Author: Cheryl

New/Recent Publications

Books

Indigenous Archival Activism: Mohican Interventions in Public History and Memory
Rose Miron
University of Minnesota Press, 2024

Changing Heritage: How Internal Tensions and External Pressures are Threatening Our Cultural and Natural Legacy
Francesco Bandarin
Routledge, 2024

Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy
Diana Kamin
MIT Press, 2023

Articles

“How Accessible are European Public Archives? An Assessment of the Compliance with the Council of Europe Recommendation R(2000)13 on a European Policy on Access to Archives” written by Michael Friedewald, Ivan Szekely, and Murat Karaboga. Journal of Contemporary Archival Studies: https://elischolar.library.yale.edu/jcas/vol10/iss1/21/

“Variegated Order: Making Space for Neurodiverse Perspectives in Archives” written by Sophie Penniman. Journal of Contemporary Archival Studies: https://elischolar.library.yale.edu/jcas/vol10/iss1/22/ 

Eid Mohamed. “The Potential and Limits of Arabic Digital Humanities.” Journal of Cultural Analytics vol. 9, no. 3, June 2024.

Yakel, E., Faniel, I. M., & Robert, L. P. Jr (2024). An empirical examination of data reuser trust in a digital repository. Journal of the Association for Information Science and Technology, 1–18. https://doi.org/10.1002/asi.24933

Reports

Publikation des Vereins Schweizerischer Archivar:innen:
«Das Erinnern nicht vergessen» (Publication of the Association of Swiss Archivists: “Don’t forget to remember”)
Urs Hafner, März 2024

Fiction

The Royal Librarian
Daisy Wood
HarperCollins, 2024

Case Study

Case 26, “Teaching the History of Higher Ed through Primary Sources and Digital Exhibits,” Rhia Rae, Molly Castro, and Annia Gonzalez from Florida International University (FIU) Libraries
Case Studies on Teaching with Primary Sources series, an open access series sponsored by SAA’s Reference, Access, and Outreach (RAO) Section.

CFP: Avec Attention: Archives, Archivistes, et Sociétés/ “With Attention: Archives, Archivists, and Societies”

French

Nous vous invi­tons à pren­dre connais­sance de l’appel dans sa glo­ba­lité et des moda­li­tés de réponse en le télé­char­geant.

Les axes de com­mu­ni­ca­tion

1) Quelle place pour les archi­ves dans une économie de l’atten­tion ?
Axe 1.1 : La pro­duc­tion des don­nées et les stra­té­gies qui s’y atta­chent : com­ment assu­rer nos mis­sions afin de docu­men­ter les déci­sions publi­ques et poli­ti­ques qui tou­chent les popu­la­tions ?
Axe 1.2 : Les poli­ti­ques de numé­ri­sa­tion mas­sive et la sura­bon­dance des res­sour­ces acces­si­bles en ligne : quels effets sur l’accès, la recher­che, et sur les pra­ti­ques pro­fes­sion­nel­les ?
Axe 1.3 : Quels modè­les à venir pour l’accès aux don­nées et aux docu­ments numé­ri­sés ?

2) Comment favo­ri­ser l’atten­tion aux archi­ves, quel­les curio­si­tés encou­ra­ger et de la part de qui ?
Axe 2.1 : Les nou­veaux espa­ces de l’atten­tion aux publics
Axe 2.2 : Les nou­veaux dis­po­si­tifs d’atten­tion aux publics
Axe 2.3 : Quelle atten­tion conjointe aux archi­ves ? Quel rôle des archi­vis­tes : média­teur ou pres­crip­teur ?
Axe 2.4 : Archives, droits humains et enjeux de société
Axe 2.5 : Archives et curio­si­tés
Axe 2.6 : Archives et expé­rien­ces esthé­ti­ques

3) Comment l’atten­tion rené­go­cie-t-elle les mis­sions des archi­vis­tes ?
Axe 3.1 : Dans les poli­ti­ques de col­lecte
Axe 3.2 : Dans les poli­ti­ques de clas­se­ment
Axe 3.3 : Dans le déve­lop­pe­ment de poli­ti­ques de conser­va­tion pré­ven­tive conver­gen­tes avec les enjeux envi­ron­ne­men­taux

4) Quels archi­vis­tes pour quel­les atten­tions ?
Axe 4.1 : Quelle(s) iden­tité(s) pro­fes­sion­nel­les(s) pour les archi­vis­tes ?
Axe 4.2 : Quelle éthique et déon­to­lo­gie pour les archi­vis­tes ?
Axe 4.3 : Quelles for­ma­tions et par­cours pro­fes­sion­nels ?
Axe 4.4 : Quel envi­ron­ne­ment pour les archi­vis­tes
Axe 4.5 : Quelle capa­cité avons-nous à col­la­bo­rer, à coo­pé­rer au niveau local, natio­nal et inter­na­tio­nal ?
Axe 4.6 : Comment main­te­nir une dis­po­ni­bi­lité au monde ambiant, com­ment lais­ser œuvre émotions et sen­sa­tions. Existe-t-il un archi­viste flâ­neur ?

