CFP: Bound for Devotion: The Prayer Book as Object and Practice, 1300–1800

Prayer was central to religious life in the late medieval and early modern period. Despite growing scholarly interest in religious texts, devotional practices, and spirituality, prayer and prayer books remain comparatively understudied. Prayer could take on a multitude of forms and occur in a range of spaces, from public to secluded and private; from monastic, liturgical prayer to short, indulgenced invocations and meditative prayers that evoked a rich scala of emotions and mental images.  

To pray, devotees – whether clerical or lay – often took a book to hand. Prayer books played a vital role during many moments in a person’s life in the performance of prayer and prayer-related practices. While the act of prayer is inherently transient, the books held or touched by late medieval and early modern devotees form codified and material evidence of the practices in which they engaged. Still extant in large numbers and containing a vast variety of textual and visual materials, these books – through both content and appearance – reflect the diversity of prayer practices as well as developments in book production. Taking the book as the central artefact for the study of prayer allows for an analysis that encompasses all aspects and components of prayer books, along with the actors involved in their production and use. This, in turn, enables us to chart the ‘cultural ecosystem’ in which prayer books were produced, circulated, and used. 

This three-day international conference, hosted at Leiden University by the PRAYER project (ERC Starting Grant), with keynotes by Walter S. Melion (Emory University) and Kathryn M. Rudy (University of St Andrews), aims to bring together researchers working on books that were (intended to be) used in any form of prayer practice in the late medieval and early modern era (up to the eighteenth century). This conference aims to shed new light on prayer across late medieval and early modern Europe by exploring the broader ecosystem of prayer books. This includes a wide range of interactions between the material book, texts and images disseminated through it (and their connections to other types of objects, such as rosaries, small pipe clay figures, and single-sheet prints), the devotions inspired by these texts and images, the producers and buyers/readers of the books, and the communities they belonged to.  

We particularly welcome proposals for 20-minute papers (in English) on the following topics: 

  • The material book as instrument in prayer practice 
  • The nature of prayer books and prayer texts; prayer books as miscellanies, repositories 
  • Co-transmission of prayer texts across manuscripts and/or printed books; dynamics within cycles or series of texts 
  • The language(s) of prayer books; vernacular, Latin, and multilingual prayer 
  • Social functions of prayer; communities of prayer and the role of the book 
  • Customization and personification of prayer and prayer books 
  • Multisensory experience of prayer as elicited by prayer books and their material context, including the function of mental and pictorial images (in- and external to the book), music, space, light etc. 
  • Connections and overlaps between private forms of prayer and liturgy, and between lay and professional prayer  
  • Production (centers) of handwritten and/or printed prayer books; how do changes in production process affect prayer books in terms of content and appearance? 
  • Methodological reflections on the study of late medieval and early modern prayer books, including digital and computational approaches 

We also welcome alternative formats, such as – but not limited to – roundtable discussions. Additionally, we could potentially organize on-site presentations that incorporate manuscripts or printed books from Leiden University Libraries or other nearby collections, thereby fostering direct engagement with primary source materials. 

Please submit an abstract (max. 300 words) and short biography (max. 100 words) to prayer@hum.leidenuniv.nl by 1 October 2025. We aim to inform our speakers by 1 November 2025. 

A selection of revised contributions, pending double peer-review, will be published in an edited volume in Brill’s series Intersections: Interdisciplinary Studies in Early Modern Culture (https://brill.com/display/serial/INTE). 

The conference organizers will cover all conference costs, including lunches and the conference dinner, but will unfortunately be unable to reimburse travel and accommodation costs. A limited number of bursaries will be available to support (early career) researchers without access to adequate institutional funding. If you wish to be considered for a bursary, please note this with your proposal and explain why. 

