Author: Cheryl

CFP: Preservation & Migration Seminar 2026

Preservation & Migration Seminar 2026

Digital time: show me how you do it!
Recipes for audiovisual content longevity

The FIAT/IFTA Preservation & Migration Commission (PMC), in collaboration with RTÉ and the Digital Repository of Ireland (DRI), will host the first on-site edition of the annual PMC Seminar at the Royal Irish Academy on June 4-5, 2026.

The call for proposals welcomes submissions that explore both theoretical perspectives and practical experiences, presented as presentations (30 min), discussion panels (45-60 min), or demos (20 min), within the scope of preservation, migration, and digital preservation of media content.

The deadlines to submit your proposal are:

  • March 2 – Presentations and Discussion panels
  • March 30 – Demos

Submit proposal

Open Call for Feedback: A Research Agenda for SAA

We are pleased to announce that the first version of the SAA Research Agenda Draft (SAA-RAD) is now available for public comment. 

The SAA-RAD aims to provide SAA and its membership with a focused, practical agenda to guide prioritized research on the archival profession’s most pressing issues over the next 5 years.

The SAA Research Agenda project is supported by the Institute of Museum and Library Services Laura Bush 21st Century Librarian Program grant.

To read more context about the project, view and comment on the draft, see the Research Agenda microsite.

The deadline to submit feedback is January 30, 2026. 

With kind regards,

Chris Marino (Project Director), Jane Fiegel, Jennifer King, Emily Lapworth, Dennis Meissner

Call for Submissions: Nontheatrical Student Essay Award, Celebrating student work in The Moving Image

In collaboration with AMIA, the SCMS Nontheatrical Film and Media SIG is delighted to announce its third Nontheatrical Student Essay Award.

Designed to recognize outstanding graduate student scholarship founded upon archival nontheatrical research, this award underscores both organizations’ commitment to mentorship and professional development, connecting award-recipients with mentors to guide them through the process of crafting journal-ready manuscripts. The award-winning essay will also be published (subject to revisions) in The Moving Image.

Our second award went to Miao Wang (University of Chicago), for his paper ‘Formatting Chinese Cinema: Small-Gauge Projectors in the Socialist Era.’ Keep your eyes peeled for its publication in The Moving Image!

In 2025, we also introduced an Honorable Mention. It was received by: Gonçalo Albergaria (Utrecht University) for his paper ‘Geoscientific film in the 1957/58 Capelinhos eruption: Raquel Soeiro de Brito and the moving image as epistemic tool.’

Eligibility

Applicants must be enrolled in a recognized graduate program at the time of entry.

Submission Criteria

  • The winning scholarly essay will demonstrate original and critical analysis, clarity of argument and exposition, and engagement with varied source materials related to the study of nontheatrical media (e.g. science film, educational film, home movies, government films, etc.)
  • Students may submit their own paper, or they may be nominated by an advisor or professor with the author’s consent. In either case, the submitter should provide a short author’s CV.
  • Papers shall be submitted in English and may not have been published in part or in whole by the time of submission. The manuscript should be 4000-6000 words in length (double spaced, Times New Roman, 12 pt, with 1-inch margins, using the Chicago Manual of Style, 17th edition), including footnotes/endnotes but excluding bibliography.
  • Before the first-place essay is published in The Moving Image, its author will work with a faculty mentor and The Moving Image editors to revise the essay for publication, in keeping with the developmental editing procedures of the journal.
  • Submissions will be evaluated by the governing body of the Nontheatrical Film and Media SIG and editors from The Moving Image.

Submissions will be due February 15, 2026 and can be sent to nontheatricalessayaward@gmail.com. The author of the winning paper will be contacted in early March 2026, and announced at the 2026 SCMS Annual Conference.

Point of contact for questions about the award and the submission process: Sophia Gräfe, Co-Chair of the SCMS Nontheatrical Film and Media SIG: sophia.graefe@hu-berlin.de.

Download the Call for Submissions here.

The Moving Image is the journal of the Association of Moving Image Archivists (AMIA). It explores topics relevant to both the media archivist and the media scholar. The Moving Image deals with crucial issues surrounding the preservation, archiving, and restoration of film, video, and digital moving images. It features detailed profiles of moving image collections; interpretive and historical essays about archival materials; articles on archival description, appraisal, and access; behind-the-scenes looks at the techniques used to preserve, restore, and digitize moving images; and theoretical articles on the future of the field. More here.

