of Style notes and bibliography. 

If you are interested in submitting a chapter proposal, please fill out the Microsoft Form by April 1, 2025.  

Note: the editors of this book believe in compassion-based care, mentorship, and communication at all levels. We understand the stress and anxiety involved in submitting items for review and publication, and strive to ensure transparency, respect, and support to all who submit.

For any questions, please contact Maria Planansky, Mechele Romanchock, and Rai Yiannakos at studentworkersinlibraries@gmail.com.  

Call for Chapter Proposals and Peer Reviewers: Sustainability Leadership in Libraries and Archives Book

Overview

This call for proposals is for a peer-reviewed, edited book on sustainability leadership in libraries and archives with an international focus. Although more and more books about sustainability are being written for the library science field, none have specifically focused on leadership for sustainability. I am looking for chapters from all levels of librarians and archivists, not just those formally occupying positions of authority. This book is being proposed for publication by Routledge as part of their Critical Issues in Library and Information Sciences and Services series.

This book explicitly aims to explain leadership that challenges the status quo of libraries and archives, focusing on transformative leadership in sustainability. It features practices, ideas, theories, and frameworks replicable in libraries and archives as they stand right now and those that help them move into the future, using sustainability as a framework.

What is Sustainability?

There are many different frameworks people use to understand sustainability. Two of the most popular and well-known are the “three-legged stool” framework of environment, economy, and equity, which stems from the “Our Common Future” report and the United Nations’ Sustainable Development Goals. There are, however, many different sustainability frameworks in use in libraries, education, and other fields that may be appropriate for a chapter. Because there are many approaches to understanding and implementing sustainability, there’s not one specific framework authors are required to use for their chapter proposal. Instead, a description of the chosen sustainability framework should be an essential part of the chapter. In this way, this book aims to highlight multiple perspectives on sustainability by showing how libraries and archives define and implement them.

Book Structure

Proposals for chapters in the book should be written for one of the following sections:

  • sustainability leadership from within
  • sustainability leadership collaborations
  • sustainability leadership in the community
  • sustainability leadership strategies
  • sustainability leadership and stakeholder relationships

Chapters can focus on real situations from authors’ daily practice or on conceptual or theoretical work. Final chapters should be 5,000–8,000 words and use APA 7th ed. style.

Submitting a Proposal

Proposals are being accepted via Google Forms. Please submit an abstract no longer than 300 words, double-spaced. Please make sure you note specifically what sustainability framework your chapter will use. Include the title of the proposed submission, name(s) of the author(s), institutional affiliation, contact information with email address(es), and a short biography of the author(s).

Authors whose proposals are accepted will receive detailed chapter guidelines. Chapters will be double-blind and peer-reviewed by volunteer peer-reviewers other than the editor.

Proposals can be https://forms.gle/Vhobv35Rh6NNNBk67. Click or tap if you trust this link.” data-auth=”Verified” data-linkindex=”0″ rel=”noopener”>submitted here.

If you would like to be a peer-reviewer for this book, please https://docs.google.com/forms/d/e/1FAIpQLSeK26zwW-BZMM2GWBDOwTDV7EQ5c4dJQRMYTlwq2e3UQzUnqg/viewform?usp=sharing. Click or tap if you trust this link.” data-auth=”Verified” data-linkindex=”1″ rel=”noopener”>fill out this information.

Questions about the book can be directed to Erin Renee Wahl at ewahl@nmsu.edu.

Anticipated Timeline

  • Collecting chapter proposals January–February 2025
  • Responses to proposals anticipated by the end of March 2025
  • Full chapters due by May of 2025
  • Chapters will be sent to peer reviewers and returned to the editor by the end of July 2025
  • Final chapters (with revisions, etc.) by the end of 2025/beginning of 2026
  • Completed book to the publisher no later than May 2026

Link to the submissions call on the series editors’ website.