Organizing Committee:  

Anna Dlabačová 

Irene Van Eldere 

Susanne de Jong 

Lieke Smits

Contact Email

prayer@hum.leidenuniv.nl

URL

https://www.rsa.org/news/704603/Bound-for-Devotion-The-Prayer-Book-as-Object-and-Practice-13001800-1-3-July-2026.htm

New/Recent Publications

Articles

Kersting-Lark, Dulce (2025) “Teaching Archival Intelligence through an Immersive Class Experience,” Journal of Contemporary Archival Studies: Vol. 12, Article 1.
Available at: https://elischolar.library.yale.edu/jcas/vol12/iss1/1

Pasquetto, I. V., Abdu, A. A., & Chtena, N. (2025). Essential work, invisible workers: The role of digital curation in COVID-19 Open Science. Journal of the Association for Information Science and Technology, 76(4), 703–717. https://doi.org/10.1002/asi.24965

Baldivia, Stef; Hollis, Tanya M.; Jarosz, Ellen E.; Sorvetti, Laura; Steele Gajewski, Heather M.; and Wakimoto, Diana (2025) “Assessing the State of Archives and Archives Workers in the California State University,” Journal of Western Archives: Vol. 16: Iss. 1, Article 2.
DOI: 10.59620/2154-7149.1187
Available at: https://digitalcommons.usu.edu/westernarchives/vol16/iss1/2

Manus, Jolene D. (2025) “Ethics of Care: Applying Cultural Protocols to Indigenous Sound Recordings,” Journal of Western Archives: Vol. 16: Iss. 1, Article 1.
DOI: 10.59620/2154-7149.1189
Available at: https://digitalcommons.usu.edu/westernarchives/vol16/iss1/1

Mbinge, U., Stanley, C., Kandjabanga, I. et al. Co-creating digital representations of indigenous knowledge: an ovaHimba curated digital repository. Int J Digit Libr 26, 7 (2025). https://doi.org/10.1007/s00799-025-00418-8

Wright, C.R. and Rogova, I. (2025), “Defining harmful content statements: cultural humility work that leads to institutional change and accountability”, Journal of Documentation, Vol. 81 No. 2, pp. 456-468. https://doi.org/10.1108/JD-08-2024-0188

Mbinge, U., Stanley, C., Kandjabanga, I. et al. Co-creating digital representations of indigenous knowledge: an ovaHimba curated digital repository. Int J Digit Libr 26, 7 (2025). https://doi.org/10.1007/s00799-025-00418-8

Beshirov, A., Dobreva, M., Dimitrov, D. et al. Post-ocr text correction for Bulgarian historical documents. Int J Digit Libr 26, 4 (2025). https://doi.org/10.1007/s00799-025-00415-x

Han, Y. (2025), “People first, preservation later: critical community engagement to activate dialogue-based archives”, Journal of Documentation, Vol. 81 No. 3, pp. 767-787. https://doi.org/10.1108/JD-09-2024-0210

Kosciejew, M. (2023). Facing Threats to Libraries and Cultural Heritage in the Russia-Ukraine War: A Case Study and Comparative Review of the Library and Information Community’s’ Responses to the Conflict. Journal of Librarianship and Information Science57(1), 191-210. https://doi.org/10.1177/09610006231208026

Books

Rozas-Krause, Valentina; M. Shanken, Andrew, eds.. Breaking the Bronze Ceiling: Women, Memory, and Public Space. Fordham University Press, 2024.

Production and Provenance: Copy-Specific Features of Incunabula
John Goldfinch, Takako Kato, and Satoko Tokunaga, editors
Brill, 2025

Travels in Time: Essays on Collective Memory in Motion
Astrid Erll
Oxford University Press, 2025

Photo Archives and the Place of Photography
Edited By Geraldine A. Johnson, Deborah Schultz
Routledge, 2025

Report

Jessica Bushey, Marina De Souza, Kailey Fukushima, David Iglésias, Marta Riess, Eng
Sengsavang, Hrvoje Stancic, Zeljko Trbusic, Report on the Survey “Digitization and Artificial Intelligence for Archives and Documentary Heritage Materials,” InterPARES Trust AI, May 2025,
https://interparestrustai.org/assets/public/dissemination/RA03-InterPARESAI-Survey_Report_FI
NAL.pdf

Conference Proceedings

Advances in Digital Forensics XX
20th IFIP WG 11.9 International Conference, New Delhi, India, January 4–5, 2024, Revised Selected Papers

Case Study

Case 30 in the Teaching with Primary Sources (TWPS) case study series—sponsored by the Reference, Access, and Outreach (RAO) Section of SAA—is now available. Written by Bree’ya N. Brown and Rachel E. Winston, Las Archivistas Enseñando Afro-Latinidad: Teaching History and Culture with Primary Sources highlights a partnership between archivists at Huston-Tillotson University (HT) and The University of Texas at Austin (UT). Archivists at both institutions worked together to develop a workshop series for students centered on Afro-Latin American perspectives in primary source instruction.