The Nontheatrical Film & Media Scholarly Interest Group (SIG) of the Society of Cinema and Media Studies (SCMS) provides a setting for scholars working in this area to collaborate, share research tips, and debate methodological issues. Moreover, this SIG acts as another connection between the academic and archival worlds, and between other SIGs and committees within SCMS, such as the Media Archives Committee. The mission of the Nontheatrical Film & Media Scholarly Interest Group is to facilitate discussion, consolidation, outreach, and inclusion. More here.

CFP: Librarians, Archivists, and Museum Professionals in the History of the Health Sciences Annual Meeting

2026 LAMPHHS Annual Meeting Call for Proposals

Librarians, Archivists, and Museum Professionals in the History of the Health Sciences (LAMPHHS) invites you to submit a proposal for its annual meeting, to be held in Buffalo, New York, June 3 – 4, 2026.

The concept behind this year’s program is thinking beyond the boundaries of conventional health practices. Building on this idea, the Program Committee invites members to look beyond traditional ideas of healthcare and explore the often-overlooked world of alternative healing. We encourage you to review your collections with a new perspective, looking for stories, artifacts, and practices that highlight spiritualism, cultural medical traditions, faith healing, folk medicine, and other local health systems that are hidden in the records of midwives, physician assistants, pharmacists, social workers, chaplains and other spiritual caregivers, and family caretakers. This theme opens up conversations about how communities have found wellness in many different ways, including groups such as Christian Scientists and Jehovah’s Witnesses, and how allopathic medicine has responded to or included these alternative treatments. By exploring these connections, the conference aims to expand our understanding of what healing has meant in different times, places, and belief systems.

Session Formats: The Program Committee encourages submission of proposals that may include, but are not limited to, the following formats:

Traditional Conference Presentations: Speakers should expect to give a presentation of no more than 15 minutes followed by discussion.

Panel Discussion: 60-90 minute session with a panel of 3 to 4+ individuals informally discussing a variety of theories or perspectives on a common topic. Please confirm participation with all panelists before submitting the panel proposal.

Special Focus Session: 60-minute session designed to highlight innovative archives or museum programs, new techniques, and research projects. Audience participation is encouraged.

Workshops, Other Formats: Have a format idea that isn’t represented? Feel free to propose an alternative!

NOTE: Panels and sessions are limited to 90 minutes: 12-15 minutes for each panelist + 12-15 minutes for Q&A.

Please submit your proposal via this submission form: https://forms.gle/mUvE6EASRzPeHGvP8

The deadline for submitting session proposals is February 15, 2026.

You must be a LAMPHHS member to submit a proposal. Not a member? Join for only $25.00 at https://lamphhs.org/

If you have any questions, please email Howard Rootenberg at (howard@rootenbergbooks.com) or Brooke Fox (foxeb@musc.edu)

CLIR 2026 Call for Proposals, “Pocket Burgundy” Series

2026 Call for Proposals, “Pocket Burgundy” Series

Deadline for Proposals: March 24, 2026

January 14, 2026 – The Council on Library and Information Resources (CLIR) invites proposals for its “Pocket Burgundy” series. Prospective authors and writing teams can propose ideas for reports relevant to the information and cultural heritage communities. Selected authors and teams will be offered a stipend of $3,000 for each publication. The deadline for submissions is March 24, 2026. Decisions will be announced in late May.

CLIR encourages submissions on any topic affecting information or cultural heritage work anywhere in the world. Prospective authors are encouraged to propose projects that would benefit libraries, archives, museums, and the communities they serve.

Publications will be released in electronic form under a Creative Commons license and will be openly accessible, free of charge.

Applicants are encouraged to read through the full call for proposals, the program FAQs and to review previous Pocket Burgundy publications prior to submitting their proposals. Instructions for submitting a proposal are linked from the program web page. Questions about this opportunity or the application process should be directed to Christa Williford (cwilliford@clir.org).

Call for Posters: Midwest Archives Conference and the Society of Ohio Archivists joint 2026 Annual Meeting

Annual Meeting: Call for Poster Presentations 2026

The Midwest Archives Conference and the Society of Ohio Archivists will hold a joint 2026 Annual Meeting on May 14-16, 2026 at the Ohio Union on The Ohio State University’s campus in Columbus, Ohio.

