CFP – Ephemera Society of America Conference

250 years: Ephemera Shapes America

Preamble 

On July 4, 2026, the United States will commemorate the 250th anniversary of the adoption of the Declaration of Independence by the Second Continental Congress in Philadelphia. John Dunlap, a twenty-nine-year-old Irish immigrant, spent much of the night of July 4, 1776, hastily setting type and printing final copies of the single-sheet broadside of the Declaration. One was attached with a seal and folded into the Continental Congress manuscript journal after the words: “The Declaration being again read was agreed to as follows.” The others were distributed throughout the new United States to be read aloud in each of the 13 colonies and to the continental troops. Newspapers quickly published the contents. It is self-evident that ephemera played a pivotal role in the founding of our country. This broadside not only described the reasons for the country’s founding, it was also the means by which the public learned of our separation from Britain. Finding an original “Dunlap Broadside” continues to be the holy grail for collectors of American historical documents. Of the estimated 200 originally printed, twenty-six examples are known today. Most reside in institutions, including three at the National Archives, London. But copies have been unearthed in such places as Philadelphia’s famed Leary’s Book Store in 1968, in a crate that had not been opened since 1909. One, still in private hands, was discovered about twenty-five years ago behind a picture frame purchased for $4 at a Pennsylvania flea market.

Request for Proposals:

This historic anniversary is an apt moment for examining how ephemera played a key role not only in our founding, but also during the significant political events and social movements that make up our nation’s history.  Ephemera has helped to ignite, inform, commemorate, and reflect such events as the Civil War, the abolition of slavery, the Western land rush, the Centennial celebration, women’s suffrage, the World Wars, the Second Red Scare, counterculture movements in the 60s and activist activities today. Sometimes, ephemera serves as primary evidence. Without such survivors as hand-written accounts, photos, news clippings, and maps to establish the historical record, we might not know of the existence of Tulsa’s Black Wall Street and the tragic Race Massacre of 1921.

We invite submissions for talks at our 2026 conference in March on how ephemera has shaped and mirrored the major events and movements that have marked America’s growth. These presentations should be richly illustrated and supported by ephemera. Examples include: broadsides, posters, pamphlets, handbills, leaflets, newspaper articles, trade cards, billheads, letterheads, photographs, scrapbooks, diaries, circulars, brochures, booklets, signs, correspondence, playbills, menus, ration books, tickets, postcards, draft cards, arm bands, and buttons. 

Ephemera 46, the Ephemera Society of America (ESA) annual conference, will take place at the Hyatt Regency in Greenwich, Connecticut, on March 20, 2026. 

Each presentation will be 30 minutes in length, followed by a brief Q&A.  Please submit the following:

  • Presentation title and a written abstract, focusing on the way ephemera tells the story of your chosen topic. Please describe the specific types of ephemera you will use to illustrate your topic. Each presentation needs to feature at least three different types of ephemera. Proposals should not exceed 150 words.
  • 5 to 6 representative ephemera images 
  • A one-paragraph biography, including any affiliations
  • A jpg photograph of yourself for publicity purposes
  • Mailing address, phone number and e-mail address

Following a review of all proposals, finalists may be asked to submit 10 to 15 images of the types of ephemera that will be used to illustrate their talk. Proposals must be submitted via e-mail or post by September 15, 2025, to:

Barbara Loe, Ephemera 46 Conference Chair

e-mail: bjloe@earthlink.net or

post: Ephemera Society of America, Inc., P.O. Box 95, Cazenovia, NY 13035-0095.

Decisions and notification about proposals will be made by November 30, 2025. Presenters will be requested to sign a release at the time of acceptance allowing their presentation to be filmed for use by the ESA.

If selected, a draft PowerPoint presentation must be submitted by February 28, 2026. The final presentation must be submitted by March 12, 2026. Presentations must include 25 or more ephemera images. At this time, funding is not available from ESA to support travel or presentation costs. 