Podcast

Archives in Context
Season 9, Episode 2: Chris Pandza

Call for Submissions: MARAC Arline Custer Memorial Award

The Arline Custer Memorial Award Committee seeks submissions for its annual award recognizing the best books and articles written or compiled by individuals and institutions in the Mid-Atlantic Regional Archives Conference (MARAC) region – the District of Columbia, Delaware, Maryland, New Jersey, New York, Pennsylvania, Virginia, and West Virginia.

Works under consideration include, but are not limited to, monographs, popular narratives, reference works and exhibition catalogs using archival sources. Works must be relevant to the general public as well as the archival community and published between July 1, 2024 and June 30, 2025.

All submissions must be received by July 31, 2025.

Electronic submissions in PDF format of the entire work are encouraged. Submissions and a letter of nomination should be sent to Senior Committee Co-Chair Sarah E. Almond at sarah.almond@mail.wvu.edu. More information about the award may be found online at https://www.marac.info/arline-custer-memorial-award.

Contact Email

sarah.almond@mail.wvu.edu

URL

https://www.marac.info/arline-custer-memorial-award

New Issue: Archival Science

Archival Science volume 25 issue 2, 2025
(partial open access)

Accessibility of archives for people with disabilities in Oman: current state and challenges
Abderrazak Mkadmi, Faten Hamad, Sallam Al-Yaarabi

AI-powered visual classification in archives: a computer vision approach to facial recognition in historical archives
Muslum Yıldız, Fatih Rukancı

An archive in numbers: the pulse of the Dutch Ministry of Colonies, 1813–1900
Nico Vriend

Overcoming data siloes in cultural heritage crime research: a consolidated OSINT-derived dataset on art, antiquities, and the trade in cultural goods
Madison Leeson, Riccardo Giovanelli, Sara Ferro, Michela De Bernardin, Arianna Traviglia

A Saharan archive and its afterlives
Fiona Mc Laughlin

An ecologically just future for personal digital heritage: three guiding statements
Marije Miedema, Susan Aasman, Anne Beaulieu, Sabrina Sauer

Addressing the free-rider problem in collectively built online archives
Jinfang Niu

Inconsistencies, inaccuracies, and inappropriateness: examining the representation of Chinese students in university archives with radical empathy
Ruohua Han, Yingying Han

The provenance of trans/gender: on the subject’s willful disappearance from the record
L. Wynholds

CFP: Methods for Archival Silence in Early History, American Historical Review

The American Historical Review seeks proposals for a special issue illustrating a range of methodological approaches to archival silence developed by scholars of early history. Articles may be grounded in any part of the world and address any topic as long as they are method-driven, focused on archival silence, and situated early within the periodization of your field.

About the Issue
What should historians do when our sources do not tell us what we want to know? Although this may be a universal experience of historical research, the problem arises in various forms. Some silences are intentional, others unintentional. Some sources are minimal, others extensive but off-topic. Some sources are inaccessible, some have not been preserved, some were never created. Sometimes we do not or cannot know whether our desired sources ever existed, or, if they did, what happened to them. Silences cluster around certain topics, places, and periods more than others.

Historians have articulated this problem in a variety of ways. This call uses the language of archival silence and silencing developed by Michel-Rolph Trouillot and Marisa Fuentes. It could have drawn on the concept of the subaltern (Ranajit Guha, Gayatri Spivak), strategically produced silence and plausible stories (Natalie Zemon Davis), records designed for jettison (Marina Rustow), hidden transcripts (James Scott), living oral traditions (Bethwell A. Ogot), or writing off the radar (James Lockhart), to name only a few.