Founded in 1870 as the Ohio Agricultural and Mechanical College, The Ohio State University sits a few miles north of downtown Columbus. A city unto itself with an enrollment of more than 65,000, Ohio State is known for its top ranked academic programs in engineering, agriculture, and business, its world class research endeavors. For more information about the host and the conference, see the meeting website.

The 2026 Program Committee invites poster proposal submissions on all aspects of archival practice and research, as well as on topics from allied and related fields. The Program Committee seeks a diverse slate of presenters, representing a variety of personal and institutional backgrounds, perspectives, and voices. We seek to foster a culture of inclusion in the MAC-SOA program and encourage submissions from students, new professionals, first-time presenters, and those from allied professions. Membership in MAC and/or SOA is not required to present. Poster presentations will be onsite only, and at least one author must be present.

Proposals are due by 11:59p CST February 8, 2026. There will be no deadline extension.

The Program Committee invites poster proposals touching on the theme “Find it Here.”

Potential areas of focus include:

  • Distinct approaches to collecting, reference, and instruction
  • Overcoming challenges to making collections accessible and discoverable
  • Successful community archiving projects and partnerships
  • Utilizing facilities in unique ways to highlight and provide access to collections

For more ideas, see the earlier conference Call for Session Proposals here.

Authors are required to present their posters in person during scheduled times during the meeting, Thursday 3:00 – 3:30 pm and Friday 3:00 – 3:30 pm. These presentations are more like elevator speeches that summarize the poster content with attendees who stop by the poster to view it and ask questions. 

Proposal Evaluation

The MAC-SOA PC Poster Subcommittee will evaluate all proposals submitted by the deadline. Proposals will be evaluated in two ways: 1) merit and clarity of the 1750-character abstract; and 2) completeness of the proposal, particularly having well-developed content to understand all relevant aspects of the topic. Authors of posters accepted for inclusion in the MAC-SOA 2026 Annual Meeting will be notified in February 2026.

To submit a proposal, please fill out the MAC 2026 Poster Proposals Submission Form.  The deadline for submitting poster proposals for the 2026 MAC-SOA Annual Meeting is February 5, 2026.  We look forward to seeing you in Columbus!

Poster Prizes

MAC memberships will be awarded to a select number of posters based on the following criteria: 

  • Originality 
  • Relation to meeting theme (“Find It Here”)
  • Creativity displayed in the poster

Poster Session Tips

Poster sessions are a means to communicate and exchange ideas, programs, research, and projects to fellow MAC-SOA meeting attendees

Posters typically include pictures, data, graphs and/or diagrams with narrative text on paper backing that are approximately 36×24 inches. MAC will provide easels, thumb tacks, and appropriately sized foam board. 

Helpful tips on creating posters are available at these links:

Poster sessions cannot be used to advertise products or to display vendor items. If you are unsure if your proposal qualifies or if you have questions about the poster submission process, please email Adam Wanter, Poster Coordinator, at awanter@midpointelibrary.org

Frequently Asked Questions

  1. Question: Will MAC pay my travel expenses and/or registration fee to attend the annual meeting if I am presenting a poster?

Answer: No, MAC cannot reimburse you for your travel or conference registration expenses. However, MAC offers travel scholarships for first-time meeting attendees. Applications for the Mark A. Greene Award for First-Time Meeting Attendees are due March 16, 2026. SOA also offers a variety of scholarship opportunities.

  1. Question: What if I have a conflict with poster session presentation time?

Answer: At least one author of the poster must be present during the poster sessions.This is an opportunity to engage with conference attendees who stop to ask questions and provide further details about poster content. Poster sessions cannot be presented unless at least one author is present during the allotted times.

  1. Question: What happens if I must cancel my poster session because I can’t attend the conference?

Answer: Please plan on a backup person who will be able to represent your poster if an emergency arises. If an alternate presenter is unable to be arranged, your poster will not be included in the poster session.

  1. Question: Can I have an internet connection or other electrical or technical support?

Answer: If your poster session includes electrical equipment, you may need to provide your own source of power (e.g., batteries). We cannot guarantee electrical support or Internet connections in the poster session area. Audio-visual presentations that include sound are not encouraged, as they can be distracting to the other presenters and attendees. However, if you can supply headphones for viewers/listeners, sound is acceptable. Please note in your proposal if you request specific electrical support.