ESA is eager to expand the use of ephemera in the classroom, and we encourage presentations on all subjects addressing the use of ephemera in teaching and academic research. We encourage undergraduate and graduate students to submit proposals for the Emerging Scholars Program to be held on Thursday afternoon, March 19th.  For more information, please see “Emerging Scholars” under the “Discover” tab on our website:  www.ephemerasociety.org

Call for Chapter Proposals: Navigating Archival Backlogs: Strategies for Success

Title: Navigating Archival Backlogs: Strategies for Success
Editors: Heather Gilbert, College of Charleston and Claudia F. Willett, Stanford University
Publisher: Bloomsbury

We are excited to invite chapter proposals for Navigating Archival Backlogs: Strategies for Success, a double-blind peer reviewed edited volume to be published by Bloomsbury. Please email the editors at navigatingarchivalbacklogs@gmail.com with any questions.

About the Book

Nearly every archive has an accessioning and/or processing backlog.  It is an almost universal truth accepted by the profession. This situation reflects long-standing issues in the profession: limited staffing, resourcing, space, and institutional support. We know the consequences of archival backlogs: they prevent accessibility and discoverability of our collections and, therefore, our history, and they contribute to archival silences and obstruct researchers. However, the practical and physical extent of this problem is often left undiscussed, and the residual issues are left unaddressed. 

This edited volume will provide contemporary case studies of the development and implementation of successful backlog reduction strategies. It will address a range of backlog material types (including both physical and digital backlogs) and a spectrum of resource availability (including institutions with little to no budget to address their backlog issue). Readers should come away fortified with practical and accessible solutions that they can use to address their specific backlog problem(s). 

Call for Chapter Proposals

Proposals are invited from individuals working in archival and cultural heritage institutions who have experience navigating, working with, managing, or addressing archival backlogs. Case studies and exploratory research are invited and welcome, as are essays that incorporate scholarly writing with personal narratives. Final chapters should be between 2,500 – 5,000 words. All selected chapters will undergo double-blind peer review prior to publication. This is not an exhaustive list, so do not feel limited by the following suggested topics.

Section 1: Physical backlog strategies

Themes for this section could include: 

  • Processing, accessioning, deaccessioning, and/or proactive collecting practices and strategies as a function of backlog management.
  • “More product, less process” processing style (MPLP) and/or extensible/efficient processing as a means of addressing a backlog.
  • Backlog workflow creation, implementation, and management and/or software and/or tools used in these processes.   

Section 2: Digital backlog strategies

Themes for this section could include: 

  • Born digital processing, accessioning, deaccessioning, and/or proactive collecting practices and strategies as a function of digital backlog management.
  • Building cross departmental collaborations and workflows.
  • Software and/or tools used in addressing digital backlogs.

Section 3: Hybrid backlog strategies

Themes for this section could include: 

  • Discussion of the extent of hybrid collections (and their backlogs) and the unique challenges they present
  • Resource and knowledge sharing that leverage collaborative solutions
  • Personnel proficiency requirements for successful hybrid backlog resolution.

Section 4: Leadership & Management 

Themes for this section could include: 

  • Change management related to backlog management
  • Large scale project management for backlogs
  • Conflict resolution and personnel and donor management as related to backlog issues
  • Impacts of having an archival backlog

Proposal Instructions

Please submit your proposals using the Call for Chapter Proposals Google Form by June 2, 2025. The proposal should include all contributing authors, a working title, 3-5 keywords describing your proposed topic, which book section you believe your proposal fits best, and a description of your proposed chapter that does not exceed 500 words.  

Authors will be notified of acceptance by August 15, 2025. See below for the full project timeline. Please email the editors at navigatingarchivalbacklogs@gmail.com with any questions.

Project Timeline

  • CFP closes June 2, 2025
  • Authors notified of acceptance by August 15, 2025
  • Chapter outlines sent to editor by September 15, 2025
  • First drafts due January 1, 2026
  • Draft reviews completed and feedback provided to authors by March 2, 2026
  • Final drafts due April 1, 2026
  • Publication anticipated August 2026

Break from April 25-May 16

I am on vacation so there will be no posts for a few weeks. When I return, I’ll do my best to catch up but of course may miss a few announcement deadlines.

I also want to say thank you to everyone who follows and reads this blog. So far this year there have been 80 posts, over 6,000 views, and over 3,500 visitors. I am so appreciative that people use this resource!

Happy writing, researching, presenting, and publishing!