Faced with archival silence, historians have developed a range of methods for working in, through, and around it. Some techniques and approaches have become characteristic of expertise in early periods. Others are applied by historians across specializations. These include but are not limited to reading against the grain; creative combination of well-known sources; creative use of unusual or little-known sources; oral and other forms of non-written record; technical skills in the so-called ancillary disciplines (numismatics, paleography, codicology, epigraphy, and more); interdisciplinary approaches to method (anthropology, archaeology, literature, linguistics, and more) and to what constitutes a source (climate data, aDNA, physical objects, art, and more); critical fabulation or disciplined imagination; and reframing our questions to build on our sources’ strengths.

Proposals should be submitted via Google Form by September 16, 2025. Proposals should be no more than 800 words in length and should address the following questions:

  • What is your field of historical research? In the context of your field, why is your project considered early?
  • Briefly describe the archive(s) or bod(ies) of sources on which your project is based. In what sense are these sources silent?
  • Briefly describe the method(s) that you use to work with these sources. What methodological intervention does your project make, and why is it significant?
  • What form will your project take in the journal?

We invite projects in a wide variety of forms. They can include, but are not limited to:

  • Traditional research articles (no more than 8,000 words, excluding footnotes)
  • Image- or video-centered projects
  • Digital history/humanities projects
  • Public history projects or virtual exhibitions
  • Pedagogical projects that examine approaches to methodology and archival silence in the classroom

Decisions on proposals will be announced in November 2025. A positive decision does not guarantee publication in the journal but is rather an invitation to submit a full and complete version of the proposed project for peer review. The submission deadline for complete projects for peer review is May 1, 2026. We anticipate publication of the special issue in 2027.

Please contact the special issue editor, Hannah Barker (hannah.barker.1@asu.edu), with questions.

Seeking study participants: “Emotional Responses and Experiences in the Archival Donation Process” (UVA IRB-SBS # 7278)

Dear Colleagues,

I am writing to invite you to participate in a study investigating emotionally adverse experiences among individuals donating personal materials to archives and special collections departments in the United States, as well as the emotionally adverse responses archivists observe during the donation process. By examining the nature and causes of these perspectives, this research seeks to expand the understanding of donor-archivist interactions and inform more empathetic, trauma-informed archival practices.

Survey Details

·       Estimated Time: 15-20 minutes

·       Format: Online survey

·       Eligibility: To qualify as a participant, you must have donated materials to an archives or special collections department in the United States or must be an archivist who has worked with donors in an archives or special collections department in the United States (an archivist can also be a donor). Participants should be between 25 – 75 years of age.

·       Security: The information that you give in the study will be anonymous. Your name and other information that could be used to identify you will not be collected or linked to the data. Raw data will be stored on UVA Box, a secure file storage system managed by UVA IT.

·       Survey period: The survey will close on June 30, 2025.

Begin the survey here: https://virginia.az1.qualtrics.com/jfe/form/SV_bxTbH3l64LIPDng

If you have any questions about the study or the survey, please contact me at agreenwood@virginia.edu.

With warmest regards,

Amanda Greenwood

Archivist, Claude Moore Health Sciences Library

University of Virginia

G.L.A.M. Bookworms Book Club for June

You are invited to Miami Dade College’s Wolfson Archives’ next G.L.A.M.* Bookworms Book Club discussion is on Wednesday, June 18, 7pm (EDT) via Zoom. RSVP/information: info@wolfsonarchives.org.

We’re reading NATURAL HISTORY by Carlos Fonseca:

A curator at a natural history museum investigates the mysterious life of a fashion designer. As he unravels her story, he uncovers deep connections between art, politics, and nature, blurring the line between truth and fiction.

*Gallery, Library, Archives and Museum professionals, but anyone is welcome to join!

CFP: NAGARA 2025 Fall Online Forum

NAGARA is now accepting session proposals for our spirited 2025 Fall Online Forum, taking place virtually this Halloween (October 31, 2025). This Online Forum will focus on advocacy in archives, and we’re summoning presenters who are ready to conjure up powerful strategies to boost awareness, secure funding, rally champions, and banish barriers in the field of government archives, records, and information management.

Have you led a local presentation or workshop and are ready to share it with a national audience? Tackled a thorny issue and want to share your results? Have a passion for advocacy or archives and want to empower your peers? Then this is your sign from the spirits to submit!