  1. Question: What about simultaneous submissions? Can I submit a poster session proposal about a project for which I’ve also submitted a manuscript for publication in a journal?

Answer: Yes, poster submissions for articles that have been simultaneously submitted for publication are welcomed, if you note the simultaneous submission on the proposal form.

  1. Question: What is the difference between the MAC Exhibit area and the MAC Poster Session Area?

Answer: The exhibit area is designed for vendors or organizations to promote their wares or groups. The poster session area is expressly for authors to present their work on research or projects.

  1. Question: Can I present a session and a poster?

Answer: Yes, but submission preference will be given to authors who are not already presenting.

CFP: DCMI 2026

DCMI 2026, the twenty-fourth International Conference on Dublin Core and Metadata Applications, invites researchers, practitioners, and experts from diverse domains to explore the dynamic landscape of metadata in the theme of Meaning-Driven AI: Using Metadata to Align Systems with Human Values. The fast-paced advances in artificial intelligence (AI) create new research opportunities for metadata. While AI has the potential to enhance metadata quality through systematic tasks like error detection and data standardisation, meaning-driven AI explores how structured data can capture human preferences, beliefs, and experiences to create intelligent systems that truly understand what people value.

Metadata has an expanding role in enabling the transparent, trustworthy, and effective representation of data, information, and knowledge, and as a result, is being transformed from simply “data about data” to being data that underpin knowledge. In this expansion of metadata’s role, we strive to bring innovative ideas, projects, and practices together that can foster and protect humanity.

DCMI 2026 serves as a unique platform for the discussion of innovative research and practice, presenting visions for future metadata development and solutions to practical metadata problems. Join researchers, practitioners, and experts from a wide range of sectors in a collaborative exploration of metadata’s evolving role through your papers, posters, panel discussions, best practice reports, designathon/hackathon, workshops, and more.

DCMI 2026 will feature exclusively in-person meetings.

Key areas:

Under the theme Meaning-Driven AI: Using Metadata to Align Systems with Human Values the DCMI 2026 conference welcomes submissions on the following topics broadly related to metadata design, deployment, and best practices (but not limited to):

  • Metadata and AI: The role of metadata in explainable and reproducible AI, metadata representations for machine learning (ML) models and datasets, application of AI in metadata generation, and knowledge-driven metadata for ML applications.
  • AI Agents: AI agents that leverage metadata to anticipate human preferences, make context-aware decisions, and act in ways that align with the values and needs of the people they serve.
  • Human-Centered Metadata and Interaction: Exploring user experience (UX) in metadata systems and adaptive metadata systems that evolve based on user needs.
  • Data Integrity and Reliability: Innovative metadata research and practices that ensure data integrity, accuracy, provenance, and reliability.
  • Ethics and Metadata: Addressing ethical considerations in metadata creation and management to build trust, ensure fairness, mitigate bias, and promote transparency in AI and data governance.
  • Adaptation to Emerging Technologies: Transforming metadata constructs and systems to enable the full utilization of technologies in AI, linked data, and knowledge bases.
  • Metadata and Data Science: Application of data science theories and methods in developing linked, intelligent metadata to facilitate transformation.
  • Metadata for the Public Good: The implications and significance of metadata in trustworthy AI; the role of metadata in supporting the fight against nefarious deepfakes, misinformation, and disinformation; open data, open science, and open metadata.
  • Cultural and Social Dimensions of Metadata: Digital humanities and metadata practices in memory institutions, semantic and computational metadata for cultural heritage objects, equitable metadata representation for historical materials, and critical study of metadata theories, practices, standards, and tools.
  • Metadata Supporting the FAIR and CARE Principles: Solutions and practices in creating FAIR metadata, case studies of data reusability fostered by metadata, and new data structures and models supporting metadata interoperability.

Submission Guidelines

  • At least one author of an accepted submission must physically attend the conference to present the work in person.
  • Submissions must follow the guidelines for one of the categories enumerated below.
  • All submissions must be in English.
  • All submissions must be made via the Submission System, https://go.dublincore.org/dcmi-2026/submission-portal
  • Submissions must be a single Portable Document Format (PDF) along with the document’s source.
  • The source file should be Microsoft Word (.doc or .docx), or LaTeX files in a single compressed zip file (.zip).
  • Authors are required to include their ORCID in their submissions.