Cet appel à communication est ouvert jusqu’au 30 septembre 2024 inclus.

English

We invite you to read the call in its entirety and the response procedures by downloading it .

The communication axes

1) What place for archives in an attention economy?
Axis 1.1: Data production and the strategies associated with it: how can we carry out our missions in order to document public and political decisions that affect populations?
Axis 1.2: Mass digitization policies and the overabundance of resources accessible online: what effects on access, research, and professional practices?
Axis 1.3: What future models for access to digitized data and documents?

2) How to encourage attention to archives, what curiosities to encourage and from whom?
Axis 2.1: New spaces for attention to the public
Axis 2.2: New systems for attention to the public
Axis 2.3: What joint attention to archives? What role for archivists: mediator or prescriber?
Axis 2.4: Archives, human rights and societal issues
Axis 2.5: Archives and curiosities Axis
2.6: Archives and aesthetic experiences

3) How does attention renegotiate the missions of archivists?
Axis 3.1: In collection policies
Axis 3.2: In classification policies Axis
3.3 : In the development of preventive conservation policies convergent with environmental issues

4) Which archivists for which attentions?
Axis 4.1: What professional identity(ies) for archivists?
Axis 4.2: What ethics and professional conduct for archivists?
Axis 4.3: What training and professional paths?
Axis 4.4: What environment for archivists? Axis
4.5: What capacity do we have to collaborate, to cooperate at the local, national and international level? Axis
4.6: How to maintain an availability to the surrounding world, how to let emotions and sensations work. Is there a strolling archivist?

This call for papers is open until September 30, 2024 inclusive.

New Issue: Scholarly Editing

Scholarly Editing, Volume 41
(open access)

Volume 41 Introduction

Noelle A. Baker and Kathryn Tomasek

Micro-Editions

Kinship & Longing: Keywords for Black Louisiana

Olivia Barnard, Emma Bilski, Leila Blackbird, Jessica Marie Johnson and Ellie Palazzolo

Paper Bullets: The Civil War Letters of John and Phebe Miller

Samantha Misa

Voices and Perspectives: Interviews and Conversations

History UnErased: An Interview with Deb Fowler and Kathleen Barker

Jenifer Ishee and Robert Riter

Uncovering and Sustaining the Cultural Record

Reparative Editing: Working with Ukrainian Authors in Wartime

Amy Levin

Moquis and Kastiilam: The Hopi History Project

Thomas E. Sheridan, Stewart B. Koyiyumptewa and Leigh Kuwanwisiwma

Essays

On Automating Editions: The Affordances of Handwritten Text Recognition Platforms for Scholarly Editing

Melissa Terras, Joe Nockels, Sarah Ames, Paul Gooding, Andy Stauder and Günter Mühlberger

The Assembled Book as a Map of Relations

Whitney Trettien, Penny Bee and Zoe Braccia

The College and University Classroom

Digital Editing and Pedagogy: Making Editions / Building Arguments

John Bryant, Mary Isbell, Christopher Ohge and Mary Erica Zimmer

Reviews

Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist. Edited by Nneka D. Dennie

R. J. Boutelle

Incidents in the Life of a Slave Girl. Harriet Jacobs. Edited by Koritha Mitchell

Amy Larrabee Cotz

Three Centuries of Travel Writing by Muslim Women. Edited by Siobhan Lambert-Hurley, Daniel Majchrowicz, and Sunil Sharma

Mariam Zia

Archival Gossip: A Scholarly Take on Nineteenth Century Tattletales

Chelsea Phillips

Reading Prison through the Penal Press: American Prison Newspapers, 1800s–Present: Voices from the Inside and the Prison Journalism Project

Sally F. Benson

CF: La Gazette de archives (France)

French

La Gazette des archives est une revue professionnelle scientifique éditée par l’Association des archivistes français (AAF). Découvrez la refonte de la revue à notre webinaire du 25 juin 2024 !