CFP: Society of Georgia Archivists Annual Meeting

The Society of Georgia Archivists Annual Meeting Program Committee proudly presents the theme for the 2025 annual meeting: Archivists “Macon” It Happen: Back to Basics.

The Committee invites you to attend the meeting, to be held at Middle Georgia State University in Macon, Georgia on Thursday, October 2, 2025.

Our 2025 program invites session proposals that will encompass presentations, working groups, interest groups, skill labs, mini workshops, and demonstrations on a broad spectrum of archival work as we take it back to the basics. Presentations will examine how archivists accomplish their work without reinventing the wheel – how do we leverage existing tools, workflows, and archival community connections?  While proposals on all aspects of archival practice and research will be considered, the Program Committee is especially interested in the following key topics:

  • Access, outreach, and instruction
  • Acquisitions, i.e. donor relations, deeds of gift, transfers, collection development policies, and donor guides
  • Career resources, i.e. advancement, resume & cover letter building, interview skills, conflict resolution, and salary negotiation 
  • Digital stewardship, i.e. digital scholarship/digital humanities projects, born-digital preservation
  • Preservation
  • Processing
  • Trainings, i.e. disaster planning, in-house conservation, and volunteer & student training
  • Workflows/Documentation/Project Management

The committee welcomes proposals from anyone involved with archives, including archival staff and volunteers, students, new professionals, community organizers, researchers, and allied professionals. 

The following are the session types we are accepting this year:

  • 50-minute mini workshops. A mini workshop on topics of interest that includes concrete practical tools and lessons for a smaller group of attendees. 
  • 50-minute working group/interest group. For working groups, facilitators and up to 5-7 discussants grapple with a shared concern. Before and during the meeting, working groups articulate a purpose they are working toward or a problem they are actively trying to solve. Proposals are submitted by facilitators, who will confirm discussants after acceptance. For interest groups, facilitators determine a topic of interest to host a structured discussion forum where attendees can engage in open-ended discussions, share ideas, and debate issues related to the topic of choice.
  • 50-minute panel (2-5 presenters). A complete session made up of formal presentations coordinated around a single theme.
  • 25-minute skills lab, tutorial, or case study (1-3 presenters). Show attendees how to use or apply a specific tool, technique, workflow, or concept. Visual aids and/or handouts are encouraged. 
  • 7-minute “Lightning Talk” (1-2 presenters). Briefly highlight recent projects, works in progress, or ideas for future collaboration.
  • Poster Session. Briefly highlight recent projects, works in progress, or ideas for future collaboration.

Proposals can be submitted through the online submission form. The deadline for proposal submissions is May 30, 2025.  

The Program Committee has created a Google spreadsheet to connect individuals seeking ideas and/or collaborators for session and poster proposals. The document is not monitored by SGA or the Program Committee and is not part of the official submission process.

For more information about the 2025 Annual Meeting, contact a member of the planning team:

CfP Museums in Motion: New Frontiers in Chinese Museum Studies

We are delighted to invite papers for the international workshop ‘Museums in Motion: New Frontiers in Chinese Museum Studies’, to be held in person and online at the University of Siena on 13-14 November 2025. 

Studying Chinese museums is both an intriguing and rewarding pursuit, offering a valuable perspective on the histories and cultures of China and its unprecedented transformations over the past three decades. These institutions house an extraordinary wealth of historical, artistic, and cultural artefacts, providing deep insight into China’s long and complex past, as well as its multilayered interactions with the world today. From ancient bronzes and calligraphy to contemporary art and political exhibitions, museums in China serve as dynamic spaces where history is preserved, interpreted, and debated. They shape narratives, influence national and local identities, and even serve political functions. The way history and culture are presented—what is emphasized, omitted, or reframed—offers a revealing glimpse into China’s evolving relationship with its past and present.

At the same time, questions of accessibility and representation remain central. While major state-run museums, such as the National Museum of China, present grand, state-approved narratives, smaller independent museums sometimes offer alternative perspectives, occasionally challenging official histories. This raises critical discussions about who controls historical narratives and how they are curated. Beyond their role as cultural and historical institutions, Chinese museums are at the forefront of technological and curatorial innovation. Digital exhibitions, AI-driven curation, and new approaches to audience engagement are transforming how visitors experience history and culture. But what does this mean for museum studies as a field? Are existing theories and methodologies sufficient to analyze these developments, or do we need new frameworks to understand this evolving landscape?