Templates

  • All submissions must use the official DCPapers template for DCMI conference proceedings.
  • Templates for both Microsoft Word and LaTeX are available in the DCPapers template repository. Template files can be downloaded from https://github.com/dcmi/dcpapers-templates/releases/latest
  • Any modification to the template, including but not limited to adjustments in margins, typeface sizes, line spacing, paragraphs, and list definitions, is discouraged.
  • Users of Microsoft Word are required to install the Libertinus font family on their computer. The DOCX template contains detailed installation instructions.
  • Users familiar with LaTeX should prefer the LaTeX template.
  • An Overleaf template is available at https://go.dublincore.org/dcmi-2026/overleaf-template
  • Please use GitHub issues exclusively for inquiries and reporting template-related issues at https://github.com/dcmi/dcpapers-templates/issues
  • Detailed formatting guidelines are included in both the DOCX and LaTeX templates.
  • Authors are required to add their ORCID in the submission as indicated in the templates.

Submission categories

Note:

  • The open-access conference proceedings are indexed by Scopus, DBLP, Google Scholar, Semantic Scholar, ACM, and Crossref. Online proceedings will be available before the start of the conference.
  • Presentation slides, poster slide images, and student forum extended abstracts will be published on the DCMI website.

Full papers

Full papers either describe innovative work in detail or provide critical, well-referenced overviews of key developments or good practices.

  • 8-10 pages, single-spaced, plus references
  • Not previously published elsewhere

Short papers

Short papers are narrower in scope than full papers and may be either a description of work in progress, or a project report that concisely describes a specific model, application, or activity.

  • 4-5 pages, single-spaced, plus references
  • Not previously published elsewhere

Panels

Panel sessions are organized by experts in a specific area of metadata. Each panel serves as a focused exchange regarding the latest research and/or best practice in the area.

  • 1-2 pages extended abstract with panelists’ bios of 100-150 words each

Workshops

Workshops engage participants in active work to address one or more well-defined problems or issues. The style of workshops may vary depending on the organizers, and may include presentation/discussion-based or problem-solving-based activities.

  • 3-4 hours (half-day) or 6-8 hours (full-day)
  • 1-2 pages of descriptions
    • Objectives
    • Format
    • Names of organizers
    • Event plan (Agenda or Activities)
  • Descriptions will be included in the online Proceedings

Conference registration is required (Full registration or one-day registration).

Project reports

Project reports are for the presentation, demonstration, and evaluation of work-in-progress related to metadata best practices.

  • 2-page extended abstract, single-spaced, plus references

Posters

Posters are for the presentation of projects, research under development, or late-breaking results.

  • 2-page extended abstract, single-spaced, plus references

Tutorials

Tutorials introduce specific topics of current interest in metadata practice, optionally including hands-on practice. Proposals for tutorials must include:

  • 2-3 page proposal including:
    • Title of tutorial and topic to be covered (2-3 paragraphs)
    • Target audience and expected learning outcomes
    • Tutorial style: lecture, demonstration, hands-on practice, etc.
    • Any prior knowledge required (e.g., RDF, programming languages)
    • Whether participants must (or should) bring laptops or install software beforehand
    • Presenter bios (100-150 words each)

Student Forum

The student forum aims at providing an opportunity for master’s and doctoral students to share their experiences and exchange ideas of best practices, research in progress, and findings in areas related to metadata innovation.

  • Less than 1500 words plus references
  • All presenters participating in the Student Forum will automatically qualify for the Student Forum Award competition. Winners will be chosen by the Student Forum Committee, and they will receive prizes of $300 for first place and $200 for second place to assist with travel expenses.

Important Dates

Deadlines for submissions:

  • Papers (full and short), Panel, and Workshop: March 30, 2026, 23:59 (AoE)
  • Posters, Project Reports, Student Forum, and Tutorials: May 1, 2026, 23:59 (AoE)
  • Best Practices and Talks are by invitation

Notification to authors:

  • Paper, Panel, and Workshop: May 15, 2026
  • Poster, Project Reports, Student Forum and Tutorials: June 1, 2026

Final copy of papers due: June 15, 2026

CFP: Student Posters, Society of Southwest Archivists Annual Meeting

The Society of Southwest Archivists invites graduate and undergraduate students to submit an abstract for a Student Poster Presentation at the 2026 Annual Meeting from April 29 to May 2, 2026 in Waco, Texas.