La Gazette des archi­ves est une revue à comité de lec­ture à ambi­tion pro­fes­sion­nelle et aca­dé­mi­que qui pro­meut et contri­bue au déve­lop­pe­ment de la recher­che et de la réflexion en archi­vis­ti­que. Elle s’adresse prio­ri­tai­re­ment aux archi­vis­tes fran­çais et fran­co­pho­nes ainsi qu’à la com­mu­nauté aca­dé­mi­que inter­na­tio­nale des cher­cheurs en archi­vis­ti­que ou qui mènent une réflexion sur des aspects tou­chant à la ges­tion des archi­ves et à leur contexte de pro­duc­tion, à leurs usages ou à leur place dans la société (cher­cheurs en his­toire, scien­ces de l’infor­ma­tion, socio­lo­gie, psy­cho­lo­gie, etc.). Elle a pour objec­tif de publier des tra­vaux ori­gi­naux rela­tifs à la théo­rie et à la pra­ti­que archi­vis­ti­que, de favo­ri­ser le dia­lo­gue entre les dis­ci­pli­nes, entre les champs pro­fes­sion­nels et de contri­buer à la cir­cu­la­tion des connais­san­ces sur les archi­ves à tra­vers le monde.

Participez à notre webi­naire le 25 juin 2024 pour en savoir plus !

Comment écrire dans La Gazette des archi­ves ?

La Gazette des archi­ves publie des numé­ros thé­ma­ti­ques et des varias. Pour les numé­ros thé­ma­ti­ques, un appel à contri­bu­tions est dif­fusé sur la page Internet de la revue et sur les réseaux. Les contri­bu­tions non thé­ma­ti­ques sont accep­tées au fil de l’eau.

La revue com­prend plu­sieurs rubri­ques :
–  Article ori­gi­nal : publi­ca­tion ori­gi­nale pré­sen­tant un propos argu­menté, démon­tré et étayé par une ana­lyse de la lit­té­ra­ture et des sour­ces (archi­ves, enquête…), sus­cep­ti­ble de faire avan­cer la recher­che ou la réflexion sur les archi­ves
–  Pistes et pers­pec­ti­ves : arti­cle qui peut adop­ter un ton plus spé­cu­la­tif et expri­mer une réflexion nova­trice sur la théo­rie ou la pra­ti­que archi­vis­ti­que. Il est recom­mandé de pren­dre contact avec le comité de rédac­tion
au préa­la­ble
–  Entretien : entre­tien inédit avec une per­son­na­lité, pré­sen­tant un apport pour la théo­rie ou la pra­ti­que archi­vis­ti­que
–  Étude de cas : retour d’expé­rience ana­ly­ti­que sur un projet ou une acti­vité qui pré­sente un carac­tère ori­gi­nal et apporte une réflexion sur la pra­ti­que archi­vis­ti­que
–  Compte rendu : compte rendu pro­blé­ma­tisé d’un ouvrage ou d’un événement scien­ti­fi­que qui pré­sente des réflexions archi­vis­ti­ques

La revue accepte des contri­bu­tions en langue fran­çaise. Pour une contri­bu­tion en langue étrangère, il convient de contac­ter au préa­la­ble le comité de rédac­tion.

Les arti­cles ne sont pas rému­né­rés. Les auteurs signent une auto­ri­sa­tion de publi­ca­tion et sont tenus de res­pec­ter le format d’édition : uti­li­sa­tion d’une charte éditoriale et d’un modèle de texte com­mu­ni­qués par la rédac­tion et dis­po­ni­bles ci-des­sous. De même, vous y trou­ve­rez un manuel d’écriture inclu­sive à consul­ter libre­ment.

English

La Gazette des archives is a professional scientific journal published by the Association of French Archivists (AAF). Discover the redesign of the journal at our webinar on June 25, 2024!

La Gazette des archives is a peer-reviewed journal with professional and academic ambitions that promotes and contributes to the development of research and reflection in archives. It is primarily aimed at French and French-speaking archivists as well as the international academic community of researchers in archives or who are thinking about aspects relating to the management of archives and their production context, their uses or their place in society (researchers in history, information sciences, sociology, psychology, etc.). Its objective is to publish original work relating to archival theory and practice, to foster dialogue between disciplines, between professional fields and to contribute to the circulation of knowledge on archives throughout the world.

Join our webinar on June 25, 2024 to learn more!

How to write in the Archives Gazette  ?