Furthermore, museums play an increasingly significant role in China’s modern cultural and economic strategies. The country has invested heavily in building and modernizing these institutions, signalling both a commitment to preserving heritage, and an effort to enhance cultural tourism internally and China’s cultural influences externally. Yet, this also raises fundamental questions: Are museums primarily spaces for education, instruments of soft power, or engines of commercial gain? How do they compare to museums in other parts of the world? Ultimately, studying Chinese museums is not just about appreciating artefacts—it is about understanding the intersections of history, culture, politics and society. Museums are not just neutral spaces; they actively participate in shaping national identity and public memory.

Objectives

Given China’s rapid cultural, political, and technological transformations, this workshop aims to explore the current landscape of Chinese museum studies. It seeks to foster international collaboration by bringing together scholars, curators, policymakers, and practitioners from diverse perspectives. The event will serve as a unique forum for critical dialogue, interdisciplinary exchange, and the rethinking of future directions in Chinese museum studies. 

We aim to collect contributions to publish an edited volume with a leading publisher in the field in 2026/2027.

Scope 

We encourage interdisciplinary approaches and welcome submissions in English that engage with a broad range of research topics, projects, and case studies, from practitioners, policymakers, and scholars from different perspectives and disciplines, including but not limited to: Archaeology; Art and Art History; Anthropological and Ethnographic Studies; Sociological Perspectives; Political Science and International Relations; Economic and Business Approaches; Media and Communication Studies; Museum Studies and Curatorial Practices; Conservation and Heritage Management; Exhibition Design and Interpretation; Education and Pedagogical Approaches; Gender and Feminist Studies; Postcolonial and Decolonial Studies; Science and Technology Studies; and Philosophical and Ethical Considerations.

Key questions the workshop seeks to address include (but are not limited to):

  • How are museums in China shaping and reshaping historical narratives?
  • What role do digital technologies play in Chinese museums?
  • How do Chinese museums engage with international audiences and collaborate with global institutions?
  • What challenges do museums face in terms of funding, curation, and public engagement?
  • How do museums navigate issues of decolonization, repatriation, and contested heritage?
  • What role do museums play in fostering community engagement, especially among local and ethnic minority groups?
  • How do privately funded museums contribute to or challenge dominant narratives?
  • How do museums address environmental sustainability and heritage conservation?
  • What ethical concerns arise with AI, VR, and big data in museum curation?
  • How are gender, diversity, and marginal voices represented in Chinese museums?
  • What role do Chinese museums play in international cultural diplomacy and soft power?
  • How do Chinese exhibitions and collections abroad shape global perceptions of Chinese culture?
  • What are the dynamics of collaboration between Chinese and foreign museums and how do these influence museum practices globally?
  • New methods and approaches to museum studies 
  • Historical perspective on museum development in China 
  • Museum development in Greater China and among Chinese diasporas 

Dates: 13–14 November 2025
Format: Hybrid (Online & In-Person)

Hosting University: University of Siena (Department of Philology and Literary Criticism) – Arezzo Campus
Venue: Logge del Grano Hall, Piazzetta Logge del Grano 5, 52100 Arezzo, Italy

Presentation Format: Papers should not exceed 20 minutes, followed by a 5-minute discussion.

Submission Guidelines: Please send an abstract (250 words)along with a bio (max. 100 words, detailing affiliation, career stage and disciplinary background).

Important Dates: 

  • Submission Deadline: 31 May 2025
  • Notification of Acceptance: 31 July 2025
  • Program Draft: 30 September 2025

Fee: Attendance at the workshop is free. Participants attending the in-person session shall cover their own travel and accommodation.

Proposal Submission: Please send proposals in a single email to all organizers at the following addresses:

Ornella De Nigris: ornella.denigris@unisi.it|Cangbai Wang: C.Wang6@westminster.ac.uk |Sofia Bollo: sofia.bollo@uzh.ch

Call for Submissions – Museums Journal: Afterlives (2026)

Museums 2026 – Call for Submissions for Afterlives (Issue #11)

What does it mean to be alive? To be dead? To exist in a state beyond?