Why Submit?

  • Present to a national audience of dedicated professionals in the archives, records, and information management space.
  • Receive a 25% discount on your registration to next year’s 2026 NAGARA Annual Conference in Philadelphia, PA.
  • Be part of American Archives Month with a timely and meaningful topic that makes a lasting impact.

Whether your topic is wickedly bold, fearlessly practical, or hauntingly inspirational, we want to hear from you! Let’s rally together to elevate the role of archives and records programs across the country. Submit a 45-60 minute proposal for our consideration by the June 30 deadline.

CFP: Inter- and Transcultural Heritage. Conflicts, Overlaps, Coexistence

November 6-7, 2025

Lucian Blaga University of Sibiu, as part of the FORTHEM Alliance, invites scholars, researchers, and practitioners to submit proposals for the upcoming Cultural Heritage Lab International Conference, dedicated to exploring cultural heritage within, across, and beyond the European Union’s borders. This year’s theme investigates the dynamics of intercultural, interethnic, and social interactions—especially in regions where boundaries (geographical, political, linguistic, or symbolic) are fluid and contested.

Global migration, forced polyglossia, and renewed regional tensions that often result in military conflicts and the encroachment of far-right movements on the global polity have become telltale signs of “living in the end times,” as Slavoj Žižek would have it. This has transformed heritage into both a site of conflict and a field of negotiation, whereas the simple dichotomy imposed by structural discrepancies such as core vs. periphery, North vs. South, East vs. West, etc. cannot by any means account for the nuanced changes in how cultural heritage is perceived, curated, and lived. These new tendencies compel us to interrogate whether or not cultural heritage has always possessed an intercultural character and has always resulted from the negotiations of different perspectives and power dynamics.

In this context, our conference aims to create a space for critical reflection on the intersections, frictions, and alliances formed in the in-betweenness of cultural spaces and in the peripheries—areas which are often overlooked yet abound in cultural hybridities and shared legacies.

We welcome contributions from fields including cultural and heritage studies, anthropology, archaeology, sociology, history, linguistics, political science, art history, literature, digital humanities, economics, media and religious studies, drama, film, the performing arts, and memory studies. Interdisciplinary approaches are welcome and encouraged.

Contributors are invited to submit their abstracts on (but not limited to) the following themes:

  • Inter- and transcultural memory and heritage in borderlands;
  • The politics of cultural preservation and erasure in multicultural societies;
  • Heritage in conflict zones and the afterlife of heritage;
  • Minority narratives and “discarded” national identities;
  • “Minor” languages and cultures and their relationship to cultural hegemony;
  • Syncretism vs. conservatism in EU peripheries;
  • East-West/ North-South divides: migration, displacement, and their link to cultural heritage;
  • “The West and the Rest”: Postcolonial and decolonial approaches to cultural heritage;
  • Combined and uneven heritagisation: urban vs. rural heritage;
  • The (digital) afterlife of cultural heritage: discard, rubbish, digital avatar, etc.;

Submission Guidelines:

Please submit an abstract of 250–300 words, along with a short biographical note (max. 100 words), to Ovio Olaru and Daniela Stanciu-Păscărița (ovio.olaru@ulbsibiu.rodaniela.stanciu@ulbsibiu.ro) by 20.07.2025. For effectiveness, please include “Cultural Heritage Lab conference submission” into the title of your email.

The conference will be held in English and French and will take place exclusively on-site.

We look forward to your contributions!

Kind regards,

The organisers.

The “Inter- and transcultural Heritage: Conflicts, Overlaps, Coexistence” conference is organised within the EU-funded project “Establishing a Laboratory of Cultural Heritage in Central Romania” (ELABCHROM) (https://grants.ulbsibiu.ro/elabchrom/conference-2025/)

Contact Information

Andrei Terian; andrei.terian@ulbsibiu.ro

Ovio Olaru; ovio.olaru@ulbsibiu.ro

Daniela Stanciu-Păscărița; daniela.stanciu@ulbsibiu.ro

Contact Email

ovio.olaru@ulbsibiu.ro

URL: https://grants.ulbsibiu.ro/elabchrom/conference-2025/