The Gazette des archives publishes thematic issues and miscellaneous issues. For thematic issues, a call for contributions is published on the journal’s website and on social networks. Non-thematic contributions are accepted on an ongoing basis.

The magazine includes several sections:
–  Original article : original publication presenting a reasoned argument, demonstrated and supported by an analysis of literature and sources (archives, survey, etc.), likely to advance research or reflection on archives
–  Tracks and perspectives : an article that may adopt a more speculative tone and express innovative thinking on archival theory or practice. It is recommended to contact the editorial board in
advance
–  Interview : unpublished interview with a personality, presenting a contribution to archival theory or practice
–  Case study : analytical feedback on a project or activity which presents an original character and provides a reflection on archival practice
–  Report : problematized report of a work or a scientific event which presents archival reflections

The journal accepts contributions in French. For a contribution in a foreign language, please contact the editorial board in advance.

The articles are not remunerated. The authors sign a publication authorization and are required to respect the publishing format: use of an editorial charter and a text model communicated by the editorial staff and available below. Likewise, you will find an inclusive writing manual to consult freely.

CFP: Studies in Oral History (Australia)

Studies in Oral History, Issue No. 47

Editors: Skye Krichauff and Carolyn Collins

The Power of Oral History – Risks, Rewards & Possibilities

Peer-Reviewed Articles

Contributions are invited from Australia and overseas for the peer-reviewed articles section of the 2025 issue of Studies in Oral History, the journal of Oral History Australia (OHA).

Oral history can be powerful in so many ways: interviews generate potent emotions, recordings capture the power of voice as well as the power of silence, and multimedia productions engage and connect new audiences with the complexities of the past.

Fundamentally, oral history transforms the historical archive and challenges mainstream histories. It can shift traditional power dynamics, bring forth new voices and perspectives, reshape policies and politics, and shake up old certainties.

Yet these possibilities come with risk as well as reward – recording sensitive subjects is never easy. Creating an oral history production takes time, skill and care, and sometimes goes wrong. Imaginative re-uses of oral history recordings can raise ethical and legal complexities. And oral histories that disrupt accepted narratives can generate pain and conflict in families, communities and nations.

We invite papers that employ or interrogate oral history methodologies and illuminate aspects of the risks, rewards and possibilities of oral history. Contributions across the following themes are suggested (although not mandatory):

  • Indigenous oral histories and oral traditions
  • Oral history, culture and language
  • Interpreting memory in oral history
  • Transgressing boundaries with oral history
  • Documenting diverse voices with oral history
  • Histories of protest, activism and rights
  • Contested memories and histories
  • Oral histories of working lives and social class
  • Migrant and refugee history
  • Gender and oral history
  • LGBTIQA+ oral histories
  • Ethical issues in oral history
  • Technology and oral history
  • Archiving and oral history
  • Oral histories of family, community or place
  • Creative uses of oral history recordings
  • Oral history in galleries, libraries and museums

As all articles are subject to anonymous peer review, pleasure ensure your submission contains no identifying material. Articles submitted to the Oral History Australia Editorial Board for peer review will first be assessed for suitability by the Editorial Board. Please consult the Guidelines for Contributors, the Peer review FAQ and Journal Style Guide for further information.

Word Limits and Deadlines

To be considered for peer review, articles should be no more than 8,000 words, including references. Publication of the issue is anticipated in late 2025.

The submission deadline for articles for peer review is 17 January 2025.

Submission

Send submissions to: Dr Alexandra Dellios, Chair, Oral History Australia Editorial Board, email editorialboard.journal@oralhistoryaustralia.org.au.

Reports

Submissions are also invited for the reports section of the 2025 issue of Studies in Oral History. Reports may describe oral history projects conducted by museum curators, heritage professionals, consulting historians, community historians, academic historians and more. Projects may have resulted in public outcomes such as websites, exhibitions, podcasts, theses, articles or books. Please note the reports section is not peer-reviewed; notes from the field, updates on exciting new work, or reflections on the process and/or outcomes of oral history projects are encouraged. Reports which relate to the issue theme are welcome but not mandatory.

Word limit: 1,500 words.

Deadline for report submissions: Monday 30 April 2025.

Please send reports to our Reports Editor Alexandra Mountain:  reports.journal@oralhistoryaustralia.org.au

Please note that while the reports are not peer-reviewed, we cannot accept all reports for publication and accepted reports will need to be edited for length, clarity and adherence to the Style Guide. Reports will be selected on the basis of quality of writing, the diversity of oral history perspectives showcased across the reports section and relevance to the special issue theme. Please consult the Guidelines for Contributors and Style Guide for further information.