An afterlife can be a refusal, it can be the archive’s inability to forget, the museum’s struggle to unmake itself, the artifact that resists its own display. An afterlife can be a haunting, a presence that insists, a structure that lingers past its collapse. An afterlife can be a release, an object freed from the logic that once defined it, a collection finding life in new hands, a museum breaking apart to make space for something unimagined.

Submission Deadline: January 5, 2026, 11:59 PM (CST)

Submission Link: https://docs.google.com/forms/d/e/1FAIpQLSdjlnJZYMnaMP7GCEKtt-Y5U7B654xSBF4ASmT84AwUvlwtzw/viewform?pli=1

Open Session Call for Papers: Using Oral History to Document the Histories of Library Associations and Evolving Library Practice [IFLA]

Open Session Call for Papers: Using Oral History to Document the Histories of Library Associations and Evolving Library Practice

Library History Special Interest Group with IFLA Sections of Preservation and Conservation, Information Technology, Library and Research Services for Parliaments, Library Theory and Research, and the Kazakhstan Library Union

Session Theme: 

A Focus on Diverse Communities and Ethical Preservation in the Digital Age

Libraries and archives play a pivotal role in documenting the histories of library associations, yet challenges persist in preserving these narratives—particularly those of underrepresented communities and born-digital records. This call for papers invites contributions that explore the opportunities and challenges of using oral history to document the histories of library associations and their evolving practices, with a focus on diversity, collaboration, and preservation in the digital age.

Call for Papers: 

The IFLA Special Interest Group Library History, together with the IFLA Sections of Preservation and Conservation, Information Technology, Parliamentary Libraries, Library Theory and Research, (to be confirmed) and the Kazakhstan Library Union are seeking proposals for papers to be presented at a session to be held at the IFLA World Library and Information Congress in Astana, Kazakhstan, 18-22 August 2025. Papers should reflect the conference theme, “Uniting Knowledge, Building the Future”

Themes and Objectives

This call aims to advance discussions around oral history’s role in documenting library association histories, addressing critical questions such as (not limited to.):

  • How can oral history initiatives overcome the tension between subjective memory and historical accuracy?
  • What is the role of archivists as curators versus creators of records, particularly in oral history projects?
  • How can libraries and archives ensure the preservation and accessibility of born-digital records?

Contributions are encouraged to address the following themes:

                1.            Oral history and archival theory

  • How has oral history challenged and informed archival theory and practice over the past fifty years?
  • What ethical, human-centered approaches can libraries adopt to integrate oral histories into their collections?
  • Reconfiguration of the role of librarians and archivists in the development of oral historiography: from ‘custodians of knowledge’ to ‘creators of knowledge’

                2.            Diversity and sustainability in oral history projects

  • Case studies highlighting oral history projects that document diverse and underrepresented voices.
  • Examples of library and archival initiatives that connect with communities to preserve cultural and professional heritage.
  • Models that ensure the sustainability of projects and programs that seek to document the history of the field.

                3.            Preserving born-digital content

  • Challenges and best practices for managing born-digital records in the context of library association histories.
  • Strategies for ensuring long-term access, curation, and stewardship of digital content.

                4.            Global perspectives on library association histories

  • Insights from international organizations on the preservation of library professional association histories, as discussed at IFLA and other forums.
  • Collaborative efforts across continents to document and share the histories of library and information science associations.
  • Comparative regional studies: comparing differences in the development of library associations in Europe, Africa, Asia, Latin America, etc.

                5.            Innovative approaches and future directions

  • Exploring new methodologies for recording, preserving, curating and disseminating oral histories.
  • The potential for interdisciplinary collaborations to address the evolving needs of the field.
  • Exploring the indicators and methods for assessing the quality of oral history work
  • Exploring the use of AI and machine learning in the preservation and analysis of oral histories.
  • Discussing the role of digital tools in improving the accessibility and usability of oral history archives.

Why Participate?

This is a unique opportunity to contribute to a global dialogue on documenting library association histories, addressing pressing issues in the preservation of oral and born-digital histories, and shaping future practices in the profession.