Theme: Deep in the Heart of Archives

Student Poster Presentations may describe applied or theoretical research that is completed or underway; discuss interesting archival collections students have worked with; or report on archives and records projects in which students have participated (e.g., development of finding aids, public outreach, database construction, etc.).

Submissions should focus on research or activity conducted within the 2024 – 2025 academic year. Posters dimensions should be 32 by 40 inches, situated horizontally.

Abstracts can be submitted via email until Friday, March 6. Submit your abstract to program@southwestarchivists.org with “2026 Student Poster Presentation” as your subject line.

Include the following in your one-page abstract:

Title
Author(s) & CVs
Purpose of Project/Research
Description of Project/Research
Conclusions/Findings of Project/Research

Selected participants will be notified by Friday, March 20. They will have the opportunity to attend the in-person student poster presentation in Waco on Friday, May 1 from 3:00 to 4:00 p.m. and submit a recorded presentation of their poster to be included in the Zoom Events platform.

We can’t wait to see you in Waco as we explore what’s deep in the heart of archives!

Archivaria 100: Special Issue – Legacies of Critical Theory in Archives

Archivaria (Fall/Winter 2025)
(subscription)

From the Guest Editors

Editors’ Introduction
Mario H. Ramirez, Rebecka Taves Sheffield

Glancing Backwards

Derrida, the Scene of Archiving, and the Unhappy Consciousness
Brien Brothman

Michel and Mathurin
Finding Foucault in the Archives
Steven Maynard

Red Jenkinson
Tracing Indigenous Influences on Canadian Archival Theory
Raymond O. Frogner

Facing the Horizon

Fevered Inheritances
Ethics of Care and Donor Power in Starchives
Anastasia Armendariz, Kate Orazem

“Should We Just Burn It All Down?”
Slowness and Institutional Barriers to a Critical Future in Archives
Josh Wilson

Looking Within

The Archival Turn as Practice
Ann Cvetkovich

Love in the Archives
Towards a Theory and Praxis of Archival Care
Jennifer Douglas

Shifting Directions

Provenanced Aesthetics
The Beauty of Decay in Dawson City: Frozen Time
Patrick Keilty

“A Self You Have Not Yet Learned How to Love”
Building Asian/Queer//Queer/Asian Possibilities Through Archival Speculation
Yingying Han, Travis L. Wagner

Book Reviews

Andi Gustavson and Charlotte Nunes, eds., Transforming the Authority of the Archive: Undergraduate Pedagogy and Critical Digital Archives
Claire Malek

Tanya E. Clement, Dissonant Records: Close Listening to Literary Archives
Heather Dean

Gracen Brilmyer and Lydia Tang, eds., Preserving Disability: Disability and the Archival Profession
Elizabeth A. Pineo

Exhibition Reviews

Musée des beaux-arts de Montréal and Art Gallery of Ontario, Joyce Wieland: À cœur battant; Joyce Wieland: Heart On
Dylan Adamson

Musée d’art contemporain de Montréal, Alanis Obomsawin: The Children Have to Hear Another Story
Kate Nugent

CFP: Studies in Oral History (Australia)

Contributions for the peer review and reports sections of the 2026 issue of our journal Studies in Oral History are now being accepted. The deadline for submission of peer review articles is 31 March 2026 and for reports it is 29 May 2026.

This is the first issue to be produced by our new editors Mia Martin Hobbs and Geraldine Fela. It’s theme is ‘Bearing Witness, Making Histories’.

For further information including word limits and how to submit your article, go to the Call for Papers, Issue 48, 2026.

Contributors are advised to review the following before submission:

About the theme

We are living through a time of relentless violence, towards human beings, our social world, and to our environment. What then does it mean, as historians, to bear witness and make history? 
As oral historians, we are used to the role of witness. The creation of an oral history archive is a kind of witness bearing. In the interview we watch and listen in real time as life stories unfold, with all their attendant pain, joy, complications and moments of discomposure. To bear witness in this setting often means something profoundly intimate, but bearing witness can also speak to a broader political and responsibility: to bear witness can mean to speak or record a truth, or to gather collectively to remember, commemorate or protest.

The post Call for Papers – Journal 2026 appeared first on Oral History Australia.