CFP: Historic House Museums: Nordic Perspectives

The anthology Historic House Museums: Nordic Perspectives (tentative title) presents a broad range of perspectives on historic house museums in the Nordic countries – Denmark, Sweden, Norway, Finland, Greenland, Faroe Islands, and Iceland. The book sheds light on how the Nordic countries understand, define, preserve, exhibit, manage, and communicate about our historic house museums. This includes house museums in the broadest sense of the word – from farmhouses, manor houses, artist homes, bunker museums, open air museums, and other types of historic buildings that have been preserved, and where people have lived for shorter or longer periods of time.

Much of the current literature on historic house museums comes from the US or the UK, where many efforts have been made to create overviews, categories, and definitions that clarify a typology for historic house museums and how historic house museums can be understood.

In our anthology, we want to contribute to this literature by presenting perspectives on historic house museums from the Nordic countries, where our unique cultures, history, and climate come into play. In some ways, the Nordic countries are very different from one another, but in other ways we are closely connected, not least through political history, language, culture, and to some extent – climate. This anthology will present perspectives from the Nordic countries regarding the most pressing issues, challenges, and potentials related to historic house museums in this region of the world. This includes perspectives on preservation and conservation, organisational perspectives, interpretation, collections, dissemination and visitor communication, community and identity, material or immaterial heritage, and not least more general discussions of how historic house museums are defined, categorised, and understood in the different Nordic countries.

The anthology targets museum staff, researchers, and academic students who work within the fields of museums & cultural heritage. It aims at giving Nordic house museums and Nordic house museum researchers a voice in international discussions about the definitions and value of this unique category of museums.

More about the call and the topics: https://museologi.au.dk/publikationer/call-for-papers

We ask authors to submit article proposals of between ½ and 2 pages.

The submission date is October 1st, 2024

Information about submissions can also be found at this link:

https://museologi.au.dk/publikationer/call-for-papers

Contact Information
Project manager, Mia Falch Yates
Department of Art History & Museology, Aarhus University
Contact Email: my@cc.au.dk

URL: https://museologi.au.dk/publikationer/call-for-papers

Attachments

Call for Papers. Pdf

CFP: Museum Worlds

Museum Worlds: Advances in Research 
Call for Special Section Proposals 

The Editors of Museum Worlds: Advances in Research invite proposals for Special Sections to feature in future issues of the journal. Sections should focus on themes that fit the journal’s remit which aims to trace and comment on major regional, theoretical, methodological, and topical themes and debates, and to encourage comparison of museum theories, practices, and developments in different global settings. Sections could, for example, cover regional trends in museum theory and practice; current challenges such as climate change or Indigenisation of museums; or could be based on a topical conference panel. 

Sections will normally be no more than 60,000 words and include an editorial comment from the section editor(s) of 1000 words, plus up to six full length articles of 7000 words (including notes and references), though some section editors may choose to include conversation pieces, photo essays, and shorter length reports or reviews to cover a wider range of formats appropriate to the Special Section theme. Full details on word lengths and format can be found in the journal guide for submissions (https://www.berghahnjournals.com/view/journals/museum-worlds/museum-worlds-overview.xml?tab_body=submit). 

TIMESCALE 
Proposals for Special Section should include an abstract of 500 words explaining the focus of the section plus an indicative list of content/authors. These should be submitted as Word documents by 01 September 2024 to Alison Brown (alison.brown@abdn.ac.uk) and Conal McCarthy(conal.mccarthy@vuw.ac.nz). 

A decision for the Special Section to feature in Museum Worlds Volume 13 will be made by a panel consisting of Alison Brown, Conal McCarthy and a member of the Editorial Board by 01 October 2024, with proposal authors notified as soon as possible thereafter. 

The Special Section editor(s) will liaise with section contributors and will arrange peer review in line with the journal’s stated processes. They will ensure the section content is submitted to Alison Brown and Conal McCarthy by 01 April 2025. 

Section editors will be supported through the production process but are responsible for ensuring that their section meets all journal requirements and the publishing schedule. This includes ensuring that any images and permissions meet the publication requirements of the journal and are submitted at the same time as the Special Section content. 

The journal editors reserve the right to make final decisions related to Special Sections. 

CFP: Student Employment in Academic Libraries

We at the Indiana University Indianapolis University Library are planning our second Student Employment in Academic Libraries virtual symposium and are looking to expand the scope and audience – to more supervisors AND student employees. If you supervise a student worker, are a student worker, or are interested in working with students, please take a second to consider the following invitation to our program. 