Submission Guidelines

Proposals should include a title, abstract (max. 300 words), and a brief biography of the author(s). Please submit your proposals to [insert contact email] by [insert deadline].

90 Minutes


Important dates & deadlines:

  • 30 April, 2025– Deadline for submission of proposal abstract
  • 13 May, 2025 – Notification of acceptance
  • 20 July, 2025 – Submission of Full-Text of Paper
  • 20 July, 2025 – Deadline for submission of presentation slides

Submission guidelines

We invite submissions of research papers, case studies, and reflective essays that align with the themes above. Join us in advancing the historical and cultural preservation of our profession, ensuring that diverse voices and digital records are not only documented but celebrated for generations to come.

Proposals should include:

  • Title of proposed presentation
  • Abstract of proposed paper (no more than 300 words)
  • Name of presenter plus position and/or title
  • Employer / affiliated institution
  • Contact information including email address, telephone number
  • Short biographical statement of presenter

Send proposals via email to: IFLA LIBHIST SIG <iflalibhistsig@gmail.com>

Use subject line: WLIC 2025 LIBHIS-SIG

Please note:

  • At least one of the paper’s authors must be present to summarize the paper during the program in Astana. Abstracts are to be submitted only with the understanding that the expenses of attending the conference will be the responsibility of the author(s)/presenter(s) of accepted papers.
  • The language of the session is expected to be English.
  • All papers presented at the WLIC 2025 will be available online under the Creative Commons Attribution 4.0 International license.
  • All papers must be unpublished and not previously presented.
  • Authors must disclose whether they submit this proposal to another WLIC 2025 session.
  • Authors of accepted papers must complete the IFLA Authors’ Permission Form.
  • All expenses, including registration for the conference, travel, accommodations, etc., are the responsibility of the authors/presenters. IFLA does not provide any financial support.

Call for Nominations: 2025 Distinguished Service in Library History Award

Call for Nominations

“The Distinguished Service in Library History Award is presented annually by the ALA Library History Round Table (LHRT) and honors the career of a person who has a lifetime of scholarship and service in the field of library history. This non-monetary award is intended to be given to an individual who has a record of contributions; who demonstrates length, breadth, and depth of involvement in library history; and who has had a significant impact on the work of the ALA Library History Round Table or on the library history community at large.”

Deadline: April 30, 2025

To learn more: https://lhrt.news/2025/04/03/call-for-nominations-2025-distinguished-service-in-library-history-award/

Virtual Book Discussion: Access in the Trends in Archives Practice Series

Approach privacy protected records with confidence! Join Megan K. Friedel and Ashlyn Velte, authors of the recently released Providing Access to Privacy-Protected Records at Public Institutions in the Age of Radical Empathy: Cases and Considerations, in conversation with Menzi L. Behrnd-Klodt, author of Modules 5 and 6 in Rights in the Digital Era, for a conversation about modern considerations surrounding privacy laws and professional ethical standards.

The panel takes place April 11, 12:00–1:00 p.m. CT, and will conclude with a Q&A session with all three authors.
Register Now

Nominations now open for the 29th Mander Jones Awards – Publications

The Mander Jones Awards Committee is pleased to announce that the call for nominations for the 29th annual Mander Jones Awards – Publications is now open!

These awards recognise excellence in publications relating to archives and recordkeeping. They are named in honour of Phyllis Mander Jones, a founding member of the Archives Section of the Library Association of Australia (later the ASA) and co-editor of the first issue of Archives & Manuscripts. 

Works published in 2024 are eligible for nomination. 

Nominations close Friday 6 June 2025.

How do I nominate?

You can submit your nomination(s) (electronic and hard copy) via our online nomination form in our new applications portal. You will need to create an account to nominate. You can save your progress and return at a later date to complete your nomination. You can also access and view any completed submissions. 

A copy of any nominated hard copy publication must be sent to the Mander Jones Award Committee and postmarked prior to the nomination deadline. You can find full details on how to send hard copy nominations on our website and within the online nomination form. 

You can find full details about nominating for the 29th Mander Jones Award – Publications on our website. 

Questions?

If you have any queries about the Mander Jones Awards, please contact Louise Trott, the Mander Jones Award Secretary.

If you have any questions about the online nomination form or submitting your online nomination, please contact the ASA Office.