It’s almost time for the second Student Employment in Academic Libraries (SEAL) Symposium, happening virtually October 24 & 25, and we’re inviting you to participate! We’re looking for your proposals for presentations or virtual posters related to the theme of an ethics of care as it’s applied to student employment.

How is the student employment experience at your library informed by an ethics of care? How does knowing student employees and being responsive to their needs, skills, goals, development, interests, identities, or lived experiences factor into specific elements of the employment lifecycle? As a student employee, how has an ethics of care in these aspects shaped your employment experience? These might include for example:

  • Developing positions, projects, or workflows;
  • Hiring, orientation, and training;
  • Evaluation, coaching, and feedback;
  • Communication, project management, teamwork, and workplace relationships, among others.

Give us 150 words (or less) about your work, culture, or practice in student employment or student employment management that embodies an ethic of care. The proposal process is open to both library student employees and staff. Proposals are being accepted for 20-minute presentations, or digital posters.

We’re accepting proposals until July 31st, 2024. We can’t wait to hear from you!

For questions about the symposium or the proposal process, please reach us via email.

sealcomm@iu.edu

CFP: Tandanya-Adelaide Declaration Symposium 2024

We are pleased to announce the call for papers for the Tandanya-Adelaide Declaration Symposium 2024, which will take place during this year’s conference on 24 October 2024 at the Te Pae Convention Centre, Ōtautahi | Christchurch, Aotearoa. Join us on the lands of the Ngāi Tahu to reflect on and discuss the implementation of the Tandanya-Adelaide Declaration.

The Tandanya-Adelaide Declaration (the Declaration) is a milestone document that was launched by the International Council of Archives (ICA) and the National Archives of Australia (NAA) on 25 October 2019. The Declaration called on the jurisdictional archives of the world to acknowledge and adopt themes and commitments of the declaration for immediate action. 

The Tandanya-Adelaide Declaration Symposium will provide opportunities to critically reflect on the Declaration, both as a statement of purpose but also as a guide to practical action. The event is an opportunity to hear from and connect with First Nations community members, GLAM practitioners and allies on work undertaken to implement the Tandanya-Adelaide Declaration. 

Themes

The Symposium Programming Committee invites community, organisational and institutional perspectives on the use of the Declaration. Participants are encouraged to share the ways in which they have been utilising the Declaration in their work and activities. The day aims to focus on discussing existing projects and invites critical conversations on gaps and needed improvements. 

The Symposium Programming Committee will give preference to lightning talks that align with the Tandanya-Adelaide Declaration’s five themes:

  1. Knowledge authorities
  2. Property and ownership
  3. Recognition and identity
  4. Research and access
  5. Self-determination

Important Dates

Submission Deadline: Monday 22 July 2024, midnight (AEST)

Submission

You can find full details and how to submit your abstract here.

Questions? Contact the Aboriginal and Torres Strait Islander Special Interest Group

Symposium Programming Committee: Indigenous Archives Collective and ASA Aboriginal and Torres Strait Islander Special Interest Group

CFP: The Anthem Impact in Historic Built Environments and Material Culture

The Anthem Impact in Historic Built Environments and Material Culture series publishes concise, cutting-edge scholarly works on architecture, landscapes, significant cultural artifacts and their respective overlaps and intersections with intangible cultural heritage. This series seeks scholarly works ranging from 20,000 to 30,000 words, delving into the exploration of how cultural traditions imbue meaning into places and artifacts. Given the interdependence between historic built environments, material culture, and ecosystems, we also welcome inquiries examining the role of natural heritage. The unique coverage of this series will be of interest to students, educators, scholars and lifelong learners. 

Series Editor 
Barry L Stiefel, College of Charleston, US. 

Proposals 
We welcome submissions of proposals for challenging and original works from emerging and established scholars and practitioners that meet the criteria of our series. We make prompt editorial decisions. Our titles are published in digital and print editions and are subject to peer review by recognized authorities in the field. Should you wish to send in a proposal for original research, literature review / analytical surveys, advanced tutorials or other reference works, please contact us at: proposal@anthempress.com.

Contact Information

Proposals can be submitted to proposal@anthempress.com

Questions can be submitted to stiefelb@cofc.edu 

Contact Email

proposal@anthempress.com

URL: https://anthempress.com/anthem-impact-in-historic-built-environments-and-material-culture